Chagall, Marc text by Jacques LassaigneBiblio.com
2 454 résultats
1969346293New York: Tudor Pub. Co 1969. Hardcover. 155p. 11x14 inches original color lithograph of two dancers and a goat created by Chagall for this edition and pulled on the presses of Fernand Mourlot 68 reproductions in full color previous owner bookplate on the front free endpaper the book in very good condition bound in gray cloth and gilt titles dust jacket is present but the front panel has a closed diagonal tear running halfway down the cover repaired with tape on both front and back and it has heavy chipping at the head of the spine. Slipcase missing. Tudor Pub. Co hardcover
196947375New York: Tudor Publishing Company 1969. First American edition. Hardcover. very good to near fine/near fine. Folio 14 x 10 1/2". 155 1pp. Text in English but with the original illustrated dust-jacket in French "Le Ballet" white lettering on spine over gray-green cloth with gold lettering to spine and front cover. Housed in the publisher's orignal cardboard slipcase. Frontispiece and illustrated title page in color. The binding in otherwise fine condition has a hint of sunning at the top and bottom edges of the spine and the partially sun-faded slipcase is slightly bumped at foot of spine.<br /> <br /> This exquisite work contains Marc Chagall's original designs for "Aleko "The Firebird" and "Daphnis and Chloe." Fernand Mourlot printed the color plates and the original lithograph. Tudor Publishing Company hardcover
1969002957New York: Tudor Publishing Co. 1969. Book. Near Fine. Hardcover. 1st Edition. Bound in gray/beige cloth with gilt lettering on front cover and spine. In dust jacket with light wear to corners and spine. Illustrated with 68 color plates and an original color lithograph by Chagall portraying a dancer a flute player and a faun. Color plates and lithograph printed by Mourlot. Small name on second endpaper. Contents including the lithograph in very fine condition. In the original card slipcase that is discolored. 155 pp. 36 x 27 cm. Tudor Publishing Co. Hardcover
1969092277Tudor Publishing 1969. Book. Very Good. Hardcover. First Edition. Couple short tears to jacket. Slight bleeding of white on back of jacket to cloth at bottom of rear board. With original lithograph by Chagall. In a Very Good slipcase with fading to edges. . Tudor Publishing Hardcover
51-0122New York: Tudor 1969. Small folio. Cloth in dust-jacket in slipcase. Lacking the original lithograph. Cramer 78. New York: Tudor, 1969. hardcover
13-0876New York: Tudor 1969. Small folio. Cloth in dust-jacket in slipcase. Cramer 78. With the original lithograph of 2 dancers and a musical goat Mourlot no. 581. New York: Tudor, 1969. hardcover
1995005798Dover Publications 1995. Soft cover. Fine/No Jacket issued. <br/> <br/> Dover Publications paperback
16-5578New York: Harcourt Brace & Company 1960. First American edition. Folio. 26 x 35.7 cm. Fully illustrated by Chagall with ninety-six black-and-white reproductions and twenty-four color lithographs on wove paper. Illustrated paper over boards with cloth spine and dust jacket; loss in lower right corner and extremities of dust-jacklet. Lithographs are clean. Bookplate of Renée L. Gelman M.D."This double number of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the bible reproduced in VERVE 33/34. The present work comprises 96 reproductions in black and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers DRAEGER Frères and the lithography in color by Mourlot Frères." Cramer 42. Mourlot 230-277. Sorlier 75. New York: Harcourt, Brace & Company, 1960 hardcover
196051925Paris. 1960. Folio. Originalt kartonasjebind. Upaginert. Med 24 originale farvelitografier samt en rekke illustrasjoner i svart/hvitt.Folio. Publihser original decorated boards. Without pagination. With 24 original lithographs in addition illustrated in black and white. Distributed in Great Britain and the Dominions by A. Zwemmer Ltd. London Engelsk. <br/><br/><em>""This double volume of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the Bible reproduced in Verve 33/34. The present work comprises 96 reproductions in blavk and white and 24 lithographs in color as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers Draeger Frères and the lithography in colour by Mourlot Frères were completed in Paris on the 29th of July 1960"". </em> hardcover
ANAIS-0486285758Dover Publications. paperback. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
R13P-00418Dover Publications. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Dover Publications unknown
0486285758.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19959310844Dover Publications 1995. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item500grams ISBN:9780486285757 Dover Publications paperback
198023780New York: Harcourt Brace and Company 1980. First American edition. Hardcover. Orig. color lithographed boards. Near fine in original unclipped dust wrapper chipped along the edges. Introductory text not paginated seven leaves. 37 x 27 cm. Twenty four full page original color lithographs plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38 double issue Summer 1960 and is the final entry in the Verve bibliography. The heliogravures in black and white printed by Draeger Freres and the color lithographs by Mourlot Freres. CRAMER 42. MOURLOT 230-277. SORLIER 75. Harcourt Brace and Company hardcover
19601L-AE2T-6WUQHarcourt Brace. Very Good. 1960. Hardcover. Paper covered boards faintly edge worn slightly more at spine corners. Orig. litho dj edge worn chipped at extremeties horizonal 2 in. x 1.5 in. loss bottom front panel. Fore edge slightly smudged prelims lightly foxed. All color lithographs complete and splendid. . Harcourt, Brace hardcover
1995SONG04862857581995-07-31. Dover ed. paperback. Used: Good. 9.25x0.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. paperback
1995DADAX04862857581995-07-31. Dover ed. paperback. New. 9.25x0.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. paperback
196016389Paris: Mourlot 1960. No Binding. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Esther'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 252 Mourlot unknown
1977182062Paris: Maeght Editeur 1977. With one of 25 signed etchings First edition number 17 of 25 copies signed by Chagall and Malraux on the limitation page and with an additional impression of the frontispiece on Japon Impérial paper all sides deckled signed and numbered by Chagall. The full edition was 225 copies 200 of which were numbered and 20 marked hors commerce both without the additional signed print. Malraux winner of the Nobel Prize in Literature provided the text based on a previously unpublished manuscript from 1939 about his experiences in the Spanish Civil War. Chagall executed the etchings with the plates destroyed after printing. Folio. With 16 full-page etchings with aquatint by Chagall 2 double page. Sheet size: 44 x 33 cm. Text in French. Original Rives wove paper wrappers lettering to front cover in black pages printed on Rives wove paper with deckled edges and publisher's watermark. Housed in publisher's beige cloth clamshell box lettering to spine gilt. All in fine condition. Cramer Chagall Illus. Books 103. hardcover
196031643Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139¾ by 102¼ inches. Original lithograph in colours published in his series Verve 37/38 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 236 Mourlot unknown
196016386Paris: Mourlot 1960. Other. In excellent condition. 3550 by 2600mm 139 by 102 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. X Nos. 37/38 — Dessins pour La Bible 1960. Published by Tériade Paris 1960. Printed by Mourlot Paris. Sheet: 3550 by 2600mm 139 by 102 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Efstratios Eleftheriades known as Tériade. Each double-issue was dedicated to a single artist and produced as a luxury publication with original lithographic covers and plates printed by Fernand Mourlot—the master lithographer whose atelier collaborated with Picasso Matisse Léger and Miró. Nos. 37/38 1960 'Dessins pour La Bible' contains Chagall's second suite of Bible lithographs expanding on the 1956 series with 48 new color prints depicting scenes from the Old Testament—creation the lives of the patriarchs and stories of women in the Bible. The edition of 6500 unsigned and unnumbered copies was sold through bookshops and galleries worldwide and individual lithographs extracted from these volumes are among the most collected Chagall prints on the market today.This original color lithograph sheet: 3550 by 2600mm 139 by 102 inches depicts 'Eve incurs God's Displeasure - Eva wird von Gott verdammt'. Published in 1960 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 236 Mourlot unknown
03-0131Paris: Verve 1960. Color lithograph. From Drawings for the Bible. Mourlot 236. Paris: Verve, 1960. unknown
198133492Paris: Galerie Maeght 1981. In very good condition. 91 x 57 cm 35.75 x 225 inches. Original color lithograph exhibition poster by Marc Chagall from Exhibition Poster Galerie Maeght Paris 1981. Published by Galerie Maeght Paris 1981. Printed by Mourlot Paris. Sheet: 91 x 57 cm 35.75 x 225 inches. An original Chagall lithograph not a reproduction from one of his most celebrated print series. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Galerie Maeght in Paris was Marc Chagall's primary gallery throughout much of his career and his exhibition postersprinted by the legendary Mourlot studio as original color lithographsare among the most collectible prints he produced. Unlike reproductions these posters were made from stones drawn directly under the artist's supervision giving each impression the character and vibrancy of an original work. Chagall exhibition posters from the Maeght gallery are perennial collector favorites combining display impact with proven authenticity.It depicts a large man holding a bouquet of flowers over a building. It was published by Galerie Maeght.Chagall's flower paintings and lithographs are among his most beloved and sought-after works. Combining vivid color lyrical composition and occasional figure elements they represent the full flowering of his mature style and are perennially popular with collectors worldwide. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Galerie Maeght unknown
15-8102New York: Perls Gallery 1956 & 1965. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1956 & 1965. unknown
196332633Tokyo: Musee National D'art Occidental and Art Friend Occidental 1963. First Edition. Original Wraps. Fine. Oblong Quarto. 188pp illustrated. A fine copy in red printed wraps boldly signed by Marc Chagall on the title page. Text entirely in Japanese. <br/><br/>Signed by the Artist Musee National D'art Occidental and Art Friend Occidental paperback
