1 544 résultats
20059068242Hatje Cantz Publishers 2005-08-15. Hardcover. New. HARDCOVER BRAND NEW Perfect Shape No Remainder Mark Hatje Cantz Publishers hardcover
2511112 June 1979. On letterhead of the Chateau de Castille 30 Argilliers T 10 Vers par Nimes. See the entries for Cooper born Arthur William Douglas Cooper and Richardson in the Oxford DNB. From the papers of the recipient Philip Dosse who was proprietor of Hansom Books publisher of a stable of seven arts magazines including Art and Artists and Books and Bookmen. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. 2pp 8vo on a single leaf of air mail paper. Forty-six lines of text. Somewhat worn and creased but in fair condition overall. Signed ‘D C’ and addressed to ‘DEAR PHILIP’. After discussing a publicity photograph he writes: ‘You sound depressed. I dare not let my feelings go so far because I might never bounce back. I’m depressed because it is wet and cold whereas it should be hot hot and hotter. Am just back from a 4 day run around in Burgundy with two American friends. We saw chateaux ate excellently and drank our fill. It was full of laughter and bonhomie. That was a change.’ He reports that he will be spending two days in Venice ‘where I have to look at the Binnale and record a critical piece for the Italian TV. They pay me for the honor of giving me a 5 day holiday so why should I argue.’ He will then travel to Menton for a week as a juror at their biennale. He longs for hot weather so he can bathe: ‘It is difficult and dangerous to be southern.’ He discusses reviews he has written for ‘Art and Artists’. He has been in touch with the theatre historian Richard Buckle ‘about the Theatre Museum’: ‘But why oh why oh why MUST it take 79 years in England to get started something that in any other country would take 79 days That’s the inertia that I have deliberately left behind.’ Dosse’s ‘political forecasts are of the utmost pessimism. . The trouble in Ulster is much more bound up with the parrot-cry of King and Country than with religious differences. Which is why Mr William Hamilton is my hero and which is why I have no hesitation in saying that the monarchy must be dethroned.’ He feels that William Whitelaw just appointed Home Secretary in Thatcher’s first government ‘can only fail’ and that ‘Ulster is the Rhodesia of the north. They should give Ulster one week’s notice that the British are going to take ship and disappear for ever cutting off all finance soldiers etc. And they should go leaving a vacuum to be filled by Dublin. If only the IRA would put bombs in Buckingham and Windsor we would all be better off for there would be immediately a republican rising. And I might play J of Arc.’ In the final paragraph he describes Lord Goodman as ‘VERY ugly. He may change his ill-fitting clothes and appear under different names but the play’s always a bad one and his acting as ham as can be. His only truth is as a canny jewish family solicitor. I find it fascinating that the man who prevented the Prime Minister’s divorce on the day he took office should be rewarded with the kingdom of culture and the secret diplomacy. What world are we in’ 12 June [1979]. On letterhead of the Chateau de Castille, 30 Argilliers, T 10 Vers (par Nimes). hardcover
1973170098Paris: Galerie Berggruen 1973. First Edition. First Edition. Catalog for the May 1973 exhibition at Galerie Berggruen Paris. Text in French.<br /> <br /> Near Fine and unread in Near Fine perfect-bound illustrated card wrappers. Galerie Berggruen unknown
51-0730Cannes: Galerie 65 1956. Original color lithograph for the cover of the Galerie 65 catalogue. 160 x 110 image size on small 8vo exhibition catalogue. Annotated with prices or "vendu"possibly by Duclaud for the benefit of the famous Picasso collector Stanley J. Seeger. Has a photo of Picasso's famous model Sylvette with his painting of her as well. Mourlot 284; Bloch 800; Cramer 75. In protective mylar cover. Cannes: Galerie 65, 1956. unknown
68-2418New York NY: Perls Galleries 1947. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1947. paperback
68-2420New York NY: Perls Galleries 1949. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1949. paperback
68-2416New York NY: Perls Galleries 1945. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1945. paperback
68-2419New York NY: Perls Galleries 1948. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1948. paperback
68-2417New York NY: Perls Galleries 1946. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1946. paperback
68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
68-2409New York NY: Perls Galleries 1951. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1951. paperback
68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
200033630<p>New York / Geneva: Mitchell-Ines & Nash / de Pury & Luxembourg Art 2000 Scarce title First and only printing in photo-illustrated self-wraps no remainder or other markings binding tight pages bright a pristine unread copy of this remarkable book featuring 180 never-published photographs of the master in the many moods of work and private life some of which were first seen in a special exhibition organized by Sidney Janis at the Museum of Modern Art to commemorate the centennial of Picasso's birth on October 25 1981; sq 4to; 191pp with pictorial index. First Edition. Soft Cover. Fine.</p> Mitchell-Ines & Nash / de Pury & Luxembourg Art paperback
20061-0821258109Bulfinch Pr 2006. Hardcover. New. 100 pages. 9.25x7.00x0.50 inches. Bulfinch Pr hardcover
2014188700New York: Pace 2014. First edition. Hardcover. Exhibition catalog for a show that ran October 31 2014 through January 10 2015. Features text by Jonathan Fineberg Dan Leers and Barbara Rose. Includes black and white images by David Douglas Duncan and illustrations of works by Picasso a list of plates and photographs and acknowledgements. A near fine copy in photo-illustrated boards with some slight bumping to the top rear corner. No dust jacket as issued. Pace unknown
1961467561London; Switzerland : Macmillan 1961. First Edition. Hardcover. Near fine cloth copy in a very good if slightly edge-torn and dust-toned dust-wrapper now mylar-sleeved. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 270 pages ; 4º 32 cm ill. some col. some mounted. Subjects; Artists French. Private collections. Painters Spain. 20th century. Pictorial works. Criticism and interpretation. Art Catalogues. Galleries. Museums. Picasso. Artistes Espagne. Collections d'art. London; Switzerland : Macmillan hardcover
2005Q-3775716033Hatje Cantz Publishers 2005-08-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Hatje Cantz Publishers hardcover
19802092902137307059Shinchosha 1980. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
92345Paris Editions Cercle d’Art 1955. 4° 142 S. zahlr. tlw. ganzseit. Abb. Brosch. m. OU Einband unsauber Rücken gebräunt u. tlw. fleckig innen tadellos. EA. Der OU gestaltet von P. Picasso. 010 Paris, Editions Cercle d’Art, 1955 unknown
19570819434New York New York U.S.A.: Frederick A. Praeger 1957. Second Edition. Hardcover. Very Good/Good. Illustrated with Color & b&w Reproductions. 8vo - over 7¾" - 9¾" Signed by Pablo Picasso. 2nd edition / 1st printing. Inscribed & signed on the front endpaper by Pablo Picasso to actress Patience Cleveland : "Pour Patience -- / En souvenir de votre / ----------------- Anniversaire / Pablo". The "P" in Pablo is 1.25" 3.2cm tall drawing that has 4 eyes making different faces from every direction that you turn the drawing. Very good in good dust jacket. Jacket : slight edge wear chipped at top of spine. 15.5 x 21cm. hard cover. 315pp. Frederick A. Praeger hardcover
200889922Galleries; A. C. C. New. 2008. Paperback. 1903278872 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pp. ; 102 ills. -- with a bonus offer-- . Galleries; A. C. C. paperback
83097Couverture rigide. Bon/1944. in-8. Paris 1944 in-8 168pp broché Superbe exemplaire! abondamment illustré des oeuvres de Picasso unknown
33106Couverture rigide. Bon/1945. in-8. Paris Les Editions de Minuit 1945 in-8 76pp broché Superbe exemplaire de l'édition en partie originale sur papier bleu pas de grand papier annoncé. En frontispice un portrait de l'auteur par Picasso. unknown
