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51-6563Amsterdam: Chez Jean Neaulme libraire 1757. Small folio. 20 x 33cm. New half goatskin binding by the artisan binder Sasha Mosalov. With ten engraved plates.Cohen-de Ricci Guide de l'amateur de livres a gravures du XVIIIe siècle p. 210; OCLC Number / Unique Identifier:11784330: Physical Description:4 22 pages 10 leaves of plates : illustrations etchings ; 33 cm fol.OCLC Number / Unique Identifier:11784330.Édition originale. Premier tirage des 10 jolies planches gravées à l'eau-forte par Caylus remarquables pour la légèreté de leurs traits. Les dessins qui servirent de modèles à l'artiste auparavant attribués à Rembrandt ont aujourd'hui été restitués à Gerbrandt Van Eeckhout qui fut l'élève du maître hollandais cf. Frits Lugt Musée du Louvre. Inventaire général des dessins des Écoles du Nord: École hollandaise III 1933 n°1216-1225. . Page de titre 12pp. Édition originale. Premier tirage des 10 jolies planches gravées à l'eau-forte par Caylus remarquables pour la légèreté de leurs traits. Les dessins qui servirent de modèles à l'artiste auparavant attribués à Rembrandt ont aujourd'hui été restitués à Gerbrandt Van Eeckhout qui fut l'élève du maître hollandais cf. Frits Lugt Musée du Louvre. Inventaire général des dessins des Écoles du Nord: École hollandaise III 1933 n°1216-1225. Amsterdam: Chez Jean Neaulme, libraire, 1757 unknown
185733895Philadelphia: Rembrandt Peale 1857. 1st Edition. 1st Edition. Signed by Author. Peale Rembrandt. Uncommon Autograph Letter Signed November 6th 1857. 8vo. 1 page. To "<br /> H. P. Beck Esq. Dear Sir. / Learning that you are now at home Mrs. Peale in returning the pictures you were so kind to lend her / expresses her sincere thanks for the favor. And I must add that I am sure you will be pleased with the success of her copy. / Respectfully yours / Rembrandt Peale". <br /> <br /> Rembrandt Peale 1778 1860 was an American artist and museum keeper the second son of Charles Wilson Peale A prolific portrait painter he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. <br /> <br /> One of his most famous works Patriae Pater 1824 is a portrait of George Washington designed to project the dignity and gravitas of Washington's character. This portrait known for its idealized and almost monumental quality became one of the most recognized images of Washington and was widely reproduced. He put the original painting on display in the U.S. Capitol in Philadelphia during the winter of 1823-24. In late February 1824. Rembrandt Peale unknown
1890P2629Paris and London: Francois Buffa et fils; Obach & Co. 1890. Very Good. Image Size : 640x830 mm 25.20x32.68 Inches Platemark Size : Paper Size : 750x890 mm 29.53x35.04 Inches Coloring: Black & White Medium: Etching Categories: Medical; Francois Buffa et fils; Obach & Co. unknown
1897311367Berlin: Photographic Society of Berlin 1897. First Edition; First Printing. Hardcover. Very Good in boards. Owner personalization on second front end page. Owner notes on pamphlet of photograph contents published in German. Shelfwear on panel and spine edges. Open tear on front panel top edge. Light foxing throughout pages. Photographic Society of Berlin hardcover
17756741775. Etching and drypoint on heavy cream laid paper 3 3/4 x 3 1/4 inches 96 x 83 mm narrow margins. In very good condition with some minor surface soiling.<br /> <br /> Björklund's second state of 2 copy. unknown
64476In-2; title page in two colors: 'HISTOIRE / DE / JOSEPH / ACCOMPAGNEE DE DIX FIGURES / Rélatives aux Principaux Evenemens de la / Vie de ce Fils du / PATRIARCHE JACOB / Et gravées sur le modéles du / FAMEUX REIMBRANDT / Par Monsieur le / COMTE DE CAYLUS / pasted down Honoraire de l'Academie des Inscriptions & des / Belle-Lettres;.'. Nine of ten full-page plates reproducing in reverse a series of ink drawings which is now in the Louvre Inv. 22903 to 22912 where they are catalogued as drawings in the manner of Rembrandt; the name of Gerbrandt van den Eeckhout has also been suggested. Caylus was an amateur etcher. He turned into prints many drawings in the collection of the Louvre. After the Introduction is a list of the ten plates. Titled at bottom signed. I 'Joseph raconte ses sognes' Joseph telling his dreams; signed at bottom: 'Rembrandt del. / C. Scul.' numbered on bottom right. II 'Joseph est descendu dans la cisterne' Joseph in the cistern. III 'Joseph est vendu á des marchands Ismaelites' Joseph being sold to an Ismaelite merchant. V 'Chasteté de Joseph.' the chastity of Joseph. VI 'La femme de Putiphar accuse Joseph'.VII 'Joseph dans la prison'.VIII 'Joseph explique les songes de Pharaon'IX 'Joseph governeur d'Egypte'X 'Joseph reconnu par ses freres'. plate nr. IV missing ""Jacob affligé a la vue de la robe de Joseph'. Caylus conceived this booklet as illustrated book to give an account on the life of Joseph. Some etchings are more successful than others also considering Caylus' endless experimenting with the techninque. See for example plate nr. II: the darkest areas are in fact white here. Possibly something went wrong during the etching process. Pages and plates loose; cardboard binding loose and damaged. Foxing and smudges especially on the external margins. Etching and letterpress on paper. Plates: ca. 219 x 160 mm total: 325 x 195 mm; brownings and tears along the most external margins; plates still in good condition; light foxing on margins of plates. Cohen 210. unknown
1973192984London: Phaidon 1973. Deluxe Issue Deluxe issue number 82 of 100 copies specially bound. The culmination of a life's work Otto Benesch's catalogue raisonné of the drawings of Rembrandt was first published in 1950-7 and remains to this day the work of reference on the subject. The deluxe issue consists of sheets of the 1973 enlarged edition the definitive edition of Benesch's magnum opus. 6 vols quarto. Over 1700 illustrations. Original red full crushed morocco smooth spines lettered in gilt edges gilt. Spines lightly sunned covers a little darkened. A very good set. unknown
76-0494Paris: Herni Louis Basen circa 1810. Etching on laid paper. 24.5 x 19.5 cm sheet. Lettered below the image in the lower right margin with Rembrandt’s facsimile signature and date: “Rembrandt f. 1647’. From the publication published by Henri Louis Basen Basen’s Receuil. Very Good with thread margins.Ex. Collection: Xavier Aflred Henrin de Roche du Teilloy Lugt 214d.Literature: New Hollstein 238a. [Paris: Herni Louis Basen, circa 1810]. unknown
1738P4772Venice 1738. Very Good. Image Size : Platemark Size : Paper Size : 502x363 mm 19.76x14.29 Inches Coloring: Printed in Color Medium: Woodcut Chiaroscuro style Categories: Religious Christianity; Old Masters; unknown
1920190761not identified: Prof. G. Goebel 1920. Hardcover. Good heavy wear to portfolio case covers are loose but holding top and bottom of porfolio case are detached pages are all clean with very light age toning all plates numbered 728-1001 are present plate number 733 is present but no longer attached. Oversized portfolio blue and gray cloth over boards gilt spine printing contains loose plates hand-numbered 728-1001 and mounted on thick cardboard. Text is in German. This is the fourth volume only of a 4 volume set of plates. At head of front cover: Illustrierter chronologischer Graphik-Katalog. 18x14x3.5" Prof. G. Goebel hardcover
1920191129not identified: Prof. G. Goebel 1920. Hardcover. Good heavy wear to portfolio case covers are loose but holding top and bottom of porfolio case are detached pages are all clean with very light age toning all plates numbered 1-251 are present. Oversized portfolio blue and gray cloth over boards gilt spine printing contains loose plates hand-numbered 1-251 and mounted on thick cardboard. Text is in German. This is the first volume only of a 4 volume set of plates. At head of front cover: Illustrierter chronologischer Graphik-Katalog. 18x14x3.5" Prof. G. Goebel hardcover
1920191130not identified: Prof. G. Goebel 1920. Hardcover. Good heavy wear to portfolio case covers are loose but holding top and bottom of porfolio case are detached pages are all clean with very light age toning plate # 517 is wrinkled there are two pages that appear to be misnumbered #286 appearing twice and no plate hand numbered 343 but the total number of plates is accurate. Oversized portfolio blue and gray cloth over boards gilt spine printing contains loose plates hand-numbered 252-520 and mounted on thick cardboard. Text is in German. This is the second volume only of a 4 volume set of plates. At head of front cover: Illustrierter chronologischer Graphik-Katalog. 18x14x3.5" Prof. G. Goebel hardcover
188862832New York Dodd Mead & Company 1888. Folio 405 x 305 mm. In publisher's original full white cloth with gilt lettering to spine and a gilt portrait of Rembrandt to front board. Upper edge gilt outer and lower edge uncut. Binding with wear and corner bumped with some loss of the cloth. Cloth with tears and and cloth on front hinge detached. Front hinges weak. 24 pp. 50 numbered photogravure plates each preceded by title leaf and followed by description. <br/><br/><em>A rare first edition of Curtis’s important study of Rembrandt’s most notable etchings illustrated with fifty photogravure plates. Issued after the author’s 1883 descriptive catalogue of Velasquez and Murillo this work opens with a biographical introduction asserting that an appreciation of Rembrandt’s etched oeuvre is essential to true artistic cultivation: “No test of one's taste and higher cultivation is more sure than the love for and capacity of appreciating these marvelous works. … If we may judge from the past there is nothing whose value is more sure than the etchings of Rembrandt.†From the introduction to the present work. Each of the fifty plates is accompanied by a title leaf and followed by detailed historical and descriptive commentary. </em> hardcover
2073London: John Murray 1878. The rarest and perhaps the most important catalogue raisonné of Rembrandt's etchings. Middleton describes 329 works he considers authentic and 30 which he rejects all in great detail with particular attention to states. He also provides detailed complex and scholarly arguments justifying his acceptance or rejection of each questionable piece: he was the first to do so and thus opened a new era in the study of these prints. lx 341 pp. 12 plates with illustrations of details distiguishing states and copies 2 pp. publisher's ads; "directions to binder" slip. A LARGE-PAPER COPY beautifully printed on fine handmade Dutch laid paper. 4to. Finely bound in contemporary quarter morocco and cloth. Top edge gilt other edges uncut. Slight superficial wear to extremities of binding internally bright and fine. Bourcard p. 224: "A la fin de cette monographie il y a 12 planches extremement curieuses.tout.est fort intéressant surtout à cause des réflexions que formule l'auteur pour arriver à demontrer ce qu'il affirme. Ce catalogue--qui est extremement rare in 1911!--a provoqué une ardente polemique entre l'auteur et Sir Francis Seymour Haden." Levis p. 277: "One of the most important of the catalogues of Rembrandt's etchings." An excellent copy of a rare and important book. <br/><br/> London: John Murray, 1878 hardcover
827171769. 24 5 x 19 5 cm 23 x 18 5 cm Etwas stockfleckig u. gebräunt Nach dem Gemälde von Rembrandt gestochen.- Georg Friedrich SCHMIDT 1712-1775 deutscher Kupferstecher Radierer und Pastellmaler der als Hofkupferstecher unter Friedrich II. wirkte. Er gilt auf seinem Gebiet als ein Meister des friderizianischen Rokokos. 010 1769 unknown
17586781758. Engraving on cream laid paper 8 x 5 7/8 inches 202 x 149 mm trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the top-center sheet edge extending approximately 1/2-inch into the platemark 1-inch in length. Inking is dark and clear and the sheet is otherwise in good condition. A reverse image copy of the work by Rembrandt printed mid 18th century. The image shows the so-called Little Stink Mill an actual windmill that once stood along the bulwark that extended down the west side of Amsterdam during the 17th century. The mill was owned and operated by the Leathermakers Guild and its nickname stemmed from the odorous practice of softening tanned leather with cod liver oil. <br /> <br /> An impression of this work may be viewed in the permanent collection of Harvard University's Fogg Art Museum; Division of European Art object number G3958. unknown
1891927CG1891. München u. a. Franz Hanstaengl 1891. Selbstportrait. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
1901190396Paris: Charles Sedelmeyer 1901. Softcover. Good- heavy shelfwear and tears to front cover missing spine and rear cover light smudging to text pages light age toning to pages all plates are present and otherwise clean. Brown wraps with gilt printing bw portrait mounted on front cover with gilt frame; 29 text pages plates numbered 401-485 each with descriptive text page and tissue guard sheet. Printed in edition of 75 numbered copies on Japan paper this being number 68. Text by Wilhelm Bode from the German by Florence Simmonds. 18x14x2.5" Charles Sedelmeyer paperback
71-5720Amsterdam: Rembrandt van Rijn 1639. Original etching. 24.5 x 20.5 cm sheet. Good a very late impression sheet trimmed to the image print affixed to a support board tears and stains along sheet edges. [Amsterdam: Rembrandt van Rijn, 1639]. unknown
76-0454Amsterdam: Rembrandt circa 1631. Etching on thin laid paper. 15.2 x 12 cm sheet. Though accepted by Bartsch and others this print is rejected by Boon and White suggesting it could be by an early pupil like Karel van der Pluym. Very Good.Literature: B. Hollstein 344; Hind 91. [Amsterdam: Rembrandt, circa 1631]. unknown
76-0453London: McMillan 1868. Etching on laid paper. 25 x 17 cm sheet. Very Good light toning along sheet edges.Literature: B. Hollstein 118; Hind 183. London: McMillan, 1868. unknown
16442160Paris 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches 124 x 114 mm; sheet 12 5/8 x 12 1/2 inches 321 x 318 mm the full sheet. In very good condition with the artist's moniker in the image in the lower right. No. 154 from a 19th century collection of etchings by Durand after Rembrandt. <br /> <br /> Bartsch 109. unknown
PR121285Young man in a velvet cap Petrus Sylvius; half-length turned to left eyes to front; second state with some outlining and shading removed.Signed bo: F. V. fecit / RH 1620.Scarce 1st state impression.NL Bedelaar en bedelares in gesprek. Gemaakt door Francis Vivares 1709-1780 naar Rembrandt 1606-1669. Etching on paper mounted on another sheet of paper with a slip of paper with handwritten notes on the maker; total: 89 x 63 mm; state I/2; in very good condition except for the visible traces of glue on the top corners mounting; New Hollstein 49 copy a before numbering. Traces of previous mounting on verso. unknown
#[59716]Portrait of Eleazar Swalmius theologician and priest in Amsterdam seated on a chair right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'. Book nr. 59578 other version l Engraving with some etching; trimmed on platemark: 328 x 259 mm; total: 333 x 260 mm; state: I/3; Hollstein Suyderhoef p. 252 nr. 120. On the verso unidentified collector's mark. PP01S unknown
1973030744U.S.A.: Phaidon Press Ltd 1973. About fine. Large 4to. Six volumes. Gilt top edge. International shipping please inquire for rates. In excellent condition. Phaidon Press Ltd unknown
