MIRO, JoanBiblio.com
2 617 résultats
1058601961 . Lithograph in colours 1961 on BFK Rives wove paper signed with the artist's monogram in pencil numbered from the edition of 75 the total edition included 15 impressions numbered in Roman numerals published by Galerie Maeght Paris 51 x 66.4 cm. 20 x 26 in.<br /> <br /> Cramer Books 70 1961 unknown
THE LAST TRULY GREAT ILLUSTRATED BOOK OF THE TWENTIETH CENTURY: A BRILLIANT EXPOSITION OF JOAN MIRO'S WORK THAT REQUIRED SEVEN YEARS TO PRODUCE, WITH TWENTY PENCIL-SIGNED ORIGINAL PRINTS BY NILS BURWITZ. Twenty texts about Miro by leading Spanish and Catalan intellectuals and artists, including Camilo Jose Cela, Rafael Alberti, and Robert Graves (who spent much of his life living in Mallorca). The texts are in Spanish or Catalan (except for Graves' poem, which is in English), and all appear here in first edition. Each text is accompanied by a AN ORIGINAL COLOR FULL-PAGE HORS-TEXTE MIXED-MEDIA PRINT BY NILS BURWITZ, JUSTIFIED AND SIGNED IN PENCIL BY THE ARTIST. These twenty highly complex prints are mostly etchings, often with aquatint and embossing. They brilliantly illuminate various aspects of Miro's work--and unmistakably demonstrate Burwitz' artistic and technical virtuosity. EDITION LIMITED TO 125 COPIES, ALL PRINTED ON EXTREMELY FINE HANDMADE PAPER AND SIGNED BY THE ARTIST IN THE COLOPHON. Large folio. Loose as issued in the original solander case, covered with beautiful dyed fabric made in Mallorca. Ceramic plaque with the title mounted to the front cover. Housed in a cloth slipcase. FINE AND BRIGHT, WITH NO DEFECTS. Laid in is a prospectus and a copy of the explanatory booklet--one of 1,000 copies, also signed by Burwitz--that contains reproductions of all of the prints, portraits (by Burwitz, of course) of all of the authors, and translations of all of the texts into English and German (and into Spanish for the Catalan texts, and Catalan for the Spanish). A monumental and stunning work.
19573181Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de luxe (n° 140) comportant LA LINOGRAVURE ORIGINALE gravée en 1939 et signée au crayon de couleur (vert) par PICASSO. Notre épreuve, imprimée sur une feuille de vélin d'Arches (37,5 x 28,2 cm), porte la justification 140/226 au crayon noir et la signature au crayon vert. La signature au crayon de couleur est très recherchée des amateurs. Catalogues raisonnés : Bloch 326 ; Baer 1028 ; Cramer Les Livres illustrés 84 ; MoMA 1017.1964.1-2.
198186638Foundation. As New. 1981. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 210 pages; many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Foundation hardcover
193096719Paris Editions de la Montagne 1930 1 vol. broché in-8, broché, couverture rempliée, non coupé, sous chemise demi-maroquin bleu nuit à coins et étui bordé (C. de Séguier), 98 pp. Édition originale ornée de 4 lithographies originales de Joan Miró. C'est la première fois que l'artiste utilise ce procédé pour illustrer un livre, et ses lithographies, en noir, frappent déjà par leur fluidité et par leur épure, avec un tracé proche du dessin. Un des 10 exemplaires de tête numérotés sur Japon impérial signés par le poète et l'artiste (après 1 exemplaire unique sur vieux japon), le nôtre sans la page manuscrite de Tzara mais enrichi d'un envoi autographe signé avec dessin (une tête de mort d'où fleurit une rose) à l'éditeur d'art Louis Broder : "ces cristaux précolombiens / des printemps de Paris / et l'affectueux souvenir de / Tristan Tzara / 21 mai 1952". Décoloration en bordure de la couverture, sinon bel exemplaire.
193096719Paris Editions de la Montagne 1930 1 vol. broché in-8, broché, couverture rempliée, non coupé, sous chemise demi-maroquin bleu nuit à coins et étui bordé (C. de Séguier), 98 pp. Édition originale ornée de 4 lithographies originales de Joan Miró. C'est la première fois que l'artiste utilise ce procédé pour illustrer un livre, et ses lithographies, en noir, frappent déjà par leur fluidité et par leur épure, avec un tracé proche du dessin. Un des 10 exemplaires de tête numérotés sur Japon impérial signés par le poète et l'artiste (après 1 exemplaire unique sur vieux japon), le nôtre sans la page manuscrite de Tzara mais enrichi d'un envoi autographe signé avec dessin (une tête de mort d'où fleurit une rose) à l'éditeur d'art Louis Broder : "ces cristaux précolombiens / des printemps de Paris / et l'affectueux souvenir de / Tristan Tzara / 21 mai 1952". Décoloration en bordure de la couverture, sinon bel exemplaire.
74897<p>JOAN MIRÓ <br />Arlequin Circonscrit 1973<br />Color lithograph on Arches Paper<br />Edition "HC" lower left<br />Hand signed lower right<br />Sheet size 75.5 x 52.5 cm<br />Published by Maeght Paris<br />Printed by Arte Adrien Maeght Paris</p><p>Reference Mourlot 887</p>
19592220Pfullingen, Günther Neske Verlag, 1959. Un volume in-4 (279 x 211 mm), reliure éditeur toilée gris clair, dos à la bradel, plat supérieur illustrée d’un dessin de Arp reproduit. ÉDITION ORIGINALE. Texte en allemand. - EXEMPLAIRE DE TÊTE AVEC SEPT GRAVURES DE HANS ARP SIGNÉES AU CRAYON. - TIRAGE : un des 33 exemplaires de tête, celui-ci numéroté X, signé par Hans Arp, les seuls à comporter toutes les gravures signées. Rarissime et magnifique, les gravures de toute beauté. Références : Arntz 396-402b - Tiessen I, 46. - ENGLISH DESCRIPTION : Pfullingen, Günther Neske Verlag, 1959. A volume in-4 (279 x 211 mm). Publisher's cloth binding, light gray canvas, back to the bradel, upper cover illustrated with a drawing by Arp reproduced. ORIGINAL FIRST EDITION, with the text in German. HEAD COPY WITH 7 ORIGINAL ENGRAVINGS BY HANS ARP SIGNED IN PENCIL. - EDITION: one of 33 deluxe copies, this one numbered X, signed by Hans Arp, the only ones to include all the signed seven engravings. - ILLUSTRATION: 7 original etchings signed by Hans Arp. Extremely scarce , the engravings of great beauty. Literature: Arntz 396-402b - Tiessen I, 46. GERMAN DESCRIPTION: MONDSAND. Gedichte. Mit 7 signierten Original-Radierungen von Arp. Pfullingen, Neske, 1959. 4°. [32] Bll. (das erste u. letzte weiss). Original-Seideneinband mit Rückentitel u. Deckelillustration. In privatem Schuber. - Erste Ausgabe. - Eines von 33 römisch nummerierten Exemplaren (X) der Vorzugsausgabe, im Druckvermerk zusätzlich von Arp signiert. - Druck der Radierungen bei Fequet & Baudier in Paris. Schönes Exemplar (Arntz 396-402b - Tiessen I, 46).
19562198Paris, Albin Michel, 1956. Un volume in-8 (203 x 135 mm) broché, couverture illustrée imprimée. ÉDITION ORIGINALE. EXEMPLAIRE DE TÊTE COMPRENANT LA LITHOGRAPHIE ORIGINALE JUSTIFIÉE À 40 EX. ET SIGNÉE PAR JOAN MIRÓ. - TIRAGE : un des 37 exemplaires de tête sur vélin du marais (+ 3 nominatifs, soit 40 ex), celui-ci n° 14, les seuls à comporter la lithographie. - ILLUSTRATION : une lithographie originale en couleurs signée de Joan Miró ; 8 reproductions photographiques. ÉTAT DE NEUF, non coupé. RARISSIME. Bibliographie: Malet-Cramer, Miró, n° 35. - ENGLISH: PÉRET, Benjamin, and Joan MIRÓ: Anthologie de l’amour sublime (Anthology of Sublime Love). Paris, Albin Michel, 1956. One volume (203 x 135 mm), paperback, illustrated printed cover. HEAD COPY INCLUDING THE ORIGINAL LITHOGRAPHY JUSTIFIED 14/40 AND SIGNED BY JOAN MIRÓ. ORIGINAL FIRST EDITION. - EDITION: one of the 37 head copies on vellum of the marsh, this one n° 14, the only ones to include the lithograph.(+ 3 added nominative copies hc). - ILLUSTRATION: an original lithograph in colors numbered 14/40 and signed by Joan Miró; 8 photographic reproductions. NEW CONDITION, uncut. Very scarce. Bibliography: Malet-Cramer, Miró, n° 35.
196174776<p>Joan Miró <br />Composition for 'from XXe Siecle' No. 16 1961<br />Lithograph<br />Numbered 58/75 in the lower left.<br />Hand-signed in the lower right.<br />Image Size: 33 x 23 cm<br />Framed Size: 68 x 53 cm</p><p>Reference: M. 274</p>
3631Valldemossa Mallorca: New Seizin Press / Libra Press 1999. THE LAST TRULY GREAT ILLUSTRATED BOOK OF THE TWENTIETH CENTURY: A BRILLIANT EXPOSITION OF JOAN MIRO'S WORK THAT REQUIRED SEVEN YEARS TO PRODUCE WITH TWENTY PENCIL-SIGNED ORIGINAL PRINTS BY NILS BURWITZ. Twenty texts about Miro by leading Spanish and Catalan intellectuals and artists including Camilo Jose Cela Rafael Alberti and Robert Graves who spent much of his life living in Mallorca. The texts are in Spanish or Catalan except for Graves' poem which is in English and all appear here in first edition. Each text is accompanied by a AN ORIGINAL COLOR FULL-PAGE HORS-TEXTE MIXED-MEDIA PRINT BY NILS BURWITZ JUSTIFIED AND SIGNED IN PENCIL BY THE ARTIST. These twenty highly complex prints are mostly etchings often with aquatint and embossing. They brilliantly illuminate various aspects of Miro's work--and unmistakably demonstrate Burwitz' artistic and technical virtuosity. EDITION LIMITED TO 125 COPIES ALL PRINTED ON EXTREMELY FINE HANDMADE PAPER AND SIGNED BY THE ARTIST IN THE COLOPHON. Large folio. Loose as issued in the original solander case covered with beautiful dyed fabric made in Mallorca. Ceramic plaque with the title mounted to the front cover. Housed in a cloth slipcase. FINE AND BRIGHT WITH NO DEFECTS. Laid in is a prospectus and a copy of the explanatory booklet--one of 1000 copies also signed by Burwitz--that contains reproductions of all of the prints portraits by Burwitz of course of all of the authors and translations of all of the texts into English and German and into Spanish for the Catalan texts and Catalan for the Spanish. A monumental and stunning work. <br/><br/> Valldemossa, Mallorca: New Seizin Press / Libra Press, 1999 hardcover
195122335EPalma de Mallorca Spain 1951. Original autograph letter signed by surrealist artist Joan Miro written on both sides of a single sheet of his personal 8 1/2†x 11†stationery printed “Son Abrines - Calamayor - Palma de Mallorca†at the upper right. Written by Miro in blue fountain pen in French translated in part: “November 3 ‘51 Dear friend I was afraid that you would have difficulties getting hold of my canvasses because you must understand that for the past year my output has been extremely limited. I absolutely had to exhibit the ‘Tronc d’arbre’ Tree Trunk which I consider to be a very important piece; apart from that Andre Breton has to repair it so as to conserve it better. Would you be so kind as to ask the press to send me as quickly as they can some “papier a report†for the lithography which I will engrave immediately. I live in the country and it is hard for me to get hold of the necessary material. After so many years I can’t find a text for ‘le Piege’ the Trap. These texts. My very best wishes Miroâ€. Fine condition. Spanish painter sculptor and ceramist Joan Miro 1893 - 1983 was one of the best known artists of the Surrealism movement which began in the early 1920s. One of its leaders was the French writer poet and anti-fascist Andre Breton to whom Miro refers in his letter. unknown books
19371695741937. MIRO Joan. "Aidez l'Espagne." Pochoir print in Cahiers D'Art Year 12 No. 4-5. Edited by Christian Zervos. Illustrated throughout. Folio 320 x 250 mm. bound in original printed wrappers preserved in a new cloth folding box. Paris: Cahiers D'Art 1937. A fine copy of Miro's celebrated Civil War print contained in an issue of Cahiers D'Art primarily devoted to Picasso's masterpiece Guernica which had been displayed at the Paris World's Fair earlier in the year. Some insignificant wear to the cover the print in pristine condition. Cramer Joan Miró: The Illustrated Books no. IV. hardcover
195122335EPalma de Mallorca Spain 1951. Original autograph letter signed by surrealist artist Joan Miro written on both sides of a single sheet of his personal 8 1/2†x 11†stationery printed “Son Abrines - Calamayor - Palma de Mallorca†at the upper right. Written by Miro in blue fountain pen in French translated in part: “November 3 ‘51 Dear friend I was afraid that you would have difficulties getting hold of my canvasses because you must understand that for the past year my output has been extremely limited. I absolutely had to exhibit the ‘Tronc d’arbre’ Tree Trunk which I consider to be a very important piece; apart from that Andre Breton has to repair it so as to conserve it better. Would you be so kind as to ask the press to send me as quickly as they can some “papier a report†for the lithography which I will engrave immediately. I live in the country and it is hard for me to get hold of the necessary material. After so many years I can’t find a text for ‘le Piege’ the Trap. These texts. My very best wishes Miroâ€. Fine condition. Spanish painter sculptor and ceramist Joan Miro 1893 - 1983 was one of the best known artists of the Surrealism movement which began in the early 1920s. One of its leaders was the French writer poet and anti-fascist Andre Breton to whom Miro refers in his letter. unknown
19301689131930. MIRO Joan. L'Arbre des Voyageurs. By Tristan Tzara. Illustrated with 4 original lithographs by Joan Miró. Large 8vo. bound by Daniel-Henri Mercher with dark maroon morocco spine lucite over hand painted purple marbled paper with the original wrappers bound in. Paris: Editions de la Montagne 1930. An fine copy of this rare and important book which contains Miró's first original book illustrations and some of his earliest graphic work. With an inscription from Tzara 'A Henri Bernard'. This is one of 65 copies on Arches and bound in an atrractive binding by Mercher using the technique he invented involving lucite. Signed by both Tzara and Miró. There were also 25 copies on Holland. The Artist and the Book 205. Cramer Miro Illustrated Books 1. unknown books
195745616Alès.: PAB. Pierre. André. Benoit. 1957 Mars. Loose as issued in original cream printed wrappers with titles in black to front cover. 12mo. 124 x 128 mm. Two blank leaves leaf with title recto leaf with Miró's signed engraving as frontispiece recto four leaves with Char's verse recto and verso final verso blank leaf with Miró's second engraving recto leaf with justification recto two blank leaves. René Char's De Moment en Moment published by PAB and illustrated by Miró.From the edition limited to 42 numbered copies on Auvergne à la main with this one of 36 numbered in Arabic numerals and signed by PAB in pencil; the first of Miró's engravings the frontispiece is signed by the artist in pencil.Miró's original prints for the book are burin engravings on celluloid. Char's prose poems were written in 1948 and 1949 respectively. Montpellier 287; Cramer 42. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown
28433Paris Maeght Éd. Pierre à Feu n° 139-140 juin-juillet 1963. 1 vol. 280 x 380 mm de 28 p. En feuilles sous couverture illustrée en couleurs. . L’un des plus importants numéros de Derrière le miroir consacrés à Miró. 6 lithographies originales en couleurs dont 4 en double page 380 x 560 mm et 1 en 3 volets 380 x 830 mm ainsi que 3 reproductions en noir. Précieux exemplaire de René Char avec un envoi signé au recto de la couverture : « Pour René Char fraternellement Miró ». . Le lien entre Miró et Char trouve son origine dans l'entremise de Christian et Yvonne Zervos au sortir de la guerre. Leur première collaboration se fera pour l'édition de Fête des arbres et du chasseur en 1948 et la lithographie qui l'ouvre. Plusieurs PAB et GLM suivront jusqu'au point d'orgue de 1964 et l'édition chez Maeght du Flux de l'aimant avec dix-sept pointes-sèches. L'année précédente Aimé Maeght aura donné pour Derrière le miroir cette admirable livraison double d'été avec la célèbre lithographie en triple page placée en son centre. La chaleureuse et fraternelle dédicace de Miró à Char n'est pas une posture mais une sincère envolée d'un artiste vers le poète français avec lequel il aura le plus collaboré et marque un sincère témoignage de l'artiste vers le poète avec lequel il aura le plus collaboré. Plouvier souligne dans le Dictionnaire Char combien « l'irradiation de la vie inexprimable posée par Char au principe de sa création a trouvé en Miró l'équivalent de son espace ». Au même titre que Picasso Brauner Giacometti de Staël ou Braque Miró dans l'oeuvre de René Char est promu au titre quasi générique d' « allié substantiel ». Exceptionnelle et rare provenance. Paris, Maeght, Éd. Pierre à Feu, n° 139-140, juin-juillet 1963. 1 vol. (280 x 380 mm) de 28 p. En feuilles, sous couverture i unknown
196328433Précieux exemplaire de René Char, dédicacé par Miró Paris, Maeght, Éd. Pierre à Feu, n° 139-140, juin-juillet 1963. 1 vol. (280 x 380 mm) de 28 p. En feuilles, sous couverture illustrée en couleurs. L’un des plus importants numéros de Derrière le miroir consacrés à Miró. 6 lithographies originales, en couleurs, dont 4 en double page (380 x 560 mm) et 1 en 3 volets (380 x 830 mm), ainsi que 3 reproductions en noir. Précieux exemplaire de René Char, avec un envoi signé au recto de la couverture : « Pour René Char, fraternellement, Miró ».
19571839Louis Broder, Paris 1957. Collection "Miroir du poète" n° VI. Un volume in-12 carré (167 x 136 mm), en feuilles, 42 pages, sous couverture de papier japon à rabats titrée en rouge sur le premier plat. Chemise et étui de l'éditeur noir et gris titré en rouge sur le dos. Édition originale de ce recueil de 7 poèmes de Robert Desnos inédits en volume. 4 GRAVURES ORIGINALES À L'EAU-FORTE ET AQUATINTE EN COULEURS (150 x 120 mm). La typographie est dûe à l'imprimerie Union et le tirage de la gravure à Robert Dutrou. Édition : 120 exemplaires numérotés sur vélin de Rives BFK. Celui-ci, l'exemplaire n°2 est signé par André Masson au colophon. Il comporte UNE SUITE COMPLÈTE DES GRAVURES ET DE LA DÉCOMPOSITION DES COULEURS : chaque épreuve de l'état final est justifiée 5/7 et signée au crayon par l'artiste, chaque épreuve de la décomposition des couleurs est justifiée 5/7 et monogrammée au crayon par l'artiste. 16 planches signées au total. Sixième volume de la collection "Miroir du poète" qui en comporte 7. Un huitième volume prévu n'a jamais vu le jour, mais la maquette existe. Le volume en parfait état, l'emboîtage de même (Saphire-Cramer 42). ENGLISH : André Masson - Robert Desnos, : Mines de Rien, Collection Miroir du Poète VI, Louis Broder, Paris, 1957. 4 aquatints printed in colours, 1957, on BFK Rives, title, text, list of contents, justification and the set of four, the justification signed in pencil by André Masson. copy numbered on vélin de Rives paper, from the total edition of 130. This one, copy no. 2, includes A COMPLETE SUITE OF THE ENGRAVINGS AND DECOMPOSITION OF COLORS: each proof of the final state is justified 5/7 and signed in pencil by the artist, each proof of the decomposition of colors is justified 5/7 and monogrammed in pencil by the artist. There is 16 signed plates in total. The set is in mint++ condition in its original slipcase, perfect. overall S. 177 x 153mm. (Cramer 42).
196585192Sous e?tui borde?. Reliure janse?niste plein maroquin grenat. Dos lisse avec auteur, artistes et titre dore?s avec points a? l?oeser colore?. Toutes tranches dore?es. Doublures bord a? bord et gardes de veau gris. Couverture et dos conserve?s. Reliure signe?e ALIX.E?dition orne?e de 14 gravures (bois, eau-forte, pointe-se?che, lithographie) de Jean ARP, Hans BELLMER, Camille BRYEN, HAYTER, Oscar DOMINGUEZ, Max ERNST, Wifredo LAM, Alberto GIACOMETTI, Valentine HUGO, Man RAY, Andre? MASSON, Joan MIRO, WOLS.
1062551971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in.<br /> <br /> Cramer Books 146 1971 unknown
1062561971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in.<br /> <br /> Cramer Books 146 1971 unknown
1062531971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in.<br /> <br /> Cramer Books 146 1971 unknown
193788877Paris: Cahiers d'art 1937. Fine. Complete issue featuring Joan Miró's striking original stencil Cahiers d'art Paris 1937 25 x 32 cm broché First edition featuring the celebrated original color stencil ""Aidez l'Espagne!"" printed on Arches paper by Joan Miró. With literary contributions by Christian Zervos on Pablo Picasso's ""Guernica"" as well as texts by Jean Cassou Georges Duthuit Pierre Mabille Michel Leiris Paul Éluard René Char. Illustrated with numerous reproductions of works by Pablo Picasso and Joan Mirós ""Le faucheur"". Some rubbing and small tears to the spine as often a vertical crease to the rear wrapper otherwise a fresh and well-preserved copy. Cahiers d'art unknown
003004Paris: XXe Siecle 1975. Book. Fine. Hardcover. 1st Edition. Published as a tribute to Gualtieri di San Lazzaro the founder of the magazine XXe Siecle. Loose sheets as issued. In original wrappers and cloth clamshell box with the portrait of Gualtieri di San Lazzaro mounted on the inside. With 15 lithographs by Max Bill Alexander Calder Marc Chagall Max Ernst Hans Hartung Joan Miro Henry Moore Graham Sutherland Georges Braque Lucio Fontana Rene Magritte Pablo Picasso Serge Poliakoff and Alberto Magnelli. All but one Chagall printed in color. Text by Gualtieri di San Lazzaro Pierre Volboudt Nina Kandinsky Marc Chagall Andre Verdet Marino Marini and others. This is number 310 of a limited edition of 575 copies all printed on Velin d'Arches by Fernand Mourlot l'Imprimerie Arte Pierre Chave Les Ateliers Bellini and Curwen Studio London. 141vii pp. 38 x 288 x 55 cm. Except from the inevitable offsetting from the lithographs to the facing text pages this is a very fine almost mint copy in collectors condition. . XXe Siecle Hardcover
