(MIRO). (PICASSO). (GUERNICA).Biblio.com
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193777186Paris 1937. Stor 4to. Originalt typografisk omslag. Omfatter s. 105-164. Gjennomillustrert i svart/hvitt. Med et pochoir kolorert litografi av Juan Miró - “Aidez l’Espagneâ€. Large 4to. Publishers typographical wrappers. Contains pages 105-164. Illustrated throughout in black and white With one pochoir coloured lithograph by Juan Miró - “Aidez l’Espagneâ€. Éditions “Cahiers d’artâ€. Fransk. <br/><br/><em>Eksemplaret er noe slitt men komplett med det berømte litografiet av Juan Miró - “Aidez l’Espagneâ€. Heftet tar for seg artikler om Picasso og hans verk “Guernicaâ€. Litografiet av Miró i meget god stand. This copy is somewhat worn still complete with the very famous lithograph by Juan Miró. The content deals mostly with the works of Picasso and “Guernicaâ€. The Miró lithograph in very good condition. </em> unknown
191893431918 A Paris, Mercure de France, 1918. Un volume, 14,5 x 23 cm, 205 pp. + 1 portrait de Apollinaire par Picasso en frontispice. Broché, couverture rigide, protégé par un étui en demi-veau couleur marron clair/ocre, dos lisse avec titre, auteur et date en lettres dorées, le tout sous emboîtage en carton marbré. EDITION ORIGINALE numérotée (n° 418), achevé dimprimer le 15 avril 1918. Ouvrage en très bon état.
19221186471922. First Edition. BAKST Léon. L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant. Preface d'André Levinson. Paris: de Brunoff 1922. Large folio original limp cream paper covers uncut custom chemise. $4500.Signed limited first French edition number 308 of only 500 copies signed by both Bakst and publisher Maurice de Brunoff with 56 mounted color plates 54 full-page costumes and sets for the Ballet Russes with letterpress tissue-guards and a portrait of Bakst by Picasso.A gifted painter Bakst is best remembered for the sets and costumes he designed for Diaghilev's Ballet Russes in the early decades of the 20th century. His exotic and sumptuous designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. It was the Ballet Russes that first brought Tchaikovsky's Sleeping Beauty renamed Sleeping Princess to the west in 1921 featuring scenery and costumes by Bakst. ""Bakst's greatest claim to theatrical glory lies in his feeling for synthesis in his impeccable instinct for harmony"" Levinson. Without rare original slipcase. Plates and text fine only minor wear to spine of fragile original paper covers. A beautiful copy. unknown
073928New York: Harry N. Abrams Inc. Publishers 1990. Facsimile Mounted Prints in Clamshell Case. Near Fine. Very Large Folio: . Pablo Picasso. This edition which reunites for the first time the preliminary studies on paper that Picasso made for Guernica was printed on April 18 1990 by Akademische Druck-u Verlagsanstalt in Graz Austria. Forty-two color reproductions of select art from Pablo Picasso's work mounted in thirty-one carton mats all present. Housed in a large clamshell case in black with white lettering and color illustration of another facsimile of Picasso's works on paper affixed. Title is from enclosed booklet cover which contains forty-five numbered detailed studies of each piece of art along with the story of the Genesis of Guernica with artistic analysis. Booklet contains many smaller reproductive images of Picasso's works as well. Booklet is 20 pp. Artwork included is mounted as two-pieces per mount and as one piece per mount. Mounts with art measure 23.75" tall x almost 15.75" wide respectively as does the accompanying booklet. Large clamshell case measures 24.75" tall x 16.25" wide x 3" thick. <br><br>CONDITION: All mounted plates are fine. Facsimile art is vivid and striking. Laid in text booklet and clamshell case are VG. Booklet shows moderate wrinkling and some leaves have split along the side of the spine fold at the foot about a third of the way up yet does not badly compromise the booklet's integrity. Case shows indentation along the front spine indicating a heavy book had once been placed on top. Light fading and some soiling on case with a 1/2 inch chip at the head of the back of the clamshell box. Even so this collection is stunning and the art pieces are magnificent. At over 18 lbs. due to this item's size and weight an additional shipping charge will apply and will be delivered with signature required. Full refund if not satisfied. <br><br>EXCERPTS FROM THE BOOKLET: "Few names are as evocative as that of Guernica. The ruthless bombardment of this small Basque town a regional capital and ancient pilgrimage site became one of the blackest and bloodiest spots in the history of the twentieth century. Today it no longer represents only the massacre of a civilian population and a point of no return in the rise of Fascism: Picasso's painting gave to the name of Guernica the scope of a universal symbol that expresses the barbarism of modern warfare. After its militant exhibitions in 1937 Paris and 1939 New York its long exile and its final arrival in Madrid this 'living legend' is displayed behind bulletproof glass in the Cason del Buen Retiro of the Prado Museum. .<br><br>Picasso executed forty-five sketches between May 1 and June 4 1937 some of which stand on their own as complete drawings. They included six compositional studies four studies of the horse one of the bull one of the horse and bull alone ten of heads of the horse and bull ten studies of female heads six of the woman with a dead child one of the horse and the woman with the child three heads of dead warriors a study of a man with raised arms and two studies of hands. He used a variety of mediums: pencil india ink gouache and oils; and supports: white blue and brown paper plywood and canvas.<br><br>These studies are not only extraordinary drawings in their own right but they also show the different states of mind through with Picasso passed as he was working on the painting. They are like a seismograph of his thoughts and feelings and so they permit us to understand what he really wanted to paint in Guernica. <br><br>A study of these sketches reveals the progress of the artist at work - his hesitations his searching the choices he made. They show the slow formation of the images the maturation of the initial idea the successive contributions the departures; in short Picasso's way of working and as such they constitute the laboratory of Guernica. Harry N. Abrams, Inc., Publishers unknown
1961055142New York / Monte Carlo: George Braziller / Andre Sauret 1961. 1st Edition 1st Printing. Hardcover. Fine/Fine. 153 Pp. Red Cloth Stamped In Black. First Edition. Printed In France. With Three Original B/W Lithographs By Picasso Dated In The Plate And One Color Lithograph Dated Twice The Second Date Being The Date Picasso Added Colors. Fine In Fine Black And White Dust Jacket With Price $17.50 With Slight Tanning To Spine Panel. <br/> <br/> George Braziller / Andre Sauret hardcover
1965695-LParis Maeght éditeur, 1965. In-folio (380 x 280 mm) en feuilles. 26 PAGES DE LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 à double page. 1 lithographie en noir à double page. Texte de Jacques Dupin. Exposition à la Galerie Maeght de 32 peintures récentes sur carton. Édition originale. Exemplaire du tirage de luxe tiré à 150 exemplaires numérotés sur papier Arches et signés par Miro. Deluxe edition with 26 original lithographs in color by Joan Miro. The book is numbered 149/150 on Arches paper and signed by Miro.
19603275PAB, Alès, 1960. Un volume in-8 carré (22 x 22,4 cm), en feuilles, 8 pages, couverture à rabats imprimée du titre sur le premier plat. Édition originale. En frontispice UNE GRAVURE ORIGINALE EN NOIR, SIGNÉE, DE JOAN MIRÓ en frontispice. L'artiste grave sur une feuille de celluloïd, ce qui lui permet d'amincir le fond et de percer des trous, parfois allant à découper des formes en réserves blanches dans la composition. - Édition : 54 exemplaires signés par l’éditeur à la justification (n°35). - Références : Cramer, Miró Les Livres, 64 - Benoit Pierre-André, 378 - Dupin, Miró Graveur T.1, 290.
19601757Morancé, Paris, 1960. Un volume in-folio (39,5 x 29 cm) en feuilles. 15 pp. + XXXII feuillets sous portfolio cartonné toilé à rabats, jaquette illustrée en couleurs. Nouvelles sculptures et plaques gravées présentées par Christian Zervos. 32 planches en noir et en couleurs reproduisant les œuvres de Georges Braque. 1 DES HUIT EXEMPLAIRES HC COMPRENANT UNE SUPERBE EAU-FORTE ET AQUATINTE EN COULEUR JUSTIFIÉE ET SIGNÉE AU CRAYON PAR GEORGES BRAQUE, lettrés de A à H sur 8. Et parmi ceux-ci l'exemplaire d'Albert Morancé, l'éditeur, avec la gravure EN TROIS ÉTATS de couleur : rose, violet et bleu. Une belle lettre de Braque adressée à Morancé, au sujet du travail de la gravure pour l'album de tête, est insérée dans le portfolio.
19478219Paris, Edition Albor, 1947. In-4 (330 x 255 mm), (36) ff., illustré de 4 gravures au burin de Pablo Picasso, les titres, sous-titres et les initiales sont des fac-similés de l'écriture de Picasso. En feuilles, couverture rempliée et sous une chemise constituée de deux plats en bois avec le titre en rouge et assemblées par des lacets. Tirage à 250 exemplaires numérotés, les 20 premiers accompagnés d'une suite, ici un des 230 (n° 213) exemplaires. Petit manque de papier aux coiffes de la couverture, la couverture est brunie par contact avec le bois, comme sur la plupart des exemplaires. Traduction française par Jaume Canyameres de l'édition en catalan pour laquelle Picasso avait réalisé 4 autres gravures. Réf. Goeppert-Cramer ,45.
196451811André Sauret, 1949 1964 4 volumes, in-4 broché. Vol 1 : 1919-1947. 158 pp. Vol. II : 1947-1949. 208 pp. Vol. III : 1949-1956. 162 pp. Vol. IV : 1956-1963. 154 pp. Reproductions en noir et couleurs. Second volume fané : manque en tête, mors fendillés, dos fragile. Très bon exemplaire des trois autres.
196450849Monte Carlo, André Sauret, 1949-1964. 4°. Mit zahlr. Textabbildungen u. 8 (1 farb.; inkl. den Umschlägen) Orig.-Lithographien von Pablo Picasso. Zus. ca. 700 S., OKart.-Bde. m. illustr. OUmschlägen u. (Bde. 1 u. 4) transparenten OUmschlägen.
19303857Ambroise Vollard, Paris 1930. Fort in-4 (330 x 255 mm) en feuilles sous couverture papier japon impérial illustrée d'une gravure à pleine page, deux chemises à dos plat de parchemin blanc, titrées or au dos, étuis bordés. 94 EAUX-FORTES ORIGINALES DE RAOUL DUFY dont une à pleine page pour la couverture, 16 en hors-texte et 26 à pleine page y compris celle pour la table des gravures entièrement gravée. 1 des 65 exemplaires sur japon supernacré, celui-ci faisant partie des 30 sur ce papier enrichis d’une suite des eaux-fortes sur vergé Montval (n° 57), paraphé à l'encre par l’artiste et l’éditeur à la justification. Il s’agit du second papier après 30 exemplaires sur japon ancien. La suite est conservée dans une chemise et un étui, identiques à ceux du volume de texte. Très rare exemplaire de tête à l'état de neuf, très pur. "Un hymne au port de Marseille et à la mer". Une réussite majeure de l'artiste et de l'éditeur Ambroise Vollard. ref : Rauch : Les Peintres et le Livre n° 47 ; The Artist and the Book n° 93 ; Chapon : Le Peintre et le Livre. L'âge d'or du livre illustré en France 1870-1970, P. 73 ; Centre Georges Pompidou : https://www.centrepompidou.fr/cpv/resource/ck4yxbo/razK8b4
19663141PAB (ierre-André Benoit), Alès, 1966. LA SUITE COMPLÈTE DES 5 CARTALÉGRAPHIES DE PICASSO POUR ILLUSTRER LE POÈME DE RENÉ CHAR : Les 4 pour l'édition à 50 ex. + La planche supplémentaire réservée aux 10 exemplaires de tête. Les épreuves sont justifiées au crayon par Pierre André Benoit VI/X, VI/VII, la planche supplémentaire étant non numérotée. Ensemble rarissime, en excellent état de conservation. - Note : L'illustration de Picasso utilise la technique de la cartalégraphie, mise au point par Pierre-André Benoit en 1959 pour le livre Dans vos jardins, qui consiste à tirer un carton à la manière d'une gravure : "Le principe en est simple : un carton plat ou ondulé, souple ou plus rigide, est découpé, déchiré, incisé, ou gratté par l'artiste, puis fixé par l'imprimeur sur un support à la hauteur typographique, finalement encré puis imprimé." (Coron) Le 10 octobre 1966, Yvonne Zervos obtint de Picasso deux masques telluriques en cartalégraphie, auxquels se rajoutèrent deux masques supplémentaires confectionnés par l'artiste sous les yeux de l'éditeur en février 1967. Char dédie ses poèmes aux "Transparents ou vagabonds luni-solaires [qui] ont de nos jours à peu près complètement disparu des bourgs et des forêts où on avait coutume de les apercevoir." Goeppert-Cramer, Picasso, n° 138 ; Coron, Le Fruit donné, pp. 60-61 et 75-76 ; Les livres de Picasso réalisés par PAB, n° 454.
191880044Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition one of the numbered copies from the first printing. Paper slightly brittle at margins of some leaves as usually found handsome copy. Illustrated work with as frontispiece a portrait of Guillaume Apollinaire by Pablo Picasso. Mercure de France unknown
1950N - 2023 - 74<p>L'Age de Soleil. With one original dry point by Picasso. GODET Robert-J. Paris: Aux dépens de l'auteur 1950. One of 100 copies on Vélin du Marais with frontispiece etching "Picasso pour Roby" in black and with an ORIGINAL POINTE-SÈCHE La Torera dated in plate 29 April 1944. In the original stiff wrappers lightly tanned. Ref: Cramer n° 57.</p> Aux dépens de l'auteur
B-2022-0726<p>Jacques Prevert: Le Coeur à L'Ouvrage. Paris & New York: Fenand Morurlot 1972 Alain A.C. Mazo Paris -Leon Amiel New York. Portfolio loose as issue with 25 original lithographs in full page printed in wove paper by Mourlot by: Brianchon Masson Beaudin Fenosa Esteve Guiramond Matisse Terechkovich Braque Derain Picasso Jenkins Miro Cocteau Minaux Villon Chagall Giacometti Buffet Wunderlich Delvaux Vasarely Manessier Lepicque and Sutherland. Limited edition on 800 copies complete of text prints and justification page all guarded in the original clamshell box. </p>Case lightly worn wrappers toned inside in very good conditions.<b> <br /></b>Please ask for complete conditions report.<b><br /></b> Mourlot
1946140734Garden City New York: Doubleday & Company Inc. 1946. Signed limited edition of this compendium of over one hundred reproductions of Picasso's wartime paintings. Quarto original publisher's half buckram illustrated with 135 plates. One of three hundred and fifty numbered copies signed by Pablo Picasso on the limitation page this is number 188. Near fine in the original glassine and rare original slipcase which is in very good condition. An exceptional example. One of the most influential artists of the 20th century Pablo Picasso was extremely prolific throughout the course of his long life and achieved universal renown and immense fortune for his revolutionary artistic accomplishments. Picasso: The Recent Years 1939-1946 offers a selection of over one hundred of Picasso's paintings produced during the second world war. Doubleday & Company, Inc. hardcover
1962126630HARRY N. ABRAMS INC. NEW YORK 1962-01-01. hardcover. Very Good. 0x0x0. 1962 Abrams cloth hardcover in slip case. 45 plates with loose tissue guards. Binding intact but tender. Ownership ink to front paste down. Shelf soil to slip case. oversized and overweight. Please email for photos. HARRY N. ABRAMS INC. NEW YORK hardcover
51-5814Paris: Fernand Mourlot 1957. Folio. 44 x 34cm. Original cloth portfolio with 27 drawings after Picasso by Henri Deschamps and Fernand Mourlot. Includes the text but not the 6 hors texte original lithographs. It includes 27 lithographs after Picasso one of which is signed by Picasso Faune. Twelve of the lithographs are full page. One of 275 numbered copies. Portfolio slightly soiled; 2 pages of the index and colophon defective.Cramer no. 88.Picasso signed the limitation page which contains a portrait of a faun by Picasso and is a lithographic reproduction of a drawing by Pablo Picasso. The craftsman that reproduced the drawing by hand was Henri Deschamps Picasso’s favorite and most trusted master printer at the Mourlot Studio. He relied on Deschamps any time that a painting or drawing had to be reproduced and it was not an already original print. They collaborated very closely from 1945 until the death of the artist in 1973.This small lithograph is an “after†as it was reproduced by a craftsman while the artist was alive and had to be supervised and approved by the artist himself. In the case this beautiful little gem of a lithograph was created for the book: Dans L’atelier de Picasso – which was written by Picasso’s secretary and close friend Sabartes and published and printed by Editions Mourlot. It included 13 original lithographs and dozens of reproductions of paintings and drawings. Each book was signed by Picasso on the justification page in red Pencil. However none of the lithographs inside were ever signed. Paris: Fernand Mourlot, 1957 hardcover
19761716Le bouquet (Gaston Puel), Veilhes 1976. 1 volume petit in-4 (17 x 13 cm) en feuilles sous couverture imprimée rempliée et chemise de papier cristal moiré de l'éditeur. Édition originale en catalan du poème de Jordi de Sant Jordi avec la version française de René Nelli en regard. UNE GRAVURE ET AQUATINTE DE JOAN MIRÓ SIGNÉE AU CRAYON Tirage : 50 exemplaires + quelques H.C. signés par le traducteur et l'éditeur. La gravure signée par l'artiste. Celui-ci 1 des exemplaires justifiés H.C. Imprimeur : Atelier Morsang. (Références : P. Cramer "les livres illustrés par Miro" n° 220 ; P. Dupin "Miro graveur IV" n° 935).
19832091202133209853Editions Andre Sauret 1983. Soft Cover. Fine. Number of books: 5 books in total Editions Andre Sauret paperback
19622480Paris Imprimerie Mourlot. 1962. Mourlot 382 Bloch 1298. Original lithograph exhibition poster in 3 colors 652 x482 25.66" x 18.97" on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins. Alex Maguy books
19622480Paris Imprimerie Mourlot. 1962. Mourlot 382 Bloch 1298. Original lithograph exhibition poster in 3 colors 652 x482 25.66" x 18.97" on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins. Alex Maguy
195987544Cannes 1959. Fine. Cannes 25 octobre 1959 17 x 32 cm un feuillet remplié Signed and inscribed newspaper clipping with Picasso's portrait. Newspaper clipping from 'Le Patriote de Nice et du Sud-Est' 25 October 1959 signed and inscribed by Pablo Picasso. A folded leaf inscribed with a large red felt-tip pen. A pictorial and unusual inscription signed by Picasso on the front page of a Nice newspaper celebrating his 78th birthday: For Max Pellequer / his friend / Picasso. A beautiful testimony of friendship in an important political newspaper which featured many of the artist's original creations. Banker and collector Max Pellequer was introduced to Picasso in 1914 by his uncle by marriage André Level. He quickly became one of Picasso's most important collectors and his financial advisor for over 30 years. Pellequer's interest in his art began as early as the 1910's when he purchased a Picasso bronze from art dealer Ambroise Vollard. During the 1930s and 1940s as Picasso's personal banker he made the painter exceptionally wealthy and allowed him to settle comfortably in the South of France. Picasso created a superb ex-libris for him bought him paintings including 'La Mer à L'Estaque' by Cézanne now in the Picasso museum and offered him a few works. Pellequer assembled a vast collection of paintings by the great masters of modern art: Degas Raoul Dufy Paul Gauguin Fernand Léger Henri Matisse Joan Miró Modigliani and Maurice Utrillo today in the most important international museums. The choice of this newspaper of the Nice Communist Party is particularly significant for Picasso. He had joined the Party in 1944 and advocated for peace in the post-war period with the communists. In 1946 he met the paper's future editor-in-chief Georges Tabaraud then a young journalist who had fought in the Resistance. They remained very close until Picasso's death: Le Patriote became in a way 'Picasso's newspaper' especially during the Nice Carnival: in 1951 as a gesture of friendship Picasso created a jester king for the front page of the daily newspaper for that particular day of popular jubilation and then every year from 1958 to 1967. He knew that the press was the main source of information for the French. His direct style is combined with a fraternal feeling a desire to act and work together. Georges Tabaraud and Pablo Picasso joined forces for better but also for worse when the news required serious action"" Picasso Foundation. Picasso had given the Patriote an exclusive portrait in his villa in Cannes for his 78th birthday. Highlighting the date he signs here around his photograph on the front page of the newspaper. The artist is seen sitting next to his Picador a striking linocut depicting a bullfighting scene - a theme dear to the artist throughout his long and versatile career: The painter has in fact just devoted his last weeks to linocut. He created an extraordinary collection of some thirty engravings . The entire team of our newspaper wishes good health for many years to come to the illustrious painter comrade and collaborator who make us the envy of the press all around the world is printed in the insert next to Picasso's red felt-tip pen. unknown
19611385<p>Paris Draeger Fréres. 1961. Picasso Sabartes Jaime. Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original Lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent conditon like new with the dust jacket also in perfect condition Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent condition like new with the dust jacket also in perfect condition This a very important and sought after book by the most famous artist of the 20th century.</p> Draeger Fréres. George Braziller.
