5 435 résultats
1966112218Cannes 1966. Unpublished and heavily corrected manuscript of Brassai's account of his visit to Picasso A superb unpublished and heavily corrected manuscript in French in which Brassaï recounts his visit to Picasso a long-standing friend at his home near Cannes. Brassaï who photographed much of Picasso's work in the 1940s had published Conversations with Picasso in 1964 in which he created an intimate portrait of Picasso covering their friendship and artistic collaboration and recording each of their meetings with minute detail. Picasso said of the volume "Read this book if you want to understand me". This account is written in a similar style and during the course of the afternoon Picasso speaks about his nostalgia for his old studios his health his enthusiasm for the recently invented felt-tip pen his opinion of his own writings his relationship with his wife Jacqueline and his views on feminism. Though unmarked as such it is from the collection of Brassaï's close friend and colleague photographer Stefan Lorant who founded Picture Post the pioneering pictorial magazine. Quarto 285 x 233. 20 typed sheets in French rectos only legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album with each sheet in a separate clear plastic file. In excellent condition the final page a little creased and with minor loss to right-hand side affecting one letter. Overall fresh and clean. hardcover
1975013823Paris Libération - Bazooka production 1975 En feuilles
L15774Fayard, 2021. Fort volume in-8 br. de 736 p. Importante enquête sur les pas de Picasso qui tente de répondre à de nombreuses questions : pour quelle raison est-il signalé comme anarchiste en 1901, pourquoi en 1914 près de 700 oeuvres cubistes sont séquestrées pendant 10 ans, quelles sont les raisons de l'absence presque totale de ses oeuvres dans les musées français jusqu'en 1947, etc... Illustrations, bibliographie, index, etc. E.O. Très bel envoi autographe d'Annie Cohen-Solal.
199111708Genève, Skira, collection Skira jeunesse, 1991. In-4, cartonnage couleurs. Illustré à toutes pages de photographies et de reproductions de l'artiste. Tout beau tout neuf.
1996CC555Paris Didier Imbert 1996 In-4° broché, couv. illustrée, non paginé, 42 reproductions à pleine page en noir et en couleurs. Textes bilingues français-anglais Très légères salissures sur la couverture. CC555
19603275PAB, Alès, 1960. Un volume in-8 carré (22 x 22,4 cm), en feuilles, 8 pages, couverture à rabats imprimée du titre sur le premier plat. Édition originale. En frontispice UNE GRAVURE ORIGINALE EN NOIR, SIGNÉE, DE JOAN MIRÓ en frontispice. L'artiste grave sur une feuille de celluloïd, ce qui lui permet d'amincir le fond et de percer des trous, parfois allant à découper des formes en réserves blanches dans la composition. - Édition : 54 exemplaires signés par l’éditeur à la justification (n°35). - Références : Cramer, Miró Les Livres, 64 - Benoit Pierre-André, 378 - Dupin, Miró Graveur T.1, 290.
19831595Pierre-André Benoit, imprimé chez Lucien Volle à Privas en 1983. Une plaquette petit in-4 en feuilles sous couverture blanche imprimée. Édition originale tirée à 10 et 20 exemplaires. Chaque exemplaire est illustré d'une aquarelle originale unique, à pleine page, de Marcel DUMONT. Exemplaire justifié de signé au crayon par PAB. Joints : une bibliographie des œuvres publiées de Jean-Pierre Geay un article sur une exposition de ses ouvrages à la Librairie Nicaise (3 feuillets in-4).
48022Paris : Editions du Rocher, 1989. Un volume broché (27,8x20,5 cm), 255 pages. Illustré de dessins, photographies, fac-similé, documents. Bon état.
1994107771994 Hazan 1994 in-8, broché, couverture à rabats illustrée, 95 pp., nombreuses photographies et reproductions. Très belle condition.
199699444Paris Didier Imbert 1996 1 vol. broché in-4, broché, couv. illustrée, non paginé, 42 reproductions à pleine page en noir et en couleurs. Textes bilingues français-anglais. Très bon état.
199699444Paris Didier Imbert 1996 1 vol. broché in-4, broché, couv. illustrée, non paginé, 42 reproductions à pleine page en noir et en couleurs. Textes bilingues français-anglais. Très bon état.
1120451925. . Lithograph 1925 on Japanese Imperial paper signed lower right an artist's proof gifted directly to Genevieve Laporte from Picasso's private collection aside from the edition of one hundred printed by Engelmann Paris published by D.H. Kahnweiler Galerie Simon Paris image: 12.7 x 11.8 cm. 5 x 4.6 in. sheet: 28 x 22.5 cm. 11 x 8.9 in.<br /> This work is a unique proof gifted to Geneviève Laporte 1926-2012 Picasso's lover during the 1950s. In 1951 Picasso and Laporte began an affair which lasted for two years and during which time the artist presented her with a number of his works. A poet and writer herself Laporte published her book 'Sunshine at Midnight: Memories of Picasso and Cocteau' in 1973.<br /><br />While Pablo Picasso never claimed to be a Surrealist his earlier Cubist works certainly laid the groundwork for such a movement to exist. By the time André Breton's 'Surrealist Manifesto' was published in 1924 Picasso was creating art with a similar surrealist style. The present work demonstrates Picasso's ceaseless desire to present an alternative to realism. The artist challenges our perception of portraiture and reality by capturing the woman's face in a simultaneous profile and frontal-facing perspective. As the viewer our eyes delight in the challenge to understand this surreal vision of a multifaceted woman made up of elegant curving intersecting lines.<br /> Bloch 73; Baer 240; Mourlot XX; Cramer Books 14 1925. unknown
51-1217Paris: D. Lambusier 1945. 4to one of 50 hors commerce copies on papier de lana from a total edition of 1070 copies printed for Georges Bloch frontispiece by Daragnès etching by Picasso 3 of 4 plates by Touchagues and 4 by Dignimont illustrations with a duplicate of the final quire loose as issued in original printed wrapper slipcase lacking one plate one leaf slightly creased backstrip slightly creased at head and foot. Bloch. 372; Baer 799.III.c.; Cramer 41From the collection of the late Picasso collector Stanley Seeger. Paris: D. Lambusier, [1945] unknown
17950Giraudon, photographie, Paris, s.d. (années 20), 1 photographie originale de 21 x 28 cm, petite coupure dans la marge d'un coin bas, texte manuscrit dans un cartouche imprimé au dos.
1994PEINTUREEEEE44401224Paris, Flammarion, 1994, 22 x 27, 304 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée du Jeu de Paume du 27 septembre au 4 décembre 1994.
1926WRCLIT74569New York 1926. LXXXI:6. Large octavo. Printed wrappers. Plates. A lovely unworn copy. Two of the over forty contributions by Picasso to THE DIAL during the 1920s. Additional artwork by Renoir Derain and J. J. Lankes appear in this number along with poetry and literary work of Herald Bodenheim Piccoli Colum Thayer Florida Scott-Maxwell A.J. M. Smith Bodenheim J.C. Powys Eglinton Aiken among others. unknown books
1950014198Paris: Les Editions Braun & Cie 1950. Quarto. Originally published at the end of 1939 with a title page listing Matisse and Picasso. The scarce reprint here at the end of World War II no date but circa 1950 lists two separate monographs with 48 full color plates and 22 drawings. Les Editions Braun & Cie unknown books
1980163272New York: Crown Pub 1980. Hardcover. 222p. 9x12 inches preface reflections on erotica by Henry Miller bibliography index profusely illustrated with b&w and color plates and reproductions small ownership inscription hidden in pictorial endpapers otherwise very good first edition in wine boards and price-clipped dj. Crown Pub hardcover books
Catalogue de l'exposition présentée en 1986 à la Fondation de l'Hermitage, à Lausanne, retraçant "de 1890 à nos jours les principales étapes de l'aventure créatrice des artistes [peintres et sculpteurs] nés à Barcelone ou ayant des liens étroits avec cette ville" (Francois DAULTE): 120 n°s avec vignettes en noir, notices et commentaires, précédés de 107 reproductions à pleine page (en couleurs sauf certaines sculptures), en 3 parties chronologiques: "L'aube du XXè siècle" (peintures et dessins de Ramon Casas, Ricardo Canals, Pablo Picasso, Isidre Nonell, Pablo Gargallo, Julio Gonzalez; sculptures de Pablo Gargallo); "Le temps de l'Avant-garde" (peintures et dessins de Pablo Picasso, Salvador Dali, Julio Gonzalez, Enric Cristofor Ricart, Joan Miro; sculptures de Pablo Gargallo, Manuel Hugué dit Manolo, Julio Gonzalez, Joan Miro); "Les Trois grands de l'après-guerre" (peintures de Salvador Dali, Pablo Picasso, Joan Miro, et sculptures de Joan Miro); suivi d'extraits de "La Vie secrète de Salvador Dali": 33 de ses dessins, en noir, aux légendes adaptées par Michel Déon; précédé de textes de Francois DAULTE et de Cesareo RODRIGUEZ-AGUILERA sur la "modernité" catalane et ses principaux représentants; notices biographiques des artistes. Exemplaire bien complet de ses jaquette et étui. Français
192988960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
196039516Palma de Mallorca: Las Ediciones de Papeles de Son Armadans 1960. Picasso. FIRST EDITION OF THIS PART OF TROZO DE PIEL PICASSO'S MOST IMPORTANT LITERARY WORK AND HIS ONLY SIGNIFICANT WORK IN SPANISH. 4 blank leaves 19 pp 6 blank leaves. Printed text on the left a facsimile of Picasso´s manuscript on the right. ONE OF ONLY 88 NUMBERED COPIES PRINTED ON EXTREMELY FINE GUARRO WOVE PAPER THE ENTIRE EDITION. Large folio. Loose as issued in original wraps and parchment-backed cloth chemise. FINE AND BRIGHT WITH NO DEFECTS. EXTREMELY RARE. <br/><br/> Las Ediciones de Papeles de Son Armadans paperback
196039551Marid -- Palma de Mallorca: Papeles de Son Armadans 1960. THE EXTREMELY RARE DELUXE ISSUE OF NUMBER 52 OF PAPELES DE SON ARMADANS CONTAINING THE FIRST SECTION OF PICASSO'S "TROZO DE PIEL" "Hunk of Skin" HIS VERY FIRST PUBLISHED LITERARY WORK IN SPANISH. Also includes Anthony Kerrigan's "Crónica de un viaje a Picasso" that explains the genesis of the work. 112 XVI pp. two photographic plates including one by Jacqueline Roque Picasso's wife the immediately precedes Picasso's work. ONE OF ONLY 50 NUMBERED COPIES PRINTED FOR SUBSCRIBERS ON EXtREMELY FINE MUNNE LAID PAPER this copy printed for the Marqués de Pelayo. 8vo. Original wraps. FINE AND BRIGHT. Rare and important. <br/><br/> Papeles de Son Armadans paperback
15385Paris, Robert Laffont, 1990. In-8 broché, couv. ill., 292 p. Planches h.-t. en couleurs. Dessins. Très bon état. Ouvrage illustré de dessins de l'auteur.
198666949Foundation. New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 196 pp. With 143 ills. 85 col. and 109 reference ills. 29 x 24 cm. -- with a bonus offer-- . Foundation hardcover
1994Q-1558598367Abbeville Pr 1994-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Abbeville Pr paperback