2 454 résultats
1998C86328Hatje Cantz. As New. 1998. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 416 pages; over 1000 illustrations in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Lithographs -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Hatje Cantz paperback
19652462Monte Carlo André Sauret. 1965. Signed Lithograph. Frontispiece. Published with the book in a separate folder usually not signed. 250 x 325mm. This lithograph SIGNED in ink on the verso. Mourlot 434. In excellent condition. "This work is devoted to the ceiling of the Paris Opera which will always count as one of the great achievements of monumental painting in the 20th century." Marc Chagall specially designed a full page lithograph for the frontispiece of this book. "That frontispiece has never been separately printed and there is no signed proof." André Sauret. This signed in ink lithograph may be one of the few that Chagall signed according to Sauret. Published for the edition of the First French language edition. 4to. Monte Carlo French Edition. ORIGINAL LITHOGRAPH SIGNED BY CHAGALL IN PEN ON THE VERSO housed inside a separate folder. André Sauret books
19651063Monte Carlo. André Sauret. 1965. First French language edition. 4to.Monte Carlo André Sauret. Quarto. Original red cloth titles on spine and illustration to front cover in black. With the dust jacket wrap around band and the original acetate with the title. Illustrated by Marc Chagall including one loose original lithograph frontispiece Mourlot 434 housed in a folder and six color lithographs after Chagall by Sorlier color and monochrome illustrations throughout and one four sided fold-out illustration of the Opera House ceiling in the rear pocket. Fine in fine dust jacket. First edition first printing. French Edition. ORIGINAL LITHOGRAPH SIGNED BY CHAGALL IN PEN ON THE VERSO inside the folder. 13 5/8 x 9 3/4.<br />This is the only copy with an original lithograph signed by Chagall on the Abe and Bibio book sites. André Sauret hardcover books
51-5817Paris: Tériade Editeur 1967. . Folio. 33.5 x 42.5 cm. Edition of 250; with the signed limitation page and title page. Cream cloth board chemise in matching slipcase.Text volume with ca. 125 pages. Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 68. Paris: Tériade Editeur, 1967. hardcover
51-5816Paris: Tériade Editeur 1961. . Folio. 32.3 x 42cm. Edition of 250 this one without the limitation page. Two volumes in cream board chemises in matching slipcase.Text volume with 78 pages. Plate volume with paper wraps only.Ideal for someone who owns one or more of the lithographs for presentation. Cramer no. 46 Paris: Tériade Editeur, 1961. paperback
1956198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown
1956110226Harcourt Brace and Company 1956-01-01. Hardcover. Very Good. 0x0x0. 1956 Harcourt Brace and Company American issue of Verve 33/34. Clean tight and unmarked jacket is quite tattered in two pieces missing the spine and is now laid into the book. All lithographs intact and undamaged. oversized and overweight. Please email for photos. Harcourt, Brace and Company hardcover
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/> <br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition.<br/> <br/> Harcourt Brace unknown
1920165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the antirationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil unknown books
1956118477Paris : Editions de la Revue Verve 1956. 360x270mm. collation effectu : 105 planches n/b graves lÕeau-forte 16 lithographies en couleurs et 12 lithographies en noir complet reliure cartonnage de lÕditeur sous jaquette en rhodode. Ce double numro de Verve est consacr la reproduction intgrale en hliogravure des 105 planches graves lÕeau-forte par Chagall entre 1930 et 1955 pour lÕillustration de la Bible. LÕartiste a compos spcialement pour le prsent ouvrage 16 lithographies originales en couleurs et 12 en noir ainsi que la couverture et la page de titre. Volume imprim par Draeger pour lÕhliogravure et par Mourlot pour la lithographie. Accrocs sur le haut du dos et dchirures sur le haut du dos de la jaquette. Intrieur propre. Ddicac par Marc Chagall sur la page de titre dat du 25 aot 1957. Bel exemplaire. 1846 Editions de la Revue Verve unknown
1985C93676Orell Fussli Füssli Fuessli. As New. 1985. Hardcover. 3280015758 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 215 pages; 98 illustrations including 64 in color. Catalogue Raisonne Catalog Raisonné Complete Works Leben Und Werk Oeuvre-Katalog Kritischem Oeuvrekatalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Orell Fussli (Füssli, Fuessli) hardcover
19601497Éditions de la Passerelle, Paris 1960. 1 volume grand in-folio (440 X 350 cm), en feuilles sous couverture illustrée rempliée, chemise et étui peints décorés de l'éditeur. Édition originale illustrée de 3 EAUX-FORTES dorées pour la couverture et 16 GRAVURES ET AQUATINTES ORIGINALES EN COULEURS EN HORS-TEXTE D'ANDRÉ MASSON. Tirage : 160 exemplaires numérotés et nominatifs. Celui-ci tiré sur grand vélin d'Arches. Tous les exemplaires sont signés au colophon par l'auteur, l'artiste et l'éditeur. Les gravures ont été tirées chez Lacourière.
19632471AB1963. Band 2. Monte Carlo Sauret 1963. 325 : 25 cm. 208 Seiten mit 11 7 farbigen Original-Lithographien von Marc Chagall und 376 teils farbigen Abbildungen. Original-Leinenband mit Original-Farblithographie von Chagall als Schutzumschlag Schuber. Das massgebliche Werkverzeichnis für die lithographischen Arbeiten Chagalls von 1957 - 1962. Mit den 11 Original-Lithographien. Text in deutsch. Neuwertiges Exemplar. unknown
19632471ABMonte Carlo, Sauret, 1963. 32,5 : 25 cm. 208 Seiten mit 11 (7 farbigen) Original-Lithographien von Marc Chagall und 376 teils farbigen Abbildungen. Original-Leinenband mit Original-Farblithographie von Chagall als Schutzumschlag, Schuber. (Band 2).
1962319572Monte Carlo: Sauret 1962. First edition. Illustrated. 210 6pp. with 2 original lithographs. 4to. Publisher's cloth. Almost fine in very good dust jackert. First edition. Illustrated. 210 6pp. with 2 original lithographs. 4to. Signed. Signed on ffep "Marc Chagall Vence 1962. Sauret unknown books
196249034New York: George Braziller 1962. First Edition. Hardcover. Near Fine/Near Fine. Folio. First edition in English. Red cloth boards lettered in gilt with the dust jacket both as new in the original and as new card slipcase. Held in a custom black cloth clamshell lettered in gilt matching the complete set of Chagall Lithographs we also have on offer. With the original lithographs present of course. A sharp copy. George Braziller hardcover
12447196. Used; Like New/Used; Like New. Le Cantique des Cantiques 1975 edition of 8500 printed by Charles Sorlier published by Mourlot Paris for the Société des Amis du Musée National Message Biblique Marc Chagall Nice Sorlier Posters 142-3. Signed and dated "Marc Chagall 1976." in blue felt-tip pen l.r. dry stamp u.c. Color lithographic poster sight size 29 x 19 1/2 in. 73.5 x 49.4 cm. Nicely presented in layered linen mats set in a gold metal frame. Not examined out of frame but in apparently fine condition. <br><br><br />This painting reproduced here is one of five in a cycle of works by the master French painter Marc Chagall. The collection beautifully illustrates the Song of Songs a book from the Hebrew Bible that celebrates love and sexual desire between a man and a woman. Rather than illustrating the text Chagall visually represents three themes from the book: the lyrical the sacred and the sensual. The Song has been interpreted in many ways both as a love poem between a man and a woman and as an allegory representing the love between man and God. The betrothed couple become one as they ascend to the heavens eye level with the angels. The figures watch over the workaday scene below—animals grazing a woman carrying her load and a quaint town resting under the night sky. unknown books
19701086231970. Signed. CHAGALL Marc. Autograph letter signed. Zurich September 9 1970. Single sheet of Dolder Grand Hotel airmail-weight stationery measuring 6 by 8-1/4 inches; pp. 2 with original matching hand-addressed envelope. $2200.Extraordinary 1970 autograph signed letter written entirely in Yiddish from Marc Chagall to acclaimed Yiddish writer and Jewish activist S.L. Shneiderman thanking him for sending a book on Ilya Ehrenburg; expressing his hopes that they will see each other in the near future; and explaining that he is in Zurich for an event related to having made the stained glass windows for the Fraumunster Church.The letter written on a sheet of Dolder Grand Hotel airmail stationary entirely in Chagall's hand and dated ""9/Sept 1970"" and accompanied by a hand-addressed matching envelope reads in full translated: ""Dear friend Schneiderman A thousand years have gone by and I remember youand your Yiddish writing stylebut we seldom see each other. Thank you for your book about poor Ehrenburg and also the attached article about me not a public/published one. I will read your book. You can imagine that since that terrible epoch for us Jews we can never forget. I hope that someday I will see you. I send regards to you and to all the good Jews in America. With love Marc Chagall. P.S. I am here for the opening/conference since I made Biblical vitrages stained glass windows for the Fraumunster Church in Zurich."" This letter was written just before friction began to emerge between Shneiderman and Chagall. While Chagall had grown into an acclaimed artist in Europe much of that fame was dependent on working with non-Jewish entities such as churches and even on drawing depictions of events in the New Testament. Increasingly the Christian world began to embrace Chagall and to interpret his work as having ecumenical or even Messianic undertones. Chagall continued in his artistic endeavors and failed to respond to some of the religious-based commentary. Shneiderman felt that this was intolerable publicly criticizing Chagall's failure to meet with Jewish representatives in the community he worked in and his new alignment with Christian and secular authorities. While their relationship did not completely sour and they continued to correspond their relationship grew strained. At the time this letter was penned Shneiderman had just completely a book on Ilya Ehrenburg a famous Soviet-Jewish writer and cultural figure. Highly regarded as a translator journalist poet novelist and travel writer Ehrenburg is probably best known for his Black Book a powerful work detailing the genocide of Soviet Jews by the Nazis during the Holocaust. His book The Thaw on liberalization after Stalin also had a powerful influence and gave a name to an era. Sadly Ehrenburg's reputation was quickly destroyed by antisemites and conspiracy theorists after the war who seized upon an article he wrote called ""Kill!""published while the Soviets were losing the war and the Germans were deep inside Soviet territoryin which Ehrenburg entreated soldiers to kill at least one German a day. Postwar he has often been blamed for the sacking of Germany by Russian troops though he condemned their actions. He died horribly of prostate and bladder cancer still a committed communist. The recipient of this letter was the famous Yiddish writer and journalist Samuel ""S.L."" Shneiderman. Continuing his distinguished early career as a war journalist Shneiderman is best known today for raising awareness about the plight of the Warsaw Ghetto after his arrival in the United States in 1940 and for his dedication to preserving the history of the Jews in Poland throughout his life. His works on the Holocaust and the terrible fate of the Jews remain the best known of his works. Shneiderman and his wife Eileen were also avid collectors of Yiddish-language books and their collection is now housed at the University of Maryland.Slight soiling to envelope letter fine. unknown
19381203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
055710Paris Librairie Stock, Delamain et Boutelleau 1931 in 12 (18,5x13) 1 volume broché, frontispice hors-texte en noir et blanc, 253 pages [1], avec 32 dessins de jeunesse par l'auteur, couverture légèrement passée. Traduction de Bella Chagall. Collection ''Ateliers'',3. Première édition tirée à 1683 exemplaires numérotés, celui-ci un des exemplaires de service de presse marqués SP. Joseph Delteil, Villar-en-Val (Aude) - Tuilerie de Massane (Grabels) 1978, écrivain et poète français. Précieux exemplaire enrichi d'un envoi autographe signé de Marc Chagall à Joseph Delteil, avec un coeur dessiné (Signed and inscribed in French by Marc Chagall to Joseph Delteil). Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
196230485S.l., André Sauret, (1962). Un vol. au format in-4 (333 x 252 mm) de 210 pp. Reliure d'édition de pleine percaline satinée gris-perle, sous jaquette illustrée et rhodoïd.
1962304851962. S.l. AndrÂŽ Sauret 1962. Un vol. au format in-4 333 x 252 mm de 210 pp. Reliure d'ÂŽdition de pleine percaline satinÂŽe gris-perle sous jaquette illustrÂŽe et rhodo•d. Exemplaire revÂtu au premier feuillet de la signature autographe au feutre de Marc Chagall ; datÂŽ 1966. Outre une abondante iconographie en noir et couleurs l'ouvrage est complet de ses deux lithographies originales de Marc Chagall ; tirÂŽes par Mourlot. ''S'agissant d'illuminer une synagogue de Sion et ses douze verriÂres Chagall vit soudain resplendir sous les feux translucides les douze Tribus conjuguÂŽes d'Isra‘l la couronne de gemmes chantÂŽe par le Psalmiste qu'il ÂŽlÂverait ˆ son tour en offrande ˆ la reine d'Orient. Saisi par le seuil de l'‰ge par cet ÂŽblouissement impÂŽrieux il s'absorba deux annÂŽes sans rel‰che jusqu'ˆ la rÂŽussite absolue jusqu'au miracle final''. Angles et coupes de la jaquette lÂŽgÂrement ÂŽlimÂŽes. Claires rousseurs sur les tranches. Du reste belle condition. b42961 unknown
1957000581Marc Chagall Maeght 1750 Couverture souple 1957 Paris Edition originale numéro 99 - 100 de la revue " Derrière le miroir ", consacrée à Marc Chagall. Couverture en lithographie + 5 lithographies originales ( dont 2 en double page )
118477Paris, Editions de la Revue Verve 1956, 360x270mm, reliure cartonnage de l’éditeur sous jaquette en rhodoïde. Ce double numéro de Verve est consacré à la reproduction intégrale en héliogravure des 105 planches gravées à l’eau-forte par Chagall entre 1930 et 1955, pour l’illustration de la Bible. L’artiste a composé spécialement pour le présent ouvrage 16 lithographies originales en couleurs et 12 en noir, ainsi que la couverture et la page de titre. Volume imprimé par Draeger pour l’héliogravure et par Mourlot pour la lithographie. Accrocs sur le haut du dos et déchirures sur le haut du dos de la jaquette. Intérieur propre. Dédicacé par Marc Chagall sur la page de titre, daté du 25 août 1957. Bel exemplaire.
1974CHAGALLM013871�ditions Andr� Sauret Monte-Carlo. 1974. First edition. The fourth volume in the catalogue raisonn� of Chagall's lithographs. There were a further two volumes. Folio. 180 pages almost all of which are devoted to reproductions. The frontispiece and the dustwrapper are original colour lithographs printed by Mourlot in Paris.Signed boldly in red crayon by the artist on the title-page.Small bump to tail of spine. Fine in fine dustwrapper. �ditions Andr� Sauret, Monte-Carlo. unknown