687 résultats
193518427New York: Limited Editions Club 1935. Limited Edition First Edition Thus. Hardcover. Good bound in original full brown cloth with gilt decoration on front panel and spine. Webbing exposed at front hinge binding intact. Toning. Edge wear to exterior includind a few bumps some fading to gilt at a few locations. No markings to text. 4to 12"h x 9 1/4"w. Illustrated by Matisse limited edition also signed by Matisse on the Limitation Page. Limited Editions Club hardcover
200462116Easton Press. As New. 2004. Reprint. Leather_Bound. As-new shrinkwrapped copy. Full blue leather all edges gilt silk moire endpapers silk marker ribbon. Four raised spine bands. . Easton Press hardcover
19358741<p>Number 58 of 1500 copies signed in pencil by Henri Matisse a further 250 copies of the edition were additionally signed by Joyce. This is the first illustrated edition of Ulysses though Matisse chose to supply illustrations of the Calypso episodes of Homer's Odyssey corresponding to the six episodes of the novel as his artist's response to Joyce's text which it is often said he never finished reading. He thus confounded both the publisher George Macy and most of the public on its first publication. The Limited Edition Club edition owes its existence to the lifting of the American ban on the novel in December 1933.</p><p>Large 4to 295 × 225 mm pp. 363 1 6 soft ground etchings on thick paper with a total of 20 reproductions of Matisse's preliminary drawings on yellow and blue paper of different sizes 26 illustrations in all. Original brown buckram gilt with gold orb design to the upper cover original slipcase. The slipcase slightly chipped towards the head. A fine copy with the cloth binding exceptionally sharp and free of rubbing.</p> Limited Editions Club.
1935151736New York: The Limited Editions Club 1935. The Limited Editions Club signed limited edition of Joyce’s landmark Ulysses widely recognized as the first illustrated edition. Large quarto original gilt-stamped pictorial brown cloth with 26 illustrations. One of 1500 numbered copies this is number 1476. Boldly signed by Henri Matisse in pencil on the colophon page at the rear. In near fine condition. Introduction by Stuart Gilbert. Housed in the rare original board slipcase which is in good condition. One of the 20th-century’s most desirable illustrated books combining the work of two great modern artists. A nice example with the rare slipcase. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation of similar virtuosity" Wheeler 15. The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy this work's designer who undertook this only American publication of Matisse's illustrations he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings Matisse's only use of this medium record the evolution of the figures from vigorous sketches to closely knit compositions" Artist and the Book 197. The Limited Editions Club hardcover
193570085New York:: The Limited Editions Club 1935. No. 1142 of 1500 copies; signed by Henri Matisse in pencil and by James Joyce in ink. publisher's embossed gilt cloth in publisher's slipcase. Very slight tanning of inner hinges; but just about a fine copy. The fragile hinges are fine which is unusual for this book. The publisher's box has a little bit of wear to the fore-edges and extremities but is clean tight and strong. . Folio. Illustrations by Henri Matisse. With an Introduction by Stuart Gilbert. Laid in is the publisher's four-page prospectus and postcard announcement for this book plus an additional postcard announcement of shipment addressed to its first owner in which the purchaser is informed that she was one of the fortunate Limited Editions Club members who are being shipped a copy signed by both Matisse and Joyce. The postcard goes on to describe how the Club tried to handle the imbalance between the number of members who wanted the Joyce signatures and the number of copies Joyce agreed to sign. We have never seen another copy of this postcard. The Limited Editions Club, hardcover
1935140072New York: Limited Editions Club 1935. First illustrated edition of Joyce’s landmark Ulysses one of only 250 examples signed by James Joyce in pen and Henri Matisse in pencil with 26 illustrations by him one of the 20th-century’s most desirable illustrated books combining the work of two great modern artists. Large quarto original gilt-stamped pictorial brown cloth original slipcase. In fine condition with the rare original slipcase which is in good condition and original glassine jacket. With an introduction by Stuart Gilbert. An exceptional example most rare in this condition and in the seldom seen glassine jacket. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation of similar virtuosity" Wheeler 15. The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy this work's designer who undertook this only American publication of Matisse's illustrations he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings Matisse's only use of this medium record the evolution of the figures from vigorous sketches to closely knit compositions" Artist and the Book 197. Limited Editions Club hardcover
193577652The Hague:: The Servire Press July 1935. First edition. publisher's self wrappers. Wrappers slightly tanned at edges; text much less so. 8vo. Transition Pamphlet no. 1. The Servire Press, unknown
1973G0500090920I3N01Thames and Hudson 1973. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Thames and Hudson hardcover
1983203025New York: Harry N. Abrams 1983. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. Very Good in a Very Good dust jacket.; 4to 11" - 13" tall. Harry N. Abrams hardcover
1983Q-0810913267Harry N. Abrams Inc 1983-02-02. Hardcover. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams, Inc hardcover
1992Q-087070432xMuseum of Modern Art New York 1992-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Museum of Modern Art, New York paperback
000006Paris France : Braun & Cie . Hard Cover. Very Good/Very Good. Braun & Cie . Matisse - Picasso: Two Great Masters of Contemporary Paintings - 48 Plates In Color and 22 Drawings in Monochrome Jean Cassou Matisse; Jaime Sabartes Picasso Les Editions Braun & Cie Paris. Cloth. Book Condition: Very Good Spine Weak and starting to separate Top Of Spine Finger Pulled Off. Dust Jacket Condition: Very Good/ Top Of Spine Finger Pulled Off Edge Ware. Published under the direction of George Besson. A very clean & unmarked copy of this unusual title. This B00K Is A Historically Significant Treasure From The Past. = = This B00K Is Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift. = = World Wide Shipping AVAILABLE. = = <br/> <br/> Braun & Cie hardcover
B-2022-0726<p>Jacques Prevert: Le Coeur à L'Ouvrage. Paris & New York: Fenand Morurlot 1972 Alain A.C. Mazo Paris -Leon Amiel New York. Portfolio loose as issue with 25 original lithographs in full page printed in wove paper by Mourlot by: Brianchon Masson Beaudin Fenosa Esteve Guiramond Matisse Terechkovich Braque Derain Picasso Jenkins Miro Cocteau Minaux Villon Chagall Giacometti Buffet Wunderlich Delvaux Vasarely Manessier Lepicque and Sutherland. Limited edition on 800 copies complete of text prints and justification page all guarded in the original clamshell box. </p>Case lightly worn wrappers toned inside in very good conditions.<b> <br /></b>Please ask for complete conditions report.<b><br /></b> Mourlot
198798952Paris: Guillaud Editions 1987. First Edition . Oversized Hardcover. Very Good/Very Good. 4to - over 9¾" - 12" tall. 647pp. Index. Original grey blindstamped cloth. Pages are unmarked but a bit dull with age; illustrattions are clean and crisp. . Binding is tight and secure. Unclipped pictorial DJ has light bumping to ehad of spine light rubbing to corners. Looks nice in protectiv emylar covering. Very nice copy of this increasingly scarce title. <br/> <br/> Guillaud Editions hardcover
1977Q-0895580012St. Louis: Art Museum 1977-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! St. Louis: Art Museum paperback
195179563aaphMOMA 1951. Pamphlet. Good. 0x0x0. Staple-bound pamphlet 32 pages. Contains black and white photos of the art included in the exhibition. Wear along cover corners and edges. MOMA unknown
Dominique Fourcade, edNot in perfect condition. unknown
1954mon0003032331The Beechhurst Press 1954. Hardcover. Good. . Scarce. 8 plates and three pages of text laid in as issued in cardboard case with ties. Ex-library labeling on covers and on some of the backs of the plates- plates themselves unmarred! All pages clean. The Beechhurst Press hardcover
6089HENRI MATISSE 1869-1954. Matisse was a celebrated French modernist artist.ALS. 1pg. August 30 1927. N.p. An autograph letter signed H. Matisse in French. Writing to artist Charles Thorndike 1875-1935 following what seems to have been an unfulfilling visit to Thorndikes home Matisse mentions several other Modernists. In translation the letter reads: Dear Friend My journey was good and hot which suited me and the change of location has changed my disposition the cold has descended on my throat and bothers me much less than in Kermouster. I am quite upset to have been such a bad guest and very touched by all your care I do not dare think while seeing this beautiful weather about all the pleasure that I could have been able to take prolonged walks and bathing as well as good humor which would have been less unpleasant for you I would not know how to live well lying down I am touched by your kindness. I have asked Mr. Joly to instruct you to give the friends I was to see Signac and Mr. Louis Talek or Pahadi my regrets and thanks to Dr. Brandes. I have fairly good news from Madame Matisse. While waiting for the pleasure of seeing you then I will be tough I hope please accept my best friendship. H. Matisse. Signac was Neo-Impressionist painter Paul Signac 1863-1935 while Joly was probably Post-Impressionist Jean Joly 1900-1952. The recipient Thorndike was an American-born artist who lived in Kermouster in the Brittany region of France. There he entertained several significant artists of the period. The letter is in very good condition. unknown
99252Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
99249Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
99251Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
99250Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1979KFZZQ100755DEAGOSTINI 1979. Soft Cover. Fine. KFZZQ100755 DEAGOSTINI paperback
242086415Taschen. GF665 2009 2 hardcovers is slipcase very good condition <p><b>A perfect facsimile of Jazz a 20th century masterpiece<br><br> </b><i>This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: </i>Jazz<i>. At last readers can experience Jazz</i><i> as if holding the 1947 original.</i><br><br> The reputation of <b>Henri Matisse 1869–1954</b> as the most important artist of the modern era is rivaled only by Picasso—who himself said ""All things considered there is only Matisse."" Towards the end of his monumental career as a painter sculptor and lithographer an elderly sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age he developed a new technique: he drew shapes on colored paper cut them out and pasted them together. These <i>gouaches decoupées</i><b> </b>gouache cut-outs represented <b>a revolution in modern art</b> yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that <b>Matisse had found a brilliant solution to the age-old conflict between line and color</b>—one that would profoundly influence generations of artists to come.<br><br> <b>Printed in exactly the same colors using paper and inks similar to</b> <b>the</b><b> 1947 edition</b> the facsimile volume allows readers to experience <b><i>Jazz</i></b> in its original unbound form. <b><br> Printed in 18 colors on a small offset press 4 pages at a time to obtain the highest fidelity to the original<br> Printed on Old Mill in 190 g/m² from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness much like handmade paper<br> As with the original this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover<br><br> The second volume provides a thorough historical context to Matisse's cut-outs</b> tracing their genesis in his 1930 trip to Tahiti through to his final years in Nice. Also included are other pivotal works from his later career including his contributions to <i>Verve</i> magazine and his exquisite decoration of the Vence Chapel. <b>Includes rare and historic photographs</b> by Matisse taken in Tahiti as well as <b>photos of Matisse by Henri Cartier-Bresson </b><b>Brassaï</b> and the filmmaker <b>Murnau.</b> The text is supplemented by <b>quotations from Matisse Picasso E. Tériade </b>the publisher of <i>Jazz</i> and <i>Verve</i> the poets Louis Aragon Henri Michaux and Pierre Reverdy and Matisse's son-in-law Georges Duthuit.<br> </p> Taschen hardcover
