Picasso, Olivier WidmaierBiblio.com
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8494024981.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
16-5307Paris: Georges Hugnet 1941. Original wraps. 10 x 14.8cm. 8pp. Sheets loose as issued. 6 zincographs; 3 reworked with an engraver. One of 200 unnumbered copies.Reference: Goeppert/Cramer no. 35:In-16 oblong broché. Édition originale illustrée de 6zincographies dont 3 retravaillées en taille-douce de Pablo Picasso.Tirage limité à 200 exemplaires. Paris: Georges Hugnet, 1941 paperback
195514643Harry N. Abrams. Fine in Good dust jacket. 1955. Hardcover. Black cloth cover is pristine. Boards and spine are straight. Binding is tight. End sheets toned. Pages are clean and pristine. Dust jacket is toned with modest soiling wear to the extremities and a couple short tears at top of spine panel but in good condition. DJ protected by a brand new clear acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. If pictured shown without the mylar cover for an accurate representation of dust jacket. .; 178 pages . Harry N. Abrams hardcover
198563901Montreal Museum of Fine Arts. Near Fine in Very Good dust jacket. 1985. First. Hardcover. 2891920570 . 307 pages . Montreal Museum of Fine Arts hardcover
0810921561.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200064313Hatje Cantz Publishers. Near Fine in Near Fine dust jacket. 2000. First. Hardcover. 3775709819 . Catalogue raisonné of Picasso's lithographic works. Includes 855 items color and b/w . ." The catalog is the first to list every printed sheet as an individual work." Includes test and state printings as well as unpublished sheets.; 4to 11" - 13" tall; 303 pages . Hatje Cantz Publishers hardcover
1983TN241859Waddington Graphics London 1983. 1st Edition. SOFTCOVER. Square 4to in colour printed stiff glossy card covers unpaginated approx. 32pp on glossy art paper colour plates etc __CONDITION : A well preserved FINE clean and tight unmarked copy covers faintly tanned. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Waddington Graphics, London paperback
200065697Prestel Pub. Very Good in Near Fine dust jacket. 2000. Hardcover. 3791323504 . Small closed tear to upper rear endpaper otherwise near-fine. Binding tight and straight inner pages clean and unmarked. Dust Jacket is flap-intact clean with light edgewear now protected within mylar cover.; 240 X 30 X 300 millimeters; 256 pages . Prestel Pub hardcover
332697Harry N Abrams 1959. FIRST EDITION lg quarto illus white heavy boards black lettering to spine frontispiece xiv 160pp illus VG light scuffing to extrems moderate foxing & soiling to spine & covers light to moderate tanning & foxing to page edges & eps prev. owner's name in ink & minor creasing to ffep Harry N Abrams 1959 hardcover
1980114180Paris : Editions Cercle dÕArt 1980. 390x280mm. reliure d'ÂŽditeur. jaquette rodho•de avec par endroits des dÂŽchirures autrement lÕouvrage en lui-mÂme est en parfait ÂŽtat. 2232 Editions Cercle dÕArt unknown
196361834London Thames and Hudson 1963. Folio-oblong 340 x 400 mm. In the original clothbinding with black printed Picasso-drawings on front board. Housed in the original slipcase. Slipcase with some wear and stains otherwise very nice and clean. 14 pp. 45 linocuts by Picasso. <br/><br/><em>The uncommon and exquisitely printed “Linocuts†by Picasso which marked the beginning a new period for him as an artist. The prints were made by carving away part of the surface of a sheet of linoleum then inking and printing the remaining surface. Picasso began creating linoleum cuts to give color a more prominent role in his graphic work having previously considered it a secondary medium. His linoleum cuts emerged from a desire to adapt previous artistic concepts to a new medium and he quickly achieved original results that were not secondary to his pervious works. Inspired by memories of bullfighting from his youth in Arles and Nimes Picasso focused on this theme in his linoleum cuts produced in the fall of 1959. Despite not having seen bullfights in Spain for many years he felt their influence after the town of Vallauris allowed bullfighting under revised rules in 1954. “Just how and when Picasso became attracted by the linoleum technique is not known. Perhaps it was like the instance of the year 1957 when he capriciously finished his “L’ Arlésienne with pigeon feathers picked up from the floor of his home “La Californie.†It must be assumed aware as we are of Picasso’s working methods that his interest in linoleum technique was derived from some insignificant yet real incident as well as from a response to a deep artistic need. The smooth and supple drawings in India ink and lithograph pencil for the “Tauromaquia†which set the tone for the subsequent linoleum cuts reveal a difference something remarkably new and fresh. The ink drawings particularly point the way to heavy and unmodeled designs which are more crisp and more succinct their similarity with a silhouette-like effect is certainly significant. When he began the series of linoleum cuts the artist was already prepared with a wide range of procedures that would adjust his subjects to the flat extended areas that are inherent in this medium. Although Picasso had made only a few woodcuts in the past he immediately adopted a resolute and robust approach to the new technique and interpreted in the widest possible way the rules of carving such an easily yielding material. Formal principles that embody lines and surfaces as well as pictorial and decorative elements are freely applied to create prints that are sometimes produced from a combination of several individual color blocks or more often from a single linoleum block that was cut and recut. Others browns and blacks reminiscent of Greek vase painting became the dominating color scheme permitting a limited range of color variations. As usual Picasso intuitively developed techniques which exhausted the medium.†From the introduction to the present work </em> hardcover
ING9788410024069La Fábrica. New. Special order direct from the distributor La Fábrica unknown
2024__8410024063La Fabrica 2024. Hardcover. New. 704 pages. 8.75x6.75x8.75 inches. La Fabrica hardcover
1984SKU1030563London : Fischer Fine Art Limited 1984. paperback. Very Good. 0x0x0. 1984 Fischer Fine Art. Stamped inside front cover "Donated in Celebration of the life and legacy of James N Goodman" otherwise pages all clean tight and bright no marks. Cover is clean and strong with light bump at bottom edge of spine. London : Fischer Fine Art Limited paperback
2005TN251972Marlborough Graphics London 2005. 1st Edition. SOFTCOVER. Large landscape 4to. in illustrated stiff card covers unpaginated approx. 36pp on thick art paper plates etc. __CONDITION : An extremely well preserved AS NEW unmarked copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Marlborough Graphics, London paperback
1966657New York: Harry N. Abrams Inc 1966. Hardcover. Very Good/Very Good. :: Translation by Norman Guterman :: The graphic arts have held an unending fascination for Picasso throughout his entire career and this volume which covers the years 1955 to 1965 provides ample proof that his capacity for invention and innovation is undiminished. :: 124 illustrations including 6 in full color. :: <br /> <br /> Bound in publishers black cloth front board bears reproduction of Picasso line illustration in white. Author title and publisher lettered upon spine in white. Quarto 11 3/16 x 8 13/16 inches; 284 x 223 millimeters. 144 pages.<br /> <br /> Condition: Very Good- in a Very Good- dust jacket. Notably both boards curve outward away from the textblock. There is foxing atop the textblock small stains. Internal pages and plates in nice shape printing quality excellent. <br /> <br /> Dust jacket is age-toned stained and worn with small splits/chips along edges and flaking at the hinges. Harry N. Abrams, Inc hardcover
1970329973Paris: Cahiers d'Art 1970. paperback. very good. Pablo Picasso. Illustrated abundantly in color and in black and white. Unpaginated four pages of text in French. Tall 4to white wrappers toned lightly dust-soiled and edgeworn. Paris: Cahiers d'Art 1970. Internally clean and tight still a very good copy.<br/> <br/> Cahiers d'Art unknown
1986K17NS1132Arles Musee Arles 1986. 1st Edition. SOFTCOVER. Square 4to in die-cut stiff glossy card covers 112pp mainly reproductions of works in colour and line __CONDITION : An extremely well preserved AS NEW unmarked copy minute crease to top corner tip of rear cover. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Arles Musee, Arles paperback
2000ANAIS-3791323504Prestel Pub 2000-08-16. hardcover. Good. 11.9X9.7X1.2. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
2011411098New York: Gagosian Gallery 2011. First edition. New in shrinkwrap. 12.5 x 9.5 inches. 300 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. "Pablo Picasso's endless fascination with his lover's character and form led to radical shifts in his conception of portraiture and the mystical metamorphoses that the act of creation entails. Picasso's secretive love affair with Marie-Therese Walter which began in 1927 inspired a radical shift in his conception of portraiture. The exhibition and catalogue present Marie-Therese as a primary vehicle for his experimentation during the period including several works never before seen in the United States as well as previously unpublished personal letters and photographs. Picasso and Marie-Therese sheds new light on the interpretation of one of the most creative relationships in Picasso's rich and varied oeuvre" the publisher. Gagosian Gallery unknown
3936646570.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2013193398Paris: Cahiers d'Art 2013. The reference work for all of Picasso's paintings and drawings Revised and first English language edition number 207 of 1200 sets. Includes corrections to the original printing made in collaboration with the Picasso Administration. The most comprehensive catalogue raisonné on the works of Picasso the original volumes were prepared in partnership with Picasso himself and took Zervos over four decades to finish; the first volume published in 1932. 33 vols in 34. Original white stiff wrappers lettering to front covers and spines in black and red. With glassine dust jackets. All housed in the publisher's 9 grey linen slipcases. Illustrated with 16000 black and white images of paintings and drawings. A tear to the glassine of the spine of volume XXV otherwise a fine set. unknown
2000Q-3791323504Prestel Pub 2000-07-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Prestel Pub hardcover
3775708588.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3822872210.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
