Raphael (Raffaello) SavonarolaBiblio.com
132 résultats
1713M8156Italy c.1713. Very Good. Notes: Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. Size : 86x132 mm 3.39x5.20 Inches Coloring: Black & White Reference: Mickwitz A.M. Miekkavaara L. and Rantenen T. The A.E. Nordenskiold Collection in the Helsinki University Library Volume 2 1981 pp. 269- 276 Category: Maps Europe Benelux; unknown
1713M8166Italy c.1713. Very Good. Notes: Haiti & Dominican Republic.<br>Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. Size : 105x141 mm 4.13x5.55 Inches Coloring: Black & White Reference: Mickwitz A.M. Miekkavaara L. and Rantenen T. The A.E. Nordenskiold Collection in the Helsinki University Library Volume 2 1981 pp. 269- 276 Category: Maps West Indies Dominican Republic / Haiti & Puerto Rico; unknown
1713M11374Italy c.1713. Very Good. Notes: 18th-century detailed map of the Ottoman Empire covering regions from the Balkans to Persia and includes the Arabian Peninsula and Northern Africa. The map is beautifully hand coloured.<br>Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. Size : 139x177 mm 5.47x6.97 Inches Coloring: Hand Colored Reference: Mickwitz A.M. Miekkavaara L. and Rantenen T. The A.E. Nordenskiold Collection in the Helsinki University Library Volume 2 1981 pp. 269- 276 Category: Maps Asia Near East Turkey; Maps Asia Middle East Arabia; Maps Asia Middle East; unknown
1713M8136Italy c.1713. Very Good. Notes: Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. Size : 127x170 mm 5.00x6.69 Inches Coloring: Black & White Reference: Mickwitz A.M. Miekkavaara L. and Rantenen T. The A.E. Nordenskiold Collection in the Helsinki University Library Volume 2 1981 pp. 269- 276 Category: Maps Asia Middle East;Maps Asia Middle East Arabia; Maps Mediterranean Sea; unknown
1713M8194Italy c.1713. Very Good. Notes: Savonarola used the pseudonym Alphonsus Lasor a Varea. Monk of Theatine order who worked in the monastery library in Padua. He was also Professor of Holy Scripture. Universes Terrarum Orbis Scriptorum. Size : 105x140 mm 4.13x5.51 Inches Coloring: Hand Colored Reference: Mickwitz A.M. Miekkavaara L. and Rantenen T. The A.E. Nordenskiold Collection in the Helsinki University Library Volume 2 1981 pp. 269- 276 Category: Maps World; unknown
1782287287London: Boydell 1782. Second. hardcover. very good. Raphael. Illustrated with 106 engraved plates 45 in outline some foxing throughout. Tall folio recently rebound in 1/2 crimson morocco marbled boards. London: Printed for John Boydell 1782. Second edition. A very good copy in a fine binding.<br/> <br/> An elaborate artist's manual first published in 1759. It celebrates Raphael's cartoons purchased by William and Mary and then housed in their own gallery within Hampton Court. Ralph's book begins with 12 plates "of the Study of Geometrical Figures." These are followed by 4 plates of human bodies engraved as academic designs by B. Picart. The bulk of the book shows heads of figures from Raphael's cartoons. The plates each depict two heads which are shown in simple line drawings followed with a finished engraving of the same heads. This second edition contains one hundred and six plates as opposed to 75 plates in the first edition of 1759.<br/> <br/> Boydell unknown
1768P4456Rome c.1768. Very Good. Notes: A fine engraving of the Raphael fresco of the various great minds that made up the "School of Athens" during the mid 18th century. The interior scene shows Greek philosophers Plato left and Aristotle right in the center surrounded by groups of other philosophers and mathematicians. In the lower left foreground Pythagoras writes in a book; at right Euclid demonstrates a compass to four young men. The scene is framed by an arch with the inscription: "Raphael in aedibus santius vatica pinx nis". <br>Other figures that are believed to be represented are: <br>Zeno of Citium Epicurus Heraclitus the "weeping" philosopher Democritus the "laughing" philosopher Boethius Averroes Alcibiades Antisthenes Raphael Aeschines Socrates Michelangelo Diogenes of Sinope Plotinus Zoroaster Ptolemy and Protogenes. Image Size : 515x733 mm 20.28x28.86 Inches Platemark Size : 565x741 mm 22.24x29.17 Inches Paper Size : 618x860 mm 24.33x33.86 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Views Europe Italy; Architectural General; unknown
1780374868Roma: Volpato et Morghen Sculp. et Vend 1780. Unbound. Good. Copperplate engraving. Measures approximately 12.5" x 11.25" to the plate mark. Engraved by the famous Italian printmakers Raphael Morghen and Giovanni Volpato after a painting by Pier Francesco Mola. This scene of an infant satyr raising a glass of wine filled to the brim illustrates a passage in the 6th elegy of Tibullus Book 3. Morghen a child prodigy and student of Volpato established himself as one of Europe's most famous engravers by the age of twenty. Old dampstain on the upper left corner that pervades only about an inch into the image a few small tears to the edges else good or better. Halsey 19. Volpato et Morghen Sculp. et Vend unknown
179517979Rome, s.é., 1795. Dimensions (à vue) : 488 x 372 mm.
175298901752. 343x244mm. 13½x9½". España c.1752-1761. Sanguina y pluma con tinta marrón oscura anverso; lápiz y carboncillo reverso sobre papel verjurado ocre amarillento. 343 x 244mm. El dibujo de "Cristo y la Samaritana" puede encuadrarse en la etapa romana o durante la primera estancia madrileña 1761 a 1769. La "Sagrada Familia con San Juanito" fue realizado por Mengs para su yerno Manuel Salvador Carmona entre septiembre y octubre de 1778. Será la primera obra de Mengs que Carmona convertirÃa en grabado. Referencias: "Dibujo español del Renacimiento a Goya. La colección de la reina MarÃa Cristina de Borbón" Zaragoza 2008 nº 66 pp. 240 y 243 unknown
179713068Madrid: Imprenta Real 1797. 243x190mm. 9½x7½". Madrid Imprenta Real 1797. En 4º 243 x 190mm. 6 h. 1 retrato lii-402 pp. Encuadernación de la época en plena piel lomera con ruedas doradas formando nervios y hierro dorado en las calles tejuelo en marroquén. MagnÃfico ejemplar de esta obra estimada muy bien impresa en la Imprenta Real a expensas de Julián Pereyra. Segunda edición copia exacta de la primera. Contiene además de las obras completas de Mengs un "Comentario al Tratado de la Belleza" de Mengs por Joseph Azara y varias cartas. Al fin un tratado con lecciones prácticas de pintura. Obra importante. Antonio Rafael Mengs gozó de un buen prestigio y sus obras eran consultadas por todos los artistas de la época. El libro contiene además de las obras completas de Mengs un "Comentario a su Tratado de la Belleza" por Joseph Azara quien además se encargó de recoger los textos del pintor. Al fin un tratado con lecciones prácticas de pintura. Perfecto ejemplar. Imprenta Real unknown
178646036Paris:: A ;'Hotel de Thou 1786. contemporary full mottled sheep. . One joint in each volume just starting to split; cords sound; corners rubbed; shallow chipping at the extremities of the spine. Small 4to. This copy lacks and apparently never had the frontispiece portrait. Traduit de l'Italien. Half-title present in each volume. A ;'Hotel de Thou, unknown
178629839A l'Hotel de Thou Rue des Poitevins Paris 1786. 2 vols. 4to. First Edition thus with engraved portrait frontispiece; handsomely bound in contemporary tree calf backs with four flat bands ruled in gilt second and fourth compartments with leather labels red/green respectively lettered and numbered in gilt all other compartments richly tooled in glt gilt dentelles blue speckled edges marbled endpapers red silk markers joints cracked but binding entirely sound boards lightly age-marked else a remarkably bright crisp copy in wholly unrestored period binding. FIRST EDITION IN FRENCH following publication in Italian by Bodoni. VERY SCARCE. Palau 164521. A l'Hotel de Thou, Rue des Poitevins, Paris, hardcover
1786165424Hôtel de Thou A Paris Hôtel de Thou 1786, 2 volumes In-4 reliés, demi basane blonde à coins, dos lisses à filets dorés, pièces de titre et de tomaison rouges. VIII + 354 + 392 pages. Bien complet du portrait en frontispice . Mémoires sur la vie et sur les ouvrages de M. Mengs par le Chevalier d'Azara en début d'ouvrage. Traduit de l'italien, première édition française. Plats cartonnés des reliures un peu frottés, coins un peu émoussés, Une moullure angulaire au frontispice, brunissures éparses. Bon exemplaire, peu courant.
17814031781 Couverture rigide A Amsterdam, chez Pissot et Desenne, 1781. In-8, reliure plein veau d'époque, dos lisse orné de fleurons dorés, caissons dorés, pièce de titre rouge, titre doré, filet à froid d'encadrement sur les plats, manque à la charnière supérieure, petits manques au dos et au second plat, accroc à la coiffe supérieure, coins émoussés. Xxiv, 248 pages, deux feuillets non chiffrés de tables ; petite déchirure page v dans la marge supérieure et sans atteindre le texte, rousseurs marquées pages 135-136. Première édition française des écrits sur l'art du peintre Antoine Raphael Mengs (1728-1779), très proche des conceptions sur l'art de son ami Johann Joachim Winckelmann. La traduction de cet ouvrage fut réalisée par Hendrik Jansen. Bon état intérieur (en dehors des quelques pages mentionnées), bon exemplaire.
179731882Salzburg 1797. Eingebunden in: Kleinsorg R.; Abriss der Geographie Zweyter Band Dritte Aufl. Neu gebunden neue Vorsatzbl. Duyle 8°. Hldr. Oesterreich unknown
1795147391795. Engraving. Printed on laid paper. Collector mark bearing the initials E.O printed in blue ink on verso of sheet. Some rippling in the middle of image. Image size: 22 x 15 1/16 inches. An exceedingly rare self/family portrait by Raphael Morghen after a painting by Angelica Kauffman.<br/> <br/>Though the whereabouts of the original painting is not known this is clearly a self-portrait of Angelica Kauffman seated with what appear to be two grown children and a son-in-law. She holds what is perhaps a portrait of her second husband Francesco Zucchi who died in 1795. Her children would have to have been from her unhappy first marriage. There is no title but rather a text in French about how virtue is instilled in children. This impressive portrait was painted by the celebrated artist Angelica Kauffman and engraved by the renowned Italian printmaker Raphael Morghen. Kauffman was a child prodigy who executed her first commissioned work before the age of thirteen. As a child she traveled through Austria and Italy with her father the painter Joseph Kauffman. She assisted him by painting the backgrounds of his works but she quickly received her own commissions and established a reputation for herself as an accomplished painter. In 1766 she traveled to London where she painted portraits and decorative paintings. She was a close friend of Reynolds and was one of the first female members of the British Royal Academy. Goethe called her "the most accomplished woman in Europe". Raphael Morghen received his first artistic training from his father the accomplished engraver Filippo Morghen. Like Kauffman Morghen was also a child prodigy publishing his first engraving at the age of twelve. By the age of twenty he had established himself as one of the premiere engravers in Europe allowing him to garner countless commissions. He worked in Naples Rome and Florence and produced over two hundred and fifty prints during his prolific career.<br/> <br/>Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs. unknown books
178421751784. Mezzotint. 435mm by 550mm. Scene from Shakespeare's 'King Lear'; Lear reclining on bed beneath curtain awakened to find the spirit of Cordelia kneeling beside his bed holding his hand and looking into his eyes.<br /> Trimmed with loss of margins and title area. Faint creasing at top of the image. A couple of small marginal breaks. unknown
1780404758Rome: Ludwig Sommerau 1780. Hardcover. both boards separated disbound and first two blanks lacking. some stains and foxing throughout. some plates have pencil notes at the bottom. despite flaws plates are very sharp and bright. see scans all plates are shown. folio 19" x 15-1/2". Sommerau's engravings depict tapestries designed by Raphael and made between 1517 and 1521 in the workshop of Pieter van Aelst in Brussels. Originally made for the Sistine Chapel the tapestries are now housed in the Vatican Library.per Bonhams. Ludwig Sommerau hardcover
17296061729. Chiaroscuro woodcut printed from two blocks in beige and olive with etching and aquatint on cream laid paper 11 1/8 x 10 inches 281 x 252 mm plate full margins with the text printing clearly below in olive ink. In very good condition with no visible defects other than one pinpoint sized spot of foxing on the verso left sheet center. Charles Nicolas Cochin père did the etching Vincent Le Sueur did the chiaroscuro woodcut. After a Drawing by Raffaello Sanzio. The supposed Raphael drawing on which the print is based is now identified as "school of" but the print remains as beautiful despite the re-attribution. The Cabinet Crozat was a collection of prints after drawings in the collection of Pierre Crozat then known as one of the finest collections in the world. Many of the prints which were by various hands were made in the unusual combination of etching with chiaroscuro woodcut superimposed upon it. In this case Cochin did the etching and Le Sueur the chiaroscuro woodcut. Registration must have been a problem but here at least the plate and the blocks are almost perfectly aligned. unknown
172071812Caracas: Museo de la Estampa y del Diseño Carlos Cruz-Diez 17 de noviembre 2002 - abril 2003. 22cm. 12p color plates b/w wrps rice paper d.j. Museo de la Estampa y del Diseño Carlos Cruz-Diez unknown books
17976966Madrid: Imprenta de Sancha 1797. First Edition — Primera edición. Hardcover — Tapa dura. 204x135mm. 8x5¼". Madrid Imprenta de Sancha 1797. En 4º menor 204 x 135mm. 4-xv-1 330 2-cv pp. Encuadernación de la época en piel. Primera edición de este libro apreciado y poco común tocante a la historia del comercio entre España y América; ya Palau decÃa en su época que el libro escaseaba. A partir de la p. 330 un Apéndice con copias de algunos documentos citados en estas memorias históricas. Antúnez y Acevedo 1736-1800 cultivó el estudio de la jurisprudencia mercantil en todos sus ramos siendo un profundo conocedor de las leyes y costumbres del comercio hispano-indiano. Portada con ligeras manchas papel tostado. Libro raro en comercio. Imprenta de Sancha hardcover
17867634à Paris: A l'hôtel de Thou 1786. Fine. A l'hôtel de Thou à Paris 1786 25.50 x 20 cm deux volumes reliés First French edition translated from Italian by M. Jansen the work was indeed first published in Italian by Bodoni. Near-contemporary full sheep bindings with smooth spines bronze title and volume labels. Handsome copy. The work begins with memoirs on the life and works of Mengs 1728-1779 by Chevalier d'Azara and a notice on Mengs's paintings followed by the painter's treatises on painting covering beauty taste technical aspects of painting as well as various celebrated painters Raphael Correggio Titian. The preface contains a paragraph by Klopstock the German editor and Fuessli. Court painter to the King of Poland he joined the Spanish court at the behest of Charles III King of Spain; his paintings quite early in the neoclassical taste see his Cleopatra secured him fame and wealth and the writings he left on painting and the arts are marked by research and subtlety. A l'hôtel de Thou unknown
