CHAGALL, MarcBiblio.com
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1956198870New York: Harcourt Brace - Verve 1956. First edition. Hardcover. The first American edition of this beautifully printed book which was published as a double issue of Verve. Text by Jean Wahl and an appreciation by Meyer Schapiro. Includes 28 lithographs with 16 in color along with 105 black and white heliogravures. A very good copy in paper covered boards with loss to the top of the spine some splitting and wear to the spine edges and some creasing to the front free endpaper. No dust jacket. Lithographs in very near fine condition. Harcourt, Brace - Verve unknown
1956330115New York: Harcourt Brace 1956. First. hardcover. near fine/very good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original blue pictorial boards red printed d.w. New York: Harcourt Brace 1956. First American edition.<br/> <br/> The book first appeared as a double issue of Verve Vol VII Nos. 33-34. An exceptional copy in the original unclipped dust wrapper.<br/> <br/> Harcourt Brace unknown
1956110226Harcourt Brace and Company 1956-01-01. Hardcover. Very Good. 0x0x0. 1956 Harcourt Brace and Company American issue of Verve 33/34. Clean tight and unmarked jacket is quite tattered in two pieces missing the spine and is now laid into the book. All lithographs intact and undamaged. oversized and overweight. Please email for photos. Harcourt, Brace and Company hardcover
1956273685New York: Harcourt Brace 1956. First. hardcover. good. Chagall Marc. Beautifully illustrated with 28 original lithographs 16 of which are in color the 12 b/w lithographs are printed on rear of color plates; and 105 additional b/w heliogravures of Chagall's etchings throughout. Text by Jean Wahl & Meyer Shapiro. Small folio original pictorial boards quite damaged and lacking spine; lithographs are clean but for a discoloration on blank rear of frontispiece. New York: Harcourt Brace and Company 1956. First American edition.<br/> <br/> American printing of this incredible book which first appeared as a double issue of Verve Vol VII Nos. 33-34. A less than good only copy but all the desirable lithographs are present and in excellent condition.<br/> <br/> Harcourt Brace unknown
196330355Paris: Mourlot 1963. Other. In excellent condition. 32 x 24 cm 12.5 x 95 inches. Original color lithograph by Marc Chagall. Edition of 5000 unsigned and unnumbered from Chagall Lithographe / Catalogue Raisonné Vol. II 19571962 1963. Published by André Sauret Monte Carlo 1963. Printed by Mourlot and Draeger Paris. Sheet: 32 x 24 cm 12.5 x 95 inches. One of Chagall's most iconic motifs lovers in a world of color and poetry. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.'Chagall Lithographe' Volume II 1963 published by André Sauret in Monte Carlo with text by Fernand Mourlot is the second volume of the monumental catalogue raisonné of Chagall's lithographic output. The volume covers prints from 1957 to 1962 and contains 24 original lithographs printed by Mourlot and Draeger in Paris. It is one of the most important documentary sources for Chagall's graphic work and the original color lithographs bound within itdepicting the circus performers lovers musicians and biblical figures so beloved by collectorsare among Chagall's most iconic images.This original color lithograph sheet: 32 x 24 cm 12.5 x 95 inches depicts 'Inspiration - Der Inspirierte'. Published in 1963 Edition of 5000 by André Sauret Monte Carlo this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. The image of lovers floating above the world is perhaps the most iconic motif in all of Chagall's arta symbol of transcendent joy memory and longing. His lithographs on this theme are enduringly popular with collectors and are among his most recognizable and decorative works. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 398 Mourlot unknown
195616399Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Isaiah - Jesaias'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 141 Mourlot unknown
195631649Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Special price - only 2 copies still on stock !. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 141 Mourlot unknown
52-0215Paris: Mourlot 1956. Color lithograph. Framed. Mourlot 141. Paris: Mourlot, 1956. unknown
1965W2626<p>Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In as-new condition: clean bright and crisp. Mourlot 141. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print.</p> Mourlot
195735161Paris: Mourlot 1957. In excellent condition. 23 x 20 cm 9 x 775 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Jacques Lassaigne Marc Chagall 1957. Published by Mourlot Paris 1957. Printed by Mourlot Paris. Sheet: 23 x 20 cm 9 x 775 inches. A quintessential Chagall village scene rich with the imagery of his Vitebsk childhood. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.The 1957 monograph 'Marc Chagall' by art critic Jacques Lassaigne published by Fernand Mourlot in Paris contained a suite of original color lithographs specially created by Chagall for the publication. Printed at the celebrated Mourlot studiowhere Chagall had worked closely with master lithographer Fernand Mourlot since the 1940sthe volume was issued in an unsigned and unnumbered edition of 6000 copies distributed internationally. The lithographs from this monograph are prized for their intimate scale and the characteristic warmth of Chagall's palette in this period.This original color lithograph sheet: 23 x 20 cm 9 x 775 inches depicts 'Jacques Lassaigne - Landscape with Isbas - Paysage aux Isaba couverture'. Published in 1957 Edition of 6000 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Russian and Belarusian village lifewith their roosters fiddlers and moonlit rooftopsdraw directly on his Vitebsk childhood and the rich tradition of Ashkenazi folk imagery. These works carry a deep nostalgic resonance and their warm luminous palette makes them perennial collector favorites. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 192 Mourlot unknown
195634665Paris: Mourlot 1956. In excellent condition. Special price - only 2 copies still on stock !. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Jeremiah - Jeremias'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 139 Mourlot unknown
195631634Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10¼ inches. Special price - only 2 copies still on stock !. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 139 Mourlot unknown
195616368Paris: Mourlot 1956. Other. In excellent condition. Special price - only 2 copies still on stock !. 355 by 260mm 14 by 10¼ inches. Original lithograph in colors published in his series Verve 33/34 of the bible lithographs in Paris. Edition 6500 unsigned and unnumbered copies. Mourlot 139 Mourlot unknown
1965W2678Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In fine condition: clean bright and crisp. Mourlot 139. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
1965W2566Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. Image/sheet size is 14 inches by 10 ¾ inches. In as-new condition: clean bright and crisp. Mourlot 140. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
195616367Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Jeremiah's Lamentations - Das Klagelied von Jeremias'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 140 Mourlot unknown
19621862462195George Braziller 1962. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Wear to boards wear and tears to dust jacket. All pages are intact binding is sound. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. George Braziller hardcover
19621863114564George Braziller 1962. Revised Edition. Hardcover. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket missing. Revised edition. Cover and binding are worn but intact. A reading copy in fair condition. Boards show signs of wear. All pages are intact but has small sepration at the top of 2 pages. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. George Braziller hardcover
0486274799.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2286194H. Fair. unknown
1967BOOKS244343New York NY: George Braziller. G/G. 1967. First Revised. Cloth w/DJ. 4to. 118 pp. DJ rubbed frayed toen and chipped . George Braziller hardcover
19624235New York: George Braziller 1962. First edition. Folio original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a fine dust jacket. Contains the rarely seen original slipcase also present is the original blue ribbon. The rear panel of the acetate shows some wear. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. George Braziller hardcover
19621376New York: Braziller 1962. First edition. Folio original red cloth with two original color lithographs specially prepared by Chagall for this edition illustrated throughout. Fine in a near fine dust jacket. A very sharp example. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows one for each of the twelve tribes of Israel designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Braziller hardcover
196232198New York: George Braziller / Andre Sauret 1962 Book Date 1962. Custom Clamshell Case. No Binding. Not A Book/Clamshell As New. Custom Clamshell Case. No Binding. First Edition Clamshell Case. Chagall Marc. JERUSALEM WINDOWS. Custom Clamshell Case Only. New York: George Braziller / Andre Sauret 1962 Book Date. Superb Folio Custom Fitted Modern Collector's Clamshell Bookcase Not A Book. Superbly HAND-CRAFTED by our conservation team this fine first edition collector's clamshell case is finished in medium & dark blue fine cloth & finished internally in luxurious black velour; gilt-stamped title piece at the spine; neat window emboss 'sculpted' on the right cover. A very handsome modern case for this exquisite Chagall book. TBCL Web Site photo/link available for over a hundred cornerstones generally in-stock titles. Custom Craft available. Book definitely NOT included. George Braziller / Andre Sauret, [1962, Book Date] unknown
1962001241New York: George Braziller / Andre Sauret 1962. First American Edition. . Cloth. Very Fine/Very Fine. Marc Chagall. Original red cloth in mylar protected dust jacket housed in publisher's cardboard slipcase. First edition in English. 211 pp. 1 blank 1 1 blank pp. 104 plates 64 of which are in full color 2 original colored lithographs done expressly for this edition. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. In RARE original publishers' cardboard slipcase and protective acetate cover price intact. An exceptionally clean tight and bright copy. Cramer 49 Size: Folio <br/> <br/> George Braziller / Andre Sauret hardcover
