Picasso, Pablo (Contributor)Biblio.com
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20101-0870707809Museum of Modern Art 2010. Hardcover. New. 192 pages. 10.63x9.25x0.87 inches. Museum of Modern Art hardcover
2010DADAX0870707809Museum of Modern Art 2010-04-30. Illustrated. hardcover. New. 9.10x1.00x10.60. Buy with confidence. Excellent Customer Service & Return policy. Museum of Modern Art hardcover
2010835325Museum; D. A. P. /Distributed Art Publishers Distribution. New. 2010. Hardcover. 0870707809 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 174 color illustrations. -- with a bonus offer-- . Museum; D. A. P. /Distributed Art Publishers (Distribution) hardcover
198215554DBPrinceton., Princeton University Press., 1982. 21 x 15 cm. 288 S. Illustrierter OPappband., 15554D Einbandkanten mit kleinen Bereibungen, Rückendeckel mit kleiner Knickfalte. Gutes Exemplar.
196169346Couverture rigide. Reliure de l'éditeur. 243 pages. Dos bruni, papier légèrement bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
5664Académie Suédoise - Fondation Nobel, 1961. Sélection des Editions Rombaldi, Réservée à La Guilde des Bibliophiles. Coll. des "Prix Nobel de Littérature". In-8 cartonné blanc, dessin original de Picasso en couverture, 241 p. Avec "Petite histoire" de l'attribution du Prix Nobel, discours de réception, vie et oeuvre de l'auteur, ... bibliographie. Illustration en couleurs par Ambrogiani. Portrait de l'auteur et ornements typographiques par Michel Cauvet. Très bon état. Coll. "Prix Nobel de Littérature". Lauréat 1913 (Inde).
1955186292New York N.Y.: Saidenberg Gallery 1955. Pamphlet. VG- light shelfwear top edge dog-eared. 16 unnumbered page pamphlet bound in greenish wraps with white lettering; bw illustrations. An exhibition catalog held at Saidenberg Gallery on December 5 1955- January 23 1956. Saidenberg Gallery unknown books
1954PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
1954288957New York: Harcourt 1954. First. hardcover. very good. Picasso. Preface by Teriade "Picasso and the Human Comedy" by Michel Leiris and an appreciation by Rebecca West. Of the 180 illustrations 16 are single-sided color lithographs printed by Mourlot Freres and the remainder are double-sided heliogravures printed by Draeger Freres. Short folio red pictorial boards some light shelfwear and minor wear at outer joints New York: Harcourt Brace and Company 1954. First American edition. A very good copy of this notoriously fragile book. All lithographs present and clean save for the usual toning in margins from the tissue overlays.<br/><br/> A double issue of Verve devoted solely to Picasso.<br/><br/> Harcourt unknown books
195421707New York: Harcourt Brace and Company 1954. First American edition. Hardcover. Orig. red and blue pictorial boards designed by Picasso housed in fine gilt lettered red silk covered clamshell box. Picasso Pablo. Unpaginated. Folio 36 x 26.5. With an appreciation by Rebecca West. Sixteen full-page color lithographs printed by Mourlot the Verve double number 29/30. VERVE p.269. "In this richly diverse masquerade which combines something of the English Christmas pantomime and something of the Commedia dell' Arte with touches of a `dance macabre' the very magnificence of the draftsmanship seems to strike and added note of irony. Never has such stupendous virtuosity been so lightheartedly employed for making fun of art." Lacks spine clean tear to front cover endpaper margin stain to title front cover head not affecting text interior contents clean. Harcourt, Brace and Company hardcover books
200152045New Haven, London: Yale University Press, 2001. 438 Seiten ; zahlr. Ill. ; Sprache: Englisch Pp.
20014686DBNew Haven/ London., Yale University Pres., 2001. 29 x 23 cm. 438 S. OPappband mit illustriertem OUmschlag., 4686D Erste Auflage. Umschlagkanten mit minimalen Bereibungen. Sonst sehr gutes Exemplar.
17-0753New York NY: Jan Kruger Gallery 1993. 8vo. 8 pp double-sided fold-out with 2 inserted loose prints. Very Good. Color and black & white plates throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York, NY: Jan Kruger Gallery, 1993 unknown
Volume in 8° Legatura editoriale con copertina telata grigia. Pagine 190 Numerose ill. a colori e in b.n. Legatura salda,pagine sane.COMPLETO
1920015389Paris Directeur: Florent Fels. 1920 In-8 Broché Edition originale
45344Paris : Jean-Michel Place, 1999 - Un fort volume (19,5x24,7cm) toilé imprimé sous jaquette illustrée en couleurs, de 1004 pages illustrées dans et hors texte. Présentations de Walter G. Langlois et Georges Gabory. En annexes : index des noms cités, des ouvrages cités et des revues et journaux. Réimpression en fac-similé des douze numéros parus de cette revue dirigée par Florent Fels et Marcel Sauvage. Exemplaire en bon état.
003589Soft cover. Vol. XXXII Nos. 322-23-24 1967. Softcover. Edited by Miron Grindea. Includes "Trozo de Piel" A Scrap of Skin ten poems by Picasso with translations facing original text. Book is fine except for very light wear on wraps. unknown
003589Soft cover. Vol. XXXII Nos. 322-23-24 1967. Softcover. Edited by Miron Grindea. Includes "Trozo de Piel" A Scrap of Skin ten poems by Picasso with translations facing original text. Book is fine except for very light wear on wraps. unknown books
49719Barcelona Ediciones Nauta 1975 grand in 4 (32x25) 1 volume reliure toilée de l'éditeur sous jaquette illustrée, 300 pages, avec de nombreuses photographies en noir et blanc et en couleurs, dont hors-texte. Traducción de E. Riambau. Texte en langue espagnole. 1ª Edición. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) Colis 3 kilogrammes
197481078Wien-München-Zürich-NY, Verlag Fritz Molden, 1974. Original Leinenband mit Schutzumschlag, Gr.4°, 299 Seiten.
1928206511928 New York: E. Weyhe, 1928 255 pp. Original orange covers w/ white spine. Title on binding. paper-covered boards. xiii+254 pp, 68 illustrations (1 in color). ;dustjacket.
120103Paris Le degré quarante et un 1940. . Limited edition one of 50 copies from a total edition of 64 this numbered 42 oblong 4to; signed in red by Iliazd and pencil by Picasso on the Russian justification page with 6 illustrations total: 2 aquatints and 4 engravings with burin on Montval wove à la cuve paper some minor foxing more so to some leaves text in Russian; attached with string unbound in wrappers reinforced with grey cardboard and a sheet of Montval paper some pages uncut title in black kufic lettering on the front; brown paper-covered slipcase a very good copy.<br /> The first of nine books Iliazd and Picasso collaborated on. Afat is a collection of seventy-six classical sonnets in Russian written by Iliazd the majority of which were written between January and June 1938. <br />All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917.Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.<br /><br />The sonnets are preceded by two Arabic titles in aquatint by Picasso both titles are written in kufic letters. Afat - the title is a Persian term signifying unhappiness in love. The second title 'madjusiya' means 'sorceress' and the illustrations Picasso produced were inspired by these two words. The first ten examples were reserved for close friends. Coco Chanel's copy number five included an extra sonnet dedicated to her.<br /> Paris, Le degré quarante et un, 1940. unknown
194048600Paris.: Le Degré Quarante et Un. 1940. Loose as issued in original publisher's printed parchment wrappers over card boards with title in black to upper cover original tan patterned paper board chemise and matching slipcase with label with 'ILIAZD / PICASSO' in blue ink to edge. Oblong 4to. 215 x 320 mm. Half-title original aquatint with 'arabesque' title leaf with justification in Russian verso leaf with justification in French leaf with title in French verso leaf with title in Russian leaf with original aquatint with second 'arabesque' and Iliazd's verse in Russian in double columns illustrated with 4 engravings with burin by Picasso final leaf with achevé d'imprimer in Russian. The first of Iliazd's beautiful and typographically inventive illustrated books and the first he produced with Picasso.From the edition limited to 64 copies on 'Montval à la cuve' signed by Picasso and Iliazd in pencil. 'Afat was the first of nine books Iliazd and Picasso collaborated on. All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917 . Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.'Afat . contained features that would become signature elements of his work. The book was structured as a whole . The sequencing and number of pages were ordered by a mathematical scheme. The image was not linked to directly to the text thematically or physically and the interaction produced a dialogue rather than subordinating one to the other as illustration and / or caption. The sequence of blank sheets title half title and justification of the edition were laid out symmetrically so that the closing of the book echoed the opening . The typographic style was restrained and the pages produce subtle equilibrium instead of dynamic activity - no confusion no clamor no crowding no elaborate display faces. The sole decoration on the cover was the stamped title Afat a term that invokes unhappiness / and / or beauty that causes it rendered in kufic . With this work Iliazd's architectural approach to book structure with strong emphasis on symmetry and balance made its appearance.' Johanna Drucker.Cramer 33; see Johanna Drucker's 'Iliazd - A Meta-Biography of a Modernist' 2020 pp. 146 - 147. Le Degré Quarante et Un. hardcover
19835889Editions Le Dernier Terrain Vague 1983. In-12 broché de 45 pages au format 22 x 13,5 cm. Couverture à rabats, avec titre imprimé. Dos carré muet. Plats et intérieur frais. Maquette et nombreuses illustrations en noir de Loulou Picasso, du groupe " Bazooka ". Edition originale en superbe état général. Rare. ( On joint le carton d'invitation pour l'exposition de Loulou Picasso à la Galerie du Jour - Agnès B de 1989 ).
51238Le dernier terrain vague, 1983, 45 pp., broché, illustratrions en noir et blanc, dos décoloré, bon état.
