2 389 résultats
1870135441870. 215x277mm. 8½x11". Dibujo Segunda mitad del siglo XIX. 215 x 277mm. 1 hoja. Sanguina sobre papel verjurado. Dibujo siguiendo la estela de Goya unknown
51-4429München: Hugo Schmidt Verlag 1918. Small folio. 20 x 30cm. Half Sakora goat binding by the artisan binder Sasha Mosalov. One of 500 numbered copies with collotypes of all the plates. OCLC Number: 431477085. In-4. Tirage à 500 exemplaires numérotés n°263 contenant 83 héliogravures d'après les planches originales de Goya. Bon état intérieur Expertise by Christian GASCH Nevers Fance. München: Hugo Schmidt Verlag, 1918 unknown
198938184Madrid: Sílex 1989. FIRST EDITION of this meeting of the minds between the greatest Spanish painter of the 18th and 19th centuries and the greatest Spanish novelist of the 20th. The 80 plates of Goya's Caprichos are reproduced on the odd-numbered pages one to a page. Facing each one are the comments of Camilo José Cela Nobel Prize for Literature 1989. This copy includes AN ORIGINAL DRAWING BY CELA ON THE TITLE-PAGE an imitation of Goya's famous self-portrait plate 1 of the Caprichos WITH SOME OF THE FEATURES ALTERED TO RESEMBLE CELA. Signed in full dated October 10 1991 and localized Guadalajara. With a warm presentation inscription to a friend. Large 8vo. Publisher's cloth with dustjacket. FINE AND BRIGHT WITH NO DEFECTS. Unique. <br/><br/> Sílex hardcover
ORD-18536Paris. L'Auteur. 1922. 2 volumes in-f°(255 x 328mm) dos veau aubergine à 5 nerfs, plats et gardes marbrés, couvertures vertes imprimées en rouge conservées, 289 oeuvres présentées (texte et illustrations) + 3 douteuses ou faussement attribuées. Bon exemplaire, bien complet de l'eau-forte originale de l'aveugle assis, chantant (N°30 du catalogue).
1799est152b2Dimension extérieur 34,5 x 26 cm, cuvette 21,5 x 16,5 cm. Magnifique eau-forte réalisée par le très célèbre Francisco de Goya en 1799. Elle est en parfait état. Dimensión externa 34,5 x 26 cm, cuenco 21,5 x 16,5 cm. Hermoso grabado del famosísimo Francisco de Goya en 1799. Está en perfecto estado.
1799est149b2Dimension extérieur 35 x 25,9 cm, cuvette 21,5 x 15 cm. Magnifique eau-forte réalisée par le très célèbre Francisco de Goya en 1799. Elle est en parfait état. Dimensión externa 35, x 25,9 cm, cuenco 21,5 x 15 cm. Hermoso grabado del famosísimo Francisco de Goya en 1799. Está en perfecto estado.
1799est150b2Dimension extérieur 35,5 x 26 cm, cuvette 21,5 x 15 cm. Magnifique eau-forte réalisée par le très célèbre Francisco de Goya en 1799. Elle est en parfait état. Dimensión externa 35,5 x 26 cm, cuenco 21,5 x 15 cm. Hermoso grabado del famosísimo Francisco de Goya en 1799. Está en perfecto estado.
1799est148b2Dimension extérieur 34,3 x 24,2, cuvette 21,5 x 15 cm. Magnifique eau-forte réalisée par le très célèbre Francisco de Goya en 1799. Elle est en parfait état. Dimensión externa 34,3 x 24,2, cuenco 21,5 x 15 cm. Hermoso grabado del famosísimo Francisco de Goya en 1799. Está en perfecto estado.
1799est147b2Dimension extérieur 33 x 24,2, cuvette 20,5 x 15 cm. Magnifique eau-forte réalisée par le très célèbre Francisco de Goya en 1799. Elle est en parfait état. Dimensión externa 33 x 24,2, cuenco 20,5 x 15 cm. Hermoso grabado del famosísimo Francisco de Goya en 1799. Está en perfecto estado.
1799est151b2Dimension extérieur 34,5 x 26 cm, cuvette 21,5 x 15 cm. Magnifique eau-forte réalisée par le très célèbre Francisco de Goya en 1799. Elle est en parfait état. Dimensión externa 34,5 x 2- cm, cuenco 21,5 x 15 cm. Hermoso grabado del famosísimo Francisco de Goya en 1799. Está en perfecto estado.
192321423München, Hugo Schmidt verlag, 1923. In-folio de [4]-16-[1] pages et 43 feuillets, demi-vélin à coins, dos lisse, tête dorée.
187824584Calcografía for the Real Academia 1878. Etching and aquatint. From the 4th edition of "Los Caprichos" - plate 4. Goya's pitiless caricature of a grown-up "nanny's boy."<br/> <br/> Los Caprichos was Goya's first collection of completely original etchings. They were and remain startlingly original in style and frequently shocking in their satirical assaults. They are strikingly modern and are his most popular prints today though they were received with little favor in 1799 when they first appeared for sale. But even within Goya's lifetime enthusiasm grew. El de la rollona is uncompromising in its mockery of the mama's boy who is dressed in baby clothes has his fingers in his mouth and a look of terror in his eyes though he's bearded and obviously strong. The nanny or mother grieves in the shadow behind him so disappointed in his failure to become a man. Goya's textual comment about this engraving is: "Negligence tolerance and spoiling make children capricious naughty vain greedy lazy and insufferable. They grow up and yet remain childish. Thus is nanny's little boy." The fourth edition of Caprichos from which this print comes was made about 1878 as witnessed by the beveled platemark and the "strong absorbent wove paper" and "dark umber ink".<br/> <br/> Harris v. 1 95-109; v.II p. 74; Delteil 41; Hind p.253 - 5. Calcografía for the Real Academia unknown
187824584CalcografÃa for the Real Academia 1878. Etching and aquatint. From the 4th edition of "Los Caprichos" - plate 4. Goya's pitiless caricature of a grown up "mama's boy."<br/> <br/>Los Caprichos was Goya's first collection of completely original etchings. They were and remain startlingly original in style and frequently shocking in their satirical assaults. They are strikingly modern and are his most popular prints today though they were received with little favor in 1799 when they first appeared for sale. But even within Goya's lifetime enthusiasm grew. El de la rollona is uncompromising in its mockery of the mama's boy who is dressed in baby clothes has his fingers in his mouth and a look of terror in his eyes though he's bearded and obviously strong. The nanny or mother grieves in the shadow behind him so disappointed in his failure to become a man. Goya's textual comment about this engraving is: "Negligence tolerance and spoiling make children capricious naughty vain greedy lazy and insufferable. They grow up and yet remain childish. Thus is nanny's little boy." The fourth edition of Caprichos from which this print comes was made about 1878 as witnessed by the beveled platemark and the "strong absorbent wove paper" and "dark umber ink".<br/> <br/>Harris v. 1 95-109; v.II p. 74; Delteil 41; Hind p.253 - 5. CalcografÃa for the Real Academia unknown books
1377364Folio Society. Collectible - Very Good. Condition: Very Good; Hardcover two volumes in clamshell box. Limited Edition this is copy # 398 of 980 numbered copies. Hand numbered. Bound in calfskin with 85 etchings on Insize Chagall laid paper. Commentary edition bound in black cloth. Condition of the books is Very Good with an embossed owner's stamp on the first blank page following endpage. The top corners of the clamshell box are lightly bumped. A beautifully produced edition. Photos upon request. Folio Society hardcover
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid (circa 1870).Acquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce nel 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Plate 55: old woman prettifying herself at mirror, maid and two male servants watching; from an album of the fourth edition. 1799 Etching, burnished aquatint and drypoint.From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia.A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 90; Delteil 92.
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della seconda edizione di dodici, stampata dalla calcografia di Madrid. Acquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce nel 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Plate 56: figures falling through air, including satyr; from a bound album of the second edition impressions. 1799 Etching and burnished aquatint.From the second edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia.A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 91; Delteil 93.
81720Barcelona: Centro Editor. Centro Editor unknown
195054546Paris Gallimard, coll. "La Galerie de la Pléiade" 1950 1 vol. broché in-4, broché, couverture illustrée rempliée, 177 pp., nombreuses illustrations en noir et en couleurs contrecollées. Edition originale. Excellent exemplaire enrichi d'un envoi de Malraux à Roger Caillois.
195054546Paris Gallimard, coll. "La Galerie de la Pléiade" 1950 1 vol. broché in-4, broché, couverture illustrée rempliée, 177 pp., nombreuses illustrations en noir et en couleurs contrecollées. Edition originale. Excellent exemplaire enrichi d'un envoi de Malraux à Roger Caillois.
51-6153Paris: Jean de Bonnot 1970. Folio. 46 x 32 cm. Sheets loose as issued in black silk portfolio. 80 plates. Publisher states these were pullled from the original metal plates."Chacune des gravures est garantie par Jean de Bonnot comme étant une épreuve directement tirée de la gravure originale de Goya."."L’éditeur d'art Jean de Bonnot perpétue la tradition des beaux livres reliés plein cuir tranches de têtes dorées faits de bon papier vergé et filigrané.Les collections signées Jean de Bonnot font le bonheur des bibliophiles et des amateurs d’ouvrages parfois épuisés ou très anciens réédités dans les règles de l’art. Chaque volume est unique avec des décors aux fers gravés et ciselés à la main des gravures d’époque des signets tranchefiles culs de lampes originaux."81 ff. dont 80 planches desCaprices finement reproduites d'après les originaux sur vélin pur fil de Lana.Exemplaire en bonne condition en feuilles sous étui-boîte recouvert de soiemoirée noire avec titre doré au dos.OCLC Number / Unique Identifier:1131432438.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Paris: Jean de Bonnot, 1970. unknown
19607008Madrid: Rafael Casariego 1960. Limited Edition. Hardcover. Near Fine. No DJ. Very minor shelf/edge wear else tight bright and unmarred. Beige cloth boards gilt lettering and pictorial elements tissue guards. Oblong fo. np. Illus. b/w plates. <br/><br/>A stunning collection of facsimile reproductions of Goya's bullfighting engravings. Very scarce. Rafael Casariego hardcover books
19607008Madrid: Rafael Casariego 1960. Limited Edition. Hardcover. Near Fine. No DJ. Limited Edition. Hardcover. A stunning collection of facsimile reproductions of Goya's bullfighting engravings. Very scarce. Very minor shelf/edge wear else tight bright and unmarred. Beige cloth boards gilt lettering and pictorial elements tissue guards. Oblong fo. np. Illus. b/w plates. Rafael Casariego hardcover
198747921Madrid: De Horna Eds. - Asoc. Española de Amigos de Goya 1987.- Volumen de presentación 0 10 Vols. numerados con las obras 7; 38; 39; 52; 15; 24; 24; 46; 83; 85; 39 fols.: Profusión de láminas en negro y color; Gran folio imperial 488 x 345 cm; Papel de grueso gramaje; Enc. en Carpetas de Tela negra con la tipografía dorada y cromo de Goya.- CONTIENE: Vol. de presentación 0: Prólogo Presentación Introducción y Acta notarial en el caso de nuestro ejemplar en lugar del acta notarial se incluye una sucinta biografía de Goya escrita y firmada por el Barón Thyssen-Bornemisza; Vol. 1: Obras maestras 1 36 láms. a color; Vol. 2: Obras maestras 2 37 láms a color; Vol. 3: Obras Maestras 3 50 láms. a color; Vol. 4: Los toros de Burdeos 4 láms. en negro; Vol. 5: Aguafuertes primitivas 22 láms. en negro; Vol. 6: Los proverbios Disparates 22 láms. en negro; Vol. 7: La tauromaquia 40 láms. en sepia; Vol. 8: Los caprichos 80 láms. en sepia a medio tamaño; Vol. 9: Las tragedias 82 láms. en sepia a medio tamaño; Vol. 10: Litografías y obras sueltas 35 láms en negro. Edición limitada de 2500 ejemplares numerados siendo éste el número 20 . Horna hizo otra edición de 8 vols. en tapa blanda pero ésta que ofrecemos es la más completa incluye toda la obra pictórica y rara en el mercado. El número 20 a que teóricamente corresponde nuestro ejemplar figura claramente en la carpeta de presentación pero ha sido borrado retirando el pan de oro. Esto podría deberse a que en la misma carpeta no se encuentra el acta notarial supuestamente incluida donde también figura el número y en su lugar tenemos una biografía de Goya por el Barón Thyssen-Bornemisza de la que no hay referencias. Podría por tanto tratarse de un ejemplar especial aunque lo desconocemos. La última lámina de los Vols. 1 2 y 3 tiene una pequeña mancha de óxido en la parte blanca del margen inferior sin afectar la propia imagen. Las carpetas correspondientes a los Vols. 6 y 9 faltas de la solapa interna. Todas ellas cuentan con esquineros dorados a excepción de la primera y la última donde no están presentes. En suma una vistosa colección completa de la obra de Goya con las láminas en excelente estado de conservación. PINTURA DIBUJO Y GRABADO ESPAÑOLES Libro en español De Horna Eds. hardcover
197074256Paris Gallimard 1970 1 vol. broché in-8 étroit, broché, couverture rempliée, 135 pp. Première édition collective de ces trois études sur Laclos, Goya et Saint-Just. Un des 50 exemplaires de tête numérotés sur vélin de Hollande van Gelder. En parfait état.
197074256Paris Gallimard 1970 1 vol. broché in-8 étroit, broché, couverture rempliée, 135 pp. Première édition collective de ces trois études sur Laclos, Goya et Saint-Just. Un des 50 exemplaires de tête numérotés sur vélin de Hollande van Gelder. En parfait état.