[PICASSO (Pablo)].Biblio.com
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24104Dimensions : 668 x 473 mm. Affiche d'une exposition qui s'est tenue en la Galerie Louise Leiris du 22 octobre au 28 novembre 1981 imprimÂŽe par les soins de Draeger et agrÂŽmentÂŽe d'une large composition d'aprÂs Picasso. Infimes marques de plissures. Du reste trÂs belle condition. b42961 unknown
196615776Paris musée d'art Moderne 1966 1 Une affiche de dimensions 45 x 59 cm; impression offset par Les Presses Artistiques, Paris.
Une affiche de dimensions 45 x 59 cm; impression offset par Les Presses Artistiques, Paris. Parfait état. Voir photo.
1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
198215963Paris: Futuropolis 1982. Limited Edition. Hardcover. g. 1/1000 copies numbered and signed by Loulou Picasso at free front endpaper in pencil dated 1982. <br /> 4to. Unpaginated. Illustrated cover with black and white lettering. Illustrated endpapers. Monograph of the acclaimed artist Loulou Picasso. Illustrated throughout with full-page b/w paintings of the artist printed on different kinds of paper and color backgrounds. Reprint of the cover painting is loosely laid in. While the cover painting is trimmed this also shows some . Some discoloration and fading to boards and spine with head and tail of spine slightly bumped. Text in French. In good condition. Futuropolis hardcover
198229961Paris: Futuropolis 1982. Bound in gray cloth with cover image affixed to front panel; near fine. First Edition. Small quarto. One of 1000 copies of this masterful work from Bazooka's Loulou Picasso i.e. Jean-Louis Dupré SIGNED in pencil and dated 1982. A combine of his unmistakable collages with poetic texts organized into a series of 10 sections e.g. Agreable No. 1: Un après-midi au club des ouvriers / No. 2: La couveuse électrique. Includes the loose leaf that reproduces the original collage-work for the cover. Paris: Futuropolis unknown
19821019581982 Paris, Futuropolis, 1982, 272x270mm, 134p. et une page volante, pleine toile bleue clair, illustration collée en couverture, pages de garde illustrées.Tirage total de 1000 exemplaires numérotés et signés par l’auteur.Composé de dessins, textes et collages, impression monochrome sur des papier de différentes couleurs il se compose de 10 parties portant chacun un titre : Un après-midi au club des ouvriers, La couveuse électrique, L’évolution s’arrête demain, Des animaux dans l’espace, Des vitamines pour l’été, Vers un avenir meilleur, Les enfants perturbés, La noyée, Émotion circulaire, Accrochée au mur.(101958)
1982276651982 Paris, Futuropolis, 1982, 272x270mm, 134p. et une page volante, pleine toile bleue clair, illustration collée en couverture, pages de garde illustrées.- Tirage total de 1000 exemplaires numérotés et signés par l'auteur. Composé de dessins, textes et collages, impression monochrome sur des papier de différentes couleurs il se compose de 10 parties portant chacun un titre : Un après-midi au club des ouvriers, La couveuse électrique, L'évolution s'arrête demain, Des animaux dans l'espace, Des vitamines pour l'été, Vers un avenir meilleur, Les enfants perturbés, La noyée, Émotion circulaire, Accrochée au mur.
98904Paris, Futuropolis, 1982, 1 volume in-4 de 270x265x15 mm environ, 134p. et une page volante, pleine toile bleue clair, illustration collée en couverture, pages de garde illustrées de chaussures d'enfants. Tirage total de 1000 exemplaires numérotés et signés par lauteur ( N° 79). Composé de dessins, textes et collages, impression monochrome sur des papier de différentes couleurs il se compose de 10 parties portant chacun un titre. Toile un peu salie, un nom et une date au crayon de couleur bleu sur la première garde, sinon bon état.
1944148531944 revue in-octavo (magazine in-octavo), dos muet marron (brown spine without text), couverture imprimée (cover printed), toutes tranches lisses (all smooth edges), 1 illustration : portrait de Max Jacob par Pablo Picasso (1 illustration : Max Jacob's portait by Pablo Picasso), 110 pages, 1944 à Rabat Aguedal 14 avenue de Marrakech,
19601468[Alès], P. A. B., [1960]. Petit in-12 (162 x 122 mm) en 3 feuillets pliés, couverture rempliée illustrée de 2 gravures, chemise de papier noir à rabats entourée d'une ficelle. Edition originale du récit érotique de Pierre-André Benoit illustrée de 6 POINTES SÈCHES ORIGINALES TRÈS LIBRES D'ANDRÉ MASSON, dont 2 sont reprises en couverture. Tirage limité à 36 exemplaires sur vélin d' Arches, celui-ci n° 32. Description : 6 ETCHINGS by André Masson with 2 repeting on the velin d'Arches wrappers, original black paper chemise tied with string. FIRST EDITION of this fine erotic production comprising some of Masson's best work. 1 of 36 copies only published (#32).
1982766695PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
196435524Budapest: Corvina 1964. Hardcover. Very good. Very good hardback in a lightly worn jacket and heavily tanned slipcase. Ink gift inscription on front free endpaper. <br/><br/> Corvina hardcover books
1964RO30329270Corvina. 1964. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 29 pages de texte+37 planches illustrées de photos en noir et blanc et en couleurs. Sous emboîtage passable. Jaquette en bon état.. Avec Jaquette. Sous Emboitage. . Classification Dewey : 730-Arts plastiques. Sculpture
19681410Bibliothèque de la Pléiade, Gallimard, Paris 1968. 1 volume de 342 pages, in-12, relié cuir souple, jaquette blanche illustrée d'un seul tenant, rhodoïd et étui de carton gris d'origine. Avec 467 illustrations. Album n°7 de la Bibliothèque de la pléiade. Septième album de la Pléiade publié hors-commerce. État de conservation parfait.
191371213Paris: Mercure de France 1913. Fine. “To Henri Ghéon whose poetry I love Guillaume Apollinaire” Mercure de France Paris 1913 11.50 x 18.50 cm broché First edition one of the first-issue copies press-numbered from a total limitation of just 23 deluxe copies on Holland paper. Illustrated with a frontispiece portrait of Guillaume Apollinaire by Pablo Picasso. Spine sunned with discreet restorations.Our copy is preserved in a red half morocco chemise spine with five raised bands date lettered at the foot paper-covered boards matching paper slipcase edged in red morocco the whole signed by Boichot. Rare signed autograph inscription by Guillaume Apollinaire: « à Henri Ghéon dont j'aime la poésie Guillaume Apollinaire ». Our copy further contains five manuscript corrections in ink by Apollinaire on pages 71 77 92 110 and 189. Also included is an autograph satirical quatrain by Apollinaire composed two years earlier offering a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Apollinaire presented this copy to Henri Ghéon literary critic for La Nouvelle Revue Française. The poet took care to correct himself the typographical errors still present in this very first edition corrections likewise found in other presentation and review copies distributed by the author. Upon receiving his copy Ghéon devoted an article to Alcools «Alcools par Guillaume Apollinaire» Nouvelle Revue Française no. LVI 1 July 1913 describing the collection as a «démarche aventureuse». Presentation copies of this work inscribed by Apollinaire are rare and highly sought after. The small autograph satirical quatrain by Apollinaire composed two years earlier offers a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Although it makes no claim to the poetic ambition of Alcools the poem nevertheless shares with that celebrated collection several features that illuminate the genesis of Apollinaire's masterpiece. Published under the pseudonym « Montade » in the Mercure de France of April 1911 with five commas the manuscript of the poem is written entirely without punctuation just like the avant-garde poems of Alcools. The very form of this brief poem reveals Apollinaire's curiosity and his constant search for the renewal of poetic expression as evidenced by the introductory note accompanying its publication in the Mercure: « Chantecler a été l'occasion pour les poètes français de reprendre un genre délaissé l'épigramme. . Le Rivoli de M. Fauchois a aussi inspiré des épigrammes. En voici deux qui sont bien tournés. L'une a été insérée dans l'Intransigeant :Après Beethoven Amen ! Après Rivoli au lit !La seconde parce qu'il y a plus de ruelles court les brasseries :Le grand Napoléon au jour de Rivoli Avait fait par ma foi une belle trouvaille Inutile vraiment puisque partout on lit Qu'à l'Odéon Fauchois a perdu la bataille » One also notes the poet's own assessment of his work and his desire for a poetry that wanders freely through the streets and cafés liberated from the constraints of print punctuation and formal rigidity much like the cascading calligraphy of these handwritten verses composed nine years before Calligrammes. Mercure de France hardcover
191371213Mercure de France | Paris 1913 | 11.50 x 18.50 cm | broché
1913128083Paris: Mercure de France 1913. First edition of Apollinaire's first collection of poems signed by him and Pablo Picasso. Octavo bound in three quarter morocco with gilt titles and raised bands to the spine patterned endpapers frontispiece portrait of the poet by Pablo Picasso. Association copy inscribed by both Apollinaire and Pablo Picasso on front free endpaper "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71 77 92 110 and 189. The recipient of Apollinaire's inscription Paul-Napoléon Roinard was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier included in the present volume on p. 129 to Roinard. The recipient of Picasso's inscription Robert Valançay was a poet translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet playwright short story writer novelist and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century he became one of the most popular members of the artistic community of Paris both in Montmartre and Montparnasse. His friends and collaborators in that period included Pablo Picasso Henri Rousseau Gertrude Stein Max Jacob André Salmon André Breton André Derain Faik Konitza Blaise Cendrars Giuseppe Ungaretti Pierre Reverdy Alexandra Exter Jean Cocteau Erik Satie Ossip Zadkine Marc Chagall Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement the term Orphism in 1912 and the term "Surrealism" in 1917 to describe the works of Erik Satie. Mercure de France hardcover
1987142118London: Waddington Graphics 1987. First edition. Softcover. Exhibition catalog for a group show that ran March 4 through April 11 1987. Preface by Alan Cristea. Introduction by Pat Gilmour. Includes numerous color and black and white illustrations. An about good copy in wrappers with a faint but shallow moisture stain to the top edge of the pages but with no effect to the images or text in a near fine dust jacket. Still a very nice copy of a nicely printed catalog. Waddington Graphics unknown books
19622480Paris Imprimerie Mourlot. 1962. Mourlot 382 Bloch 1298. Original lithograph exhibition poster in 3 colors 652 x482 25.66" x 18.97" on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins. Alex Maguy
1962403715Paris: Mourlot 1962. Color lithograph in three colors by Mourlot on Arches paper. Sheet 25 3/4 x 19 inches; 654 x 483 mm. Slightly age-toned slight cockling. An unsigned impression from a total edition of 2000 copies. Bloch 1298; Mourlot 382; Reuße 828. <br/><br/> Mourlot unknown books
19622480Paris Imprimerie Mourlot. 1962. Mourlot 382 Bloch 1298. Original lithograph exhibition poster in 3 colors 652 x482 25.66" x 18.97" on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins. Alex Maguy books
193571763Paris: Gallimard 1935. Fine. Gallimard Paris 1935 12 x 19 cm broché First edition an advance copy. Spine and covers lightly soiled without significance. Very precious autograph inscription signed by Marcel Jouhandeau: ""Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau."" ""For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."" Gallimard unknown
193571763Gallimard | Paris 1935 | 12 x 19 cm | broché
