Matisse, HenriBiblio.com
687 résultats
04-1594Paris: Editions de la Revue Verve. 1945. Lacking the frontispiece La Chute d'Icare and the title page. Lacking pp. 57-58 59-60 with the portraits of Angèle Lamotte on Marais. Green cover of dancing figure is paper cut-out designed by Matisse. Some defects on cover. Duthuit Catalogue raisonné des ouvrages illustrés nos. 74 & 104. Paris: Editions de la Revue Verve. 1945. unknown
08-1602Paris: Éditions de la Revue Verve. 1945. Lacking the frontispiece La Chute d'Icare and the title page. Lacking pp. 57-58 59-60 with the portraits of Angèle Lamotte on Marais. Green cover of dancing figure is paper cut-out designed by Matisse. Covers Good with defects. Duthuit Catalogue raisonné des ouvrages illustrés nos. 74 & 104. Paris: Éditions de la Revue Verve. 1945. unknown
1943510523Editions de la Revue Verve 1943. Hardcover with Dust Jacket. VERY GOOD/Very Good. COMPLETE with both original Matisse lithographs--title page and La Chute d'Icare. With the very scarce original manilla dust jacket with Matisse's green drawing matching the green and white paper-cutout lithographed paper-over-board covers which are often mistaken for the dust jacket. Tall 4to 35.5cm. Covers torn along front hinge about 3' dj torn 5' at the same small puncture 2/3 up the spine. Internal contents exceedingly clean and sharp. Matisse's pochoir study of The Fall of Icarus was his first of two the latter appearing in Jazz published in 1945 by Teriade. Created in 1943 with Nazi troops occupying the streets outside his apartment in Paris it has been suggested that they were the referent for his falling image. 'In the final decades of his life Matisse invented a new form of art the cut-out. Working with scissors and sheets of gouache-painted paper he cut various shapes—from the organic to the geometric—and arranged them into lively compositions. Cut-outs formed the prototypes for the printed images . which Matisse insisted remain absolutely faithful to the original colors. In response the publisher Teriade turned to pochoir a stencil printing technique in which the same gouaches could be used.' MOMA. Editions de la Revue Verve hardcover
1946180358Paris: Le Éditions du Chêne 1946. Fourteen faces of Annelies Nelck First edition number 167 of 200 on de Lana paper from a total edition of 250 copies signed by Matisse and Reverdy. The artist and poet collaborated on several projects together. Visages being unique as Reverdy created the poems to accompany Matisse's images which he had previously drawn of his muse Annelies Nelck. Lithographs printed by Mourlot Freres Paris. Quarto. With 14 full-page original lithographs in sanguine and 17 linocut vignettes in black by Matisse on vélin à la forme de Lana paper. Text in French. Original wrappers lettering and illustrations to covers in dark purple and black. With publisher's beige paper covered boards and slipcase lettering to spine in dark purple. Slipcase rubbed otherwise in excellent condition. Duthuit Books 11 hardcover
50-0030Paris 1970. Distributed graphics by Dow & Frosini. Serigraph after Matisse. Signed in the plate. Four colors. 67 x 51 cm. 26 x 20 inches. Paris, 1970. Distributed graphics by Dow & Frosini. unknown
50-0031Paris 1970. Distributed graphics by Dow & Frosini. Serigraph after Matisse. Signed in the plate. Four colors. 67 x 51 cm. 26 x 19 inches. Paris, 1970. Distributed graphics by Dow & Frosini. unknown
2705689206.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
56-0038Paris: Hermann 1972. 365 pp. Black and white frontispiece illustration. Wraps. Paris: Hermann, 1972. paperback
1274314798.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
193737981Paris Hermann & Cie 1937. vo. 2 volumes both in the orig. printed wrappers both volumes uncut and partly unopened. Some wear to corners and edges w. a bit of loss vol. II missing part of lower spine. W. ownership signature Carnap the author's name partly erased and library marking that of Carnap on front wrappers. 44 1; 67 2 pp. One plate and several text-illustrations to volume II. <br/><br/><em>First edition presentation-copy for Rudolf Carnap of this overlooked but in its time important work on the question of the telos or final aim of physics and biology. The first volume is inscribed "A Monsieur Rudolf Carnap/ Hommage de/ Georges Matisse" on front free end-paper and both volumes carry the signature of Carnap in pencil on front wrappers. Although now largely forgotten Georges Matisse 1874-1961 was a prominent thinker and a remarkable scholar who was considered important and influential in his own time. He contributed with several publications to the fields of science and philosophy and all of them are considered solid and interesting. His most famous works consist in the thee-volume cycle "La philosophie de la nature" 1938 "Le Rameau vivant du monde" 1947-49 and "L'Incoherence universelle" 1953-56 all published by the Presses Universitaires de France. The present work is thus published before what can be considered his actual breakthrough and represents us with thoughts very much in vogue at the time.As the title indicates the present work discusses the question of the motion of the appearances of nature towards their final aim. "L'explication des phénomènes naturels par l'idée de causes finales qui les dirigent est fréquemment adoptee encore." Vol. I Introduction.The first part of the work demonstrates that certain general principles do not apply to all appearances or that these principles contain something totally different than that which the non-physic could expect. "Malheureusement Presque tous ceux qui emploient le langage téléologique pour conter les événements croient que la finalité constitue une explication scientifiquement valuable c'est-à-dire qui precise les conditions necessaries et suffisantes de genèse du phenomena." Vol. I Introduction.The second part deals with the appearances of the living nature. Matisse tries to show that neither the way that the organisms are built nor the functions of the organs can be explained as striving towards an aim. This is explained among other things by the fact that many developments in nature lead not to the perseverance of the individual or the species but on the contrary to the death of it.The work evoked somewhat of an interest in the field of philosophy of science and was viewed as a valuable contribution to the answering of questions that occupy a position on the border of philosophy and science. In his own time Matisse was considered important and influential within this field. He attended the famous "Congrès International de Philosophie Scientifique" in Paris in 1935 which was organized primarily by Carnap.The present work was written shortly after this congress and published shortly before the first part of his main work. Carnap seems to have read the introduction in which there are a few pencil-underlinings and he has probably been more interested in the general thesis against teleology and preformation as a scientifically valuable explanation of the phenomena of nature than in the more thorough explanation of his ideas.Matisse graduated in biophysics in 1918 in Paris but early on he became interested in mathematics physics and epistemology the three fields of which are united in this interesting treatise. </em> unknown
2005MATISSE ROUGE<p>9782912257246 TRES BON ETATvoire comme neuf pour interieur<br />Édition limitée. tres bon etat voir comme neuf pour les feuillets legeres traces sur coffret rouge.edition 2005 .Jazz Henri Matisse book New edition of Jazz by Henri Matisse in July 2005. 156 pages. Format 16.14 x 12.59 x 2.55 inches. New book. Edition printed in 1300 unnumbered copies. This facsimile was made from copy no. 169 of the original edition of Jazz by Henri Matisse Tériade publisher Paris 1947. The book Jazz presents the twenty or so lithographs made by Henri Matisse in 1947 for Tériade. These gouache and cut-out papers are accompanied by handwritten and calligraphed reflections and essays by two specialists of the artist. Binding: Presentation in the form of four-page sheets in a red canvas box that will allow this exceptional work to be preserved intact and protected from time. Presentation texts by Dominique Szymusiak curator of the Matisse Museum in Cateau-Cambrésis. Printing of the 20 plates in lithography. Paper: Velin BKF Rives 250 g specially manufactured for this edition by Antalis. Printing Arts Litho-Stéphane Guilbaud under the direction of Claude Draeger and Mario Ferreri. A painter s book: First complete work designed in gouache and cut-out papers by Matisse Jazz is the most accomplished painter s book. The set of plates in colors bright and violent is accompanied by handwritten calligraphed reflections by the artist a perfect harmony of text and image. This work was produced thanks to the collaboration and obstinacy of two men: Matisse and Tériade. First leader of Fauvism a movement characterized by the primacy of pure and violent colors Henri Matisse stands o A NOTER RESTRICTION ENVOI POUR CERTAINS PAYS DUE A CONTEXTE POLITIQUE ET ARNAQUES SUR ADRESSES.ME DEMANDER AVANT ACHAT.///// PLEASE NOTE SHIPPING RESTRICTIONS FOR CERTAIN COUNTRIES DUE TO POLITICAL CONTEXT AND ADDRESS SCAMS.ASK ME BEFORE PURCHASE. /// PLEASE READ CAREFULLY DUE TO NEW CUSTOMS CONDITIONS PLEASE allow between 14 and 30 days for france and UE and 20 to 50 DAYS for WORLDWIDEspecifically USA for deliveryno shipping to po box or similarEXTRA pour expedition internationale a cout reel EXTRA COST at real cost for internationalexemple for Id.America north and southasiaAustralialess than 2 kilos total shipping cost 50 euroslees than 5 kilos 75less than 10 kilos 135 euros less than 15 kilos 199 ASK me before for details ASK me for exact shipping costheavy book near 10 kilosno shipping to po box or similarNO RETURNsent with tracking and signatureplease allow 2/4 weeks for deliveryPREFERABLY PAYPAL OR WIRE for payment.</p> ANTHESE hardcover
Bjerkhof, Sven edIn Pristine Condition. unknown
2021BIBSD0150200112021. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1920 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French Pages 297. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
I-142-982Editions Hermann. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions Hermann. paperback
BN321445Editions Hermann. Softcover. Ecrits et propos sur l'art. Texte notes et index établis par Dominique Fourcade. Editions Hermann. Collection savoir. 1972. Peinture <br/><br/>Ecrits et propos sur l'art. Texte notes et index établis par Dominique Fourcade. Editions Hermann. Collection savoir. 1972. Peinture Matisse Henri Editions Hermann. paperback
66208Musee Matisse et Reunion de Musee Nationaux 2003 In-4 29 cm 72pp. illustr. Bibliogr. p. 70-71 tres bon etat Nb-0295 unknown
19381203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
2850256986.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Nygaard, TineNot in perfect condition. unknown
1996KFZZQ100031Yomiuri Shimbun 1996. Soft Cover. Fine. KFZZQ100031 Yomiuri Shimbun paperback
19908749new oversize pb expedited and international shipping not available- Waddington Graphics paperback
196162668R. Piper/ Museum of Modern Art n.d. c. 1961. First thus. Very Good/good. The text is French and English. Oblong 12mo 4 78" x 7 1/3" unpaginated approx. 56 pages decorative illustrated boards. A very good generally clean neat hard cover overall with minor shelf wear light rubbing at the corner edges binding tight and paper lightly yellowed. The original clear cellophane wrapper has shrunken. R. Piper/ Museum of Modern Art hardcover
1978AW311Leningrad: Aurora Art Publishers 1978. 1st Edition . Hardback. Fine/Fine. 199 pp. 277 illustrations 55 in colour. First edition. Translation by R. J. Rosengrant. A fine copy with a fine d.j. and a blue card slipcase. From a private collection No inscriptions. <br/> <br/> Aurora Art Publishers hardcover
1943009506Paris: Editions Du Chene 1943. Beautifully illustrated book of Matisse illustrations TEXT IN FRENCH NO ENGLISH TRANSLSATION. Possible first edition but not sure16 coloured plates tipped in on numbered card pages loose in portfolio binding as issued all in bright clean condition.Six pages of text IN FRENCH NO ENGLISH TRSANSLATION and double sided title page in folded portfolio insert this has some foxing to title page and extreme edge of last page text SEE IMAGE. Dustwrapper is present over card cover wrapper is browned with a few marks has a few small tears.Card covers of book are lightly browned to edges.Still a pleasing example of this book SEE IMAGES. DETAILED IMAGES CAN BE TAKEN ON REQUEST . Card Cover Portfolio . Good Plus/Good. Illus. by Matisse . 39 x 28 Cms. Card Cover Portfolio . Editions Du Chene Paperback
20080000943Sao Paulo: Museu de Arte Moderna de Sao Paulo Proa Fundacion 2008. First Edition. Softcover. Very Good Plus. 0x0x0. ART. Marcel Duchamp Elena Filipovic Adriana Rosenberg Hugo Petruschansky Cintia Mezza Jacqueline Matisse Monnier Jorge Helft et al. "Marcel Duchamp: Uma obra que nao e uma obra 'de arte' Portuguese." Sao Paulo: Museu de Arte Moderna de Sao Paulo Proa Fundacion 2008. First edition. Portuguese language. Softcover with stiff pictorial wrappers and French flaps. Exhibition catalog for a Portuguese museum show on Duchamp's life and work including essays a biography interview bibliography list of works and numerous full-color and black-and-white illustrations. 10 3/4 x 8 1/4 inches. 58 oz. 360 pp. Shelf-wear at edges. Light toning at top edge. Text clean. Very Good Plus. ISBN: 9789872133665. "This book comes to the public on the occasion of the Marcel Duchamp exhibition 'A Work That Is Not a Work 'of Art' the artist's first solo exhibition in Latin America presented in the rooms of the Museum of Modern Art of Sao Paulo MAM and at Fundacion Proa in Buenos Aires. A book was built from a selection of fundamental and historical texts which allows the reader to understand his importance in the context of art history adding to the international debate new research and perspectives on the different aspects of his art. Sao Paulo: Museu de Arte Moderna de Sao Paulo, Proa Fundacion paperback
