ELUARD (Paul) & CHAGALL (Marc)Livre Rare Book
2 446 résultats
195029715Envoi signé, avec la planche en couleurs Paris, Éditions Bordas, (19 janvier) 1950. 1 vol. (225 x 285 mm) de 49 p., [4] et 2 f. Broché, sous jaquette illustrée et papier cristal imprimé, non coupé. Un des 1000 exemplaires sur alfa (n° 378). Envoi signé : «à Madame Marteau, en souvenir, Paul Éluard».
29715Paris Éditions Bordas 19 janvier 1950. 1 vol. 225 x 285 mm de 49 p. 4 et 2 f. Broché sous jaquette illustrée et papier cristal imprimé non coupé. . Un des 1000 exemplaires sur alfa n° 378. Envoi signé : « à Madame Marteau en souvenir Paul Éluard ». . Une première édition illustrée in-folio avait paru en 1946 chez Arnold-Bordas avec 25 dessins originaux et un frontispice en couleurs de Marc Chagall. Une nouvelle édition plus petite en est donnée quatre ans plus tard à l'occasion de la traduction anglaise du texte dédié à Chagall. L'exemplaire est bien complet du papier cristal imprimé ainsi que de la planche en couleurs de Marc Chagall reproduite par Daniel Jacomet. Volante cette planche est souvent manquante. Bel exemplaire peu fréquent avec envoi. Paris, Éditions Bordas, (19 janvier) 1950. 1 vol. (225 x 285 mm) de 49 p., [4] et 2 f. Broché, sous jaquette illustrée et pap unknown
19271652-BParis, Éditions de La Pléiade, 1927. Un volume grand in-8° (245 x 176 mm), broché sous couverture rempliée imprimée. 21 GRAVURES ORIGINALES À L'AQUATINTE ET À L'EAU-FORTE PAR ALEXANDRE ALEXEIEFF. Tirage : 266 ex. Celui-ci l'un des 216 exemplaires sur vélin de Rives à la cuve (n°77) paraphé par l'éditeur. Note : "Pour Alexeieff, l'illustration doit se libérer du texte, elle n'est pas ornementale. Il la considère comme une interprétation de la parole écrite, synthèse du texte de l'auteur, recréant ainsi un monde autonome formé des impressions que l'illustrateur ressent au cours de la lecture, les comparant ensuite à son propre univers constitué de ses souvenirs. Cette étape est précédée d'un long travail préparatoire où Alexeieff effectue des recherches sur l'auteur, son époque, sa pensée et sur les critiques littéraires dont il fut l'objet".
10173Paris, Maeght, 1956. In-folio, 75-(3) pp., broché., couverture à rabats (dos un peu jauni, un cahier débroché, sinon agréable exemplaire).
awd-1179Paris, E. – F. d’Alignan, 1919) Gravure sur bois imprimée en noir sur vélin blanc, signée et légendée en marge (55/37 cm). Premier autoportrait de Chana Orloff, réalisé peu après la disparition de son mari, le poète Ary Justman, emporté par la grippe espagnole en 1919.
172756231Chez Zacharie Chatelain. Very Good. 1727-28. Hardcover. Two volumes. Smaller format. Contemporary full calf gilt spine two red spine labels all edges red marbled eps. Mild fray to spine ends/points with slight loss to spine ends rubbing to board faces. Engraved frontis title pages in red and black with vignette additional frontis portrait. Numerous other engravings. Volume 1 contains front blank frontis title page frontis portrait quote by Rousseau Au Lecteur A Monseigneur Le Dauphin Epitre Preface La Vie D'Esope and Livres I-VI rear blank. Volume 2 contains front blank title page in red and black avertissement A Madame de Montespan prologue livres I-V and livre VII table des fables rear blank. Sound bindings. ; 16mo 7" - 7½" tall . Chez Zacharie Chatelain hardcover
196220008Paris: Maeght 1962. First edition. Original Wraps. Orig. illustrated wrappers. Fine. Chagall Marc. Folio 38 x 29 cm. Text in French by Yves Bonnefoy "Le religion de Chagall." Cover and double-paged illustrations are color lithographs plus 85 small black and white lithographs in the Chroniques section. Fresh bright copy. Maeght unknown
196255981ABMonte Carlo. André Sauret, éditeur. 1962. 33x25 cm. 208 p., (8) p. Avec de nombreuses illustrations en noir et en couleurs et 2 lithographies originales en couleurs. Reliure pleine toile, jaquette, rhodoïd et étui.
195015242Paris, Bordas, 1950. In-4 broché de 49-[14] pages, couverture rempliée, premier plat illustré une composition de Chagall, papier pergamine d'éditeur imprimé.
19482245Maeght Editeur, Paris 1948. Un volume petit in-folio (385 X 285 mm) en feuilles, 54 feuillets non paginés, couverture illustrée en couleur rempliée + supplément de 20 feuillets pour la période 1947-1955. Portfolio toilé à lacets sérigraphié en couleurs sur le premier plat. Édition originale pour l'ensemble. La couverture est une lithographie originale en couleur. Texte autographe Georges BRAQUE enluminé page à page d'environ 110 compositions de l'artiste imprimées en lithographie par Mourlot Frères. Tirage à 95 ex sur Arches et 750 exemplaires sur Marais non numérotés, celui-ci l'un des 750 sur vélin du Marais. Ensemble très rare dans le superbe portfolio illustré. Un document essentiel pour la compréhension des choix et de l'évolution artistiques de Georges Braque tout au long de sa vie. Parfait état.
19521295_CParis, Maeght éditeur, 1952. In-folio (380 x 280 mm) en feuilles, 12 pages. 2 LITHOGRAPHIES ORIGINALES EN COULEURS à double page. DLM publié mars 1952 pour l'exposition de sculptures, céramiques et gravures de CHAGALL à la Galerie Maeght. Textes de Gaston Bachelard, Charles Estienne et Ambroise Vollard. Les lithographies sont en tirage original d'époque.
19471473Tériade Éditeur, Paris 1947. 1 volume in-4 (205 x 290 mm) en feuilles, 96 pages, couverture illustrée rempliée, chemise-étui de l'éditeur. 68 BOIS ORIGINAUX DE HENRI LAURENS dont 23 à pleine page et 3 en noir et or, ornements typographiques sur fonds or. Édition limitée à 270 exemplaires sur vélin d’Arches pur fil, seul papier, celui-ci n° 80 signé à la mine de plomb par l’artiste.
1962138025New York: George Braziller Inc. in Association with Horizon Magazine 1962. Hardcover. near fine. 1st Trade Edition In English. 1-10 11-210 4pp. Folio. Illustrated dust jacket over red cloth boards with titles in gilt to spine and front board. Boards just lightly rubbed. Jacket with a few spots of discrete professional restoration and some light shelfwear. Upper corner of front flap of jacket clipped. Elegant and moving gift inscription on the ffep dated in the year of publication from a son to his parents to "mark the end of a year of tumult". Else internally clean. near fine A beautiful art book commemorating the stained glass windows Marc Chagall designed for the Hadassah-Hebrew University Medical Center in Jerusalem. The twelve original windows each symbolizing one of the Tribes of Israel are reproduced herein in full colour with additional preparatory sketches and drawings depicted. Also included are two original lithographs by Chagall created especially for this book. A beautiful book by a modern master. 1962 George Braziller Inc. in Association with Horizon Magazine hardcover
1969009246Monte Carlo: Verleger Andre Sauret 1969. First Edition. Hardcover. Fine/Fine. First edition of the third volume of Chagall's lithographs. Text in German by Fernand Mourlet and Charles Sorlier. Book contains two original lithographs. A stunning fine copy in tan cloth in equally fine unclipped dustwrapper. Comes in original cardboard slipcase. Collector's copy. <br/><br/> Verleger Andre Sauret hardcover books
51-0108Monte Carlo; Andre Sauret:; NY: George Braziller; Boston Mass.:Boston Book and Art Shop 1960-1969. 4to. 13 x 10 cloth in original lithograph dust-jackets 220 208 179 pp. Lacking the original lithographs. copies with the original lithographs and en français or auf deutsch are available. Monte Carlo; Andre Sauret:; NY: George Braziller; Boston, Mass.:Boston Book and Art Shop, 1960-1969. hardcover
022159New York 1962: George Braziller Inc. First America Edition. Tall Quarto. 210pp. 1pp. colophon. Translated from the French by Elaine Desautels. The two original lithographs by Chagall were transferred to the stones by Charles Sorlier and printed under Chagall's direction by Mourlot Freres. Text and notes by Jean Leymarie. Previous owner's inscription dated Christmas 1962. A near fine copy bound in red cloth lettered in gilt spine lettering gilt in unclipped pictorial dust jacket with tiny edge tear to front panel and just a bit of rubbing to upper edges. Very nice. George Braziller, Inc unknown books
1945020050New York NY: Book League of the Jewish Peoples Fraternal Order IWO 1945. Book. Very good condition. Hardcover. First Edition. Octavo 8vo. 255 pages of text. Original blue hardcover binding with minor shelfwear including slight bumping to corners. The text block is starting to pull away from the top of the binding remaining intact. No dustjacket. Contains numerous black and white lithographed illustrations by Marc Chagall. The text is in Hebrew. Previous owner's name neatly on the inside front cover. The text is clean and unmarked. First edition. Book League of the Jewish Peoples Fraternal Order, IWO Hardcover
1965W2627Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. In 2008 this lithograph was the cover illustration for Anthony Phillips' book DAVID: A STORY OF PASSION AND TRAGEDY. Image/sheet size is 14 inches by 10 ¾ inches. In as-new condition: clean bright and crisp. Mourlot 133. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
1982B-2022-0734August 1982. 25 original lithographs by Chagall Miro Tapies Ubac Arakawa Riopelle Chillida and others. -1st edition <br />Very good. Please ask for complete conditions report. Maeght paperback
195235419Paris: Mourlot 1952. 325 by 265mm 12 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Original Lithograph 1952. Published by Mourlot Paris 1952. Printed by Mourlot Paris. Sheet: 325 by 265mm 12 by 10 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.Beautiful original color lithographMère et Enfant devant Notre-Dame by Marc Chagall published in December 1952 in Verve Teriade No. 27/28 in Paris. Verso illustrated with the black and white original lithographLe Ponts de la Seine.Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 82 & 80 Mourlot unknown
196266613E-113: George Braziller / Andre Sauret. Very Good in Very Good- dust jacket. 1962. First Edition; First Printing. Hardcover. Hardcover. 4to. George Braziller. 1962. 210 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Both lithographs are present. DJ has light shelf-wear present to the DJ DJ is chipped at the crown of the spine. No ownership marks present. Bound in cloth boards with gilt titles present. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Chagall's celebrated stained-glass windows symbolizing the twelve tribes of ancient Israel are reproduced and presented together with notes on their historical meanings and artistic creation and significance. Marc Zakharovich Chagall 6 July 1887 28 March 1985 was a Russian-French artist. An early modernist he was associated with several major artistic styles and created works in virtually every artistic medium including painting book illustrations stained glass stage sets ceramic tapestries and fine art prints. E-113; 4to 11" - 13" tall; 211 pages . George Braziller / Andre Sauret hardcover
19621395684Monte Carlo: André Sauret 1962. First English Language Edition. Hardcover. Quarto 210 pages. In Very Good minus condition and lacking issued dust jacket. Bound in light gray cloth with black lettering to front board and spine. Foxing to cloth. General shelf wear. Foxing to edges of textblock and to endpapers. Minor tearing and staining to title page. Includes two original lithographs created especially for this book. DL Consignment. Shelved in Case 11. 1395684. Shelved Dupont Bookstore. André Sauret hardcover
1973102911973. Chagall Marc. Typed letter signed discussing the proposed book Chagall Illustrator. 1973 correspondence from Marc Chagall addressing the publication of a proposed volume devoted to his work as an illustrator. Chagall the Russian born French painter associated with twentieth century modernism and widely recognized for imagery drawn from Jewish folklore biblical themes and memories of Eastern European village life writes directly to publisher and art critic G. di San Lazzaro about the project. In the letter he acknowledges that the idea for the book originated with him but states that he had reconsidered the proposal. Chagall writes "You write to me regarding the book 'Chagall Illustrator'. Of course the idea comes from me but after reflection I don't think it's good" adding that although the earlier project Chagall Monumental had been successful he did not believe that the new volume should be pursued.<br /> <br /> Typed letter signed on "La Colline St. Paul de Vence" letterhead dated December 6 1973 addressed to San Lazzaro. One page measuring approximately 8 x 11 inches. Written in French and signed "Marc Chagall" in black ink. In the opening lines Chagall apologizes for the delayed reply explaining that he had traveled to Switzerland where "we opened a Chagall salon in Zurich" an exhibition that he notes was organized with great kindness and left him deeply touched.<br /> <br /> The correspondence documents Chagall's ongoing relationship with critics editors and publishers who worked to interpret and present his art to international audiences during the later decades of his career. By the early 1970s Chagall had become one of the most celebrated artists associated with modern Jewish cultural expression known for paintings stained glass commissions theatrical designs and illustrated editions of literary and biblical texts. Letters discussing publishing projects provide insight into the artist's control over how his work was presented and interpreted in print during a period when museums and publishers were producing major studies devoted to his artistic legacy. Light handling wear consistent with age. Overall condition very good. unknown
12-0044Monte Carlo: André Sauret 1960-63. Large 4to. Vols. 1 2 of six volumes without lithographs. Text in French. Very good or better in dust jackets. Monte Carlo: André Sauret, 1960-63 unknown
196038194Paris: Mourlot 1960. In excellent condition. 320 by 240mm 12 by 9 inches. 32 x 24 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 2000 unsigned and unnumbered from Original Lithograph 1960. Published by Mourlot Paris 1960. Printed by Mourlot Paris. Sheet: 32 x 24 cm 12.5 x 95 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.Selfportrait of the artist looking over the bay of Nice.Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 286 Mourlot unknown
