Miro JoanABAA
142 résultats
1979WRCLIT59621Barcelona 1979. Original etching with aquatint and intaglio printed in colors on paper. 53 x 106.5cm 20.9 x 41.9 inches with full margins. Fine. An hors commerce copy signed in pencil in the lower right margin and denoted "H.C." at the lower left in addition to a published issue of ninety-nine numbered copies. Shipped unframed. unknown books
19385288Sablier couché 1938 with a signed and numbered etching by Miro` Leroux binding.Joan Miro Alice Paalen. Editions Sagesse 1938. Limited numbered edition in 75 copies with one original red etching in frontespice by Miro` signed and numbered in pencil Lacourière Paris<br /> Signed in justification page by Alice Paalen with a dedication in pen by the author to Pierre Mabille. Complete and in excellent condition bounded in artistic binder signed by Leroux with light wood chemise and matching slicase. The original gray handmade paper cover is well preserved inside. Editions Sagesse hardcover books
19282448<p>Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miro. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 8pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists.</p><p> In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then created by Saudet. Edition is limited to 300 copies. On Arches. </p><p> Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330.</p> Éditions Jeanne Bucher, Paris hardcover books
19282419<p>Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992</p> Lisa Hirtz, Pierre Chareau's gallery. books
195122335EPalma de Mallorca Spain 1951. Original autograph letter signed by surrealist artist Joan Miro written on both sides of a single sheet of his personal 8 1/2†x 11†stationery printed “Son Abrines - Calamayor - Palma de Mallorca†at the upper right. Written by Miro in blue fountain pen in French translated in part: “November 3 ‘51 Dear friend I was afraid that you would have difficulties getting hold of my canvasses because you must understand that for the past year my output has been extremely limited. I absolutely had to exhibit the ‘Tronc d’arbre’ Tree Trunk which I consider to be a very important piece; apart from that Andre Breton has to repair it so as to conserve it better. Would you be so kind as to ask the press to send me as quickly as they can some “papier a report†for the lithography which I will engrave immediately. I live in the country and it is hard for me to get hold of the necessary material. After so many years I can’t find a text for ‘le Piege’ the Trap. These texts. My very best wishes Miroâ€. Fine condition. Spanish painter sculptor and ceramist Joan Miro 1893 - 1983 was one of the best known artists of the Surrealism movement which began in the early 1920s. One of its leaders was the French writer poet and anti-fascist Andre Breton to whom Miro refers in his letter. unknown books
19301689131930. MIRO Joan. L'Arbre des Voyageurs. By Tristan Tzara. Illustrated with 4 original lithographs by Joan Miró. Large 8vo. bound by Daniel-Henri Mercher with dark maroon morocco spine lucite over hand painted purple marbled paper with the original wrappers bound in. Paris: Editions de la Montagne 1930. An fine copy of this rare and important book which contains Miró's first original book illustrations and some of his earliest graphic work. With an inscription from Tzara 'A Henri Bernard'. This is one of 65 copies on Arches and bound in an atrractive binding by Mercher using the technique he invented involving lucite. Signed by both Tzara and Miró. There were also 25 copies on Holland. The Artist and the Book 205. Cramer Miro Illustrated Books 1. unknown books
1197Original lithographic poster in color. published by the Martha Graham Dance Company New York printed by Maeght Paris 1975. Mourlot 1050. <br /><br />Copy #51 of 75 signed by Miro in pencil on handmade paper there were also 500 unsigned copies with "letters" published as an advertising poster for the performance. Mourlot. The Lithographs of Joan Miro #1050; Picazo. The Posters of Joan Miro #86. 31" x 21". Image/sheet size 30 3/4 x 22 1/4 in. 78.0 x 56.4 cm unmatted Deckled edges. <br /><br />Miro created this lithograph as an advertising poster for the modern ballet Lucifer performed by the Martha Graham Dance Company featuring Margot Fonteyn and Rudolf Nureyev as guest artists. Lucifer premiered June 19 1975 at The Uris Theater in New York City as the main feature of The Martha Graham Gala. <br /><br />In Martha Graham's words "Many people have asked me why I did Lucifer with Rudolf Nureyev. Lucifer is the bringer of light. When he fell from grace he mocked God. He became half god half man. As half man he knew men's fears anguish and challenges. He became the god of light. Any artist is the bringer of light. That's why I did Lucifer with Nureyev. He's a god of light. And Margot Fonteyn was such a glorious complement to him at it. Luminous as night. When I first saw Margot Fonteyn she was a great and beautiful figure." Unidentified interview with Martha Graham 1975.<br /><br />Fonteyn provides background as to the Premiere of Lucifer in 1975. "It was certainly a star occasion. Tickets for the performance went on sale from $10000 down to $50. Fans wore Martha Margot Rudi buttons. Among other things the Gala may have been a sort of official celebration of the marriage between classical ballet and modern dance. Martha dominated her Gala from a Chinese chair beside the proscenium arch where she announced each ballet. The fashion designer Halston made the Lucifer costumes." It was the first performance for Fonteyn without toe shoes. Margot Fonteyn Autobiography Knopf 1976<br /><br />Provenance: Through the family of former Rhode Island governor and United States senator John Orlando Pastore 1907-2000. books
1965173321Paris: Presse artisanale de Gaston Puel 1965. No. 8 of 50 with signed etching one of the 50 printed on vellum of Rives of a total of 350 copies of this printing. Paperback. VG as new. Small white printed paper with glassine cover 162 x 128 mm loosely folded contents include one etched plate signed in pencil by Miro and limitation statement at rear. Sheets and pages are unopened. This copy signed and numbered viii/xxx in pencil by Miro. Glassine protective sheet over etching. Extremely rare printed in this format after the large format of 1964 which had 17 prints by Miro. Presse artisanale de Gaston Puel hardcover books
196327904Paris: Maeght 1963. First edition. Miró Joan. Folio wrappers fine condition in publisher's chemise and slipcase slipcase has small cracks and slight fading. Contains six original color lithographs by Miró a triptych 2 double page and 3 single page plates. Deluxe issue one of 150 numbered copies on vélin de Rives signed by Miró. Text by André Pieyre de Mandiargues. Cramer 83. "DLM édité en juin 1963 pour l'exposition "Terres de grand feu" réalisées par Mirò avec Artigas et présentées à la Galerie Maeght. Texte d'André Pieyre de Mandiargues. 28 pages non reliées. 6 lithographies originales en couleurs dont 4 en double page et 1 en triple page et 3 reproductions en noir. Tirage original." <br/><br/> Maeght unknown books
1960179122Greenwich CT: New York Graphic Society 1960. SIGNED. Softcover. VG Pages are very clean and clear. Box has light shelfwear and staining. Oversized white wraps color illustrated with black lettering. Inside is tan wraps with black lettering color illustrated containing 157 loose pages. Illustrated in color with a fold out original lithograph for this edition signed by Miro. This collection is issued in a green cloth over boards box with white paste downs color illustrated and black lettering. The following copies of this book have been printed: "Seven hundred copies numbered 39 to 738 with the last lithograph signed by Joan Miro." This is copy number 194 in English. New York Graphic Society unknown books
1935219305New York 1935. Half length portrait of the artist head turned to left. Vintage gelatin silver print. Atelier stamp on verso and docketed in pencil giving the subject of the photograph date and the number of negative and print "II i 25". 1 vols. 35 x 28 cm. Approximately 14 x 11 inches. Matted and framed. Half length portrait of the artist head turned to left. Vintage gelatin silver print. Atelier stamp on verso and docketed in pencil giving the subject of the photograph date and the number of negative and print "II i 25". 1 vols. 35 x 28 cm. Approximately 14 x 11 inches. Published in Portraits: The Photographsyof Carl Van Vechten 1978 edited by Saul Mauriber. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of Portraits: The Photography of Carl Van Vechten 1978 unknown books
19673441Paris: Maeght Eiditeur 1967. First edition. First edition. Folio. In original printed tan paper-covered folders and slipcase with printed spine. Limited Edition 150 Numbered Copies this Copy #43 and signed by Miro on title page. A wonderful production folded sheets on thick handmade paper in superb full color lithographed covers by Miro on each cover. Eight original color lithographs by Miro: five single-page including the front and back covers two double-page and a magnificent triple page fold-out. Printed on Velin de Rives. The limited edition is far superior than the the corresponding trade issue of Derriere Le Miroir. A fine copy. <br/><br/> Maeght Eiditeur unknown books
1947006771Curt Valentin 1947. Thin card portfolio. Very Good. 42 prints two of which are color stenciled by Miro. 28 by 21.5 cm. The prints are from the Barcelona series originally printed in a larger format in 1944 and 40 of these prints show the date of 1944 but we believe these are from three years later when Valentin printed a slightly abridged version from the original 50 in the series. There is no publisher or place indicated on the set here and this has caused some understandable confusion. Thus there is an OCLC listing of what we believe to be the same set with a given date of 1944. A complete set is uncommon in commerce surely because printsellers have sold off the plates individually and one can find individual black and white plates from this group on offer nowadays for several hundred dollars and the color stencil plates for north of $1000. Condition: the red folio has some fading to its color and other moderate wear. A former owner's name is written with ink in small letters on a holding flap. Light age toning to some of the plates. <br /> [Curt Valentin] books
1964310000Paris: Maeght 1964. #38 of 350 copies on vélin de Rives. With 5 original lithographs including one b&w double-page by Picasso Cr. 124; Bloch 1847 and one each in color by Miró Cramer 87 Tal-Coat Ubac and Pallut; with illustrated wrappers and 8 other illustrations after Braque including etched frontispiece "Trois oiseaux sur fond violet"; plates by additional artists including Man Ray Marc Chagall and others. Folio. Loose as issued in illustrated wrappers. In chemise and paper over boards slipcase. Fine with a few smudges to slipcase. #38 of 350 copies on vélin de Rives. With 5 original lithographs including one b&w double-page by Picasso Cr. 124; Bloch 1847 and one each in color by Miró Cramer 87 Tal-Coat Ubac and Pallut; with illustrated wrappers and 8 other illustrations after Braque including etched frontispiece "Trois oiseaux sur fond violet"; plates by additional artists including Man Ray Marc Chagall and others. Folio. With original lithographs by Picasso Miró and others. Maeght unknown books
19641742Paris: Mourlot Press 1964. First edition. Soft cover. FIRST EDITION one of 2000 copies on Velin d'Arches out of a total edition of 2200 of this lavishly illustrated exhibition catalog from the Smithsonian Institution. With 18 original lithographs most in color by Chagall Picasso Miro Beaudin Esteve Matisse Guiramand Florsheim Cathelin Brasilier Brianchon Cocteau Minaux Jenkins Calder Kito Giacometti and Manessier. Prints from the Mourlot Press. Exhibition Sponsored by the French Embassy Circulated by the Traveling Exhibition Service of the National Collection of Fine Arts Smithsonian Institution. Paris: Mourlot Press 1964. Quarto original plain wrappers original dust jacket with lithograph by Chagall. Just a hint of toning to spine. Text in English. A FINE COPY. Mourlot Press paperback books
14104Joan Miro. Spanish painter. Signed book: Titled "Miro." Later printing. NY: Crown Publishers 1963. Hardcover with dust jacket 6.75 x 7 141 pages. Signed on the reverse of the half-title page "Miro!" Autographic condition: fine. Off-white cloth-covered boards; minor soiling and discoloration to edges. Overall good to very good condition. unknown books
2295Barcelona Editiones Polígrafa S.A. 1972/ 1979. LEIRIS Michel / MOURLOT Fernand.Joan Miro Lithographs - Volume 1 Editiones Poligrafa S.A. The rare Spanish First Edition of Vol. 1 with corrections published in 1972 Ediiton size .both volumes published by Editiones Polígrafa. The catalogue of Miro's lithographs from 1930-1952. Hard Cover . Bound in thick beige cloth both volumes stamped in black on the spine. This volume includes ELEVEN 11 ORIGINAL COLOR LITHOGRAPHS and many color and monochrome illustrations. Essays by Michel Leiris and annotated catalog by Fernand Mourlot. 5000 copies were published in English far fewer in French. . In perfect book condition and ORIGINAL LITHOGRAPH dust jacket. 237 pp. TEXT IN SPANISH MIRO. Queneau Raymond & Fernand Mourlot.Joan Miro. Lithographs II: 1953-1963. Pub. 1979. 4to. pp. 253. Illustrated throughout in colour & monochrome. Contains 11 original color lithographs produced especially for this book. Publisher's cloth. The dust jacket is also an original colour lithograph by Miro. The catalogue raisonné of the artist's lithographs from 1953 to 1963. In perfect condition. TEXT IN SPANISH unknown books
1961KC15832Geneva: Charles Pezzoti 1961. First Edition. Paperback. Fine. Letterpress text in Firmin Didot and Maeght Paris lithograph. Original lithograph in colors printed on Japan nacré wrappers on the front back spine and flaps. Contains text by surrealist poet and leading figure of 20th c. French Literature Michel Leiris. Printed in an edition of 138 copies on cream-laid watermarked Auvergne Richard-de-Bas paper; 100 copies numbered from 1 to 100; 35 authors copies numbered from I to XXXV; 3 deposit copies. This copy exemplaire numéro 13 signed in blue ink by the author and in black ink by Miró. 6.75x10.5 text in French. Fine copy with vibrant colors bright paper and minimal wear. <br/><br/> Charles Pezzoti paperback books
197827907Paris: Maeght 1978. First edition. Miró Joan. Folio wrappers fine condition in publisher's chemise and slipcase slightly faded. Contains 2 original color lithographs. One of 150 copies on vélin d'Arches. "DLM édité en novembre 1978 pour l'exposition de 51 peintures de MIRO à la Galerie Maeght. Texte de Marcellin Pleynet "Mirò et la culture moderne". 32 pages non reliées. 2 lithographies originales en couleurs en double page et 14 reproductions dont 8 en couleurs. Tirage original." <br/><br/> Maeght unknown books
19722329Paris/Barcelona Maeght and Ediciones PoligrS.A. 1972 AND 1975. Folio or large 4to.The first two volumes in Spanish of the catalogue raisonné of lithographs. 12 original color lithographs 2 are the dust jackets; 10 of the plates are double-spread. Cloth; 32 x 24.5 cm. Volume I 1930-52; NY: Tudor 1972. 12 original color lithographs 10 are double page plus dust jacket; 5 of the interior ones double-spread; 189 catalogue entries & plates or illustrations 90 in color; 231 pp.; Both volumes are one of limited edition of Spanish-language copies there were also 5000 issued in english and another edition in French. Volume II 1953-63; NY: Léon Amiel 1975. 12 original lithographs including dust jacket; 5 of the interior plates double-spread; catalogue numbers 190-389 with accompanying plates & illustrations 93 in color; 253 pp.; one of a limited edition. Volume I very fine with dust jacket in original mylar wrapper . Volume II as new in dust jacket including the green band with undamaged acetate wrapper. Both Vol. I and Vol. II are in fine condition as new. Maeght and Ediciones Poligr,S.A. hardcover books
2418Venice edizioni "La Biennale di Venezia". 1981. Large oblong 4to. 24pp. of text with commentary by Jacques Dupin with 34 illlustrations in color for the ballet scenes and costumes by Miró including the front and back covers. Spiral binding. First publication and edition of the drawings . The world premiere took place on September 25 1981 at the Teatro La Fenice de Venezia. Sylvano Bussotti composer Joseph Russello choreography Ballet pantomine by Jacques Dupin. The 32 plates are titled in french and the text is in Italien. In good condition with some soiling to the covers. Numbered from the edition of 1200 200 of which were HC. Photos are available upon request. unknown books
1956WRCLIT79347Paris: Maeght Éditeur 1956. 219pp. Small quarto. Color lithographed pictorial wrapper over stiff wrappers. Illustrations and plates. Light shelf-rubbing to extreme edges of wrapper otherwise near fine. First edition. Includes seven original lithographs four of them double-panel foldouts in addition to the color title-page vignette and the lithographs on the front and rear of the wrapper. Maeght Éditeur unknown books
1970290371Paris: Maeght 1970. paperback. fine. Miro. Text by Andre Balthazar. Juin 1970. Miro Sculptures. Illustrated by Miro including 2 original double page color lithographs and 6 lithographs after Miro all printed by Mourlot and 32 reproductions in black & white 4 plates are double-page including the cover. 31pp. Folio loose as issued in original pictorial wrappers. Paris: Maeght 1970. A fine copy.<br/><br/> Maeght unknown books
1965311077Paris: Maeght 1965. 22 original color lithographs by Joan Miro 5 double-pages. Folio. Fine in lithographic wrappers. Pages loose as issued. Fine. 22 original color lithographs by Joan Miro 5 double-pages. Folio. Maeght unknown books
1975253022Barcelona: Ediciones Poligrafa 1975. With 11 original color lithographs by Miró of which 5 are double page. 252 pp. 4to. Cloth. Fine in fine dust jacket. With 11 original color lithographs by Miró of which 5 are double page. 252 pp. 4to. Ediciones Poligrafa unknown books
