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191371213Paris: Mercure de France 1913. Fine. “To Henri Ghéon whose poetry I love Guillaume Apollinaire” Mercure de France Paris 1913 11.50 x 18.50 cm broché First edition one of the first-issue copies press-numbered from a total limitation of just 23 deluxe copies on Holland paper. Illustrated with a frontispiece portrait of Guillaume Apollinaire by Pablo Picasso. Spine sunned with discreet restorations.Our copy is preserved in a red half morocco chemise spine with five raised bands date lettered at the foot paper-covered boards matching paper slipcase edged in red morocco the whole signed by Boichot. Rare signed autograph inscription by Guillaume Apollinaire: « à Henri Ghéon dont j'aime la poésie Guillaume Apollinaire ». Our copy further contains five manuscript corrections in ink by Apollinaire on pages 71 77 92 110 and 189. Also included is an autograph satirical quatrain by Apollinaire composed two years earlier offering a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Apollinaire presented this copy to Henri Ghéon literary critic for La Nouvelle Revue Française. The poet took care to correct himself the typographical errors still present in this very first edition corrections likewise found in other presentation and review copies distributed by the author. Upon receiving his copy Ghéon devoted an article to Alcools «Alcools par Guillaume Apollinaire» Nouvelle Revue Française no. LVI 1 July 1913 describing the collection as a «démarche aventureuse». Presentation copies of this work inscribed by Apollinaire are rare and highly sought after. The small autograph satirical quatrain by Apollinaire composed two years earlier offers a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Although it makes no claim to the poetic ambition of Alcools the poem nevertheless shares with that celebrated collection several features that illuminate the genesis of Apollinaire's masterpiece. Published under the pseudonym « Montade » in the Mercure de France of April 1911 with five commas the manuscript of the poem is written entirely without punctuation just like the avant-garde poems of Alcools. The very form of this brief poem reveals Apollinaire's curiosity and his constant search for the renewal of poetic expression as evidenced by the introductory note accompanying its publication in the Mercure: « Chantecler a été l'occasion pour les poètes français de reprendre un genre délaissé l'épigramme. . Le Rivoli de M. Fauchois a aussi inspiré des épigrammes. En voici deux qui sont bien tournés. L'une a été insérée dans l'Intransigeant :Après Beethoven Amen ! Après Rivoli au lit !La seconde parce qu'il y a plus de ruelles court les brasseries :Le grand Napoléon au jour de Rivoli Avait fait par ma foi une belle trouvaille Inutile vraiment puisque partout on lit Qu'à l'Odéon Fauchois a perdu la bataille » One also notes the poet's own assessment of his work and his desire for a poetry that wanders freely through the streets and cafés liberated from the constraints of print punctuation and formal rigidity much like the cascading calligraphy of these handwritten verses composed nine years before Calligrammes. Mercure de France hardcover
191878956Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition a first impression copy numbered in the press. Binding in half brown morocco spine in five compartments gilt date at the foot geometric pattern paper boards and endpapers in the same paper top edge gilt wrappers and spine preserved in perfect condition binding signed by T. Boichot. Apollinaire's second major poetic work with bold graphic innovations and a portrait of Guillaume Apollinaire by Pablo Picasso as frontispiece. Some of the best war poems all languages combined are brought together in this collection alongside experimental works such as Les Fenêtres close to Cubism and La Jolie Rousse which were far ahead of their time Cyril Connolly Cent livres-clés de la littérature moderne n° 32. A beautiful copy on non-brittle paper which is unusual and a rare and surprising handwritten inscription signed by Guillaume Apollinaire: à monsieur le critique littéraire de La Libre Parole hommage de Guill. Apollinaire."" To the literary critic of La Libre Parole tribute by Guill. Apollinaire. Who could be the recipient of this inscription unnamed but addressed to a collaborator of the famous anti-Semitic newspaper founded by Édouard Drumont The ostensibly philo-Semitic position of Guillaume Apollinaire is well-known. In an 1899 letter he boasts to Toussaint Luca that he tried to provoke Henri Rochefort who was reading La Libre Parole by deploying L'Aurore in front of him but as the young Dreyfusard regrets without daring to engage the controversy. In 1902 he publicly marked his fraternity with the Jewish people with a new publication in La Revue blanche Le Passant de Prague"": I love Jews because all Jews suffer everywhere. Then in Alcools he will dedicate a poem to the Hebrew religion: ""La Synagogue"". But it is undoubtedly through his poem Le Juif latin published in L'Hérésiarque et Cie that Apollinaire poetically reveals the essence of his particular link with Judaism: that he shares the condition of eternal stranger the feeling of uprooting and the search for identity. It may therefore seem very surprising that this poet whose only trace of political commitment was in favor of Dreyfus dedicated his work to a La Libre Parole journalist even if he is a literary critic. And in fact La Libre Parole does not contain literary columns! A few months before the poet's death this laconic inscription thus proves to be a formidable and final scoff of poetic impertinence to political intolerance. Mercure de France hardcover
191880044Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition one of the numbered copies from the first printing. Paper slightly brittle at margins of some leaves as usually found handsome copy. Illustrated work with as frontispiece a portrait of Guillaume Apollinaire by Pablo Picasso. Mercure de France unknown
195261224Paris: Gallimard 1952. Fine. Gallimard Paris 1952 12.50 x 19 cm broché First edition one of 26 numbered copies on Madagascar paper the tirage de tête. Illustrated with a frontispiece by Pablo Picasso preface by André Salmon. Rare and nice copy despite a small tear in the margin of lower cover. Gallimard unknown
19832091202133209853Editions Andre Sauret 1983. Soft Cover. Fine. Number of books: 5 books in total Editions Andre Sauret paperback
2000C91031Prestel Publishing. As New. 2000. Hardcover. 379132277X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in English German and French. 95 pages; well-illustrated. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Prestel Publishing hardcover
200091031Prestel Publishing. New. 2000. Hardcover. 379132277X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in English German and French. 95 pages; well-illustrated. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Prestel Publishing hardcover
19805370New York: Harry N. Abrams Inc 1980. Measuring approximately 16" x 11.5" with 62 numbered pages. 29 full color prints. <br /> <br /> This book is in good plus condition. Moderate bumping and chipping to both ends of spine. Top corner of both panels and textblock bent and creased. Interior pages are bright and clean. <br /> <br /> This book contains 9 full color prints drawn by Pablo Ruiz Picasso. <br /> <br /> Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books.<br /> <br /> Inventory #N12-9. Harry N. Abrams, Inc unknown
1996Q-0810981424Harry N. Abrams Inc 1996-03-30. Hardcover. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams, Inc hardcover
2010EN254490Didier London 2010. 1st Edition. SOFTCOVER. 4to in stiff glossy card covers 64pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Didier, London paperback
201091785Thames and Hudson London; Museo Picasso Barcelona 2010. Hardcover in Dustjacket. AS NEW COPY!. ART -An important work on a hitherto neglected aspect of Picasso’s oeuvreFor the first time the explicit connection between Japanese erotic prints and the work of Pablo Picasso is revealed in this highly original study. Much of Picasso’s work is imbued with eroticism and this book makes clear the parallels between explicit Japanese compositions and scenes depicted by the artist.More than twenty previously unpublished Japanese prints from Picasso’s personal collection are illustrated revealing the influence these ‘secret images’ had on his career.Thought-provoking and careful analysis of the prints is accompanied by reproductions of artworks by Western and Japanese artists. Essays by scholars of Picasso and Japanese art and by curators at Barcelona’s Museu Picasso examine the spread of Japanese art and its influence in Europe and look at the impact this had on Picasso’s œuvre.Irreverent drawings chronicling Picasso’s passionate youth and sexual fantasies develop into mature images of a man of many lovers – ardent participant and voyeur.AS NEW COPY STILL IN UN-OPENED PUBLISHER'S WRAPPER!First Edition. Picasso Pablo 1881-1973 -- Exhibitions Picasso Pablo 1881-1973 -- Art collections -- Exhibitions Erotic prints Japanese -- Edo period 1600-1868 -- Influence -- Exhibitions Art European -- Japanese influences -- Exhibitions Erotic art -- Japan -- Exhibitions 168 p. : ill. some col. ; 31 cm. #160725Picasso Pablo 1881-1973 Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD Fremantle WA and Newtown NSW. All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse 23 Queen Victoria Street Fremantle WA. Please note: Over standard weight or size. Orders via ABE Books or Biblio or from Overseas may incur additional postage charges. We will contact you prior to processing order to request your approval or contact us to confirm postage cost. Hardcover in Dustjacket AS NEW COPY! Thames and Hudson, London; Museo Picasso, Barcelona hardcover
199515303San Francisco: Stamp Art Editions 1995. 1st. Paperback. Limited #13 of 20 copies SIGNED by Held & Gaglione. 4to. 14 57 pp. Illustrated throughout with black & white rubber stamp images. Black & white illustrated spiral bound wrappers; rubber stamp affixed to front cover. A near fine copy minor wear to extremities. The special rubber stamp edition of the Fake Picabia Bros. tour of Europe from 1 to 11 May 1995. Includes stampart works of Sophie Nagiscarde Sanja Radivovic Michel Hosszú Daniel Daligand Guy Bleus Rod Summers and Ruud Janssen. Next day shipping. Celebrating our 20th year - all domestic orders ship with Delivery Confirmation Tracking Number - Images available upon request. Stamp Art Editions paperback
17-5096New York NY: Hammer Galleries 1999. 4to. 24 pp. Softcovers. Very Good. Color Plates. New York, NY: Hammer Galleries, 1999. paperback
174163New York: Harry N. Abrams Inc. 1987. With an original drawing by Hockney Second edition first printing inscribed in pencil by Hockney on the front free endpaper "For Jonathan 'Love' David H Dec 23rd 1993" with a sketch of Salts Mill below the inscription. The recipient was Hockney's good friend Jonathan Silver 1949 - 1997 who in 1987 purchased the derelict former cloth factory building Salts Mill in Saltaire West Yorkshire and transformed it into a space for art and culture which now houses the largest and only permanent collection of Hockney art in the world. The book first published in 1968 with the co-operation of Picasso covers Picasso's passion for the theatre. It includes his paintings drawings watercolours lithographs photographs including some from Picasso himself and correspondence. Quarto. Includes 447 plates with 68 in full colour. Original beige cloth lettering to front cover and spine in gilt. With dust jacket designed by Picasso. Fine in fine unclipped dust jacket. hardcover
1967017769New York: Harry N Abrams 1967. Presumed FIRST EDITION no other printings listed on the copyright page. Very large square book with glassine wrapper over white cloth with color illustrations. On front end paper are facsimile signatures of artists including Chagall Picasso Klee Nolde Roualt Ernst and Heckel among others. Stunning reproductions several prepared to be framed. Square folio 12.5" x 12.5". Overall a EXCELLENT book in a VERY GOOD brodart protected dust jacket. A good gift. Full Cloth. Near Fine/Very Good. Folio - over 12" - 15" tall. Hardcover. Harry N Abrams Hardcover
200754113DKV. New. 2007. Paperback. 3422067493 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- With contributions by Jean-Louis Andral Marilyn Mc Cully Markus Müller Valérie-Anne Sircoulomb-Müller and Carsten-Peter Warncke232 Seiten mit 91 farbigen und 128 schwarzweißen Abbildungen 23 x 27 cm Klappenbroschur ISBN: 978-3-422-06749-3 Text in English -- with a bonus offer-- . DKV paperback
1943208661Robert-J. Godet éditeur 1943. Number 23 of 25 such copies. Paperback. Bound book is VG with expected age-toning to the solid covers. Accompanying suite is as good as can be hoped for with the thin paper printed wraps broken at the spine and the 18 prints most with acidic sheets between that are printed on low-quality acidic paper solid clean with a noted printing smudge on one about 1/10 an inch in size and undamaged but wanting some conservation or de-acidification. Again in case you have not noted otherwise THE BLACK AND WHITE SIGNED ETCHING is lacking but the limitation page is signed by both Hugnet and Picasso and there is a unique collage by Hugnet to noted collectors on the half-title. Thick wrapped cardstock glued covers with printed lettering in black and green. Unpaginated 38 pp with the 6 zincographs bound in and then containing in a separate folder a suite of 3 copies each in a different color of the 6 bound zincograph plates from the book. LACKS THE BLACK AND WHITE ETCHING but contains a custom-designed and signed presentation collage by Georges Hugnet to Nannette and Herbert Rothschild on the half-title with painted design and applied materials dated April 9 1956. First edition printed in 525 numbered copies: 25 on Arches vellum signed by the author and illustrator. This is one of the first 25 copies on Arches vellum signed by the author and the painter with the set of three engraving colors red ochre and blue-green in the separate suite and 1 original etching by Pablo Picasso SIGNED ETCHING IS NOT PRESENT IN THIS COPY. The justification indicates: "the illustrations were etched by Pablo Picasso in order to be printed in the text through common typographic means. The etching meant only for the first prints is one of six illustrations printed in intaglio on Roger Lacouriere's printing press." An additional 500 regular copies with no suite and no etching on Lafuma plus VI author's copies on arches and III nominatives on bristol. The request to insert by Paul Eluard is entitled "Pour Georges Hugnet" 1 p. and is present as called for. Also contains some other laid-in items including a dated 1956 photograph of Hugnet along with a lithographed invitation to an exhibition of graphics by Hugnet at Galerie Furstenberg dated 1954 contains a colored illustration on the right inside panel and a printed belly-band of unknown relation to the artist or publication. Robert-J. Godet éditeur paperback
19392092902137302598Atorie-sha 1939. Soft Cover. Fine. The book is in fine condition. Atorie-sha paperback
120103Paris Le degré quarante et un 1940. . Limited edition one of 50 copies from a total edition of 64 this numbered 42 oblong 4to; signed in red by Iliazd and pencil by Picasso on the Russian justification page with 6 illustrations total: 2 aquatints and 4 engravings with burin on Montval wove à la cuve paper some minor foxing more so to some leaves text in Russian; attached with string unbound in wrappers reinforced with grey cardboard and a sheet of Montval paper some pages uncut title in black kufic lettering on the front; brown paper-covered slipcase a very good copy.<br /> The first of nine books Iliazd and Picasso collaborated on. Afat is a collection of seventy-six classical sonnets in Russian written by Iliazd the majority of which were written between January and June 1938. <br />All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917.Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.<br /><br />The sonnets are preceded by two Arabic titles in aquatint by Picasso both titles are written in kufic letters. Afat - the title is a Persian term signifying unhappiness in love. The second title 'madjusiya' means 'sorceress' and the illustrations Picasso produced were inspired by these two words. The first ten examples were reserved for close friends. Coco Chanel's copy number five included an extra sonnet dedicated to her.<br /> Paris, Le degré quarante et un, 1940. unknown
19582092902137305564Bijutsu shubbansha 1958. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19272092902137300890Shunchokai 1927. Soft Cover. Fine. The book is in fine condition. Shunchokai paperback
29341Paris Louis Broder coll. « Écrits et Gravures » n° 2 24 octobre 1956. 1 vol. 185 x 250 mm de 126 p. 8 f. En feuilles sous couverture illustrée chemise illustrée et étui de l'éditeur. . Édition originale posthume du texte de Max Jacob considéré comme ses « Mémoires ». Elle est illustrée par Pablo Picasso de 3 lithographies originales en couleurs et en noir étui couverture et portrait-frontispice 3 pointes-sèches originales et 24 dessins inédits gravés sur bois par Georges Aubert qui rappellent les illustrations du Chef-d’œuvre inconnu. Tirage unique à 170 exemplaires sur vergé de Montval celui-ci un des 30 numérotés en chiffres romains auxquels sont joints 2 états de la lithographie pour l’étui exemplaire n° II signé par Picasso. . Max Jacob livre ici un témoignage de premier ordre celui de ses souvenirs littéraires et artistiques de Montmartre. Il rencontre Pablo Picasso en 1901 à Paris et s'en suit une fraternelle amitié qui fait de lui le témoin quasi quotidien du travail de Picasso désigné comme son héros aux côtés d'Apollinaire lorsqu'il doit écrire sur l'époque de la rue Ravignan. À la mort du marchand Paul Guillaume sa veuve lui demande une préface à un volume des mémoires de son mari. C'est ce projet qui est l'acte fondateur du texte et deviendra ce récit fondamental sur le cubisme : La Chronique des temps héroïques. On y croise outre Picasso et Apollinaire les futuristes et les avant-gardes du XXe siècle. Arrêté et déporté à Drancy où il périra le 5 mars 1944 Jacob ne verra jamais la publication de ces lignes rédigées en 1936-37. Louis Broder se chargera de l'édition d'après un manuscrit complet des huit chapitres et Pablo Picasso se fera un honneur de l'illustrer : il composera une lithographie sur papier report 3 pointes sèches et 2 lithographies en couleurs pour la couverture et l'étui ; 24 gravures sur bois dans le texte de Georges Aubert d'après les dessins de Picasso. Signalons qu'il existe un exemplaire unique sur japon réalisé pour Louis Broder. Il n'existe pas de témoignage aussi vivant et direct que celui-ci sur l'aventure de l'art moderne depuis la bohème montmartroise jusqu'aux frasques des années folles. Complet du bulletin de souscription. Habiles restaurations à la chemise-étui. Paris, Louis Broder, coll. « Écrits et Gravures », n° 2, (24 octobre) 1956. 1 vol. (185 x 250 mm) de 126 p., [8] f. En feuil unknown
73-2563Paris: Musée Picasso 1994. 60x40 cm. Color poster. Very Good. Text in French.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 Paris: Musée Picasso, 1994 unknown
B-2022-0726<p>Jacques Prevert: Le Coeur à L'Ouvrage. Paris & New York: Fenand Morurlot 1972 Alain A.C. Mazo Paris -Leon Amiel New York. Portfolio loose as issue with 25 original lithographs in full page printed in wove paper by Mourlot by: Brianchon Masson Beaudin Fenosa Esteve Guiramond Matisse Terechkovich Braque Derain Picasso Jenkins Miro Cocteau Minaux Villon Chagall Giacometti Buffet Wunderlich Delvaux Vasarely Manessier Lepicque and Sutherland. Limited edition on 800 copies complete of text prints and justification page all guarded in the original clamshell box. </p>Case lightly worn wrappers toned inside in very good conditions.<b> <br /></b>Please ask for complete conditions report.<b><br /></b> Mourlot
2010Y-150-023PPUR 2010. Paperback. Good. Former library book. Edition 2010. Ammareal gives back up to 15% of this item's net price to charity organizations. PPUR paperback
