Luigi E PicassoBiblio.com
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30334401-nnew. unknown
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ria9783319373867_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Based on a series of university lectures on nonrelativistic quantum mechanics this textbook covers a wide range of topics from the birth of quantum mechanics to the fine-structure levels of heavy atoms. The author sets out from the cr paperback
ria9783319226316_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
B9783319373867Paperback / softback. New. Based on a series of university lectures on nonrelativistic quantum mechanics this textbook covers a wide range of topics from the birth of quantum mechanics to the fine-structure levels of heavy atoms. paperback
2016x-3319373862Springer 2016. Paperback. New. reprint edition. 354 pages. 9.25x6.10x0.82 inches. Springer paperback
197592148Barcelona: Fundacio Joan Miro Centre D'Estudis D'Art Contemporani 1975. Fine. Fundacio Joan Miro Centre D'Estudis D'Art Contemporani Barcelona 1975 27.5 x 37 cm Reliure de l'éditeur First edition one of 350 numbered copies on regular issue paper.Publisher's full yellow cloth binding smooth spine housed in its black full-cloth slipcase complete with the original silk tie.A few minor nicks to the slipcase.Profusely illustrated throughout.Contributions by Brassaï Magda Bolumar Joan Miro Joan Brossa Luis Bunuel Alexander Calder Eduardo Chillida Jacques Dupin Nina Kandinsky Roland Penrose Pablo Picasso Rafols Casamada Georges Raillard Josep Lluis Sert Michel Tapié Yvon Taillandier Antoni Tapies Patrick Waldberg. Fundacio Joan Miro Centre D'Estudis D'Art Contemporani hardcover
1992mon0004026639Arte Ediciones 1992-01-01. Hardcover. Very Good. 1.1024 9.1339 6.5748. Arte Ediciones hardcover
1992mon0004037650Arte Ediciones 1992-01-01. Hardcover. Very Good. 1.1024 9.1339 6.5748. Arte Ediciones hardcover
1992Q-8480590157Arte Ediciones 1992-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Arte Ediciones hardcover
2016120324Black Dog Publishing. New. 2016. Paperback. 0824868005 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . Black Dog Publishing paperback
2016120323Black Dog Publishing. New. 2016. Paperback. 1910433845 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in English and German. -- with a bonus offer-- . Black Dog Publishing paperback
2016121593Black Dog Publishing. New. 2016. Paperback. 1910433845 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened with a bonus offer-- . Black Dog Publishing paperback
2021212133Brighton: Sussex Academic Press 2021. Hardcover. NF. Like new besides small stamp on front end paper stating withdrawn from a research library. Octavo. Hardcover. Glossy illustrated boards. xv 364 pages : 1 map ; 25 cm. "Although Pablo Picasso spotted Dora Maar in a café in January 1936 it is highly likely that she had come to his attention prior. As Brassaï a Hungarian-French photographer recalled 'It was at Les Deux-Magots that one day in autumn 1935 he met Dora.On an earlier day he had already noticed the grave drawn face of the young woman at a nearby table the attentive look in her light-colored eyes sometimes disturbing in its fixity. When Picasso saw her in the same café in the company of the surrealist poet Paul Éluard who knew her the poet introduced her to Picasso' Brassaï a.k.a. Gyula Halász 'Conversations with Picasso' University of Chicago Press 1999. Tinged with a seductive mix of violence and dark eroticism this first meeting has attained mythical status in the story of the artist's life. It reads like an unreal fantasy. A mysterious and feline beauty which Man Ray had captured in the pictures he took of her a companion of Georges Bataille Dora was an accomplished photographer close to the Surrealists' revolutionary aesthetics. Picasso addressed her in French which he assumed to be her language; she replied in Spanish which she knew to be his. For the next decade the painter would translate not just his fascination with the woman who had seduced him on the spot but also his desire to escape the grip of someone who for the first time could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur a Sphinx a lunar goddess and a muse. Because of her intense artistic sensibility her poetic gifts and her ability to participate in suffering she was especially qualified to resonate Picasso's own inner torments during these troubled years."--. Sussex Academic Press hardcover
193447317New York:: Random House 1934. Second edition. original spiral-bound stiff wrappers illustrated in color. The white spiral binding is slightly sunned; a few little creases to the front wrapper. . Folio. With a Portrait by Picasso. Texts by Andre Breton Paul Eluard Rrose Selavy Tristan Tzara. Preface by Man Ray. Illustrated from photographs throughout. Random House, unknown
BN270476Die vergessenen Kinder <br/><br/>Die vergessenen Kinder Marina Picasso unknown
75-0956New York NY: Christie's 1994. 4to. Soft Covers. Very Good. 110 pp. Contains loose auction results sheet.Color plates. There might be an additional charge due to the large size of the book. New York, NY: Christie's, 1994 paperback
2008016952New York: Helly Nahmad Gallery 2008. First edition. Hardcover with dust jacket. 4to with 94 pages profusely illustrated. Both book and dust jacket are in very good condition very slight bumping to edges. Brown cloth. Brown/red/white spine/white text. . First Edition. Cloth. Very Good/Very Good. 4to. Hardcover. Helly Nahmad Gallery Hardcover
19381203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
200265942The Museum of Modern Art New York. Near Fine in Very Good dust jacket. 2002. First. Hardcover. 0870700081 . 10 X 1.5 X 12.25 inches; 400 pages . The Museum of Modern Art, New York hardcover
2002Q-0870700081The Museum of Modern Art New York 2002-09-15. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
68-2410New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
1914N - 2024 - 115<p>Max Jacob. Illustrated with three cubist etchings by Picasso in full page from 1913. Max Jacob three-act play reflect the author mystic quest and his research into the cabala and astrology Picasso completed the illustrations during the winter of 1913/14 making three etchings and dry points one for each act to which he gave the titles: Femme Nue plate 1 Nature Morte au Crâne plate 2 and Femme plate 3. This book is second illustrated book published by Daniel-Henry Kahnweiler created in collaboration with Picasso. Signed by the Picasso and Jacob in the justification page and marked as number "40" of 85 copies on "Holland van Gelder" total edition 106 copies. The book is complete in the original glassine light offsetting is present in the text page near the first illustration. Ref Cramer #3. Very good conditions.</p> Daniel- Henry Kahnweiler, Editeur hardcover
15-5929New Haven Connecticut: Yale Collection of Western Americana 1969. 12mo. Pp. 179-188 Loose Pages Good with missing pages section unbound minor creasing. Illustrated. Portion of essay with 6 Picasso pieces reproduced in The Hound & Horn. New Haven, Connecticut: Yale Collection of Western Americana, 1969. unknown
1939589472London: Oxford University Press 1939. Hardcover. Very Good/Good. First edition. Illustrated with black and white plates. 12mo. 53pp. Spine toned loss to spine title and a bit of the front cover title endleaves with offsetting and a bit of spotting very good or better in a price-clipped good only dust jacket with loss to much of spine tears along the spine and edges. Robert Melville was an English art critic and journalist and a key member of the Birmingham Surrealists in the 1930s and 1940s. Oxford University Press hardcover
