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1961467561London; Switzerland : Macmillan 1961. First Edition. Hardcover. Near fine cloth copy in a very good if slightly edge-torn and dust-toned dust-wrapper now mylar-sleeved. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 270 pages ; 4º 32 cm ill. some col. some mounted. Subjects; Artists French. Private collections. Painters Spain. 20th century. Pictorial works. Criticism and interpretation. Art Catalogues. Galleries. Museums. Picasso. Artistes Espagne. Collections d'art. London; Switzerland : Macmillan hardcover
104140Köln Könemann 1996-99. Gr.8° Fronti. 558 527 528 S. 4971 Abb. OLwd. in Schuber Min. gebrauchspurig tadell. 010 Köln, Könemann, 1996-99 unknown
28833182-nnew. unknown
194550091<p>This is one of the 2200 copies printed. This copy is frail and chipped all around. The text is fine though in French. Please handle with care when you open it. This book ships from Philadelphia PA USA. H515box</p> Gallimard paperback
200064313Hatje Cantz Publishers. Near Fine in Near Fine dust jacket. 2000. First. Hardcover. 3775709819 . Catalogue raisonné of Picasso's lithographic works. Includes 855 items color and b/w . ." The catalog is the first to list every printed sheet as an individual work." Includes test and state printings as well as unpublished sheets.; 4to 11" - 13" tall; 303 pages . Hatje Cantz Publishers hardcover
195811055Paris: Éditions Cercle D'Art 1958. Limited Edition. Hardcover. Very Good. Limited Edition. Hardcover. Originally written in Spanish by Jamie Sabartes a friend of Picasso. Translated into French for this publication by Alfred Rosset. Includes two black and white and fifty six colour plates of Picassos 1957 works "Las Meninas" 58 pieces that reinterpreted the 1956 work of the same name by Velazquez. Flaking and chipping to boards cracked upper bumped corners evenly toned else tight bright and unmarred. Color paper over boards. Large 4to. 135pp. Illus. color plates folding plates. Éditions Cercle D'Art hardcover
1988Q-0946590893Tate Gallery 1988-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Tate Gallery paperback
012362New York: Felicie 1974. 4to 276pp. Very good in very good dust jacket. Pictorial clothcover decorated endpapers color photographs color illustrations. Previous owner's name slight wear to dust jacket edges nose creased on window in front panel of dust jacket. Art of Pablo Picasso. Art Modern Art. Felicie Hardcover
83097Couverture rigide. Bon/1944. in-8. Paris 1944 in-8 168pp broché Superbe exemplaire! abondamment illustré des oeuvres de Picasso unknown
1948109267New York: Samuel M. Kootz Editions 1948. First Edition; First Printing. Hardcover. Good in a Good dust jacket. Photographic reproductions of illustrations are tipped in and loose sheets in printed portfolio as issued.; Folio - over 12" - 15" ta. Samuel M. Kootz Editions hardcover
198844273New York: Grove Press / Atlantic Monthly Press 1988. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket. Soiling and edge wear remainder mark. ; Folio 13" - 23" tall. Grove Press / Atlantic Monthly Press hardcover
2017x-3319532669Springer Verlag 2017. Hardcover. New. 2nd edition. 383 pages. 9.25x6.25x0.75 inches. Springer Verlag hardcover
1985stela234New York: The Metropolitan Museum of Art / Random House 1985. 1985. oblong 4to. pp. 166. 157 illus. in colour & b/w. biblio. cloth. dw. free end-paper torn in upper right hand corner minor edge wear. Published in connection with an Exhibition. Hardcover. Fine/Dust Jacket Included. New York: The Metropolitan Museum of Art / Random House, [1985]. Hardcover
1957TA250913056GT7Crown Publishers 1957. hardcover. Good. 14x10x0. Hardback--spine tight--pages unmarked--cover has edge wear--no dust cover Crown Publishers hardcover
195236197New York: Curt Valentin Gallery 1952. Fine/Very Good Condition. New York: Curt Valentin Gallery 1952. First Edition. Small octavo; ten pamphlets collected in one volume; publisher's cloth original wrappers bound in white pictorial dust jacket. Jacket flap folds and spine panel toned light dust-soil contemporary ownership signature to front free endpaper; a Near Fine copy in Very Good jacket.<br /> <br /> Quite scarce annual from the New York City gallery featuring solo exhibitions of Pablo Picasso Mary Callery Marc Chagall Henri Matisse and others. Curt Valentin Gallery unknown
2015166061New York: Museum of Modern Art MOMA 2015. First Edition. Hardcover. First Edition. Published in conjunction with the 2015-2016 retrospective at the Museum of Modern Art the first large-scale survey of Picasso's sculpture since 1967.<br /> <br /> Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Museum of Modern Art [MOMA] unknown
199027149NY: Rizzoli. As New in As New dust jacket. 1990. First American Edition. First Printing. Hard Cover. 0847812383 . Publisher's full cream cloth black lettering on spine black endpapers printed entirely on glossy stock. Profusely illustrated with 1584 illustrations 378 in full-color. . Both the volume and the unclipped dust jacket are in perfect pristine condition; unread unmarked tight square and clean. The pictorial slipcase has some slight wear on its corners. A large quarto heavy book 11 pounds - additional shipping charges may apply. AS NEW/AS NEW. Color and B&W Photographs. 4to 11" - 13" tall. 529 1 pp . Rizzoli hardcover
2005100225-01Prestel Publishing 2005-04-25. hardcover. As New. 11x0x13. Still in publisher's shrink wrap. Ships securely in a box. Prestel Publishing hardcover
51-4867Geneva: Patrick Cramer 1987 Alan Wofsy Fine Arts distribution. Cloth in dust-jacket. 25 x 29cm. 132 pages 278 reproductions including 82 in colors.Created by Picasso in 1935 the Minotauromachy is by far the most important engraved work of the 20th century; possibly even since Rembrandt. This volume aims to elucidate the iconographic signs of by means of a more precise explanation of the content as well as of the structural values.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon. Geneva: Patrick Cramer, 1987 (Alan Wofsy Fine Arts distribution) hardcover
20068Boston Book and Art 1970. First Edition. Hard Cover. 307 p. 407 reproductions many in color. First American edition. Mourlot was a lithographer in Paris where Picasso did much of his post-1945 work; his descriptions of the artist at work are invaluable. Freitag 7469. Quarto boards in paper acetate over dust jacket dj slight tears to bottom spine repaired book fine. Stock#20068. Boston Book and Art [1970] hardcover
2000895Wäinö Aaltonen Museum of Art 2000. 1st Edition. Soft cover. Fine. A fine copy with no markings. Stylish exhibition catalogue. Released alongside an exhibition of the same name held in Wäinö Aaltonen Museum of Art in Finland in 2000. Text in Finnish Swedish and English. 150 pp. Wäinö Aaltonen Museum of Art paperback
BAY_10_SH_030931Crown Publishers. Used - Good. 1957. Binding is tight text block is sturdy and clean boards straight no highlights or underlining. Dust wrapper shows some chipping/rubbing to edges. Some tanning to DJ and pages. Well packaged and promptly shipped from California. US veteran operated. Crown Publishers hardcover
1965N5006Paris: Cercle D'art 1965. Original Cloth w. Dust Jacket. Very Good/Good. 4to- Big. Picasso. 197pp. Richly illustrated. Large 4to. Dust jacket at spine side with some markings. OTHERWISE A VERY GOOD CLEAN AND FRESH COPY.- With decorative Hebrew ex libris <br/> <br/> Cercle D'art hardcover
51-5518San Francisco: Alan Wofsy Fine Arts 2023. 4to. Cloth in dust-jacket. 456pp. Fully illustrated.The first edition of this catalogue was published in 2002 and contained 342 pages. This new edition contains 456 pages. Picasso is 82 at the beginning of 1964. He and Jacqueline havenow lived together for 10 years and been married since 1961.They reside in Mougins in the south of France. Images ofJacqueline continue to figure prominently in Picasso’s work.In 1964 he paints portraits of Jacqueline posed seated and as areclining nude often with a cat. Picasso then draws a series ofpencil sketches alternating between the head of Shakespeare andthat of a monkey. Mid-year he does a series of portraits of men:often bearded with a cigarette and wearing a striped shirt.In October of 1964 Picasso completes 29 paintings of an artistat an easel. These all take as their starting point his 1963 paintingThe Painter. Picasso then makes paintings of an artist and model.In December Picasso creates a number of works depicting thehead of a man or a boy.In the early part of 1965 Picasso begins a series with a lobsterusually being attacked by a cat. He also paints the first in a seriesof a youth serenading a nude woman at dawn on the beach titled- L’aubade and works on a group of views of Mougins. In Marchthere is a series with a nude model seated in a room and a canvason an easel sometimes with an artist present. In April the artiststarts looking like Picasso and the model like Jacqueline.During April of 1965 Picasso paints large horizontal canvasesof a nude often reclining next to the head or torso of a manor boy. Another horizontal canvas is the first of the WatermelonEaters. Picasso continues to paint horizontal views of Mouginsand by mid-year Picasso paints a series of heads childlike withbold lines. During October Picasso begins painting images of amother and child.The artist is not particularly productive during 1966. In the earlypart of 1966 Picasso produces only some sketches and in Aprilhe begins a series after Jupiter et Thétis by Ingres. For the balanceof the year Picasso does caricatures and sketches on themes fromprevious years.During January of 1967 Picasso creates sketches including a musicianwatermelon eater flutist and man holding a lamb. Picassoalso begins ink washes and oil paintings of a musketeer whichdevelop into a painter who then caresses a model. The musketeersometimes as an artist sometimes with a nude woman becomesa series of paintings in March and April. Between April and JunePicasso designs a number of covers for the book Picasso: Theatre.In June Picasso continues the Serenade at Dawn series. FromJuly through September Picasso draws sketches with a variety ofthemes. In October he makes a group of drawings of a violentand distorted kissing couple. At the end of 1967 Picasso completespaintings based on his sketches from the previous summerand winter. San Francisco: Alan Wofsy Fine Arts, 2023 hardcover
51-4487San Francisco: Alan Wofsy Fine Arts 2021. 4to. Cloth in dust-jacket. 328pp.The first edition of this catalogue was published in 2000 and contained 248 pages. This new edition contains 328 pages. 186 works have been added and there are 276 updated or revised entries. The main source for new works are auction catalogues from American English French Swiss and German auction houses. A secondary source for newly added entries include works that were also not catalogued by Zervos but ended up in museums notably the Musée Picasso Antibes.The main post-2000 exhibition catalogues covering the period 1944-1949 are: Picasso. La Joie de Vivre 1945-1948 organized by the Palazzo Grassi Venezia and the Musée Picasso Antibes in 2006 and Picasso 1945-1949 l’ère du renouveau organized by the Musée Picasso Antibes in 2009.Picasso’s heirs are the primary consignors of newly catalogued works that were sold at auction. There are also drawings that Picasso drew spontaneously for friends acquaintances and strangers. Some of these are drawn directly into books about the master normally on half-titles or title pages. San Francisco: Alan Wofsy Fine Arts, 2021 hardcover
