KLIMT, GustavBiblio.com
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1919139054Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 34 x 51.3 cm. Excellent condition. unknown
3346604128.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
EEZZ6679Wien u.a. Rikola Verlag 1922. 4to. 28:20 cm. Folge von 10 Tafeln mit zugehörigem Begleitheft. 27 x 20 cm. 4 nn. Bl. Textheft 10 mont. Lichtdruck-Tafeln nach Handzeichnungen von Gustav Klimt in der oft fehlenden Orig.-Flügelmappe mit faksimilierter Signatur Klimts auf dem Vorderdeckel. Die Mappe fachmännisch restauriert unterlegt Textheft und Kunstblätter in gutem Zustand. Wien u.a., Rikola Verlag, 1922. 4to. (28:20 cm). Folge von 10 Tafeln mit zugehörigem Begleitheft. unknown
1922153802Vienna Berlin Leipzig Munich: Rikola Verlag 1922. First edition first printing of this scarce publication printed four years after Klimt's death. It is unlikely more than 1000 copies were printed due to the nature of printing collotypes. Rikola Verlag were advocates of the Vienna Seccession movement; they purchased all of Egon Schiele's original lithographic prints and etching plates in the same year and sold them as a collected portfolio. It is accompanied by a booklet edited by Gustav Glück director of the Gemäldegalerie Vienna 1916-31 who went so far as to say that the Austrian artist's work could only be understood through his drawings. Quarto. 8 pp booklet and 10 loose plates. 10 collotypes of portraits and nudes after drawings by Klimt on white wove paper approx. 23 x 14.9 cm tipped onto grey paper 27 x 20 cm as issued. Edges and corners of grey mount paper chipped not affecting the images otherwise all in very good condition. Lacking the original envelope. unknown
1396623329.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
139646459X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428708994.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428709109.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366506293.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366506358.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366574310.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366574396.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919138284Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.5 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
194027131940. Punched twice at the left edge. In fine condition. 1 page typed document. <p><br /> Important document about the Nazi-looted and subsequently privately sold Klimt’s masterpiece the Water Serpents II.<br /> <p><p><br /> Gustav Klimt’s Water Serpents II was painted between 1904 and 1907 and was originally commissioned for and owned by Jenny Eugenie Steiner neé Pulitzer; 1863–1958 the wife and at the time of the issue of the present document already the widow of a wealthy Viennese Jewish industrialist. The painting was apparently an asset of the late husband’s silk company “Brüder Steiner†as it is referred to in the document. In June 1938 after the Anschluss under the threat from the Nazis Jewish herself Jenny Steiner fled from Vienna and the painting together with several of her valuable tangibles including other works by Klimt and Egon Schiele was confiscated as Jewish property.<br /> <p><p><br /> In 1940 three of Steiner’s Klimt paintings including the Water Serpents II were offered on the sale of the leading Viennese auction house Dorotheum 458. Kunstauktion March 4–6.; the two other paintings were the Country House by the Atteree and the Portrait of Mäda Primavesi. Fleckner 2017 However by the intervention of Josef Bürckel then Gauleiter of Vienna the painting was withdrawn from the auction and sold privately to the Nazi filmmaker and alleged illegitimate son of Klimt Gustav Ucicky 1899–1961 through his second wife Inge Ingeborg Davis. The picture remained in Ucicky’s possession until his death in 1961 when his third wife Ursula née Kohn; b. 1922 inherited it. <br /> <p><p><br /> In 2013 Ursula Ucicky in agreement with the heirs of Jenny Steiner sold the Water Serpents II through Sotheby’s sharing the income 50/50. The painting reached the price of $112 million at the time the 6th most expensive painting in the world and the most expensive Klimt painting by then to be sold.<br /> <p><p><br /> The present typewritten and signed secretarial note Aktenvermerk. Betrifft: Ölgemälde des Malers Klimt “Wasserschlangenâ€Â was written on behalf of Hermann Drum 1911–1945 the administrative assistant Adjutant of Josef Bürckel the Gauleiter and later Reichsstatthalter too of Reichsgau Vienna in office as Gauleiter from 30 January 1939 as Reichsstatthalter from April 1 1940 until 2 August 1940 in regard the withdrawing from the auction and the private sale of Klimt’s Water Serpents II. See also in Lillie’s Was einmal war; note that in the book the intervener erroneously ascribed as Reichsstatthalter Baldur von Schirach in fact it was Gauleiter Bürckel. In the text Drum’s secretary summarizes how the painting ended up at the Dorotheum sale with the estimated value of 6000 Reichsmark states the wish of the Gauleiter that the painting should be sold privately to Mrs. Ucicky and delineates a plan developed together with dr. Deigelmaier an official from the local revenue service for withdraw and sell the painting out of the sale if an appropriate purchase offer would be made privately “ich halte einen Preis von 8–9000 RM für angemessen†/ “I think a price of 8–9;000 RM is reasonableâ€. The secretary misspells the name “Ucicki†and also mixes up the family relations claiming Mrs. Ucicky the descendant of Klimt.<br /> <p><p><br /> Rare and important document related to one of the most well-known Nazi-looted pictures. <br /> <p><p><br /> Literature: Fleckner U. et al. Markt und Macht Der Kunsthandel im »Dritten Reich«. De Gruyter 2017. pp. 304–9; Lillie S. Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens. Czernin 2003.<br /> <p>. unknown
1985DYTWW10415SMA 1985. Soft Cover. Fine. Number of books£º1 SMA paperback
201514034AB2015. Munich London New York Prestel 2015. 285 : 235 cm. 239 pages with 154 mostly coloured plates and illustrations. Original cloth with coloured illustrated original dust jacket. Describes and illustrates the view of those three famous Austrian artists on woman. - The exteisive catalogue of the exhibition at the Belvedere in Vienna. With many fundamental articles like: Love Psyhce and Obsession the woman of Klimt Schiele Kokoschka - Gender asymmetries emacipation offers and uprising - Feminine Sexuality in the Work of Gustav Klimt - and others. hardcover
201297811Knopf. New. 2012. Hardcover. 0307265641 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 368 pp. ; 54 illus. -- with a bonus offer-- . Knopf hardcover
190014553Curtis Publishing. Philadelphia. 1900 Oversize magazine about 11 by 16 inches with some 48 pages. Bound in illustrated wraps. This is the famous issue with the GUSTAV KLIMT front cover illustration. The usual good stuff inside but KLIMT trumps any other content. Very scarce very desirable in this condition. Address label; slight wear most noticeable at the spine bottom; center two leaves loose from spine. Beautiful condition. NEAR FINE Language: eng Language: eng Language: eng. 1st Edition. Soft cover. Near Fine/No Jacket. Curtis Publishing. Philadelphia. paperback
19-8848Salzburg: Verlag Galerie ca. 1940s. Large format color reproduction print poster 27†x 27â€. Very Good. Mild creasing. Printed in Austria. Salzburg: Verlag Galerie, [ca. 1940s?]. unknown
1219711931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in.<br /> <br /> 1931 unknown
1931333711Vienna: Austrian State Printing Office 1931. Collotype print with chine colle 19 x 17 7/8 inches. Limited English edition.<br/> <br/> The Stoclet Frieze is a series of three mosaics 1905 - 1911 commission for the Stoclet Palace in Brussels Belgium. This image was in the first panel called 'The expectation'. Printed in 'Gustav Klimt Eine Nachlese An Aftermath' a portfolio of 30 collotypes prints 15 are multi-color and 15 are monochrome on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler Editor-Publisher; Osterreichischer Staatsdruckerei Austrian State Printing Office Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German 150 were printed in French and 150 were printed in English. Max Eisler 1881-1937 the publisher of the 1931 Aftermath portfolio was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. Some foxing and toning but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style.<br/> <br/> Austrian State Printing Office unknown
1919157501Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 52.3 x 33.5 cm. Framed size 70.8 x 51.2 cm. Foxing to mount otherwise in excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919157499Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 51.4 x 33 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
1919138276Vienna: Gilhofer & Ranschburg 1919. Edition of 500 and 10 proofs. Printed by The Art Institution Max Jaffé in Vienna and issued as one of 25 prints from the portfolio Fünfundzwanzig Handzeichnungen. Collotype on matt art paper tipped onto thin cream card with mount as issued. Sheet size: 52.3 x 32.3 cm. Framed size 70.8 x 51.2 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. unknown
3990382896.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
