Raphael

Oeuvres Completes d'Antoine Raphael Mengs. Premier Peintre du Roi d'Espagne, etc. Contenant differens Traites sur la Theorie de la Peinture. Traduit de l'Italien [by H. Jansen]. BRIGHT, CRISP COPY OF THE FIRST FRENCH EDITION

2 vols., 4to., First Edition thus, with engraved portrait frontispiece; handsomely bound in contemporary tree calf, backs with four flat bands ruled in gilt, second and fourth compartments with leather labels (red/green respectively) lettered and numbered in gilt, all other compartments richly tooled in glt, gilt dentelles, blue speckled edges, marbled endpapers, red silk markers, joints cracked (but binding entirely sound), boards lightly age-marked else a remarkably bright, crisp copy in wholly unrestored period binding. FIRST EDITION IN FRENCH, following publication in Italian by Bodoni. VERY SCARCE. Palau 164521.

Paesaggio con alberi

Bulino misure: mm 207 x 267 I Sadeler furono una numerosa famiglia di artisti fiamminghi, principalmente incisori di riproduzione, attivi in tutta Europa tra il XVI e il XVII secolo. Lo stile dei membri della famiglia che collaborarono spesso fra di loro è molto simile, per tre generazioni, spostandosi dall’Olanda all’Italia, fermandosi in Germania e a Praga, questi incisori, editori e commercianti di stampe hanno giocato un ruolo centrale nella diffusione delle immagini. Rapheael I si stabilì a Monaco nel 1588, si trasferì poi a Venezia dal 1596 fino alla morte del fratello Jean nel 1600 quando tornò a Monaco pur mantenendo interessi commerciali con Venezia. In questa stampa, tratta da un'invenzione de l pittore e incisore paesaggista fiammingo Paul Brill (Anversa 1554 - Roma 1626), vediamo un paesaggio in cui la natura è protagonista. Il primo piano è dominato da maestosi alberi con grosse radici che escono dal terreno, con fronde ricche di foglie alcune illuminate dai raggi del sole, altre in ombra. La composizione è molto ben architettata, alberi e rocce rappresentano una sorta di cortina in primo piano dalla quale si aprono due varchi a mo’ di binocolo, oltre un paesaggio pianeggiante costruito con un segno leggero e argenteo che suggerisce la profondità della scena. Sulla sinistra lo sguardo dello spettatore è attirato da tre figure, una è su un cavallo o un asino, è ben vestita e si protegge dal sole con un ombrello, gli altri due, molto probabilmente contadini, la scortano su questa strada di campagna che conduce a una città fortificata visibile sulla destra. Nel margine inferiore inferiore oltre l'immagine "Raph Sadeler excudit". Impressione eccellente. Ottimo stato di conservazione. Ampi margini oltre la battuta del rame. Filigrana: "W" Bibliografia: Hollstain 223.

Paesaggio con rovine

Bulino misure: mm 207 x 269 I Sadeler furono una numerosa famiglia di artisti fiamminghi, principalmente incisori di riproduzione, attivi in tutta Europa tra il XVI e il XVII secolo. Lo stile dei membri della famiglia che collaborarono spesso fra di loro è molto simile, per tre generazioni, spostandosi dall’Olanda all’Italia, fermandosi in Germania e a Praga, questi incisori, editori e commercianti di stampe hanno giocato un ruolo centrale nella diffusione delle immagini. Rapheael I si stabilì a Monaco nel 1588, si trasferì poi a Venezia dal 1596 fino alla morte del fratello Jean nel 1600 quando tornò a Monaco pur mantenendo interessi commerciali con Venezia. In questa stampa, tratta da un'invenzione di Paul Bril, vengono descritte, grazie all'abile uso delle tecnica, le rovine di una città arroccata. Sembra quasi un pestaggio fantastico. Fanno da quinta teatrale, sulla destra in primo piano incisi con un segno marcato, una roccia occupata da un grosso tronco con rami ormai quasi privi di foglie e collegata tramite un ponte ad un’abitazione in pietra. Appena oltre una scena di vita comune, dei pastori con il loro bestiame si stanno dirigendo alle rovine di una città costruita sopra un monte che occupa la parte centrale della scena in secondo piano. Sulla cima del monte le rovine di un tempietto circolare. E ancora, un dolce degradare di colline e case si apre verso l’infinito. L'artista fa molta attenzione a descrivere alcuni particolari come un uccellino sul ramo, il fumo che esce dal camino della casa sullo sfondo e il cielo carico di nubi. Nel margine inferiore, inciso oltre l'immagine "Paulus Bril inventor” e "Raph Sadeler excudit". Impressione eccellente. Ottimo stato di conservazione. Ampi margini oltre la battuta del rame. Nel margine superiore destro numero 9 a penna, in grafia antica. Filigrana: "W" e un stemma araldico. Bibliografia: Hollstain 218.

Lettera di Don Antonio Raffaele Mengz : primo pittor di camera di S.M.C. a Don Antonio Ponz / tradotta dall'originale Spagnuolo manualemente scritto

Lettera di Don Antonio Raffaele Mengz : primo pittor di camera di S.M.C. a Don Antonio Ponz / tradotta dall'originale Spagnuolo manualemente scritto. Turin: Nella stamperia Reale, 1777. 56 pages. bound in period paper wrappers. 23x17.5cms. Text in Italian. Text in Italian

Ritorni del vivo lontano

form. 20X12. Brossura edit. Pp. 128. Bellissima dedica autografa a colori con disegno di Alberti. Prima Edizione. Bella copia

Raphaels Zeichnungen Abteilung IX. Entwürfe zu Werken Raphaels und seiner Schule im Vatikan 1511/12 bis 1520. Berlin 1972. 4to. 214 Seiten mit 238 Textabbildungen und 89 Lichtdrucktafeln mit 97 Abbildungen. Orig.-Leinenband.

Raphael Soyer - Fifty (50) Years of Printmaking 1917-1967

257 pages. Biographical notes. List of printers. Index of Prints. Frontispiece is an original lithograph created especially for this volume. "The only catalogue of Soyer's prints... Contains 126 separate prints - from his first etched self-portrait to his most recent experiments in advanced lithographic technique. Each print is fully described, and each is illustrated - full size wherever possible - on a separate page." - from dust jacket. Errata slip laid-in. Binding tight. Clean, bright and unmarked with very light wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. A high-quality copy. Book

The drawings of Raphael. With a complete catalogue. Oxford 1983. 4to. 271 Seiten. Mit 690 Abbildungen. (8 Farbtaf.). Orig.-Leinenband mit Schutzumschlag.

Mit dem kompletten Werkverzeichnis der Zeichnungen. - Freitag 7879.

Rafael Wardi ja värin Ilo

This is a very good hardcover copy in illustrated boards with just light wear. No dust jacket, possibly as issued. Signed in ink, by the artist, Rafael Wardi, on the half title-page, around the printed title. Briefly inscribed and dated Helsinki November, 2005. Otherwise completely clean inside and out. Text in FINNISH only. Profusely illustrated throughout in color. 11" high X 10" wide, 175 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Sorolla Su Vida y Su Arte

This is a very good softcover copy in the original publisher's illustrated wrappers with color plate tipped on to the front cover. Very clean inside and out, just a little foxing to the tissue guard between the frontispiece and the title-page, not affecting either, and a touch of red color to one illustration, otherwise clean throughout. Text in Spanish. This is one of the earliest monographs on the work of the famous Spanish painter from Valencia, Joaquin Sorolla y Bastida. 116 black & white illustrations. Bibliography. 11" high X 8" wide, xxxvi + 87 plates with reproductions of 116 works. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Memoirs of a Soldier of Fortune. With a Preface by R.B. Cunningham Graham. FROM THE LIBRARY AT FORT SANDEMAN

8vo., First Edition, with portrait frontispiece and 22 plates; original red cloth, gilt back, covers unevenly faded, backstrip sunned else a good, firm copy. THIS COPY WAS FORMERLY IN THE LIBRARY OF FORT SANDEMAN, ZHOB, IN BALUCHISTAN, AND CARRIES ITS PRESS-MARK ON FRONT FREE ENDPAPER AND TITLE.

Casa de Las Americas, numero 92

In 8, pp. 136 + (4) con ill. in b/n n.t. Br. ed. con bella ill. a colori ai piatti e ai contropiatti raff. un gallo. Numero di questa rivista di letteratura, arte e politica stampata a Cuba con alcuni contributi sul Cile. Poesie e testi di: Hamlet Lima Quintama, Donaciano Vega, Alvaro Carrera, Roberto Bolano e Bruno Montane', Orlando Giullen, Leoncio Bueno, Rafael Hernandez. 'The journal Casa de las Americas has had an undeniable impact on Latin America literary life, publishing important cultural and philosophical texts. Its editor since 1965 has been Roberto Fernandez Retamar, who also took over the Presidency of the Casa in 1986 from painter Mariano Rodriguez...' (Encyclopedia of Latin American and Caribbean Literature, 1900-2003, p. 120).

Lotto di 10 lettere manoscritte autografe indirizzate a ignoto destinatario ("Caro Professore" o "Amico Carissimo"

A) 26-11-1918 - Su carta intestata "Modern Hotel Roma", 3 pp. di 36 righe. B) 23-6-1919 - Su carta intestata personale scritta da Rota Fuori (Bergamo), 2 pp. di 49 righe. C) 21-7-1919 - Su foglio uso bollo scritta da Rota Fuori (Bergamo), 2 pp. di 54 righe. D) 7-8-1919 - Su carta intestata personale scritta da Rota Fuori (Bergamo), 3 pp. di 58 righe. E) 14-8-1919 - Su carta intestata personale scritta da Rota Fuori (Bergamo), 3 pp. di 55 righe. F) 26-8-1919 - Su carta intestata personale scritta da Rota Fuori (Bergamo), 4 pp. di 90 righe. G) 17-6-1921 - Su carta intestata personale scritta da Agna (Padova), 1 p. di 19 righe. H) 22-6-1921 - Biglietto personale scritto da Padova - 1 p. di 21 righe. I) 22-6-1921 - Su carta intestata personale scritta da Rota Fuori (Bergamo) - 1 pag. di 15 righe. L) 23-10-1921 - Su carta intestata personale scritta da Nervi - 2 pp. di 43 righe

Les eaux de Jarama. Traduit de l'espagnol par J. Francis Reille.

Paris, Gallimard, Collection Du Monde Entier, 1958. In-12, broché, 382 pp. Edition originale de la traduction. Un des 41 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.

Late Raphael

Falomir, M.: Late Raphael. Brepols, 2013. 195 pages. Paperback. 25 x 20cms. Contains 18 papers given at the Late Raphael Conference held at the Museo del Prado in 2012, grouped into 4 categories: Raphael's disciples, his relations with other artists of his time, his activity outside painting, and his fame in the century following his death. Contains 18 papers given at the Late Raphael Conference held at the Museo del Prado in 2012, grouped into 4 categories: Raphael's disciples, his relations with other artists of his time, his activity outside painting, and his fame in the century following his death

The Psychology of Peace and Conflict: The Israeli - Palestinian Experience. Workshop held at the Notre Dame Hotel, Jerusalem October 25-26, 1995. Edited by Prof. Rafael Moses. The Harry S. Truman Research Institute for the Advancement of Peace. The Hebrew University; Palestine Consultancy Group; Konrad-Adenauer-Stiftung International Cooperation.

Gutes Exemplar; Einband berieben. - Englisch. - Titelblatt mit (kurzer) Widmung von Raphael Moses (für Hermann und Renate Beland) und SIGNIERT. - Die Nazareth-Konferenzen waren der Anfang eines Projektes von Psychoanalytikern aus England, Israel und Deutschland, dessen Gründungsväter und -mütter sich vorgenommen hatten, zur Lösung von Konflikten beizutragen, die sich zwischen nationalen Gruppen entwickelt haben. Die Konfliktursachen wurden in kollektiven Vorurteilen und Ressentiments angenommen. Ziel der Konferenzen war – und ist es für die Folgeprojekte bis heute –, dieser Vorurteile und Ressentiments gewahr zu werden und – bestenfalls – sie aufgeben zu können. ... (wiki) // INHALT : Preface: Dr. Gerhard Wahlers ----- Foreword: Prof. Rafael Moses ----- Introductory Information: Konrad-Adenauer-Stiftung ----- The Harry S Truman Research Institute for the Advancement of Peace ----- Palestine Consultancy Group (PCG) ----- Presentations: Rafael Moses ----- Bernard Sabella ----- Tamar Hermann and Ephraim Yuchtman-Yaar ----- Manuel Hassassian ----- Elia Awwad ----- Ruth Firer ----- Sami Adwan ----- Gadi Wolfsfeld ----- Daoud Kuttab ----- Judd Ne'eman ----- Shulamith Hareven ----- Ali Kleiboh ----- Menahem Regev ----- Yitzhak Laor ----- Hala Khamis Nasser ----- Dan Urian ----- Hisham Awartani ----- Arie Arnon ----- Avraham Sela ----- Sari Nusseibeh ----- Concluding Remarks: Prof. Moshe Ma'oz ----- Dr. Sari Nusseibeh ----- Prof. Rafael Moses. // … hrough its programs and projects in the Middle East the Konrad Adenauer Foundation wants to partake in a peaceful development in the region. An important task consists in the offering of platforms for discussions. During October 25th to 26th 1995 the Konrad Adenauer Foundation organized an event at Notre Dame, Jerusalem on the theme: "The Psychology of Peace and Conflict - The Israeli Palestinian Experience". Joint organizers of this seminar were the Harry S Truman Research Institute For The Advancement of Peace at the Hebrew University and the Palestine Consultancy Group (PCG). The event's goal was to discuss the effect of the peace process on the Israeli and Palestinian societies. The Palestinian and Israeli referees alternately introduced their research topics. In fact they were dealing with the discussion of the psychological aspects as a result of the changed political situation. The topics were intentionally related to the very daily life, for example education, literature and children's literature, theater and poetry, mass media, movies, the economical relations and the development of political attitudes. The participants of this conference were primarily representatives of Israeli and Palestinian universities. The importance of this dialogue was continually pointed out by the participants. I want to thank the head of the Truman Institute, Prof. Moshe Maoz and Dr. Sari Nusseibeh, chairperson of the Palestine Consultancy Group. Without their engagement and that of their colleagues the event would not have been possible. In this publication the reader will find a summary of the lectures, which have been read during the conference. I hope that they will contribute to a better understanding of the other. (Vorwort Gerhard Wahlers)

Les eaux du jarama. Traduit de l'espagnol par J. Francis Reille.

Paris, Gallimard, 1958. Collection "Du Monde Entier" CC. Un volume broché de format in 8° de 384 pp. N°4 de 41 exemplaires sur vélin pur fil Lafuma-Navarre, seul grand papier. Comme neuf, non coupé.

Farbe und Metapher. Die Entstehung einer neuzeitlichen Bildmetaphorik in der vorrömischen Malerei Raphaels. Berlin 1999. 4to. 521 S. u. 60 teils farb. Abb. a. Taf. Orig.-Leinenbd.

Raffaello 1520-1483

Raffaello 1520-1483. Exhibition: Rome, Scuderie del Quirinale, 2020. Paperback. Text in Italian. Text in Italian

Roma e lo stile classico di Raffaello: 1515-1527

This is a very good softcover copy with light wear. Very clean but faint traces of paint to a number of the tips of pages at the end of the book. Hard to see, just barely there. Also this book was formerly in the collection of a prominent Italian Renaissance art historian whose name is written on the front endpaper. Otherwise clean throughout. Text in ITALIAN. This catalog was prepared to accompany the exhibition in Mantua at the Palazzo Te from March 20 to May 30, 1999. The exhibition then traveled to the Albertina in Vienna in the summer of 1999. Exhibition curated by Konrad Oberhuber. Catalog edited by Achim Gnann. Illustrated throughout in color 310 color plates. Bibliography. 11" high X 10" wide, 425 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Spartacus Chetwynd

This is a very good softcover copy in a very good dustwrapper with one short closed tear at the top of the spine. Interesting book design using a dozen different colored papers. A record of performances by the British artist Spartcus Chetwynd. Includes four-page insert on the 2003 work "The Incredible Hulk." Exhibition and performance history. 11" high X 8" wide, This book will be securely packed and shipped with tracking.

Italian Painting: The Hermitage

Book is in excellent condition. Binding is solid and square, oversize format in bright orange heavy cloth with gilt letting at cover and spine. Covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows moderate wear with chipping at top spine, two very small tears and one 1" closed tear near spine. 244 illustrations, including 190 full page plates in full color, with descriptions/commentary at end of book. Plates are impressively large and from the collection of Italian paintings in the Leningrad Hermitage. Artists include Simone Martini, Campigli, Morandi, Guttuso, Leonardo da Vinci, Raphael, Giorgione, Tintoretto, Titian, Veronese, Carracci, Tiepolo, Guardi, Canaletto, 307 pp.

Retornos de Lo Vivo Lejano

This is a very good softcover copy with lightly toned covers. Very clean inside. Text in Spanish. 3 black & white drawings by Alberti + frontispiece photograph of Alberti and his daughter. Text in Spanish. 8" high X 6" wide, 166 pages.

Raphael 1520-1483

Faietti, Marzia, and M. Lafranconi: Raphael 1520-1483. Exhibition: Rome, Scuderie del Quirinale, 2021. 544 pages, fully illustrated in colour. Hardback. 29 x 24cms. On the 500th anniversary of Raphael's death, the Uffizi in Florence has assembled one of the world's most ambitious exhibitions to honor the High Renaissance painter and his lasting legacy. This publication follows the trajectory of Raphael's life and career in reverse, beginning with his early death in 1520 before highlighting his formative years between Urbino, Città di Castello, Perugia and Siena. On the 500th anniversary of Raphael's death, the Uffizi in Florence has assembled one of the world's most ambitious exhibitions to honor the High Renaissance painter and his lasting legacy. This publication follows the trajectory of Raphael's life and career in reverse, beginning with his early death in 1520 before highlighting his formative years between Urbino, Città di Castello, Perugia and Siena. Text in English