199 résultats
200371616Edition Minerva. New. 2003. Paperback. 3932353838 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 300 pp. With 253 ills. 180 col. . 28 x 24 cm. -- with a bonus offer-- . Edition Minerva paperback
2001Q-1571452710Thunder Bay Pr 2001-08-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thunder Bay Pr hardcover
196820199AB1968. Vienna Nebehay 1968. 17 : 17 cm. 10 leaves with 19 illustrations. Golden original boards. Besides 17 drawings by Gustav Klimt in shows self-prtraits of Koloman Moser and Carl Moll co-founders of the Viennese Secession. hardcover
201088398Hirmer Verlag. New. 2010. Hardcover. 3777428817 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9783777428819. 160 pp. ; 159 illus. -- with a bonus offer-- . Hirmer Verlag hardcover
17-3473Greenwich Conn.: New York Graphic Society 1971. 4to. ca 160 pp. Hard cover. Very Good. Blue cloth covered boards. Dust Jacket Good. Some shelf wear. Three-inch loss on verso at top edge. In protective Mylar wraps. Color and B&W plates throughout. Extremely scarce.Heavy volume additional shipping fee may apply.From the Library of Pasquale Iannetti with book loan card and embossed stamp. Greenwich, Conn.: New York Graphic Society, 1971. paperback
194319066AB1943. Vienna Der Reichsstatthalter in Wien 1943. 23 : 155 cm. 8 leaves 16 plates. Illustrated original boards. Rare exhibition catalogue for Klimt's 80ties birthday held in the Secession building during the occupation of Austria through the Nazies. Shown were 100 items from oil-paintings water-colours and drawing. Introduction by Fritz Novotny. hardcover
196420499AB1964. Graz Akademische Druck- und Verlagsanstalt 1964. 60 : 44 cm. With 25 reproductions after drawings by Gustav Klimt partly in colour loose as issued. Original cloth portfolio. Wonderful reproductions of 25 of the most famous drawings by Gustav Klimt. All drawings under passepartout and loose in original portfolio. A masterpiece of reproduction art. The portfolio of highlights his drawings. The scope and representative character of the collection offers works from all creative periods and studies on all of the artist's main works the numerous portraits of women from Viennese society and his major life themes such as love eros and Death as well as his erotic drawings with which he revolutionized the representation of the female naked body and paved the way for the expressionists Egon Schiele and Oskar Kokoschka. hardcover
1931187360Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. This is the first reproduction of Klimt's original painting Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.8 x 31 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown
1990BN255912Wiesbaden. Fourier Verlag 1990. 1990. Hetärengespräche. Mit 15 Zeichnungen von Gustav Klimt. <br/><br/>Hetärengespräche. Mit 15 Zeichnungen von Gustav Klimt. Lukian von Samosata Lucianus Samosatensis und Gustav Klimt Wiesbaden. Fourier Verlag unknown
1931142901Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark blue grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.9 x 31.1 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
190115840AB1901. Vienna Herzig 1901. 45 : 34 cm. Original photoengraving in an gilt frame designed by Josef Hoffmann especially for Gustav Klimt. Contemporary beautiful photoengraving of Klimt's famous Judith. Published in the book 'Ars Nova' in 1901 shortly after Klimt finished the painting. In perfect condition and in a special frame designed by Josef Hoffmann especially for Gustav Klimt. Judith and the Head of Holofernes also known as Judith I German: Judith und Holofernesis an oil painting by Gustav Klimt painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance. Judith was the biblical heroine who seduced and then decapitated General Holofernes in order to save her home city of Bethulia from destruction by the Assyrian army. When Klimt addressed the biblical theme of Judith the historical course of art had already codified its main interpretation and preferred representation. Many paintings exist describing the episode in a heroic manner especially expressing Judith's courage and virtuous nature. Judith appears as God's instrument of salvation but the violence of her action cannot be denied and is dramatically shown in Caravaggio's rendering as well as those of Gentileschi and Bigot. Other representations have depicted the subsequent moment when a dazed Judith holds Holofernes' severed head as Moreau and Allori anticipate in their suggestive mythological paintings. Klimt deliberately ignores any narrative reference whatsoever and concentrates his pictorial rendering solely on to Judith so much so that he cuts off Holofernes' head at the right margin. And there is no trace of a bloodied sword as if the heroine would have used a different weapon: an omission that legitimates association with Salome. The moment preceding the killing the seduction of Nebuchadnezzar's general seems to coalesce with the conclusive part of the story. unknown
STLE0077bWien Druck Brüder Rosenbaum 1909. 15 x 175 cm. 80 S. XIV S. Verzeichn. der ausstellenden Künstler 1 Bl. Anz. 12 Taf. 1 gef. Grundrissplan der Ausstellungshalle 9 Bll. Anz. OBrosch. m. schwarzgedr. Deckeltitel. Papierbed. gebräunt ansonsten in unberührtem nahezu druckfrischem Zustand. Seltener Katalog der 2. Kunstschau-Ausstellung. Die erste Kunstschau-Ausstellung fand 1908 im Rahmen einer Vielzahl von Veranstaltungen und Festlichkeiten aus Anlass des 60-jährigen Regierungsjubiläums von Kaiser Franz Josef statt. Die Kunst- und Kunsthandwerksausstellung von Künstlern aus dem Kreis um die Wiener Werkstätte und die Klimt-Gruppe fand in einem provisorischen Ausstellungsgebäude auf dem noch unbebauten Gelände des späteren Konzerthausgebäudes statt. In einem eigens von Josef Hoffmann und anderen Architekten geplanten Gebäudekomplex der auch einen Garten und ein Theater umschloß wurde 1908 und 1909 ein nie wieder erreichter Überblick über die aktuellen künstlerischen Produkte und Vorschläge aus allen Bereichen der bildenden Kunst des Kunsthandwerks der Skulptur und der Architektur gezeigt. Kat. Kunst in Wien um 1900 S. 79. Bei der 2. Kunstschau 1909 wurde das Hoffmannsche Wohnhaus mit maschinell hergestellten Möbeln der Deutschen Werkstätten für Handwerkskunst Dresden nach Entwürfen von Richard Riemerschmidt eingerichtet und auch eine Sonderschau mit Werken von Ashbee Mackintosh und anderen britischen Künstlern gezeigt . Sekler Josef Hoffmann S. 119. Schiele zeigte vier seiner Arbeiten und Klimt ermöglichte dem jungen Kokoschka erstmals die Gelegenheit zum Ausstellen. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG. (Wien, Druck Brüder Rosenbaum 1909). unknown
1931181945Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.8 x 31 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown
3854477880.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2018169895London: Royal Academy of Arts 2018. First Edition. Hardcover. First Edition. Published in conjunction with an exhibition held in 2018 and 2019 at the Royal Academy in London.<br /> <br /> Very Good plus slightly cocked with no dust jacket as issued. Still in publisher's shrinkwrap. Royal Academy of Arts unknown
201811305London; Royal Academy of Arts 2018. 2018. Hard Cover. FIRST EDITION. Quarto pp. 189 1. Illustrated in colour throughout. Bound in absinthe green cloth with pictorial paper panels onlaid to cloth titles in black to upper boards and spine. A Fine copy. An attractive and richly illustrated work published on the occasion of the 2018/19 exhibition "Klimt /Schiele Drawings from the Albertina Museum Vienna" at the Royal Academy in London. Please be aware that this book is much heavier than usual so we will request a contribution towards postage costs for overseas customers. London; Royal Academy of Arts, 2018. hardcover
18-5780Köln: Taschen 2006. Folio. 239 pp. Very Good. Hard Cover. Illustrated red paper covered boards. Dust Jacket Good. One inch tear near head of spine. Minor bumps to corners of boards. Pages fine. Color and B&W plates throughout.ISBN: 3822850160 9783822850169.From the Collection of the Art Historian Peter Selz. Köln: Taschen, 2006. hardcover
201198714Parkstone Press. New. 2011. Hardcover. 1844845907 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pages; 479 illustrations most in color. -- with a bonus offer-- . Parkstone Press hardcover
201723832<p>new oversize hc. expedited shipping not available</p> Prestel hardcover
2007C86535Prestel. As New. 2007. Hardcover. 3791337645 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 320 pages; many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Prestel hardcover
200786535Prestel. New. 2007. Hardcover. 3791337645 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 320 pages; many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Prestel hardcover
2019186647Asahi Shimbun 2019. Hardcover. VG. Japanese language text. Color illustrated cloth boards. 275 pages. Color illustrations. Asahi Shimbun hardcover
200040983New Haven & Vienna: Yale / DuMont 2000. First American Edition. Folio 32cm.; publisher's boards in pictorial dust jacket; 256pp.; photographic portrait frontispiece color illus. throughout. Some light shelf wear else Very Good to Near Fine. Exhibition catalog. Yale / DuMont unknown
200085423Cologne; New Haven: DuMont; Yale University Press 2000. Hardcover. Fine copy in fine dust jacket; DJ is lightly edgeworn but there are no tears; o/w DJ is clean and bright; boards are clean and bright; pages are clean crisp bright and free of marks and creases; edges of pages are clean; binding is tight and square. Octavo in blue pictorial board in dust jacket of same illustration; illus. some color; 256 pp. 32 cm. In English. Contents: Gustav Klimt -- painter between the times / Gerbert Frodl -- Fin-de-siecle Vienna and the ambivalence of modernism / Heidemarie Uhl -- The Habsburg State and Gustav Klimt scenes from a fruitful relationship / Jeroen Van Heerde -- Of sweet young things and femmes fatales. Gustav Klimt and women around 1900. A path to freedom / Regine Schmidt -- Gender asymmetries in Viennese moderninsm / Lisa Fischer -- "Alma my Alma" -- Gustav Klimt and Alma Schindler / Hansjorg Krug -- Gustav Klimt and women's fashion / Angela Volker.Gustav Klimt and photography / Franz Eder -- Princesses without a history Gustav Klimt and "the community of all who create and all who enjoy" / Tobias G. Natter -- Gustav Klimt: female portraits / Tobias G. Natter -- Portrait and pose. On the representational image of the "feminine" at the Fin de siecle / Monika Pessler and Thomas Trummer -- Klimts studies for the portrait paintings / Marian Bisanz-Prakken -- Judith / Daniela Hammer-Tugendhat -- The compositional concept of "The Kiss" / Hans Bisanz. The two-fold woman water-snakes / Neda Bei -- The three stages of life / Alessandra Comini. DuMont; Yale University Press hardcover
28322Benedikt Taschen Verlag. Unknown Binding. Very Good. Benedikt Taschen Verlag. Unknown Binding. Very Good. <br/> <br/> Benedikt Taschen Verlag unknown
