2 454 résultats
1960475Marc Chagall B. 1887 VITEBSK RUSSIA; D. 1985 SAINT-PAUL-DE-VENCE FRANCE DRAWINGS FOR THE BIBLE as published for Verve.<br /> Verve Vol. X no. 37/38. 1960. Text by Gaston Bachelard. Folio. With 24 original lithographs in color including the cover by Chagall and 96 reproductions in black and white. Complete as issued. Verve hardcover books
1927B-2022-0841<p>With one etching signed and numbered in pencil by Chagall. Marc Chagall Paul Morand. NRF Librairie Gallimard. Paris 1927 In octavo one of 120 numbered copies on Hollande Pannekoek with an etching on frontispiece by Marc Chagall on China paper signed by Chagall in pencil and numbered 20/120. Total Edition 325. Ref: Cramer #9. <br />Very good. Please ask for complete conditions report.</p> Gallimard paperback
192681831Sous étui bordé. Reliure demi-maroquin vert lierre a? coins, lisere? dore?, dos a? nerfs fantaisie avec titre dore? et mosai?que? de chagrin noir te?te dore?e, les autres tranches non rogne?es. Couvertures et dos conserve?s. Reliure signée Manuel Ge?rard. Dos légèrement insolé. Ouvrage collectif : Jean Giraudoux, « l'Orgueil », Paul Morand, « l'Avarice », Pierre Mac Orlan, « la Luxure, Andre? Salmon, « l'Envie », Max Jacob, « la Gourmandise », Jacques de Lacretelle, « la Cole?re » et Joseph Kessel, « la Paresse ».L'ensemble est orne? de 15 eaux-fortes originales hors texte de Marc CHAGALL.
19271751Paris: I. Grodzensky 1927. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. Cover and plates are worn at extremities. Cover and some plates damaged at corners and at the string. Two photographic reproductions are loose. Overall in good condition. First edition. Text in French and Yiddish. In publisher’s wrappers bound by string. Cover design by Marc Chagall. 4 text plates and 19 album card plates with mounted photographic reproductions. <p><br /> Scarce book with Chagall’s cover design.<br /> <p><p><br /> With Marc Chagall’s image on the front cover. Before a black background the image features an opened Torah scroll with the inscription of Schwartzbard's name in Hebrew letters an angel with sword flies over the Torah an allusion to Michael the Archangel the advocate of the Jews.<br /> <p><p><br /> A scarce album with pictures of places and portraits of people connected with the Schwartzbard-trial together with short expressions of opinion from prominent intellects as well as brief biographical notes on Schwartzbard and Petliura.<br /> <p><p><br /> Sholom Schwartzbard 1886–1938 was a Russian-born French Yiddish poet and anarchist the assassin of Symon Petliura 1879–1926 head of the Ukrainian government-in-exile in Paris in 1926. Schwartzbard held Petliura responsible for the death of fifteen of his relatives murdered in pogroms during Petliura rule of the Ukrainian National Republic. The number of Jews murdered during the massive 1918–1921 pogroms in Ukraine is estimated to be between 35000 and 50000 and a large percent of the violent attacks were carried out by soldiers under Petliura’s command. The Schwartzbard trial began in mid-October 1927 lasted for eight days in the end it turned on accusations of Petliura's responsibility for the pogroms and eventually Schwarztbard was acquitted. <br /> <p><p><br /> Scarce we could trace only 3 copies in institutional holdings Harvard University Widener Library Cambridge MA USA; NLI Jerusalem; Musée d’art et d’histoire du Judaïsme Paris.<br /> <p>. [I. Grodzensky] unknown
19501204071950. First Edition. Signed. CHAGALL Marc. Verve. Contes de Boccace. Paris: Éditions de la Revue Verve 1950. Folio original lithographic dust jacket over boards. $5800.First edition of this exceptional volume of 26 Chagall heliogravures accompanied by 26 tipped-in color prints from a medieval miniaturist boldly signed by Chagall on the half title. From the collection of Joseph Liverant a fellow Russian Jewish emigré and friend of Chagall.The art critic Stratis Eleftheriades under the nom de plume Tériade published the art journal Verve in Paris from 1937 to 1960. He commissioned famous artists of the day from Matisse to Picasso and Chagall to provide works for the journal with numerous lithographs appearing for the first time in his publications. This volume is particularly notable for the unusual medium for Chagall used: ""New washed drawings in India ink which are quite unrelated to anything he had done before. Using black diluted in every possible degree from onyx to the palest shade of gray he produced sheets that give an intensely colorful effect These drawings were a response to what he saw in his new environment and stemmed from the urge to render in a spontaneous fashion the overwhelming impact of the profusion and light. They also reveal paradoxically the increased importance of color as a medium of expression. In these drawings 'light' does not signify a diminution of the colorfulness but an advance into the zone from which it springs. One might say that the heart of the color is light and from this light Chagall created the colorfulness of his sheets. What this means is visibly demonstrated by the drawings he did at Tériade's suggestion for the number of Verve dedicated to Boccaccio's Decameron. What Chagall produced was a present-day counterpart to colored reproductions of the miniatures in a fifteenth-century manuscript of Boccaccio's work. For each of his drawings he drew inspiration from the miniature of the same scene and the old and new illustrations are reproduced side by side in the pages of Verve. In Chagall however everything attains a new meaning. A new logic links the objects of the anecdotic 'tale' and the plot of the love story gives rise to ardent desire and serene joy. What is more in Chagall's large black-and-white plates the light radiates in a far richer modulation of color than the full coloring of the miniaturist's precise magic-lantern pictures"" Meyer 499. From the collection of Joseph Liverant a fellow Russian Jewish emigré and close friend of Chagall. Liverant and Chagall both fled Europe in World War II Liverant to Canada and Chagall to the United States. After the war both acquired residences in Provence where shared social circles similar ages and a mutual love of Yiddish combined to forge a lasting bond of friendship between the two.About-fine condition. hardcover
lithographe-volumes-i-vi<p><strong>The catalogue raisonné of Chagall's lithographic work a monumental feat of publishing which took more than two decades to complete.</strong></p><p>First editions of all six volumes profusely illustrated with 28 original lithographs including the rare lithograph dust-jackets for volumes I-VI.</p><p>First editions first impressions. Volumes I-III in German volumes IV-VI in French. Publisher's grey cloth titles to front covers and spines in black. Original lithographic pictorial dust jackets. Near fine to fine examples with like dust jackets. A rare set.</p><p>Published by André Sauret Monte Carlo 1960-86.</p> hardcover
276591975. S.l. Maeght Editeur 1975. Un vol. au format in-4 carrÂŽ 286 x 297 mm de 211 pp. Reliure d'ÂŽdition de pleine percaline citron sous jaquette illustrÂŽe. Edition originale. PrÂŽcieux exemplaire complet de sa lithographie originale en couleurs sur double-page tirÂŽe par les Ateliers Mourlot ; laquelle est revÂtue insigne particularitÂŽ : sur la composition et non en marge de la signature autographe de Marc Chagall au pastel bleu. Envoi datÂŽ par l'artiste de 1976. Epreuve lÂŽgendÂŽe au revers : Le Fleuve vert mention imprimÂŽe. L'ouvrage recÂle une abondante iconographie hors-texte. ''Je ne sais aucun artiste dont l'oeuvre soit poÂŽsie avec autant d'aisance et de bonheur'' ÂŽcrit Mandiargues. Lequel nous invite ici ˆ retrouver dans les toiles les plus rÂŽcentes tous les personnages fabuleux qui sont nÂŽs de la palette de Chagall : les anges les amoureux les saltimbanques les violonistes qui descendent des nuages et les chevaux qui offrent des bouquets. Si le merveilleux aujourd'hui existe encore c'est d'abord ˆ Chagall qu'on le doit''. Provenance : bibliothÂque d'Alain Carrier ; ÂŽminent affichiste et illustrateur. Cramer 95 - Mourlot 728 reproduit en page 46. TrÂs belle condition. Une copie du bordereau d'adjudication faisant de fait gage de certificat d'authenticitÂŽ pourra Âtre remis ˆ l'acquÂŽreur sur simple demande. b42961 unknown
197527659S.l., Maeght Editeur, (1975). Un vol. au format in-4 carré (286 x 297 mm) de 211 pp. Reliure d'édition de pleine percaline citron, sous jaquette illustrée.
19782392Chicago: Art Institute of Chicago 1978. First edition. Fine. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES. INSCRIBED BY MARC CHAGALL "Pour Art Inst. Chicago Marc Chagall 1979" AND SIGNED BY WILLEM DE KOONING IVAN ALBRIGHT JOAN MIRÓ AND GEORGIA O'KEEFFE FEATURING 100 COLOR REPRODUCTIONS OF THE ART INSTITUTE'S MOST FAMOUS WORKS. Issued as part of the festivities surrounding the Art Institute's 100th birthday in 1979 The Art of Institute of Chicago: 100 Masterpieces celebrates the museum's 100 most beloved masterpieces and the artists behind these great works. In addition to the valuable signature pages each on a separate preliminary page this book contains beautiful color reproductions of 100 of the most magnificent works held by world-renown museum.<br /> <br /> There was much fanfare surrounding the 100th anniversary of the Art Institute. In addition to this book's publication the institute was feted with a Centennial Birthday party and a month-long exhibition in March 1979 entitled "The Art Institute of Chicago: 100 Years".<br /> <br /> David C. Hilliard a life trustee who helped produce 100 Masterpieces explains that the deluxe limited editions were sold in large part to buy an Indian sculpture for the Institute in honor of Board Chairman James Alsdorf and his wife Marilyn. Devoted art fans themselves the couple's private collection of Indian and East Asian art helped academics and collectors contribute enormously to the scholarship surrounding this field.<br /> <br /> The process of getting the artists' signatures had its difficulties - particularly when it came to approaching the more irascible ones like Georgia O'Keeffe who was a student at the School of the Art Institute of Chicago. Per Hilliard:<br /> <br /> "There is a good story connected with the book. We sent a young man down to visit Georgia O'Keeffe and ask for her agreement to participate. Georgia could be prickly so we chose as our envoy a young man whose father had given her the land on which she had her house and studio. And indeed he was given a warm reception and tour. When they parted Georgia said she would sign. but then added "If you will tell me the location of my painting that I gave to the Art Institute 'East River from the Shelton.'" We were overjoyed and asked the American Arts Department to let us see it. As Georgia knew it had presumably been stolen years before and a full search could not locate it. But she relented I think she enjoyed her joke and signed the books anyway!"<br /> <br /> A rare and extraordinary work that powerfully encapsulates the growth and development of the Art Institute of Chicago from a tiny academy to a "hub of the city's artistic life" Encyclopedia of Chicago . All the more desirable with the signature of five of the 20th century's greatest artists.<br /> <br /> Chicago: The Art Institute of Chicago 1978. Folio 10.5x14 inches; with box 12x15 inches original burgundy morocco watered silk endpapers all edges gilt. Housed in original box covered in matching morocco with gilt lion on front. Printed and bound by R.R. Donnelley & Sons at The Lakeside Press. Designed and composed by Rand McNally. A few spots of wear to box otherwise fine. <br /> <br /> A MAGNIFICENT PRODUCTION CELEBRATING ONE OF THE WORLD'S GREAT MUSEUMS WITH LARGE SIGNATURES OF SOME OF THE MOST IMPORTANT ARTISTS OF THE 20TH CENTURY. Art Institute of Chicago unknown books
1956330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition.<br/> <br/> The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper.<br/> <br/> Harcourt Brace unknown
16971No date. Near Fine single page from watermarked Hotel Belles-Rives paper typed and boldly signed by Marc Chagall. Toning to bottom edge of paper minimal wear very well-preserved. One corrected typed character covered with white-out. An unusual and emotive artist statement/poem by Chagall based on his work "The Apparition 1917-1918" describing in beautiful imagery a "dream" "evoked" in Chagall. Chagall had reported that the painting was based his memory of a dream while a student; this statement either stands in captivating juxtaposition with that original dream or is an allusion to or perhaps description of that dream. Lovely rare unique. Certificate of Authenticity included. Image in listing of painting for illustrative purposes only; no prints etc. included. unknown
24374Monte Carlo: Andre Mauret 1986. Cloth. Fine/Fine. Marc Chagall. A gorgeous example of this sweeping 6 volume set published from 1960 to 1986 and representing the complete catalogue raisonne of the great Chagall's body of lithographs. Each of the 6 volumes clean and Near Fine to Fine in crisp Near Fine to Fine dustjackets. Internally all 6 volumes immaculate with no writing or markings of any kind. Issued by Andre Mauret of Monte Carlo lithographs once again created by Chagall's long-term partner Fernand Mourlot. 28 original litographs all told --most in rich color-- within the set roughly 800 color and black-and-white illustrations throughout. Text to Vol. I in German to Vol. II in French and to Vols. III-VI in English. Uncommon in such superb condition truly a collector's copy. Andre Mauret unknown
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
196174806<p>Marc Chagall <br />Title: SACRIFICES MADE TO THE NYMPHS<br />from Daphnis and Chloe<br />Original Lithograph on Arches wove paper<br />Printed by Mourlot published by Tériade Paris<br />Edition size: 250<br />Size: 42 32 cm <br />Year: 1961<br />Unsigned <br />Reference: Mourlot 330 Cramer 46</p>
195711707(Paris), Maeght, (1957). 1 Bl., S. 11 - 177 S., 1 Bl. mit zahlr. teils farb. Textabb. 14 (12 farb., 3 gefalt.) Original-Lithographien von Marc Chagall (inkl. dem Titel). Gr.-8°. OKart mit dem farblithographiertem OU von Marc Chagall (etw. gebräunt und fleckig) und Klarsichtumschlag (dieser mit größeren Einrissen bzw. Fehlstellen). [6 Warenabbildungen]
190868Paris: Éditions du Seuil 1973. With 9 original lithographs Signed limited edition number 33 out of 180 copies signed by Chagall and Senghor and printed on vélin d'Arches. 2000 additional copies were printed on Mazarine paper. A collaboration between Léopold Sédar Senghor poet and former president of Senegal and artist Marc Chagall this publication juxtaposes African humanist poetry with Chagall's distinctive dreamlike imagery. The text was printed by Mame in Tours and the lithographs by Mourlot Editions. Quarto. 9 full-page original lithographs; 6 in colour 3 monochrome. Contents loose as issued in original wrappers and cloth chemise and slipcase. Fine. hardcover
19221736Moscow: Der Shtrom The Moscow School for Yiddish Printers 1922. First edition. In publisher’s illustrated wrappers. Paper yellowed due to aging. Tiny inkblots on cover. Note in pencil on title page. Numeric notes between pp. 9–25. Three pinholes throughout at the gutter. Cover artistically restored. Overall in very good condition. Cover design by Marc Chagall. Cover design by Marc Chagall. First edition. In publisher’s illustrated wrappers. 80 p. <p><br /> The second number of the first Soviet Yiddish literary-cultural periodical featuring a cover designed by Marc Chagall.<br /> <p><p><br /> Shtorm was founded and edited by a literary and artistic group formed in Kiev of Yekhezkl Dobrushin Nokhem Oyslender and Arn Kushnirov and Dovid Hofshteyn. Six numbers were published in five issues between 1922 and 1924. <br /> <p><p><br /> Each cover featured the same illustration on the front by Marc Chagall. “Chagall used only the letters in the word Shtrom as illustrations which included a disembodied person on the »R« and a factory with a worker entering the building as part of the »Sh«†Shneer pp. 145–6.<br /> <p><p><br /> Bibl.: Shneer D.: Yiddish and the Creation of Soviet Jewish Culture: 1918–1930. Cambridge University Press 2004.<br /> <p>. Der Shtrom, The Moscow School for Yiddish Printers unknown
19311921Bucarest: Unu 1931. First edition. Collection of fourteen issues of the Romanian Avant-Garde journal unu. Numerous illustrations. Bound together in half cloth. Paper yellowed due to aging. One lose page. In very good condition. First edition. Collection of fourteen issues of the Romanian Avant-Garde journal unu. Numerous illustrations. Bound together in half cloth. 90 p. <p><br /> Collection of fourteen issues of the important Romanian Avant-Garde periodical unu including Nº. 51 a scarce special edition.<br /> <p><p><br /> Issue 51 was never sold it was printed in 50 copies and distributed to guests at the wedding of Moldov 1907–1966 the Romanian Avant-Garde writer and co-editor of the magazine.<br /> <p><p><br /> The magazine was published between 1928–1932 and edited by Romanian poet Saşa Panǎ 1902–1981 who also supported it by his financial means. Unu became one of the most important magazines of Romanian Avant-Garde with collaborators such as Tristan Tzara Victor Brauner and Geo Bogza.<br /> <p>. Unu unknown
19601L-AE2T-6WUQHarcourt Brace. Very Good. 1960. Hardcover. Paper covered boards faintly edge worn slightly more at spine corners. Orig. litho dj edge worn chipped at extremeties horizonal 2 in. x 1.5 in. loss bottom front panel. Fore edge slightly smudged prelims lightly foxed. All color lithographs complete and splendid. . Harcourt, Brace hardcover
51-2111Paris: Editions O. Lazar-Vernet 1962. . Folio. 385 x 288 mm. 15-1/8 x 11-3/8 inches. Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall "Granada" Cramer 51; Kornfeld 121; Braque "Oiseaux" Vallier 183; Max Ernst Spies/Leppien 85 Magnelli Zadkine Gilioli Ubac Bissière Jacobsen Fiorini Bona Dufour Lepâtre Vieillard Paris: Editions O. Lazar-Vernet, 1962. hardcover
003126BParis Maeght Editeur 1972. Limited Edition. Hardcover. Fine. A fine crisp and clean unbound signatures laid in a full folding chemise housed in a fine slipcase. Limited Edition of 150 sets of which this is no. 30. SIGNED BY MARC CHAGALL. B/W COLOR ILLUSTRATIONS AND THREE ORIGINAL COLOR LITHOGRAPHS. A very nice copy with no blemishes marks or tears. Like New. WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 38 YEARS. please note: Over seas orders will cost more to ship than the standard shipping price to ship. Paris, Maeght Editeur hardcover
19601757Morancé, Paris, 1960. Un volume in-folio (39,5 x 29 cm) en feuilles. 15 pp. + XXXII feuillets sous portfolio cartonné toilé à rabats, jaquette illustrée en couleurs. Nouvelles sculptures et plaques gravées présentées par Christian Zervos. 32 planches en noir et en couleurs reproduisant les œuvres de Georges Braque. 1 DES HUIT EXEMPLAIRES HC COMPRENANT UNE SUPERBE EAU-FORTE ET AQUATINTE EN COULEUR JUSTIFIÉE ET SIGNÉE AU CRAYON PAR GEORGES BRAQUE, lettrés de A à H sur 8. Et parmi ceux-ci l'exemplaire d'Albert Morancé, l'éditeur, avec la gravure EN TROIS ÉTATS de couleur : rose, violet et bleu. Une belle lettre de Braque adressée à Morancé, au sujet du travail de la gravure pour l'album de tête, est insérée dans le portfolio.
1922177763Berlin: Paul Cassierer 1922. Edition of 110. Signed in pencil lower right by Chagall numbered lower left. Chagall also created an oil painting of this image in 1914 titled Feast Day Rabbi with Lemon this is held in the Kunstsammlung Nordrhein-Westfalen Düsseldorf. As an etching the image is printed in reverse to the oil painting. Etching and drypoint on japan paper all edges deckled. Plate size: 24.7 x 25 cm. Sheet size: 42 x 34.2 cm. Framed size: 47.5 x 39.7 cm. Margins toned light creasing to paper otherwise a strong dark impression. Presented in a gold leaf frame with conservation acrylic glazing. Kornfeld 21. unknown
02-1127Paris: Éditions de la Revue Verve 1956. 30 lithographs including the cover 18 in color. Text in French by Jean Wahl and Meyer Schapiro. No dust jacket. Fold marks on free endpaper. Cramer 25; M.117-M.146. The American edition was called "Illustrations for the Bible".This volume co-published by A.W. Bruna & Zoon Ultrich. Paris: Éditions de la Revue Verve, 1956. unknown
199886329Distributed Art Pub Inc. New. 1998. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 416 pages; over 1000 illustrations in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Lithographs Distributed Art Pub Inc hardcover
