Gris, Juan - 1887 Madrid - Boulogne-sur-Seine 1927Antiquariat.de
5 434 résultats
0856-Co.J. Kaltnadelradierung in Rotbraun, um 1912, auf gelblichem Velin mit Wasserzeichen. 17,6:13,9 cm, Blattmaß: 23,1:18,1 cm. Sehr schöner Abdruck nach dem berühmten Gemälde, das sich im Art Institute Chicago befindet.
1994ABE-1530455770414160 PAGES-22,5 CM X 30 CM-SHARON STONE EN COUVERTURE-LEGENDES EN ANGLAIS, ALLEMAND ET FRANCAIS-(17F)
19955904Atlantic Monthly Press 1995 In-8 . Reliure éditeur demi-toile rouge, sous jaquette, 400 pp. Illustrations hors-texte en couleurs et in-texte en noir. Edition en Anglais.
In 8, leg. in mz. tela, sguardie colorate, pp. 400 con numerosissime ill. in n. e a col. n.t. e f.t., in inglese.Lievissime tracce d'uso alla cop., ottime condizioni.Luogo di pubblicazione New YorkEditore The Atlantic Monthly PressAnno pubblicazione 1995Materia/Argomento Arte, Pittura, Picasso
1957WRCLIT55212New York: Museum of Modern Art 1957. 96pp. Pictorial stiff wrappers. Colour frontis self- portrait by Picasso. Black & white photographs. One colour photograph. Map. Index. Bookplate of Wilmarth S. Lewis with small release stamp to verso of front wrapper. A fine copy in a lightly toned pictorial dust jacket. First edition of this photo-biography of Picasso issued on the occasion of his seventy- fifth birthday. Preface by Alfred H. Barr. Material in the book was collected in connection with an exhibition entitled "Picasso Himself" held at MoMA in 1957. Museum of Modern Art unknown books
1971PICASSOP000734Lund Humphries London. 1971. Second edition completely revised and enlarged from the original 1956 version. Quarto. 128 pages. 329 black and white illustrations and one in colour.Presentation copy from the author inscribed by him on the front free endpaper: ''Barbara from Roland - October 25th 1971.'' The recipient is Barbara Bagenal 1891-1984 whose address label is next to the inscription. She was an artist associated with various members of the Bloomsbury Group primarily Vanessa Bell Saxon Sydney-Turner and John Maynard Keynes. In the fifties she became the companion of Clive Bell and it was while touring France with him that she met Picasso. The Tate has a humorous photograph taken by her of Bell and Picasso together. She later noted in her journal ''P. kissed me!''.Covers slightly rubbed at head and tail of spine. Very good indeed in very good dustwrapper with a small chip at head of spine. Lund Humphries, London. unknown
200499659Paris Denoël 2004 1 vol. broché grand in-8, broché, couv. illustrée, 383 pp., reproductions en couleurs. Très bon état.
200499659Paris Denoël 2004 1 vol. broché grand in-8, broché, couv. illustrée, 383 pp., reproductions en couleurs. Très bon état.
31662Paris, Denoël, 2004 - in-8 carré broché, couv. illustrée à rabats, 383 pages, illustrations en couleurs in texte - Très bon état
200489445Denoël 2004 In-8 broché à rabats 24 cm sur 19. 384 pages. Bon état d’occasion.
1994123771Paris: Binoche 1994. First edition. Hardcover. 47 pages. Auction catalog. Text in English and French. Includes numerous color and black and white illustrations. A close to near fine copy with some bumps to the corners of the illustrated boards in a close to near fine dust jacket with a small patch of fading to the top panel and to the spine as well and with corresponding minor bumps to the corners. Uncommon. Binoche unknown books
197131497Arles 1971. Catalogue du Musée Réattu et des expositions consacrées à Pablo Picasso. In-8 broché (21 x 21 cm), 112 pages, dessins et illustrations en noir.- 350g.- Très bon état.
1070751955 . Lithograph 1955 on Arches wove paper signed in pencil by the artist numbered 25/50 from the edition of 50 printed by Mourlot Paris published by Galerie Louise Leiris Paris sheet: 66.4 x 50 cm. 26 x 19¾ in.<br /> This abstract three-quarter profile is of Picasso's second wife Jacqueline Roque. The couple met during the summer of 1952 whilst Roque was working at Georges and Suzanne Ramié's Madoura pottery works in Vallauris the studio where Picasso made his ceramics in the South of France. The couples love endured until the artist's death in 1973 Picasso adored Jacqueline so much so that for seventeen of the twenty years the couple spent together - the longest relationship of Picasso's life - Roque was the only female Picasso painted. When Picasso embarked on his late great period his biographer John Richardson succinctly defined and characterised as 'l'époque Jacqueline.' In this lithograph Picasso bestows Roque with an elegant sphinx-like appearance. The straight line of the nose which extends directly from the forehead to the tip is particularly evocative of these ancient Egyptian sculptures as well as in the calm gaze in her characteristically almond-shaped eyes.<br /> Bloch 780; Mourlot 272. 1955 unknown
19895110Sl sn 1989 in-folio en feuilles Sl, sn [Lucien Clergue], 1989 (imp. des Presses Universitaires de France). 42 x 32,5 cm (coffret), in-folio, 4 ff. n. ch (titre, fac-similé d'un texte de Cocteau de 1956, deux dessins de Cocteau reproduits en noir à pleine page, liste des planche, justification) - 15 épreuves en noir tirées sur papier Galerie mat et montées sous carton Van Gelder et signées, en feuilles sous coffret bordeaux orné au premier plat de l'empreinte d'un dessin de Jean Cocteau (coffret par Michel Dheurle).
198803080Frankfurt, Insel Verlag, 1988. Insel-Bücherei Nr. 1008, 4. Auflage, 8°, 57 S., mit sehr zahlreichen Zeichnungen von Pablo Picasso, illustr. Papp-Einband gebunden
10353München Schirmer/Mosel 1989. 4° 496 S. 184 teilw. farb. Tafeln OLwd. m. OU. in Schuber. Schuber min. läd. kl. Einr. in OU. Zusammengestellt und bearbeitet von Marie-Laure Bernadac und Christine Piot. Mit einem deutschen Vorwort von Michel Leiris. Ansonsten alle Texte auf Französisch. «Seine Poesie ist so plastisch wie seine Malerei poetisch ist» André Breton. 010 München, Schirmer/Mosel, 1989 unknown
195399930211NRF Gallimard NRF Gallimard 1953, In-8 broché, 92 pages. Portrait en frontispice par PICASSO. Trés bon état.
NRF Gallimard 1953, In-8 broché, 92 pages. Portrait en frontispice par PICASSO. Trés bon état.
1967ABE-159930837866017,5 CM X 20 CM-168 PAGES-ENTRETIEN SANS COMPLEXE AVEC MONSIEUR STRIP TEASE, ALAIN BERNARDIN, CRAZY HORSE SALOON 11 PAGES, PHOTOS-CARTE BLANCHE DALI, 10 PAGES-SAN ANTONIO A L'ETAT CHRONIQUE JE DEBLOQUE-NOTE, HEIN?, 7 PAGES-UNE NOUVELLE ENBARRASSANTE DE EUGENE IONESCO "ORIFLAMME", ILLUSTRATIONS DE MITSCHKE, 8 PAGES-RIMBAULT CE DESSINATEUR A VINGT ET UN ANS, 7 PAGES-PICASSO S'AMUSE SIX DESSINS SUR LE THEME LE PEINTRE ET SON MODELE, 5P-ARPAD ELFER ET SES FEMMES EN POINTILLE, 6 PAGES-CLOVIS TROUILLE, 12 PAGES, DEPLIANT-ROLDAN OU L'OBSESSION DE LA PLENITUDE, 4 PAGES-BRUXELLES NOCTURNE ET SES BELBES DE NUIT, PAR JACQUES STERNBERG, 8 PAGES-LES PIEDS NICKELES, PAR MICHEL CAEN, 3 PAGES (5E)
1970889T27London: Calder and Boyars 1970. First edition. Cloth. Near Fine/Very Good Indeed. 8.5" by 5.5". Pablo Picasso. The first English translation of this play from painter and artist Pablo Picasso. First thus. Illustrated throughout. Originally written in French this work is the second of two full-length plays written by Picasso. Due to its stream of consciousness style many critics believe the piece was never intended to be performed only read. Written and illustrated by Pablo Ruiz Picasso a Spanish painter sculptor printmaker ceramicist and theatre designer who is considered one of the most influential artists of the 20th century and is known for co-founding the Cubist movement. Translated by Sir Roland Algernon Penrose an English artist historian and poet who was a major promoter and collector of modern art and an associate of the surrealists in the United Kingdom. In the original black cloth binding. Externally very smart with light shelf wear only. Original unclipped dust wrapper is also smart with light shelf wear and the odd small mark. Internally firmly bound. Pages are very bright and clean with the odd small spot. Near Fine Calder and Boyars hardcover
1970177615London: Calder and Boyars 1970. 1st Edition in this form. Hardback. Fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 63 pages; Physical desc.: 63 p. 22 cm. Subjects: Drama -- Plays. Notes: Translated edition by Sir Roland Penrose published originally in 1945. London: Calder and Boyars hardcover
1066721968 . Etching 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1066771968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1066711968 . Etching 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
1066731968 . Etching and aquatint 1968 on Auvergne Richard-de-Bas wove paper signed in pencil numbered from the edition of 30 printed and published by Atelier Crommelynck Paris 37 x 47.8 cm. 14½ x 18¾ in.<br /> Le Cocu Magnifique is a farcical play written by Belgian dramatist Fernand Crommelynck about a jealous man Bruno who because of this jealously ends the play by losing his wife Stella. Bruno is the kind of man who sees an enemy in the other sex; he seeks to control a woman but he can never obtain this dominance because the female soul eludes him. It is because he cannot bear Stella's love that he will in the end be cuckolded. The play premiered in Paris in December 1920 and in 1968 Picasso produced a series of 12 etchings and aquatints based on the play's text. Picasso and Crommelynck knew each other for many years and for some time Picasso had intended to illustrate the play. Picasso's dramatic and often explicit depiction of Crommelynck's story is well suited to the stark black and white media of aquatint and etching. <br /> B. 1244-1255; BA. 1432-1443; C. BKS 140 1968 unknown
