710 résultats
188763484Baltimore MD: Baltimore Publishing Co 1887. Later edition first published under another title in 1869. Large 8vo. 833 pp. Chromolithographic plates portrait plates etc. Howes S-286. Nevins I P. 233 for the 1869 edition: "A first-hand subjective account by the captain of the C. S. Sumter and Alabama; interestingly written." Owner's name crack at head of spine else a very good copy. Publisher's brown three-quarter leather rubbed edges and corners bumped and marbled boards gilt title ornaments and rules between raised bands on spine marbled endpapers and edges. 9965. <br/><br/> Baltimore Publishing Co hardcover books
2550A grouping of sixteen holiday cards sent by the famous artist Raphael Soyer. Some of them have inscriptions inside by Raphael or his wife. Most of these appear to have been sent in the Sixties and Seventies. All are in fine condition. unknown books
1834D6891London: William Charlton Wright n.d. 1834. First Edition. Hardcover. Very Good. Contemporary gilt-ruled calf gilt-stamped ornament on raised bands and in spine compartments inside gilt dentelles t.e.g.; 12mo 4.25 x 7.25 inches; pp. i-vii 1 blank 3-220 plus full-color folding frontispiece. Light scuffing along joints and edges of boards; tiny chips at spine tips. Frontispiece torn along creases leaving 2 whole and intact panels bound in and the rest detached but complete and laid-in. An easy repair. The rest of the text block is nice and bright with just a few instances of some very faint foxing. A nice copy of an uncommon title. <br/><br/> William Charlton Wright hardcover books
1802WRCAM32884London: I.R. Smith 1802. Handcolored mezzotint 17 1/2 x 19 inches. Small tear in lower margin slightly affecting image and caption. Minor edge wear and dust soiling. Mounted on heavy card. Fair only. Archivally matted protected with mylar sheet. Later issue after the first of 1789. A striking mezzotint engraved by J.R. Smith after a 1785 painting by Joseph Wright showing an Indian woman looking out over a serene ocean while her deceased husband's tomahawk war club and quiver hang above her on a dead tree. In the background a steaming volcano and thunderclouds complete the pastoral scene. When the painting was first exhibited in 1785 this description accompanied it: <br> <br> "This picture is founded on the custom which prevails among the savage tribes of America where the widow of an eminent warrior is used to sit the whole day during the first moon after his death under a rude kind of trophy formed by a tree lopped and painted; on which the weapons and martial habiliments of the dead are suspended. She remains in this situation without shelter and perseveres in her mournful duty at the hazard of her own life from the inclemencies of the weather." <br> <br> Though Wright never travelled to America he depended heavily on James Adair's HISTORY OF THE AMERICAN INDIANS. 1775 for anthropological information for this painting. The original remains at the Derby Museum and Art Gallery. Quite rare. Not on OCLC. I.R. Smith unknown books
186338740Cali: No publisher/printer 1863. 8vo 20.3 cm; 8". 1 p. <br><br>Because the Franciscans would not swear to submit to the demands of the law cited in the title above the Franciscans are leaving Cali and the republic. Ortiz the Guardian of the now-exiled Franciscans asks the citizens not to pray for the Order but to pay for the themselves and their children living under a vane perfidious and deceitful government. Dated in the text "26 de mayo de 1863."<br>Â Â Â Â Searches of WorldCat NUC and COPAC fail to find any copy reported at all but we know of a copy awaiting cataloguing in a U.S. library. As issued. Very good. No publisher/printer unknown books
198923136Toronto: Lumiere Press 1989. Fine in quarter bound natural linen and paper over boards. Limited Edition. Octavo. Number 155 of 170 numbered copies; SIGNED by the photographer Rafael Goldchain the book's publisher and designer Michael Torosian and finally by anthologist and author Alberto Manguel who contributes the introduction. With 12 tipped-in color plates shot in Mexico and Central America between 1986-1987. The seventh book published by Lumiere; perhaps the most underrated title in the series. Toronto: Lumiere Press unknown books
187987070Madrid: Suarrez 1879. First Edition. hardcover. very good. 407pp. 8vo 1/2 modern blue morocco; pencil marks in margins. Madrid: Victoriano Suarez 1879. First Edition. Very good .<br/><br/> On Cuba and Puerto Rico. Presentation copy from Eduardo Dolz one of the contributors. This edition not in Palau.<br/><br/> Suarrez unknown books
1971140061New York: Charles Scribner's Sons 1971. Octavo cloth-boacked boards. First edition. Signed by Lafferty on the half title page. The author's second collection of short fiction. Collects sixteen stories including "Continued On Next Rock" a 1970 Nebula nominee. See Anatomy of Wonder 2004 II-622. Review slip laid in. A fine copy in fine dust jacket. #140061 Charles Scribner's Sons unknown books
186935191London 1869. Color and b/w plates. xiv-833 pp. First edition of the great Confederate sea-raiders memoirs of his adventures aboard the dauntless Alabama. The book was first issued in London because of Great Britains sympathies with the Confederacy. This edition is famous for its handsome colored lithograph plates. A good copy in lightly worn original cloth with gilt cover decoration. Pages are somewhat tanned but the color lithographs have retained their brilliance. books
1924013368Houghton Mifflin 1924. Book. Fine. Hardcover. Tenth Edition. 12mo - over 6¾ - 7¾" tall. Fine Copy in a Near Fine Jacket. Matching 10 Printing. Rare in This Condition. Very Rare In DJ. Beautiful Fresh Copy With Jacket Just About Fine Iconic Movie of The Same With Errol Flynn. Houghton Mifflin Hardcover books
134382Hardcover. Good ex-library. the bindings are in excellent condition but the volumes are scrapbooks and all items were pasted in with glue. furthermore the mounting paper is acidic and has become quite brittle. as a result many of the programs are wavy from the paste are toned from the paper or have edgewear. still it's a very interesting and unique collection. 4 volumes. Black library buckram in black library slipcases. Not paginated. Oversize and quite bulky. The title for these volumes is merely descriptive as they were not formally published. They are nicely bound scrapbooks containing of newspaper clippings advertisements and handbills and programs for a variety of concerts and performances chiefly in New York City. The contents were collected by Louis Raphael Dressler an organist conductor occasional composer and a charter member of the Manuscript Society who was also very active in the New York music scene for over 50 years. This would be a great one of a kind collection for researchers or connoisseurs interested in New York's music and theatrical milieu or performing artists and arts organizations during the years listed. hardcover books
1909001617Paris: Librairie des Amateurs A. Ferroud 1909. Limited Edition and First Edition Thus. Half Morocco with marbled cloth folio accompanying and both fitting into a slipcase. Fine. On Japon Imperial. Limited edition of which this copies was inadvertently unnumbered but which was probably part of the first or second most limited tranch of the first 65 or 130 copies based on this copy being accompanied by a suite of plates in one or two states the larger illustrations being in two states and thus probably fitting into the most exclusive tranch. 4to. 281 pp. 43 color illustrations contained within the work proper. Wraps bound in. Some minor wear to the leather spine and the marbled paper on the edges of the slipcase. <br/><br/> Librairie des Amateurs, A. Ferroud hardcover books
1875263777Rome: presso la R. Calcografia 1875. 14 plates numbered in two series I II-VIII and I-VI depicting Raphael's designs for the frescoes of the Loggia of Pope Leo X at the Vatican. 1 vols. Folio. Green cloth spine perished. Internally a fine bright copy. 14 plates numbered in two series I II-VIII and I-VI depicting Raphael's designs for the frescoes of the Loggia of Pope Leo X at the Vatican. 1 vols. Folio. presso la R. Calcografia unknown books
1918173971Paris: H. Laurens 1918. Limited 428 / 550 copies printed. Hardcover. VG covers are somewhat soiled but sturdy. Contents clean with two old repairs to inner tears on the first three leaves not bad. Beige cloth with mounted title from original paper wraps on cover spine and rear panel. xii 519 pages with approximately 500 illustrations. Text is in French. Edited by É. Chavannes after the death of the translator./ Originally published in 4 collections or series 1st ser. in 1679; 2d and 3d in 1701; and 4th in 1818 The plan of the work was developed by Shen Xinyou from an album prepared by Li Liu-fang and the first three series were edited by with the help of Li Yu who also contributed the introduction to the 1st ser. Wang Gai and his brothers Wang Shi and Wang Nie were chiefly responsible for preparing the commentaries and reproducing the plates from famous masters. The 4th ser. was largely the work of Ding Gao./ Contains the first three series. Limited to 550 copies this being number 428. "Translation and commentary by Raphael Petrucci augmented by a preface a biographical dictionary of painters and a vocabulary of technical terms; illustrated with about five hundred engravings." Shipping weight is 17 pounds. H. Laurens hardcover books
2723Paris: Librairie Des Editions Modernes. Three-Quarter Leather. Collectible; Very Good. First Thus. Elegant French erotica translated into English "the suppressed English edition" circa 1920. Special issue with 2 original signed-- by the artist Malay-- erotic watercolors bound-in. Octavo 126 pgs. Handsomely rebound in 3/4 calf over green linen. 5 raised bands bright gilt-decorated compartments and bright gilt-letttering along spine. Original pictorial wrapper very saucy bound-in as well. New marbled endpapers top-edge gilt. A solid VG copy with light fraying along spine creases and light scuffing along front panel. Internally very clean. Wonderfully-illustrated early 20th century French erotica. Signed by Illustrator. <br/><br/> Librairie Des Editions Modernes hardcover books
1923002629New York: Grosset & Dunlap 1923. Sabatini Rafael. SCARAMOUCHE. New York: Grosset & Dunlap 1923. Photoplay Edition released in tandem with the 1923 Rex Ingram- Metro Silent Film. A Good firm copy in the primary red cloth binding with spine gilt dulled and a prominent discolored stripe on the back cover which although unfortunate shouldn't be a deal breaker as this copy is INSCRIBED BY THE TWO STARS of the film ROMAN NOVARRO and ALICE TERRY and is likely unique thus. In a Very Good slightly browned dust jacket. WITH: a signed typed letter w/ original mailing envelope from Roman Novarro to Art Ronnie a noted studio publicist who later became a TV critic for the Los Angeles Herald-Examiner. This is from Ronnie's collection bookplate. Novarro's letter touches on several points of interest. Inscribed photoplays are exceedingly rare. Possibly a unique opportunity for the collector. SCARAMOUCHE is generally considered one of Sabatini's greatest novels and the film is still considered with its cast of thousands among the great classic silent films. Signed. First Photoplay Edition. Hard Cover. Good/Very Good. Grosset & Dunlap Hardcover books
1902191212New York: Macmillan 1902. Hardcover. vii 261p. iii ads frontispiece and 7 plates mild foxing front hinge starting at publisher's device and frontis untrimmed fore-edge and bottom edge first edition according to Sisson page 6 and BAL 11873 blue-gray cloth titles in white decorations on cover and spine in red black and white spine titles abit rubbed otherwise very good. Macmillan hardcover books
17777514London: Published by John Boydell Cheapside 1777. Mezzotint. State iii/iii with the engraved inscription in thick and thin cursive letters. In good condition apart from some overall light surface soiling and foxing. Occasional rubbed creases throughout image. Laid down onto cream wove backing paper. Image size: 13 1/16 x 10 15/16 inches. This charming portrait of the fashionable Catherine Schindlerin expertly illustrates Smith's superior technique and artistic ingenuity.<br/> <br/>Catherine Schinderlin was a German singer and actress who began her career in London in 1775 the year Reynolds did this portrait for the Duke and Duchess of Dorset. It shows the actress in the role of the "Coquette" from an as yet unidentified play or opera. A highly influential figure in the late eighteenth-century British art world John Raphael Smith was the most robust and prolific printmaker of his time. During his prodigious career Smith produced nearly 400 prints 130 of which were of his own design. The remainder were reproduced paintings by such noted British artists as Joshua Reynolds George Romney and Joseph Wright of Derby. Smith was an incredibly astute businessman and soon became an impresario of the print-publishing trade. At the 1783 exhibition of the Society of Artists Smith exhibited his print of the Prince of Wales. This clever bit of marketing precipitated his appointment as the Prince of Wales' mezzotint engraver immediately making him even more desirable to an art market hungry for quality prints. D'Oench<br/> <br/>D'Oench Copper into Gold Prints by John Raphael Smith 88; Frankau An Eighteenth Century Artist and Engraver John Raphael Smith 306 iii/iii; Chaloner Smith British Mezzotinto Portraits 147 iii/iii; Russell English Mezzotint Portraits and their States 147; O'Donoghue Catalogue of Engraved British Portraits.in the British Museum 1; Lennox-Boyd & Stogdon state iii/iii. Published by John Boydell, Cheapside unknown books
19775528Washington DC: New Republic Books 1977. Hardcover. VG/VG wear to extremities of dustjacket. Blue cloth with light bluish color pictorial dustjacket. 316 pp. 39 bw plates. INSCRIBED by Soyer to Will and Elena Barnet with a very detailed drawing of a woman's torso on the ffep under the inscription by Soyer. Includes Soyer's thoughts on European art he saw while on tour; conversations with people like Edward Hopper Jack Levine Leonard Baskin and Henry Moore. New Republic Books hardcover books
1795147391795. Engraving. Printed on laid paper. Collector mark bearing the initials E.O printed in blue ink on verso of sheet. Some rippling in the middle of image. Image size: 22 x 15 1/16 inches. An exceedingly rare self/family portrait by Raphael Morghen after a painting by Angelica Kauffman.<br/> <br/>Though the whereabouts of the original painting is not known this is clearly a self-portrait of Angelica Kauffman seated with what appear to be two grown children and a son-in-law. She holds what is perhaps a portrait of her second husband Francesco Zucchi who died in 1795. Her children would have to have been from her unhappy first marriage. There is no title but rather a text in French about how virtue is instilled in children. This impressive portrait was painted by the celebrated artist Angelica Kauffman and engraved by the renowned Italian printmaker Raphael Morghen. Kauffman was a child prodigy who executed her first commissioned work before the age of thirteen. As a child she traveled through Austria and Italy with her father the painter Joseph Kauffman. She assisted him by painting the backgrounds of his works but she quickly received her own commissions and established a reputation for herself as an accomplished painter. In 1766 she traveled to London where she painted portraits and decorative paintings. She was a close friend of Reynolds and was one of the first female members of the British Royal Academy. Goethe called her "the most accomplished woman in Europe". Raphael Morghen received his first artistic training from his father the accomplished engraver Filippo Morghen. Like Kauffman Morghen was also a child prodigy publishing his first engraving at the age of twelve. By the age of twenty he had established himself as one of the premiere engravers in Europe allowing him to garner countless commissions. He worked in Naples Rome and Florence and produced over two hundred and fifty prints during his prolific career.<br/> <br/>Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs. unknown books
1957150334N.p.: N.p. 1957. Vintage oversize borderless double weight reference photograph from the 1957 film showing actors Anthony Perkins and Norma Moore. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso along with the stamp of Photoplay and several holograph pencil and ink annotations regarding layout. <br/><br/>A dramatization of the experiences of major league baseball star Jimmy Piersall loosely based on his own 1955 memoirs following his 1948 contract with the Boston Red Sox to his eventual nervous breakdown and hospitalization for bipolar disorder. <br/><br/>Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br/><br/>Set in Boston Massachusetts and Waterbury Connecticut. <br/><br/>8.3 x 13.5 inches. Very Good plus with a few small holograph pencil annotations regarding cropping on the bottom edge. N.p. unknown books
1912135051912. inscribed by Sabatini A History and Some Criticisms. With a Coloured Frontispiece and Sixteen Other Illustrations in Half-tone. London: Stanley Paul & Co. n.d.1912. 32 pp ads undated but with this title listed second in the list of new announcements and with 1910 and 1911 cited elsewhere. Original black cloth lettered in gilt with dust jacket. First Edition of this very early historical work by Sabatini about a decade before he hit it big with "swashbuckling" tales such as SCARAMOUCHE and CAPTAIN BLOOD. Born of an Italian father and an English mother and educated in Portugal and Switzerland Sabatini 1875-1950 was fluent in five languages by the time he was eighteen; he would soon have a position in the Intelligence Department of the War Office during the Great War. The Sabatini website cites a 48-page ad catalogue but we think it is quite possible that this catalogue may precede: the only dates appearing in this catalogue are 1910 and 1911 and the inscription below is dated January 1912 the month of publication. This is a near-fine copy the only real flaw being some small holes in the cloth at the joints one fore-corner also shows some wear; included is the 1912 dust jacket red printed in black in good-to-very good condition a large chip at the bottom of the front panel other minor edge-wear but nothing affecting print spine slightly faded. THIS IS AN INSCRIBED PRESENTATION COPY with the author's ink inscription on the title verso "To Herbert Jarman from Rafael Sabatini London 17 Jany 1912". Jarman was an actor and occasional assistant producer on the London stage -- for example not long before this inscription Jarman had starred as Louis XIII in the 1911 stage production of "Bardelys the Magnificent" adapted by Sabatini and Henry Hamilton from Sabatini's 1906 novel of the same title our thanks to Sabatini biographer Ruth Heredia for this information. This early Sabatini title is scarce; in dust jacket it is very scarce; and inscribed it is extremely scarce. unknown books
1922278519Boston: Houghton Mifflin Co 1922. First Edition. Hard Cover. Very Good binding/Fair dust jacket. A first edition with a pencilled name and address on the front endpaper. The dustjacket is Fair only. The jacket has not been price-clipped and has the correct First Edition price of $2.00 on the flap. There is about a 1" piece gone from the top the jacket spine and about 2" from the bottom. The N. C. Wyeth illustration to the front panel is mostly present but has a 1/2" x 1" amount of loss at the top edge of the illustration and there is minor loss at the front fold. The front of the jacket was in two pieces and has been discreetly repaired on the verso. Very Good binding / Fair dust jacket. Houghton Mifflin Co unknown books
022373Boston; 1924-1929: Houghton Mifflin Co. Octavo. In 23 unopened volumes. Rafael Sabatini was an Italian-English writer of romance and adventure novels. Several of his books were very popular and soon made into plays and film. This is the "Definitive edition" which OCLC records only one library which has the first 14 volumes. The present set incorporated more volumes after 1924. Later there was another edition which was limited and signed. Half-titles engraved frontispieces illustrated with tissue guards present. A handsome set bound in 3/4 brown morocco over salmon cloth raised bands with compartments lettered and decorated in gilt. top edges gilt marbled endpapers. A fine set with just a handful of volumes with some fading to spines. Houghton Mifflin Co unknown books
19852635New York: Limited Editions Club/Anthoensen Press 1985. First Edition Thus. Loose Signatures. Fine. Bright and unmarred. fo. 32pp. Illus. color and b/w plates. Signed by Neel and Soyer. Unnumbered. <br/><br/>This is a set of loose signatures of Poe's classic tale printed by the Anthoensen Press on mould-made paper designed by Ben Shiff and hand-set by Michael and Winifred Bixler. The bound copies were bound by John Isakovics in hand-marbled paper by Faith Harrison. Alice Neel died shortly before the publication of this volume and the images are dark and exceptional and include her stunning skull "self-portrait" the last not present in the loose signatures. The printer brought blank pages to Neel to sign and she signed approximately 400 of them before she passed away. This copy is additionally interesting as it was a printer's proof from Anthoensen Press and is unnumbered. Signed by Neel and Soyer. Limited Editions Club/Anthoensen Press unknown books