PICASSO, PabloBiblio.com
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1960180667Paris: Atelier Crommelynck 1960. Printed and published by Atelier Crommelynck with their blind stamp lower right. Edition of 300. Signed in pencil lower right by Picasso. Etching and aquatint printed in colours on Arches wove paper all edges deckled. Plate size 32.5 x 43.7 cm. Sheet size: 50 x 66 cm. Framed size: 698 x 792 mm. Presented in a handmade black gesso and white gold frame with conservation acrylic glazing. Excellent condition. unknown
1205161962 . Linocut in colours 1962 on Arches paper signed in pencil and numbered from the edition of 160 there were also approximately twenty artist's proofs published by Galerie Louise Leiris Paris sheet size: 61.2 x 75 cm. 24 x 29.5 in.<br /> <br /> B. 1098; Baer 1301. 1962 unknown
195436324Paris: Les Éditeurs Français Réunis 1954. Limited edition. Paperback. g. 1/430. Quarto. 90 2pp. Unopened copy. Original glassine over blank wrappers in illustrated dust-jacket. Title page in burgundy and black lettering. Picasso illustrated this essay of Diderot’s with four portraits of the great thinker whose mind “anticipated and epitomized moral psychological and social opportunities and stresses attending the assimilation of science into culture†DSB 4: 84. The portraits are reproduced in lithograph print form by Mourlot Frères Paris. One of 430 copies printed on vélin pur Lafuma of which this is No. 369 of a general edition of 530 copies. Glassine sunned with minor and sporadic chipping along edges. Upper corners bumped thus slightly affecting pages throughout. Text in French. Glassine in overall fair to good- dust-jacket wrappers and interior in good to very good condition. Les Éditeurs Français Réunis paperback
19541604031Les Éditeurs Français Réunis Paris 1954. Limited Edition. Hardcover. Very Good. Signed Limited edition. 1/100 signed by Picasso of a total limited edition of 530. Picasso illustrated this essay of Diderot's with four portraits of the great thinker whose mind "anticipated and epitomized moral psychological and social opportunities and stresses attending the assimilation of science into culture" DSB 4: 84. The portraits are reproduced in lithograph print form by Mourlot Frères Paris. There were also 430 copies printed on vélin pur Lafuma. Text in French. Housed in publisher's slipcase. One of the smallest signed limited editions by Picasso. Les Éditeurs Français Réunis, Paris hardcover
195492033Paris: Les Editeurs Français Réunis 1954. Fine. Les Editeurs Français Réunis Paris 1954 19.5 x 28.2 cm Broché Illustrated edition featuring 4 original lithographs by Picasso printed by Mourlot one of 430 numbered copies on wove paper the only issue after 5 copies on japon and 95 on Arches wove paper.A pleasing copy. Les Editeurs Français Réunis unknown
19861244486London: Thames and Hudson 1986. Tall quartos 314pp; 480pp. Softcover in VG- condition. The following applies to both volumes: Bumping and shelf-wear. Light sunning and creasing to spines; minor rubbing and surface scratches to rear panels. No markings or creases to the text. Binding is sturdy. Crease to rear wrap of volume 2. NOTE: Due to size/weight of items additional shipping fees may apply. LR CONSIGNMENT.<br /> <p><br /> Shelve:<br> <br /> Museums & Galleries.<br /> <p><br /> Spines are gray and olive green with orange and white text. 1244486. Shelved Dupont Bookstore. Thames and Hudson unknown
1985Q-2711802647Ministere de la culture Editions de la Reunion des musees nationaux 1985-01-01. Loose Leaf. New. In shrink wrap. Looks like an interesting title! Ministere de la culture, Editions de la Reunion des musees nationaux unknown
P14C-01083Paris: Ministere de la Culture Editions de la Reunion des Musees Nationaux. Used - Good. Good condition. Volume 1. French edition. french museum art collection picasso matisse Paris: Ministere de la Culture Editions de la Reunion des Musees Nationaux unknown
50-0026Paris 1963. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Four colors. 26 x 20 inches. Signed and dated in the plate. Printed on matted textured paper. Paris, 1963. Distributed graphics by Dow & Frosini. unknown
1970291338Marlborough Gallery 1970-01-01. paperback. Good/Acceptable Jacket. 25 to 30 cm tall Quarto 4to. Chips out of the glascine jacket. Posted within 1 working day. 1st class tracked post to the UK Airmail tracked worldwide. Robust recyclable packaging. Marlborough Gallery paperback
197378046s. l. 1973. Fine. s. l. s. d. ca 1973 39.40 x 29.30 cm autre Original photographic montage of Picasso s.ls.dca 1973 39.4 x 29.3 cm other Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux in Picasso's house there are two small photographs glued to each side showing Picasso and Lorriaux in the lower margin there are other collages of printed paper forming the title J-P Lorriaux chez Picasso 1881-1973 J-P Lorriaux at Picasso's house 1881-1973. Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the hands of the great artists of his time. Thus Chagall Picasso Fautrier of whom he was the assistant and close friend during the last years of his life Foujita Cocteau Lurcat and Mathieu will visit his studio to engrave their hand on lithographic stone. Lorriaux will not have the time to finalise his project and only a few attempts will be carried out. unknown
197378047s. l. 1973. Fine. s. l. s. d. ca 1973 39.40 x 29.30 cm autre Original photographic montage of Jaime Sabartés and Picasso s.ls.dca 1973 39.4 x 29.3 cm other Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux and Jaime Sabartés on the right-hand margin an original stamp is glued on which there is a portrait of Sabartés by Pablo Picasso in the lower margin there are other collages of printed paper forming the title Sabartés welcoming recevant J-P Lorriaux - 45 années de vie avec Picasso Sabartés welcoming receiving J-P Lorriaux - 45 years of life with Picasso. Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the hands of the great artists of his time. Thus Chagall Picasso Fautrier of whom his was the assistant and close friend during the last years of his life Foujita Cocteau Lurcat and Mathieu will visit his studio to engrave their hand on lithographic stone. Lorriaux will not have the time to finalise his project and only a few attempts will be carried out. unknown
1980N2995Milano: Banco Ambrosiano 1980. Original Cloth w. Dust Jacket. Very Good. Folio. 235pp Italian text. Last pp with insignificant foxing. Richly illustrated in colour. A very good and fresh copy. SHIPPING WORLDWIDE INCLUDED. <br/> <br/> Banco Ambrosiano hardcover
1258685388.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19642092902137305917National Museum of Modern Art 1964. Soft Cover. Fine. The book is in fine condition. National Museum of Modern Art paperback
19512092902137403337Bijutsu shubbansha 1951. Soft Cover. Fine. Volume: 1 Bijutsu shubbansha paperback
19352092902137306950Shunchokai 1935. Soft Cover. Fine. The book is in fine condition. Shunchokai paperback
19582092902137305564Bijutsu shubbansha 1958. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
1957KOS03400069Art Publishing 1957. Soft Cover. Fine. KOS03400069 Art Publishing paperback
19502090202118202988Bijutsu shubbansha 1950. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19272092902137300890Shunchokai 1927. Soft Cover. Fine. The book is in fine condition. Shunchokai paperback
51-4867Geneva: Patrick Cramer 1987 Alan Wofsy Fine Arts distribution. Cloth in dust-jacket. 25 x 29cm. 132 pages 278 reproductions including 82 in colors.Created by Picasso in 1935 the Minotauromachy is by far the most important engraved work of the 20th century; possibly even since Rembrandt. This volume aims to elucidate the iconographic signs of by means of a more precise explanation of the content as well as of the structural values.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon.The main protagonists - a young girl with a candle and a bouquet of flowers and a huge Minotaur a mythological creature with a human body and a bull's head - appear frozen in their confrontation. Between them a wounded female bullfighter is flung across a lacerated horse that snarls with teeth bared. Above two girls with doves symbols of peace peer out from a window while a bearded man appears on a ladder at the left. A tiny sailboat can be glimpsed on the far horizon. Geneva: Patrick Cramer, 1987 (Alan Wofsy Fine Arts distribution) hardcover
1987mon0000074290Patrick Cramer 1987T. unknown_binding. Like New. in x in x in. Patrick Cramer unknown
59402Paris; Editions Albert Skira 1934 1934 1935. Issues 5 6 and 7 bound together in one hardback volume. 4to 31cm x 25cm iv 33pp 68pp 69pp plus plates and adverts. Bound in plain brown cloth with the original cover of issue number 5 a design by F Bores pasted to the front board. The binding is defective - a substantial section of the spine is missing but the text block remains tightly bound. There are some signs of wear to the contents - the endpapers are foxsed a few of the plates have some creasing of the corners and there is a tear to one page. This book includes originals of issues 5 6 and 7 of the avant-garde surrealist magazine. Please note that the covers of issues 6 and 7 have not been bound in. Text in French. Paris; Editions Albert Skira, 1934, 1934, 1935. hardcover
15-8124New York: Perls Gallery 1950. 8vo. 4 pp. Printed Wraps Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1950. paperback
