2 388 résultats
1922200731Paris: Chez L'Auteur 1922. Paperback. BINDING COPY Some items are missing; book is unbound; textblock is broken; pages are toned as expected with age; some pages are uncut; some pages have light smudging/scuffing; occasionally text pages have heavy scuffing or a tear; on the whole pages themselves are in good condition. Unbound and unpaginated; two volumes in one; richly illustrated. Text in French. This volume is unbound lacking original wraps. This volume appears to be missing section 114-199; however ORIGINAL GOYA ETCHING is present Item #30 in this catalogue -- scarce as such. Chez L'Auteur paperback
16-4474Madrid: Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Original aquatint and etchingfrom the 1966 edition. 37.5 x 26.5 cm. sheet size. Printed on rag paper with the blind stamp of the Real Academia de San Fernando. Harris no. 70 ; this edition printed after the Harris catalogue was published in 1964. Grabado original. Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Tamaño del papel: 38x26 cm. Huella impresa: 20x15 cm. Sello en seco de la Real Academia de San Fernando. Se entrega enmarcado. Muy buen estado de conservación. Madrid: Edición de la Calcografía Nacional (Real Academia de San Fernando) para el Banco de España, 1966. unknown
2709Paris: Librairie Renouard 1877. FIRST AND ONLY EDITION in book form of the first systematic catalogue raisonne of Goya's etchings and lithographs. It had initially appeared in uncorrected form in a series of articles in the Gazette des Beaux-Arts. 2 leaves 140 pp. plus frontispiece portrait of Goya. The catalogue raisonne of the prints occupies pp. 31-139. 278 items described. Large 8vo. Printed publisher's wraps. Wraps lightly worn. Internally clean. Very scarce especially in original wraps. <br/><br/> Paris: Librairie Renouard, 1877 paperback
1513Paris: Librairie Georges Baranger 1902. First and only edition. A biography of Goya and a catalogue raisonne of his works in all media. Profusely illustrated. With 14 full-page hors-texte plates INCLUDING THE HORS-TEXTE ETCHING "UN MENDIANT" A Beggar--a moving image then attributed to Goya but NOW KNOWN TO BE THE WORK OF EUGENIO LUCAS Goya's most important follower see Arnaiz p. 163--it is in fact Lucas' only known original print. There are also full-page hors-texte etchings by Bracquemond Jacquemart Flameng and others after Goya and a lithograph by Fuchs. Folio recent cloth. Original wraps bound in. Fine. Very scarce. <br/><br/> Paris: Librairie Georges Baranger, 1902 paperback
86518aafBarcelona: Juventud, 1974, in-folio, 400 p., con 2148 ilustraciones en negro y color. reliure en toile originale, jaquette. (jaquette un peu abimé).
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 68, Delteil 70
Opera tratta dai Los Caprichos, per la prima volta pubblicati nel 1799.Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870.Acquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione.La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato.Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799.From the fourth edition of twelve of the so-called Los Caprichos series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, usual wide margins, in very good conditions.The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape.Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship.The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 68, Delteil 70.
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 102, Delteil 104.
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 111
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 109, Delteil 111.
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 65
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 53, Delteil 55.
1798207991798. unknown
Generously illustrated with black and white photos and illustrations. Features: Policing the Great White North - A photo-illustrated account of the manifold perils and hardships that are the daily portion of the gallant handful of men who represent law and order in the Vast Canadian Arctic; Pathetic fate of two missing WWI Sheffield soldiers revealed - William Thompson and George Walter Howard; Bill's Bear-Cub - An American trapper adopts a bear cub and his partner foretells disaster; Three Months on an Island Inferno - J.K. Wilson explains his 'holiday' on White Island, near Tauranga, New Zealand - with photos; Further Adventures of a Tenderfoot in Canada - Part I - What happened after H.P. Musson, a transplanted London paper-pusher, lost his job as a hired hand in Western Canada and began looking for his own homestead; Trapping Wild Animals in Northern Siam - The ingenious methods by which the jungle folk trap fierce whild beasts, with great photos; Cycling Round the World - Part III of III of Kai Thorenfeldt's amazing 20,000 mile journey which took over two years - with map and nice photos; Forgotten Fortunes - Frances Dickie describes the remarkable circumstances in which two of the most amazing 'finds' in the history of European art have lately come to light in France - with photo of Mrs. M.L. Westmoreland, who discovered a valuable Goya in a Paris second-hand shop; In Quest of the Dragon Lizards - Part II - Seeking the prehistoric Komodo dragon on a remote Dutch East Indies (Indonesian) island; A Terrible Journey - Joseph Metcalf fell into an underground conduit conveying water from a dam to Port Elizabeth - forty-five miles away!; The Greatest of All Thrills - A wonderfully photo-illustrated article on the new sport of parachuting from aircraft; "Heir Number Six" - A Winnipeg real estate agent goes to the North-West territory in search of an obscure half-breed regarding a dispute over land ownership. 84 pages plus 12 pages of nice vintage ads. Unmarked with moderate wear. A sound copy of this nice vintage issue. Book
39324[Paris, Jean de Bonnot, 1970]. In-folio (45 X 30 cm), 81 ff. en feuilles, sous étui-boîte recouvert de soie moirée noire avec titre doré au dos.
Gudiol, Jose: Goya 1746-1828. Biography, Analytical Study and Catalogue of his Paintings. 4 vols. New York: Tudor Publishing, 1971. I: Text; II: 1765-1788, plates; III: 1789-1805, plates; IV: 1806-1828, plates. Together 414pp plus 1295 colour and monochrome plates. Boards. 30.5x25.5cms. Analytical catalogue raisonné of 1295 paintings, drawings, engravings and lithographs; with concordances and extensive bibliography. Analytical catalogue raisonné of 1295 paintings, drawings, engravings and lithographs; with concordances and extensive bibliography. Text in English
16-4472Madrid: Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Original aquatint and etching from the 1966 edition. 37.5 x 26.5 cm. sheet size. Printed on rag paper with the blind stamp of the Real Academia de San Fernando. Harris no. 52; this edition printed after the Harris catalogue was published in 1964. Grabado original. Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Tamaño del papel: 38x26 cm. Huella impresa: 20x15 cm. Sello en seco de la Real Academia de San Fernando. Se entrega enmarcado. Muy buen estado de conservación. Madrid: Edición de la Calcografía Nacional (Real Academia de San Fernando) para el Banco de España, 1966. unknown
16-4473Madrid: Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Original aquatint and etching from the 1966 edition. 37.5 x 26.5 cm. sheet size. Printed on rag paper with the blind stamp of the Real Academia de San Fernando. Harris no. 57; this edition printed after the Harris catalogue was published in 1964. Grabado original. Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Tamaño del papel: 38x26 cm. Huella impresa: 20x15 cm. Sello en seco de la Real Academia de San Fernando. Se entrega enmarcado. Muy buen estado de conservación. Madrid: Edición de la Calcografía Nacional (Real Academia de San Fernando) para el Banco de España, 1966. unknown
40320Grenoble.Roissard.1982.Fac-similé de la 1ère édition.Coffret in-folio toilé rouge avec le texte de P.Gassier,26 pages non coupées; le titre et les planches expliquées en français et en espagnol; et les 33 planches en noir sous une chemise noire avec des caractères rouges.Etui doublé de feutrine. TBE.
194780643Genève Skira 1947 1 vol. broché gr. in-4, broché, couverture rempliée, 195 pp. Édition originale avec un texte introductif d'André Malraux et de nombreuses reproductions à pleine page des dessins de Goya. Un des 200 exemplaires numérotés sur vergé pur fil, seul tirage en grand papier. En parfaite condition.
194780643Genève Skira 1947 1 vol. broché gr. in-4, broché, couverture rempliée, 195 pp. Édition originale avec un texte introductif d'André Malraux et de nombreuses reproductions à pleine page des dessins de Goya. Un des 200 exemplaires numérotés sur vergé pur fil, seul tirage en grand papier. En parfaite condition.
19703003745Madrid. 1970. Hardcover. Good. 52 cm. 10 h. 33 A-6 lám. sueltas. Encuadernación en Láminas guardadas en carpeta de piel. Goya Francisco de 1746-1828. Por Antonio de Horna. presentada por el. Marqués de Lozoya. Ofrecida por. D. Miguel García de Sáez Se ha incorporado a esta edición el prólogo que. realizaron en 1961. Don Juan Belmonte. Don Carlos de Larra y Gullón Curro Meloja Seud. y. Don Daniel Vázquez Diaz. Edición especial facsímil de 2500 ejemplares siendo este el número 2446. Lleva conjunta su correspondiente acta notarial. Portada del artista Luis Brihuega carpeta en piel por Artesanía Española Melarca. Corridas de toros. Obras ilustradas. Horna López Antonio de. Lozoya Juan de Contreras y López de Ayala. Marqués de. 1893-1978. García de Sáez Miguel. 1920-1982. Belmonte Juan. 1892-1962. Vázquez Díaz Daniel. 1882-1969 . Artes gráficas. Grabados. Goya Francisco de Publicaciones de los particulares tipos de sociedades entidades organizaciones. 76 Goya Francisco de 064.3 76 Corridas de toros. Tauromaquia.791.862 791.862 Colecciones de grabados. Goya y Lucientes Francisco de 769 Goya y Lucientes Francisco de 769 hardcover
1910401874Paris: Goupil and Manzi Joyant 1910. Limited edition copy number 1 of 500 copies. Portfolio with one joint separated otherwise a fine set. Folio. Fifty photographic reproductions of Goya's works. Text printed in red and black. Text and plates loose as issued in five printed paper portfolios; half cloth portfolio. Introduction by Paul Lafond. Goupil and Manzi, Joyant unknown
1910401874Paris: Goupil and Manzi Joyant 1910. Limited edition copy number 1 of 500 copies. Portfolio with one joint separated otherwise a fine set. Folio. Fifty photographic reproductions of Goya's works. Text printed in red and black. Text and plates loose as issued in five printed paper portfolios; half cloth portfolio. Introduction by Paul Lafond. <br/><br/> Goupil and Manzi, Joyant hardcover books
1910188561Paris: Goupil & cie/ Manzi Joyant & cie 1910. 381/500. Hardcover. VG- all plates present but lightly age toned light shelfwear to portfolio. Five oversized volumes in pale green wraps with red and black lettering issued in a green cloth portfolio with gilt lettering. Number 1 has 10 pp text and 8 plates. Number 2 has 11 plates. Number 3 has 11 plates. Number 4 and Number 5 have 10 plates each a total of 50 plates in this set. Issued in edition of 500 copies this being number 381. Text is in French. Each plate preceded by leaf with descriptive letterpress not included in collation. Includes an introduction by Paul Lafond. Goupil & cie/ Manzi, Joyant & cie hardcover