142 résultats
1971008891Paris: Galerie Maeght 1971. Original lithograph exhibition poster 31 1/2"h x 22"w for exhibition running " 15 Octobre/ 12 Novembre : Peintures sur Papier; 17 Novembre / 6 Decembre : Dessins" 1971. Very Good 1/4" tear bottom edge light creasing at edges. Brightly colored and well suited for framing will be shipped loosely rolled in sturdy mailing tube. . First Printing. Poster. Very Good. 31 1/2"h x 22"w. Galerie Maeght books
1973008892Paris: Galerie Maeght 1973. Original lithograph poster 32 1/2"h x 22"w. Very Good 1/4" and 1" closed tears bottom edge light creasing at edges. Brightly colored and well suited for framing will be shipped loosely rolled in sturdy mailing tube. . First Printing. Poster. Very Good. 32 1/2"h x 22"w. Galerie Maeght books
1976007387Paris: Galerie Maeght 1976. Printed by Arte Paris for the exhibition dated 10 juin / 31 juillet 1976. Near Fine 15 3/4"w x 23 1/2"h faint creases lower right corner. Well suited for framing will be shipped loosely rolled in a mailing tube. . First Printing. Poster. Near Fine. 15 3/4" x 23 1/2". Galerie Maeght books
1992402660New York: Rizzoli 1992. Folio 12 1/2 x 10 inches. Two original woodcuts by Miro used on the cover as frontispiece and at p. 11. 328 illustrations 220 in color. Original cloth; pictorial dust jacket. A fine copy. FIRST AMERICAN EDITION. <br/><br/> Rizzoli hardcover books
196916453Geneva: Gerald Cramer 1969. First edition. Original Wraps. Orig. illustrated wrappers over stiff boards. Near fine. Miro Joan. 25 pages. Oblong 4to 21 x 29. Eight tipped-in plates. Limited edition copy 1325 of 1650. The cover is an original color lithograph executed for this edition by Miro. Gerald Cramer unknown books
194820702Paris: Editions Pierre A Feu 1948. Stiff Wraps. Orig. illustrated wrappers. Very good. Miro Joan. Approx. 8 pages with text also inside front and back covers. Folio 38 x 29 cm. Text in French by Tristan Tzara Christian Zervos Paul Eluard Daniel-Henry Kahnweiler Maurice Raynal et al. Eight color lithographs. CRAMER 16. Fresh clean copy and unopened at head. Editions Pierre A Feu unknown books
193670518NY: Transition 1936. Fall. 216 pp. Fine in illustrated wrappers. Cover art by Joan Miró. In addition to Kafka’s “Metamorphosis†prints work by Dylan Thomas Mondrian Klee Matisse Moholy-Nagy Cartier-Bresson Hugo Ball and Huelsenbeck on Dada and a discussion on “painting and reality†with Aragon Léger and Le Corbusier. NY: Transition, unknown books
1956018385New York: Pierre Matisse Gallery 1956. Book. Near fine condition. Paperback. 1st Edition. 8vo - over 7¾ - 9¾" tall. 24 pages of text plus a four section double-sided fold-out lithograph centerfold by Miro and the lithographed covers printed by Mourlot Freres. Contains text in the form of an interview by Rosamond Bernier. Illustrated with numerous black-and-white photographs by Sabine Weiss. Minimal shelfwear; near fine condition. Protected in custom fitted archival mylar. First edition. Pierre Matisse Gallery Paperback books
196127032Geneva: Pierre Matisse Gallery 1961. First edition. Miró Joan. Wrappers the covers an original lithograph by Miró. Faint wear to spine. Frontispiece photo of Miró. 29 cm. <br/><br/> Pierre Matisse Gallery unknown books
1969261445Lausanne: Reunies 1969. Limited. paperback. fine/fine. Miro Joan. Mounted frontispiece portrait and 8 mounted b/w plates 25 pages with text in French. Slim oblong 4to stiff color pictorial wrappers an original lithograph. Lausanne: Imprimeries Reunies 1969. A fine copy.<br/><br/> Limited Edition one of 1650 numbered copies. Catalogue for the exhibition at the Galerie Gerald Cramer in Geneva containing 51 works of Miro of which 8 are pictured in the catalogue with an original color lithographic cover specially designed by the artist.<br/><br/> Reunies unknown books
1967278815Paris: Maeght 1967. First. unbound. Joan Miro. Original 6-color lithograph after a painting by Miro. Double page lithograph with fold line down the center as issued. Measuring 22 x 15 inches printed with full bleed; text and smaller images printed on verso. Paris: Maeght 1967. A near fine copy.<br/><br/> Originally published in Derriere le Miroir Nos. 164/165 1967.<br/><br/> Maeght unknown books
1969WRCLIT42360Genève: Galerie Gérald Cramer 1969. Oblong small quarto. Original color lithographed wrappers over stiff wrappers. Portrait and plates. First edition. One of sixteen hundred and fifty numbered copies with an original lithograph by Miro for the wrappers. Fine in envelope captioned and labeled in the hand of Monroe Wheeler. Galerie Gérald Cramer unknown books
1956228721New York: Pierre Matisse 1956. First. paperback. fine. Miro; Artigas. The wrappers and 4-panel folding centerspread are original color lithographs printed by Mourlot Freres. Illustrated with 19 b/w photographs. Thin square 8vo original stapled wrappers. New York: Pierre Matisse Gallery 1956.<br/><br/> Pierre Matisse unknown books
197116460Paris: Berggruen 1971. First edition. Original Wraps. Orig. illustrated stiff wrappers. Fine. Miro Joan. 18 pages. 22 x 11 1/2 cm. Edited by Louis Broder. Color and black and white illustrations. Cover is an original color lithograph designed by Miro for this publication printed by Mourlot. CRAMER 147. Berggruen unknown books
1985007483New York: Pierre Matisse Gallery 1985. SCARCEexhibition poster 16"w x 9 1/4"h for the 1985 Pierre Matisse Gallery show . Fine as issued vertical fold center to fit in envelope with the invitation which is also Fine lacking the enveloipe. The poster is a facsimile of the catalogue cover designed by Miro for the exhibition at the Pierre Matisse gallery in December 1956. . Well suited for framing will be shipped flat in a box. . First Printing. Poster. Fine. 16"w x 9 1/4"h. Pierre Matisse Gallery books
4240Miro signs on light paper of his drawing "Miro." Note somewhat jagged left edge from page's removal from a book. Miro earned international acclaim his work has been interpreted as Surrealism. In numerous interviews dating from the 1930s onwards Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society and famously declared an "assassination of painting" in favor of upsetting the visual elements of established painting. unknown books
197227022New York: Pierre Matisse Gallery 1972. First edition. Miró Joan. 32 p. 39 ill. some col. ; 32 cm. Text by Pierre Schneider. Wrappers with the cover which is an original lithograph by Miró. Fine <br/><br/> Pierre Matisse Gallery unknown books
197770578San Francisco 1977. Very good. Two-page promotional kit 8 ½" x 11 photomechanically printed on the recto only signed by promotions manager Rusty Cramer on the second page; one-page TLS. Folded for mailing with some light wear and toning mostly along the margins; otherwise very good. Promotional material for The Nuns' show on June 18 1977 at the Rio Theater in Rodeo California paired with a letter from Jennifer Miro that reads "Dear Mr. Elwood Thankyou sic for your kind words. By the way I am the blonde young lady at the keyboards. Very Truly Yours Jennifer Miro of The Nuns". Philip Elwood was the influential music critic for the San Francisco Examiner. Formed in 1975 The Nuns were one of the founding acts of the early San Francisco punk scene. Jennifer Miro joined the band in 1976 as vocalist and keyboardist and she vocalist Jeff Olener and guitarist Alejandro Escovedo formed the group's core. By 1977 The Nuns had created a worldwide buzz and a year later opened for the Sex Pistols at San Francisco's Winterland. The band split up in 1979 though there have been several later reunions. From the promotional material: "The Nuns are part of the new wave of punk rock phenomenon that is taking the country by storm. Parents have wondered for years what new leap into degeneracy their children would take and now the answer is here: Punk Rock! Wearing black leathers and spitting out profanities punk rockers have been thrilling fans and disgusting the sensitive from London to Los Angeles. unknown books
1972018310New York: Tudor Publishing Company 1972. Book. Very good condition. Hardcover. First Edition. Folio. 202 pages of text. Hardcover binding in almost new condition except for minimal sunning to the top and bottom edges. The original unclipped dustjacket has a few tiny tears and creases with minimal shelfwear; protected in archival mylar. The text contains two original color lithographs made especially for this publication. The text contains more than 100 additional illustrations. The text is clean and unmarked. First edition. Tudor Publishing Company Hardcover books
1975288574New York: Leon Amiel 1975. unbound. Joan Miro. A single double-page five-color lithograph unsigned. Page measures approximately 19.25 x 12.5 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A near fine copy with several very minor pinholes along the centerfold from where it was sewn.<br/><br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1044.<br/><br/> Leon Amiel unknown books
1975288572New York: Leon Amiel 1975. Limited. unbound. near fine. Joan Miro. A single double-page five-color lithograph unsigned. Page measures approximately 19.25 x 12.5 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A near fine copy with several minor pinholes along the centerfold from where it was sewn.<br/><br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1042.<br/><br/> Leon Amiel unknown books
1975288575New York: Leon Amiel 1975. Limited. unbound. near fine. Joan Miro. A single double-page five-color lithograph unsigned. Page measures approximately 19.25 x 12.5 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A near fine copy with several very minor pinholes along the centerfold from where it was sewn.<br/><br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1043.<br/><br/> Leon Amiel unknown books
1975288573New York: Leon Amiel 1975. Limited. unbound. near fine. Joan Miro. A single double-page five-color lithograph unsigned. Page measures approximately 19.25 x 12.5 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A near fine copy with several very minor pinholes along the centerfold from where it was sewn.<br/><br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1045.<br/><br/> Leon Amiel unknown books
027720New York; 1993: Rizzoli. Limited Edition. Large Quarto. Limited to 1000 copies.The present copy is number 471 435pp. illustrated 285 full color illustrations and 1276 in black and white. By comparing Spanish artist Joan Miro's finished paintings and sculptures with more than 1200 of his sketches and preparatory studies Gimferrer places Miro's art in a surprising new perspective. This intensive analysis of Miro's creative process explains how he would first isolate some element from the teeming outside world then incorporate a graphic sign into it thus setting in motion a transfigurative process in which objects signs and symbols underwent a constant metamorphosis in placing Miro's preliminary drawings alongside the 3 pictures to which they gave rise. Panish poet and art critic gimgerrer illuminates the inner academy by which Miro discovered his major motifs and set them loose in a free-floating pictorial universe. Bibliographic references pages 434-435. A fine coppy bound in black cloth spine lettering white in a fine dust jacket housed within publisher's lackluster card slipcase which has a few splits and bumps. Rizzoli unknown books
1969131211Lausanne: Reunies 1969. Limited. paperback. very good. Miro Joan. Mounted frontispiece portrait and 8 mounted b/w plates 25 pages with text in French. Slim oblong 4to stiff color pictorial wrappers an original lithograph. Lausanne: Imprimeries Reunies 1969. A very good copy.<br/><br/> Limited Edition one of 1650 numbered copies. Catalogue for the exhibition at the Galerie Gerald Cramer in Geneva containing 51 works of Miro of which 8 are pictured in the catalogue with an original color lithographic cover specially designed by the artist.<br/><br/> Reunies unknown books