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1954RAINEKAT0150451954. 90 A4 pages typed on rectos only. The three acts of the play are paginated separately and Kathleen Raine's two-page introduction is not included in the pagination. Typed title-sheet. Tied into card covers with typed title-label. Kathleen Raine produced the final version from Rafael Nadal's literal translation. The Group Theatre was given funding by the Arts Council for a production of the play and this must be a script created towards that end: there are many emendations and additions some in an unknown hand and some as pasted-in typed sheets. No evidence of this version having reached the stage can be found. The translation wasn't issued in book form until 1968 a year which is sometimes cited as being that of its writing. In Raine's introduction she writes ''. in order to produce a translation actable in the 1950's modern free-verse forms seem called for baried sic at times with more formal verse.''The title-sheet has tape-marks. Some creasing to various pages usually caused by the pastings-in. Covers nicked and chipped at the edges. Very good. unknown
1946185254Tetouan Morocco: Matba'at al-Mahzan 1946. First edition of this pamphlet with only one other recorded copy BNE on the archaeological site of Medinat al-Zahra formerly the seat of the first caliph of al-Andalus in Cordoba. This booklet was intended as a summary for the attendees to the lecture of the historian and Arabist Rafael Castejón y Martínez de Arizala 1893-1986 delivered at the Spanish General Residency in Morocco at Tetouan. Based on the author's excavations and fieldwork in Cordoba published in 1945 the lecture discusses the magnificent 10th-century buildings established by Abd al-Rahman III 912-961 of the Umayyad dynasty their decoration and the Arab craftsmen who worked on them. It then addresses the sudden destruction of the city in the year 1010 and the excavations made on the site since 1911 when it was first rediscovered. Octavo 213 x 160 mm. With 4 half-tone photographic illustrations. Text in Arabic. Original pictorial wrappers wire-stitched. Couple of very minor water stains to wrapper edges contents toned: a very good copy. unknown
194522551945. Soyer Raphael. Soyer Raphael. CASTING OFFICE. Lithograph 1945. Cole 65. 9 3/4" x 12 3/4" signed and titled in pencil. From the AAA edition of 250. Margins trimmed to about 1 1/2" all around else very good. unknown
195420071954. Soyer Raphael. Soyer Raphael. DANCERS. Lithograph 1954. Cole74 Ed of 250 12"x8" signed. Excellent condition unknown
193056051930. Soyer Raphael. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25 of which some were signed in pencil. Signed in the plate only. unknown
198420113UNIPART 1984. 1. hardcover. Zahlreiche Illustrationen! Mit Rezeptbuch! INTERNATIONALE SPEISEKARTE UNIPART hardcover
1957150334N.p.: N.p. 1957. Vintage oversize borderless double weight reference photograph from the 1957 film showing actors Anthony Perkins and Norma Moore. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso along with the stamp of Photoplay and several manuscript pencil and ink annotations regarding layout. <br /> <br /> A dramatization of the experiences of major league baseball star Jimmy Piersall loosely based on his own 1955 memoirs following his 1948 contract with the Boston Red Sox to his eventual nervous breakdown and hospitalization for bipolar disorder. <br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br /> <br /> Set in Boston Massachusetts and Waterbury Connecticut. <br /> <br /> 8.3 x 13.5 inches. Very Good plus with a few small manuscript pencil annotations regarding cropping on the bottom edge. N.p. unknown
1947190394New York: Forward Association 1947. First edition first printing of perhaps the finest photographic documentary record of Jewish life in Eastern Europe in the decades leading to the Holocaust a conscious effort to preserve a record of the communities destroyed by Nazism. The editor used photographs from the Yiddish newspaper Daily Forward alongside photographs selected from the thousands of submissions readers sent in from their own family photographs and albums. The text is in English and Yiddish throughout. "In presenting this book to our readers we intend to give them the picture of the Jewish world in Eastern Europe as it existed during the 1920's and 1930's previous to the Second World War. This world does not exist any longer. It is a vanished world the world of East European Jewry that world in which for centuries the greatest concentration of Jewish people in history lived and worked. On the eve of the Second World War over seven million Jews resided in that part of Eastern Europe which was swept by Hitler's divisions in the years 1939-45. The East European period of Jewish history ended in the greatest catastrophe known to mankind" introduction. Oblong quarto. Original red cloth front cover lettered in gilt with pictorial onlay. Spine a little sunned a little shaken. A very good copy. hardcover
1931141332London: Hutchinson & Co. 1931. Hardcover. very good. 1st UK Edition. xv19-287 12 pp. Octavo. Original light grey course cloth with red titls and red chain work decoration. Spine very slightly faded. Original endpapers. Half title. Old unobtrusive ownership name on the title page. Top edge a bit dust soiled. Text block generally very clean. Original unprice clipped 7/6 dust wrapper. The ads are dated Spring of 1931 The wrapper is complete but has had some very good professional restoration on one of the corners. This is the second in the Captain Bllood series. Sabatini's tales of pirates and swash buckling stirred the hearts of many a young lad. Errol Flynn played the role of Captain Blood in the 1935 movie of the same name with Olivia DeHavilland starring opposite him-- a great movie to watch. Very uncommon in the original wrapper especially in this condition. 1931 Hutchinson & Co. hardcover
198220322Limited Editions Club. Very Good. 1982. Hardcover. Signed by Ferrer Rabassa and Reed. Limited edition of 2000 copies this being copy #869. Quarter brown leather cover with beige cloth is sunned on spine with a couple small scuffs to leather and lightly crushed headcap but is clean and in very good condition. Boards and spine are straight. Binding is tight. Lithograph and publisher's notes laid-in. Pages are clean and near pristine. Slipcase is sunned with a couple tiny spots but in very good condition. ; 0 pages; Signed by Artist . Limited Editions Club hardcover
1915160310Philadelphia: Lippincott 1915. First Edition. hardcover. Short rubbed area to top of rear cover else a fine copy in a very good dust jacket missing several shallow chips and one slightly larger chip at head of spine which partially affects "The" and "Banner" in the title. First American edition A rare first edition as are all the Lippincott printings of Sabatini's novels especially in dust jacket Lippincott hardcover
19231156Berlin: Phoebus-Film A.-G 1923. First edition. Text in German. In publisher’s black buckram printed in red. Contemporary bookseller’s stamp on the inner front panel. Cover very slightly rubbed at extremities inside in near mint condition. Each leaf with a mounted photographic 11 or textual 5 printed sheet. Each leaf with a mounted photographic 11 or textual 5 printed sheet. First edition. Text in German. In publisher’s black buckram printed in red. 16 cardboard leaves. <p><br /> Official movie scrapbook of the 1923 silent film Scaramouche illustrated with 11 stills from the movie.<br /> <p><p><br /> Scaramouche is a costume adventure silent film of 1923 directed by Rex Ingram and starred by Ramón Novarro Alice Terry Lewis Stone and Lloyd Ingraham. Its story based upon Rafael Sabatini’s 1921 historical novel under the same title about a young lawyer’s romantic adventures during the French Revolution.<br /> <p>. Phoebus-Film A.-G unknown
1999DADAX047198602XWiley 1999-03-12. 1. hardcover. New. 6.16x1.24x9.13. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
194072114Berkeley and Los Angeles: University of California Press 1940. First edition. Narrow octavo. 14 pp. Publisher's printed wrappers. Together with 274 IBM punch cards each with the same printed title across the top - "Quadratic Character of m" and with Robinson's name and copyright data. Both housed together in the publisher's cloth case with metallic snap and spine lettering in black. Bit of wear to bottom case joint but overall an excellent copy.From the introduction - "Since quadratic congruences play a fundamental role in the theory of numbers it seems very desirable to have a simple way to solve them even when moderately large numbers are involved. The method of exclusion when combined with a suitable mechanical device such as these stencils provides an easy method for solution" Raphael M. Robinson was a leading figure in mathematics and taught at Berkeley from 1937 to 1973."Even among world-renowned mathematicians Robinson was exceptional. In an age of specialization he contributed significantly to six fields: logic set theory geometry complex analysis number theory and combinatorics; and in a subject often considered a young person's game he continued to produce significant mathematics into his eighties. He also anticipated most of the mathematical community by a good 20 years in making use of computers to obtain results in pure mathematics. In 1951 never having seen one of the new computing machines and working only from a manual he coded the first successful program to test very large numbers for primality. “That the code was without error was and still is a remarkable feat†according to the recently published history of the Institute for Numerical Analysis on the UCLA campus. “In an age where most of our journals are filled with papers which even if good exploit theories for their own sake. it is refreshing and stimulating to encounter one of Robinson's papers†one of the foremost number theorists of the century has written. “In each of them he takes a problem old or new which can be stated in simple and intelligible terms and either solves it or at least adds much that is new. His scholarship is impeccable; it is plain that he never writes until he has thought deeply and until he has sought out every relevant piece of existing knowledge.â€Approximately a quarter of Robinson's publications are distributed among seven different topics in logic and the foundations of mathematics. The one to which he gave most attention was that of undecidable theories an interest that he shared with his wife Julia. By way of illustration the mathematical structure consisting of the integers with their operation of addition is said to have a decidable theory. This means it is possible to program a computer so that given any sentence about the structure in a logically defined language the computer will make a finite computation that determines whether the sentence is true or false. Another mathematical structure with a decidable theory is that of all real numbers with their operations of addition and multiplication. This was shown by Alfred Tarski also of Berkeley But a major mathematical discovery of this century was the fact that that the structure of integers with both operations of addition and multiplication has an undecidable structure because there is no computer program that can decide the truth or falsity of every sentence of its language. In several papers Robinson was able to show that a number of other mathematical theories are also undecidable. His most valuable contribution however was devising a theory with a finite number of axioms that is “essentially undecidableâ€--a concept introduced by Tarski. The book Undecidable Theories Mostowski Robinson and Tarski has provided a tool for researchers to identify undecidable theories in all parts of mathematics. " Calisphere. University of California Press hardcover
1922298565Boston: Houghton Mifflin Co 1922. First Edition. Hard Cover. Very Good binding/Fair dust jacket. A first edition with a pencilled name and address on the front endpaper. The dustjacket is Fair only. The jacket has not been price-clipped and has the correct First Edition price of $2.00 on the flap. There is about a 1†piece gone from the top the jacket spine and about 2†from the bottom. The N. C. Wyeth illustration to the front panel is mostly present but has a 1/2†x 1†amount of loss at the top edge of the illustration and there is minor loss at the front fold. The front of the jacket was in two pieces and has been discreetly repaired on the verso. Very Good binding / Fair dust jacket. Houghton Mifflin Co unknown
192426061Boston: Houghton Mifflin. Very Good with no dust jacket. 1924-1934. First Edition. Hardcover. Most of the volumes are "fine" but at least a couple have faintly faded or stained spines reducing them to very good to very good . Bound with red cloth spines and gray boards. Signed by Sabatini one of 750 sets of the autograph edition. These were issued over a period of years so many sets vary in the number of volumes the owner aquired. Sabatini's own set only contained 23 volumes of his works. ; 9" . Houghton, Mifflin hardcover
195432991954. Soyer Raphael. Soyer Raphahel. BOY AND GIRL. Cole 72. Lithograph 1954. Edition of 250 published by A.A.A. 11 7/8 x 7 1/2 in. Annotated "A.P." and signed in pencil. unknown
1971190321New York: Judaica Press 1971. Second Edition; revised. Hardcover. All volumes Very Good in a Very Good dust jacket. Rubbing along panel edges. Judaica Press hardcover
1996x-0471963003John Wiley & Sons Inc 1996. Paperback. New. 1st edition. 228 pages. 9.50x6.50x0.50 inches. John Wiley & Sons Inc paperback
197251214New York H. N. Abrams 1972. First Edition. Hardback. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new. SIGNED inscribed and dated by the Artist Soyer to Richard Barkin. Description: 349 p. Illus. part col. And including a tipped-in frontis 39 cm. Bibliography: p. 339-342. New York, H. N. Abrams hardcover
192539.5Madrid: Biblioteca Nueva 1925. 1ª ed. Holandesa tela de época. No conserva las cubs. originales. 12x17.5. Biblioteca Nueva hardcover
192539.5BattMadrid: Biblioteca Nueva 1925. 1st ed. Contemporary boards; the original covers have not been preserved. 12x17.5. Biblioteca Nueva hardcover