[VERVE] - CHAGALL (Marc)Livre Rare Book
2 454 résultats
41820Paris, Verve (Vol. X, N° 37-38), 1960. In-4°, non paginé. Reliure cartonnée illustrée d'éditeur.
198023780New York: Harcourt Brace and Company 1980. First American edition. Hardcover. Orig. color lithographed boards. Near fine in original unclipped dust wrapper chipped along the edges. Introductory text not paginated seven leaves. 37 x 27 cm. Twenty four full page original color lithographs plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38 double issue Summer 1960 and is the final entry in the Verve bibliography. The heliogravures in black and white printed by Draeger Freres and the color lithographs by Mourlot Freres. CRAMER 42. MOURLOT 230-277. SORLIER 75. Harcourt Brace and Company hardcover
196010716AB1960. 3 volumes. Monte Carlo Sauret 1960 - 1969. 33 : 25 cm. With 23 original lithographs most of them coloured by Marc Chagall and hundreds of mostly coloured illustrations. Original cloth with original dust-jackets which are also original colour lithographs. The important first three volumes of the catalogue raisonne of the lithographs of Marc Chagall in perfect condition. Text in German and French. hardcover
196010716ABMonte Carlo, Sauret, 1960 - 1969. 33 : 25 cm. With 23 original lithographs, most of them coloured, by Marc Chagall and hundreds of mostly coloured illustrations. Original cloth with original dust-jackets which are also original colour lithographs. 3 volumes.
196657375Paris New-York New York: Léon Amiel 1966. Fine. Léon Amiel Paris New-York New York 1966 36 x 49.50 cm une feuille CHAGALL Marc. For the cloude of the Lorde was upon the Tabernacle by day and fire was in it by night in the sight of all the house of Israel thorowout all their journeys The Story of Exodus Amiel Léon Paris New-York 1966 36 x 49.5 cm one single leaf Original color lithograph one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof as all proofs in this series other than the frontispiece. A superb proof on Japon paper specially made for The Story of Exodus published in 1966 for which Chagall made 24 hors-text lithographs printed by Mourlot. An exceedingly rare original proof on Japon paper the most attractive and best for color lithographs. Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. Picasso Matisse Chagall Miró Braque Dubuffet Léger Giacometti added to their own expression and contemporary art a new field of research. With Mourlot and thanks to him lithography acquired both a personality and a future Pierre Cabanne in Cinquante années de lithographie. Having already printed two volumes of the Bible illustrated by Chagall Mourlot contributed to the artist's lithographic training in the 1950s. It was during this period that Chagall began to visit Mourlot's workshop regularly in order to learn lithographic techniques and that he developed bonds of friendship with the staff of the workshop most notably Charles Sorlier. It was thus at the peak of his powers that Chagall made this story of Exodus which coincided with the termination of his immense lithographic and pictoral work on the Bible undertaken in 1930 at the urging of Ambroise Vollard. This decorative cycle entitled Le Message Biblique The Biblical Message was in fact the basis for the creation of the Chagall Museum originally called the Musée national du message biblique Marc-Chagall. Léon Amiel unknown
1952192528Paris: Éditions Manuel Bruker 1952. Il y a du cheval dans la tête de tous les grands hommes First edition number 44 of 50 copies printed on Van Gelder Holland watermarked paper; this copy issued with a duplicate suite of Chagall's illustrations printed on Montval pure-rag watermarked paper intended only for the first 25 copies printed. The total edition comprised 200 copies. Chagall a good friend of Goll's was the perfect choice of illustrator so often incorporating horses into his own artworks. First published in 1925 this eccentric and satirical short story is written from the point of view of Goliath an over-worked carriage horse in Paris newly elected to the board of directors of the horse union. His manifesto outlines among other demands eight-hour working days for the equine community and the prohibition of the making of sausages out of their corpses. A thinly veiled political allegory Goll uses the plight of the working horses to attack capitalism and the exploitation of the working class. Quarto. With 2 etchings and 5 lithographs by Chagall and additional duplicate suite of Chagall's illustrations loose at end. Wood-engraving by Robert Blanchett to front cover. Original wrappers gatherings unsewn as issued edges uncut. With original glassine dust jacket. Housed in publisher's pale brown card chemise with silk ties. Contents clean and bright very light toning to extremities of some pages prints clean and bright; small sticker residue to front board. A near-fine copy unknown
1941219115New York 1941. Half-length portrait of the artist glancing to the side. Vintage gelatin silver print. Docketed in pencil on verso giving the name of the sitter the date of the session and a reference to negative and print "XXI - V - 13". 1 vols. 13-3/4 x 9 inches. Matted and framed. Half-length portrait of the artist glancing to the side. Vintage gelatin silver print. Docketed in pencil on verso giving the name of the sitter the date of the session and a reference to negative and print "XXI - V - 13". 1 vols. 13-3/4 x 9 inches. Variant of the portrait from the same session published in Portraits: The Photography of Carl Van Vechten 1978. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of Portraits: The Photography of Carl Van Vechten 1978 unknown
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/><br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A good only copy but all the desirable lithographs are present and in excellent condition.<br/><br/> Harcourt Brace unknown books
1960284582New York: Harcourt 1960. First. hardcover. very good. Chagall. First American edition of Verve Vol. X nos. 37/38. Profusely illustrated with 48 original lithographs printed by Mourlot 24 are full-page color plates and 72 additional b/w images. 4to blue pictorial boards edgeworn as usual mostly along outer joints but all text pages and plates are fine and clean. New York: Harcourt Brace and Company 1960. First American edition. A very good or better copy of this scarce and highly desirable book.<br/><br/> -- Sorlier no. 75; Mourlot nos. 230-277; Cramer no. 42.<br/><br/> Harcourt unknown books
1941219115New York 1941. Half-length portrait of the artist glancing to the side. Vintage gelatin silver print. Docketed in pencil on verso giving the name of the sitter the date of the session and a reference to negative and print "XXI - V - 13". 1 vols. 13-3/4 x 9 inches. Matted and framed. Half-length portrait of the artist glancing to the side. Vintage gelatin silver print. Docketed in pencil on verso giving the name of the sitter the date of the session and a reference to negative and print "XXI - V - 13". 1 vols. 13-3/4 x 9 inches. Variant of the portrait from the same session published in Portraits: The Photography of Carl Van Vechten 1978. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of Portraits: The Photography of Carl Van Vechten 1978 unknown books
195616689New York: Harcourt Brace and Company 1956. Boards. Near Fine/Good . A lovely copy of the 1956 1st American edition IN THE FRAGILE UNCOMMON DUSTJACKET. Crisp and Near Fine to Fine with tight all-but-pristine pictorial boards and no writing or markings of any kind internally. And in a Good example of the pictorial dustjacket which shows some chipping especially at the spine ends and along the front panel's top-edge and the rear panel's lower-edge but is 95% complete and remains bright and very presentable. Folio all plates present as called for and in immaculate condition -- including the 16 lithographs in color the 12 in black-and-white and the lithographed cover and title page. An especially bright copy which has been well-protected over the years by its dusjacket. <br/><br/> Harcourt, Brace and Company hardcover books
19761716Le bouquet (Gaston Puel), Veilhes 1976. 1 volume petit in-4 (17 x 13 cm) en feuilles sous couverture imprimée rempliée et chemise de papier cristal moiré de l'éditeur. Édition originale en catalan du poème de Jordi de Sant Jordi avec la version française de René Nelli en regard. UNE GRAVURE ET AQUATINTE DE JOAN MIRÓ SIGNÉE AU CRAYON Tirage : 50 exemplaires + quelques H.C. signés par le traducteur et l'éditeur. La gravure signée par l'artiste. Celui-ci 1 des exemplaires justifiés H.C. Imprimeur : Atelier Morsang. (Références : P. Cramer "les livres illustrés par Miro" n° 220 ; P. Dupin "Miro graveur IV" n° 935).
195672241956 Paris: Éditions de la revue Verve, 1956. In-4 relié: 27 x 36 cm, 1 f. de titre, 7 ff. de texte, 105 pl. en noir, 16 pl. lith. Ce double numéro de Verve est consacré à la reproduction intégrale en héliogravure des 105 planches gravées à l'eau-forte par Chagall entre 1930 et 1955, pour l'illustration de la Bible. L'artiste a composé spécialement pour le présent ouvrage 16 lithographies originales en couleurs et 12 en noir, ainsi que la couverture et la page de titre. Volume imprimé par Draeger pour l'héliogravure et par Mourlot pour la lithographie. Reliure cartonnée illustrée d'une lithographie originale de Chagall. Bien complet des 30 lithographies originales de Chagall. En excellent état.
19532200Vence 1953. In the letter Chagall writing about the death of the Rosenbergs and also about ballet.<br /> Aronson was an established art critic for the Polish Yiddish press by the time he moved to Paris in 1927. Captivated by the émigré art scene in Montparnasse he became its devoted chronicler. unknown
193811642<p>Verve. Paris. 1938 1939. FOLIO. 14.1 x 10.4 inches. Two issues bound in one hardback volume. Fully illustrated throughout with drawings paintings and photographs these 2 numbers contain original full colour lithographs by Chagall Miro Rattner Klee Matisse & Derain. The two issues have been bound into one hardbound volume and the binding has been beautifully hand painted in acrylic and oils with an abstract design including the volume title to both the boards and the spine by noted Neo-Expressionist American painter Gaylen Hansen. There is some rubbing to the edges and one small split to the outer edge of the front board without loss which has been strengthened to the inside with clear tape but generally the book is in very good condition. Included with the volume is a fine hardback copy of the fully illustrated book issued in 2007 to accompany the retrospective exhibition "Gaylen Hansen: Three decades of Paintings" at the Seattle Art Museum October 2007 - January 2008 and Salt Lake City Art Center February - April 2008.</p> Verve. Paris. 1938 1939 hardcover
1960WRCLIT79372Paris: Éditions de la Revue Verve 1960. X: 37/8. Folio 36.5 x 27 cm. Pictorial boards after a design by Chagall. Illustrated throughout in color and black & white. Fragile boards a bit shelfworn at extremities but externally a very good or better copy internally fine. First edition of this beautiful production one of the monumental special issues of VERVE. Illustrated with twenty-four original color lithographs by Chagall printed by Mourlot as well as many more plates in black & white printed by Draeger Bros. Éditions de la Revue Verve hardcover books
1960279125New York: Harcourt 1960. First. hardcover. very good. Chagall. First American edition of Verve Vol. X nos. 37/38. Profusely illustrated with 48 original lithographs printed by Mourlot 24 are full-page color plates and 72 additional b/w images. 4to blue pictorial boards edgeworn as usual and bumped at corners; slight damage to both endpapers but all text pages and plates are fine and clean. New York: Harcourt Brace and Company 1960. First American edition. A very good copy of this scarce and highly desirable book.<br/><br/> -- Sorlier no. 75; Mourlot nos. 230-277; Cramer no. 42.<br/><br/> Harcourt unknown books
1963611799Andre Sauret 1963. First Edition. Hardcover. Very Good/Near Fine. Boldly signed and dated by Marc Chagall in black ink on half title - with a large bold signature. One of 150 copies of the limited edition. The book is complete with all 12 lithographs 11 in text plus jacket. A very good copy in a near fine jacket complete with original clear plastic outer jacket book has some minor bumping to edges; jacket has some wear and tiny tears to edges. This copy does not have the slipcase or the chemise with the two signed prints. Andre Sauret hardcover
16-5578New York: Harcourt Brace & Company 1960. First American edition. Folio. 26 x 35.7 cm. Fully illustrated by Chagall with ninety-six black-and-white reproductions and twenty-four color lithographs on wove paper. Illustrated paper over boards with cloth spine and dust jacket; loss in lower right corner and extremities of dust-jacklet. Lithographs are clean. Bookplate of Renée L. Gelman M.D."This double number of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the bible reproduced in VERVE 33/34. The present work comprises 96 reproductions in black and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers DRAEGER Frères and the lithography in color by Mourlot Frères." Cramer 42. Mourlot 230-277. Sorlier 75. New York: Harcourt, Brace & Company, 1960 hardcover
1956003093Paris: Editions de la Revue Verve 1956. Book. Near Fine. Hardcover. 1st Edition. Pictorial boards. With 105 etched plates by Marc Chagall to illustrate the Bible reproduced here in heliogavure. Especially for this publication Chagall produced 16 lithographs in color and 12 in black & white plus the lithographed covers and title page. The lithographs were printed by Mourlot Freres. Introduction in French by Meyer Schapiro text by Jean Wahl. The binding is in excellent condition with minor damage to the top of the spine end. There are some gift signatures on the first endpaper. 36 x 27 cm. A beautiful copy with all lithographs and heliogravures in very fine condition. . Editions de la Revue Verve Hardcover
196051925Paris. 1960. Folio. Originalt kartonasjebind. Upaginert. Med 24 originale farvelitografier samt en rekke illustrasjoner i svart/hvitt.Folio. Publihser original decorated boards. Without pagination. With 24 original lithographs in addition illustrated in black and white. Distributed in Great Britain and the Dominions by A. Zwemmer Ltd. London Engelsk. <br/><br/><em>""This double volume of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the Bible reproduced in Verve 33/34. The present work comprises 96 reproductions in blavk and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers Draeger Frères and the lithography in colour by Mourlot Frères were completed in Paris on the 29th of July 1960"". </em> hardcover
196046038Paris 1960. Dessins pour la Bible. Verve Vol.X No. 37 et 38. Text de Gaston Bachelard. Vol. I of 2 Vols- Guter Zustand Chagall Lithograph II 230-277 Verve 2°. Ln. Kunst unknown
196657375Léon Amiel | Paris, New-York 1966 | 36 x 49.50 cm | une feuille
B-2022-0715Paris Art et Poésie 1976 text by Georges Pompidou Marc Chagall Illustrator. Limited edition in 150 numbered copies in Arches wove paper with an original lithograph in color by Marc Chagall. Signed in colophon by the artist in pencil. Loose as issued in Arches wove decorated wrappers and secured in the original beige cloth slipcase and matching chemise. Ref: Cramer books#100 Mourlot#898. <br />Please ask for complete conditions report. Art et Poésie
198519127BBMonte-Carlo, Sauret, 1960-1985. 6 Volumes. (Vol. I-VI) 32,5 x 25 cm. 28 Original-Lithographien davon 21 in Farbe, 2. Band französischsp., sonsti. deutsch. Leinen, Or.-Umschlag,Folienumschlag. guter Zustand, good condition.
