MIRO, Joan - PRIGOGINE, HeleneBiblio.com
2 617 résultats
1964170908Paris: GLM 1964. With an original signed Miro etching First edition first printing number 45 of 105 copies with an original etching signed by Miro. Hélène Prigogine was a Belgium poet and was the first wife of the Nobel Prize-winning chemist Ilya Prigogine. Quarto. Frontispiece is an original etching with aquatint in colours by Miro. Original white wrappers lettering to front cover in black printed on Arches vellum paper. With glassine dust jacket. Housed in a black cloth flat-back box by the Chelsea Bindery. Fine in fine unclipped jacket. Malet-Cramer 94 hardcover
1981C86638Foundation. As New. 1981. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 210 pages; many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Foundation hardcover
196768710Paris: Fernand Mourlot 1967. Fine. Fernand Mourlot Paris 1967 25.50 x 33 cm en feuilles sous chemise et étui Bouquet de rêves pour Neila Bouquet of Dreams for NeilaFernand Mourlot Paris 1967 25.5 x 33 cm in leaves in a chemise and slipcase Illustrated edition with 18 original insert lithographs in colour by Joan Miró one of 150 numbered copies on Rives vellum only print after 25 vellum and 25 non-trade. Very beautiful copy. Handwritten signature of Joan Miró on the print details page. Our copy is enriched with a handwritten inscription dated and signed by Joan Miró to Armand Blanc accompanied with an original drawing in pencil. Fernand Mourlot hardcover
196565401Paris, Louis Broder, 1965. 4°. Mit 14 tlw. farb. Orig.-Grafiken. 86 S., 11 Bll. (die ersten u. letzten beiden weiß), Lose Bogen in OKart.-Umschlag u. OHPgmt.-Decke in OPp.-Schuber.
19391435-2Paris, NRF, Gallimard, 1939. in-4 broché, 70 pages, couverture imprimée. ÉDITION ORIGINALE de ce recueil contenant : "Trois chevaux aigus. Nous sommes. Nulle rupture. À l'ombre de ma porte. Poème perpétuel. L'or et l'eau froide. Trois poèmes inachevés. Les vainqueurs d'hier périront". Tirage : 5 Japon nacré et 15 vergé d'Arches numérotés et signés + les exemplaires non numérotés sur vélin du Marais (tirage probable à 500 ex.). Le notre, sur vélin du Marais est accompagné DES 4 SUPERBES LITHOGRAPHIES ORIGINALES DE MAX ERNST TIRÉES EN NOIR À PLEINE PAGE SUR VERGÉ DE HOLLANDE (seuls les 20 premiers exemplaires en grand papier contiennent ces lithographies). - Note bibliographique et historique : Max Ernst avait prévu une série de douze lithographies, mais seules quatre d’entre elles furent publiées dans l’édition de luxe à petit nombre. Un an plus tôt, en 1938, désapprouvant ses positions trotskystes, Éluard avait rompu avec Breton : À sa suite Max Ernst quitte le groupe surréaliste outré d’avoir à subir l’exigence de « saboter la poésie de Paul Éluard par tous les moyens » (in Centre Georges Pompidou, Paul Éluard et ses amis peintres, 1982, p.109).
19341529Llibreria Catalonia: np 1934. 1st Edition. Very Good. FIRST EDITION with the EXTREMELY RARE AND SOUGHT-AFTER POCHOIR BY MIRÓ From Here and There: Figures by the Sea; one of only five pochoirs created in his career. "After their first encounter Miró and the architect Sert continued to meet often through the group of painters sculptors and art critics of the cultural group known as ADLAN 1932-1936." Through the joint efforts of ADLAN and GATCPAC a group of architects active from 1930 to 1936 came "the most representative publication of that period: a special issue of the magazine D'Aci i d'Allà focusing on twentieth-century art-the 1934 Christmas issue-directly supervised by Joan Prats and Josep Lluís Sert and with the participation of Joan Miró in the first instance of a collaboration between the artist and the architect . The result of this joint effort was far more than a mere revision of contemporary visual arts; it became a guidebook to the new trends and to the avant-garde aesthetic providing information both about the art world and about the latest advances in the fields of housing and construction. Joan Miró was the main protagonist of the issue of D'Aci i d'Allà directed by Sert once again being praised as a contemporary primitive. In designing the cover and the famous pochoir specifically created for this issue Miró managed to convey the greatest expressive force with minimal resources using only red yellow and black against the white paper background" Vecchierini 46-48. The most sought-after issue of this Spanish magazine which contains an hors texte colour pochoir plate by Joan Miró Figures davant el mar printed in yellow red and black. There are also texts by C. Soldevila L. Fernández C. Zervos J. L. Sert J.V. Foix C. Sindreu M.A. Cassanyes A. Jakovsky and S. Gasch. Cramer 11. Barcelona: Llibreria Catalonia 1934. Size: 330 x 280 mm approx. 13 x 11 inches. Spiral bound in original illustrated wrappers. With original subscription form laid in. Very light wear to wrappers. Pochoir pristine. A remarkably well-preserved copy of a notoriously rare and fragile work. np unknown
04-0952Paris: Editions de la Montagne 1930. 165 x 251 mm. One of 65 copies on Arches from the total deluxe edition of 121. Signed in ink by the artist and author on the colophon. Original wrappers in glassine. Pages partially uncut. With 4 original lithographs: Mourlot nos. 2-5. Presented in a cloth chemise and quarter-morocco slipcase. Cramer 1; Rauch 163. Paris: Editions de la Montagne, 1930. hardcover
1966B-21-120014<p>Mano Guy Le vis Greek author illustrated by Miro. GLM Paris 1966. Nr. 27 of 60 numbered copies. Illustrated with an aquatint in color by Joan Miro. Signed in the bottom right corner Miro.</p> GLM paperback
1197Original lithographic poster in color. published by the Martha Graham Dance Company New York printed by Maeght Paris 1975. Mourlot 1050. <br /><br />Copy #51 of 75 signed by Miro in pencil on handmade paper there were also 500 unsigned copies with "letters" published as an advertising poster for the performance. Mourlot. The Lithographs of Joan Miro #1050; Picazo. The Posters of Joan Miro #86. 31" x 21". Image/sheet size 30 3/4 x 22 1/4 in. 78.0 x 56.4 cm unmatted Deckled edges. <br /><br />Miro created this lithograph as an advertising poster for the modern ballet Lucifer performed by the Martha Graham Dance Company featuring Margot Fonteyn and Rudolf Nureyev as guest artists. Lucifer premiered June 19 1975 at The Uris Theater in New York City as the main feature of The Martha Graham Gala. <br /><br />In Martha Graham's words "Many people have asked me why I did Lucifer with Rudolf Nureyev. Lucifer is the bringer of light. When he fell from grace he mocked God. He became half god half man. As half man he knew men's fears anguish and challenges. He became the god of light. Any artist is the bringer of light. That's why I did Lucifer with Nureyev. He's a god of light. And Margot Fonteyn was such a glorious complement to him at it. Luminous as night. When I first saw Margot Fonteyn she was a great and beautiful figure." Unidentified interview with Martha Graham 1975.<br /><br />Fonteyn provides background as to the Premiere of Lucifer in 1975. "It was certainly a star occasion. Tickets for the performance went on sale from $10000 down to $50. Fans wore Martha Margot Rudi buttons. Among other things the Gala may have been a sort of official celebration of the marriage between classical ballet and modern dance. Martha dominated her Gala from a Chinese chair beside the proscenium arch where she announced each ballet. The fashion designer Halston made the Lucifer costumes." It was the first performance for Fonteyn without toe shoes. Margot Fonteyn Autobiography Knopf 1976<br /><br />Provenance: Through the family of former Rhode Island governor and United States senator John Orlando Pastore 1907-2000. books
197786652Paris France: Maeght. As New. 1977. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -Corresponds to ASIN: B003H0Z66S. Volume III 3 : 215 pages. Illustrated. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Miró Maeght hardcover
193788877Cahiers d'art | Paris 1937 | 25 x 32 cm | broché
74898<p>Joan Miro <br />La Mélodie Acide 1980<br />The complete portfolio of 14 Lithographs In Original Slip Case<br />Hand Numbered. 184 / 1500<br />Plate signed<br />Published by Ediciones Poligrafa<br />Reference: M. 1212-1225</p><p>Acquire a unique and valuable piece of surrealist art with Joan Miró's Melodie Acide limited edition portfolio. This stunning collection published in 1980 includes 14 vibrant lithographs perfectly capturing Miró's bold abstract style and signature use of color and form. Each lithograph is hand-signed in plate by the artist adding an extra layer of authenticity and rarity to this collection.</p>
2004BIBLIO-45058M. Moleiro Editor Barcelona limited edition facsimile 2004 and commentary 2006. Limited edition of 987 numbered copies. 2 volscomprising facsimile: riginal full calf gilt 48 cm and commentary: cloth 4to 39 cm. facsimile: 356 pp many illuminated most heightened in gold; Commentary : 292 1 pp ills some colour. A superb full-size full-colour facsimile reproduction of the 13th/14th century ms. Latin 8846 Bibliothèque nationale de France Paris also known as the Anglo-Catalan psalter together with the English-language commentary volume. Text of the facsimile in in Latin in three parallel columns which present three different Latin translations of the Psalter: the Psalterium Romanum the Psalterium Hebraicum and the Psalterium Gallicanum. With more than 140 miniatures illuminated in gold and 190 decorated initials painted on a gold ground. Contents of the commentary volume include: : Brief description of the manuscript by Nigel Morgan; The Utrecht psalter and its copies by Nigel Morgan; The Anglo-Catalan psalter the Canterbury part by Nigel Morgan; Ferrer Bassa and the Anglo-Catalan psalter by Rosa Alcoy; The texts of the Anglo-Catalan psalter by Klaus Reinhardt; The illustrations of the Anglo-Catalan psalter by Nigel Morgan Rosa Alcoy. Bibliography. Also included is the CD issued by the publisher. From " Bibliographic Treasures and Medieval Maps": "This manuscript was illustrated in two different periods: 1 Canterbury c. 1200- 184 pages. It opens with what Leroquais called the Psalter prologue consisting of 8 extraordinary full-page miniatures and continues with 52 fascinating miniatures at the beginning of each Psalm. Most pages feature decorated initials. 2 Catalonia c. 1340: from page 185 onwards we find 46 miniatures framed by bright colours and divided into two or three bands each divided into two or three compartments.This section is characterised by the great iconographic freedom of the typological interpretation of both the Psalms and the New Testament prophecies. The architectural and plant details and motifs and the dress and colour range employed are very homogenous although certain stylistic variations indicate the participation of different artists from the same workshop. The part painted by Ferrer Bassa was in all likelihood commissioned by Peter the Ceremonious. Copy No. 335. Facsimile: Near Fine in the publisher's slipcase which has some small scratches and is stamped in gilt with the name Robert M. Wilson. Commentary volume and CD both as new in the publisher's shrinkwrap. M. Moleiro Editor, Barcelona, limited edition facsimile, 2004 and commentary 2006 hardcover
2019__0081019831Elsevier Science Ltd 2019. Hardcover. New. 3rd edition. 4600 pages. 19.00x14.00x7.50 inches. Elsevier Science Ltd hardcover
196768710Fernand Mourlot | Paris 1967 | 25.50 x 33 cm | en feuilles sous chemise et étui
EXE-757Paris, Librairie José Corti, 1961. In-12, broché. Édition Originale. Illustrée d'une gravure sur celluloïd de Joan Miró, numérotée et signée. Tirage à 20 exemplaires numérotés.
198952825New York: Rizzoli / AW Fine Arts Distribution / Poligrafa. New. 1989. Hardcover. 1556602480 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Corresponds to ISBN: 1556602480. 237 pp. ; 317 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Miró Rizzoli / AW Fine Arts (Distribution) / Poligrafa hardcover
1188Paris, Éditions Jeanne Bucher, novembre 1928. In-4, 24 feuilles, chemise de toile grise illustrée en noir et vert par Miro, et avec la signature à l’encre noire par l’artiste.Édition originale de ce recueil de 10 chansons (dont 7 pour Hyacinthe, le fils de l'auteure), manuscrites et reproduites en fac similé.Illustré de 8 gouaches de Miro à pleine page, reproduites au pochoir par l'atelier de Jean Saudé, c'est le premier ouvrage illustré de Joan Miro.Jeanne Bucher (1872-1946), fondatrice en 1925 de la Galerie Jeanne Bucher à Paris, est l’une des premières à exposer des artistes d’avant-garde : Picasso, Braque, Klee, Kandinsky, Miro, Vieira da Silva, Nicolas de Staël, etc. Elle fonde en parallèle un atelier d'édition qui de 1925 à 1943, édite environ 28 livres d'artistes mêlant poésie et gravure.Lise Hirtz (1898-1980 - son vrai prénom est Anne-Marie), épouse en décembre 1928 Paul Deharme, pionnier de la radio. Amie intime de Paul Éluard, André Breton, Man Ray, Valentine Hugo, Gisèle Prassinos, Jean Cocteau..., elle devient dans les années 1930 l’une des muses du cercle surréaliste : elle fut "la dame au gant" pour Breton ; la "femme à la bouche qui rêve" pour Éluard ; et Man Ray la portraitura en "Dame de Pique".Tiré à 300 exemplaires non paginés, dont 20 sur Japon et 280 sur Arches. Rare envoi autographe signé sur le titre : "Préservez nous de nos amis pour nos ennemis... à Madame Paule de Beaumont qui fut une ennemie. Très très gentiment Lise Deharme". Paule de Beaumont (1894-1934) — née Paule-Thérèse Dreyfus — épousa le comte Jacques de Beaumont, diplomate et esthète, et fut une figure brillante mais discrète du milieu littéraire et artistique parisien de l’entre-deux-guerres. Avec ironie, Lise Deharme semble détourner la célèbre phrase attribuée à Voltaire : "Préservez-moi de mes amis ; mes ennemis, je m’en charge.", pour adresser cet hommage acide à Paule de Beaumont, qui fut sans doute une délicieuse ennemie. Cet envoi incarne parfaitement l’esprit de Lise Deharme et sa renommée de "Dame de Pique" du surréalisme.Manquent le feuillet de dédicace au compositeur Georges Ouric et celui de justification. Chemise très légèrement salie, un lien déchiré.Cramer, Joan Miró, Les livres illustrés, nº 1.
1960181626Paris: Jean Hugues 1960. With an original signed Miro lithograph First edition an hors commerce copy aside from the edition of 50 with an original lithograph signed by Miro and signed by the publisher on the justification page. Of the total edition of 375 the first 25 had the lithograph in various states while the other 300 were issued without the lithograph. The lithograph was printed by Fernand Mourlot. Octavo. Frontispiece of an original lithograph in colours with embossing by Miro. Original white wrappers lettering to front cover in black printed on Vélin d'Arches paper. With glassine dust jacket. Glassine chipped with loss otherwise a fine copy. Cramer 60. unknown
1928N - 2026 - 7<p>Éditions Jeanne Bucher. Paris 1928. This remarkable collaboration pairs the manuscript verses of Lise Hirtz the early pseudonym of surrealist writer Lise Deharme with eight vibrant pochoirs by Miró based on his gouaches and expertly printed via stencil. Limited to 300 copies this is one of 280 on Arches paper N. 276 complete with eight color illustrations and the author's facsimile text bound in its original soft covers and presented in a protective cloth clamshell box. Issued in fragile soft wrappers now showing expected splitting at a few inner folds and minor edge tears to the front wrar. The text and pochoir illustrations are in very good condition. A pivotal work bridging avant-garde literature and visual art at a crucial moment in both Miró's and Hirtz's careers this edition exemplifies the poetic and experimental spirit of late-1920s Paris. Reference: Cramer 1.</p> Éditions Jeanne Bucher hardcover
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1965173321Paris: Presse artisanale de Gaston Puel 1965. No. 8 of 50 with signed etching one of the 50 printed on vellum of Rives of a total of 350 copies of this printing. Paperback. VG as new. Small white printed paper with glassine cover 162 x 128 mm loosely folded contents include one etched plate signed in pencil by Miro and limitation statement at rear. Sheets and pages are unopened. This copy signed and numbered viii/xxx in pencil by Miro. Glassine protective sheet over etching. Extremely rare printed in this format after the large format of 1964 which had 17 prints by Miro. Presse artisanale de Gaston Puel hardcover books
33669Paris, Secrétaire général : Georges Bataille. Du n° 1, avril 1929 au n° 7, décembre 1929 et du n° 1, 1930 au n° 8, 1930. Collection complète. 15 numéros en 15 livraisons in-4 brochées, sous 2 emboîtages (29,5 x 24 cm) Doctrines, archéologie, beaux-arts, ethnographie. Magazine illustré paraissant dix fois par an. Textes de Georges Bataille, Jacques Baron, Alejo Carpentier, Robert Desnos, Carl Einstein, Roger Gilbert-Lecomte, Marcel Griaule, Juan Gris, Eugène Jolas, Marcel Jouhandeau, Michel Leiris, Georges Limbour, Jacques Prévert, Raymond Queneau, G. Ribemont-Dessaignes, Georges Henri Rivière,André Schaeffner, Roger Vitrac, Georges-Henri Rivière, André Schaeffner, etc.- Nombreuses reproductions duvres dart et dobjets ethnographiques de Hans Arp, Constantin Brancusi, Giorgio de Chirico, Alberto Giacometti, Juan Gris, Henri Laurens, Fernand Léger, André Masson, Joan Miró, Pablo Picasso, Joseph Sima etc. - Photographies de Jacques-André Boiffard, Élie Lotar, etc. Complet de tous les "English supplément" dans les numéros de la première année en fin de chaque fascicule et du bulletin de souscription détachable imprimé en rouge présent dans le n°3 de la deuxième année. A part un frottement sur la couverture des 2 premiers n°, très bel état de fraîcheur.
19683100Paris, GLM (Guy Lévis Mano) 1968. Un vol. grand in-8 (24,5 x 17,8 cm), broché, 24 pages sous couverture rempliée imprimée. Édition originale du recueil de poèmes de Léna Leclercq. Un des 103 sur grand vélin d'Arches, les seuls accompagnés d'une superbe EAU-FORTE ET AQUATINTE EN COULEUR SIGNÉE AU CRAYON PAR JOAN MIRÓ, placée en frontispice.
19471758Collection le Quadrangle. K éditeur., Paris, 1947. 1 volume in-8 (247 x 195 mm) broché. 100 pp. + fnch sous couverture jaune façon parchemin imprimée du titre en rouge et chemise de papier gris, décorée au pochoir, avec découpe laissant apparaitre le titre sur le premier plat (Pierre Faucheux d'après un dessin d'Yves Tanguy), rhodoïd. ÉDITION ORIGINALE illustrée de 4 gouaches reproduites en phototypie en hors-texte. 1/30 ex. de tête sur vélin pur fil de Johannot, les seuls accompagnés d' UNE EAU-FORTE ORIGINALE D'YVES TANGUY, celle-ci justifiée XXV. La gravure est tirée en noir sur un feuillet volant (papier : 238 x 188 mm, cuivre : 175 x 135 mm). De même, l'exemplaire est numéroté XXV au colophon et paraphé à l'encre par l'éditeur. "Feu Central" regroupe les textes surréalistes "Immortelle Maladie" (1924), "Dormir, Dormir dans les Pierres" (1927), "Je Sublime" (1935), "Un Point C'est Tout" (1946) et "À Tatons", ce dernier publié ici pour la première fois. ENGLISH DESCRIPTION : Collection le Quadrangle. K éditeur., Paris, 1947. 4to. (247 x 195 mm). 100 pp. + fnch. First edition and first printing illustrated with 4 hors-texte phototypie plates reproducing gouaches by Tanguy, inserted loose (as issued) is Tanguy's original etching (leaf : 238 x 188 mm, plate : 175 x 135 mm). Original publisher's printed wrappers as issued : a grey jacket with illustration after Tanguy in white with excised section to front cover and beneath a yellow patterned wrapper with printed text in red. A mint copy of the 30 from the édition de tête on pur fil Johannot numbered XXV in Roman numerals and with Tanguy's original etching also numbered XXV by ink. Only these one have the etching. The original wrappers for the book were designed especially for the first 230 'exemplaires de luxe' of the book, were executed after the maquette by Pierre Faucheux after Tanguy's original drawing.
