6 360 résultats
921London. The Pennsylvania State University Press. 1969. 4to. A study of the artist at work. Plates. DJ. 921 Rembrandt White Christopher. REMBRANDT AS AN ETCHER. London. The Pennsylvania State University Press. 1969. Large 4to. DJ. xi 263 pp. 348 illustrations. 1969. Hardcover. Book Condition: Near Fine. TWO VOLUMES. Complete Set. Volume One: Text. Volume Two: Plates. Two Near Fine hardback First American Edition First Printings Very Good Dust Jackets in fine condition. xi 263 pp. 348 illustrations. complete as issued. The major catalogue raisonné and critical study of the etchings. Freitag #8059. unknown
16309771630. Etching on cream laid paper laid down to a wove paper support 4 x 2 5/8 inches 101 x 67 mm sheet. In good condition with scattered light areas of discoloration. Printed early 19th century.<br /> <br /> Bartsch 165. Charles Amand Durand 1831-1905 is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer Beham and other various Old Masters from the 15th 16th and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis. unknown
16509781650. Heliogravure on cream laid paper 3 1/4 x 4 1/4 inches 80 x118 mm thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th century.<br /> <br /> Bartsch 236. Charles Amand Durand 1831-1905 is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer Beham and other various Old Masters from the 15th 16th and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis. unknown
16529791652. Etching on cream laid paper 4 5/8 x 3 1/2 inches 118 x 89 mm thread margins. Laid down to a medium weight laid support scattered nicks and corner wear. The top and bottom corners have been repaired. Printed early 19th century.<br /> <br /> Bartsch 131 copy in reverse; New Hollstein 266 copy b. Charles Amand Durand 1831-1905 is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer Beham and other various Old Masters from the 15th 16th and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis. unknown
197611 Steel Engravings After Rembrandt--Early 19th Century--de Frey Claessens Malbetel Massard and Rosaspima<br /> <br /> This set has seen better days due to being poorly stored. Given that most of the actual images are fairly clean and could be matted and framed to present very nicely. All show some levels of soiling and water damage but only one print has tideline intruding into the art. Plate sizes vary: paper measures approximately 20.5 x 16.5 inches with some variation. See Scans to examine each print. Possibly once part of a larger suite of Rembrandt prints Fair to good condition.<br /> <br /> Suite of eleven beautiful steel engravings after Rembrandt. Early 19th century. <br /> <br /> Engravers include de Frey 4 Claessens 4 Malbetel 1 Massard 1 and Rosaspima 1.<br /> <br /> Will ship flat. unknown
65715Seven etchings of lions after Rembrandt of a set of eight making up part F of the series 'Recueil de lionsÂ’.The frontispiece of the series of lions shows a lion resting on the ground carrying the title of the series: ‘RECEUÃL de LIONS Dessinés dÂ’apres nature par REMBRANDT et B. Picart qui les a gravés en 1728.Â’ At the bottom inscribed: ‘B. Picart ad Vivum del et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘1.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 78 x 120 mm; traces of previous mounting on the verso.A lion standing. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘2.Â’ Etching on paper with small margins; platemark: 69 x 113 mm total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying on its side. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘3.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 77 x 122 mm; traces of glue and previous mounting on the verso.A lion resting on the ground. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘4.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 80 x 122 mm; traces previous mounting on the verso.A chained lion resting on the ground. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘5.Â’ Etching on paper with small margins; platemark: 71 x 107 mm total: 82 x 119 mm; light foxing traces of previous mounting on the verso.A lion sitting on the ground seen from the back. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘7.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying down feeding from a bowl seen from the back. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘8.Â’ Etching on paper with small margins; platemark: 70 x 114 mm total: 80 x 124 mm; light stain in the middle-left light foxing traces of previous mounting on the verso. Literature: Les peintres français du XVIIIe siècle : histoire des vies et catalogue Louis Dimier dl. 1 p. 393 cat.nr. 903-946. unknown
59717Portrait of Eleazar Swalmius theologician and priest in Amsterdam seated on a chair right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'. Book nr. 59578 other version. Engraving with some etching; trimmed within platemark: 328 x 259 mm; state: I/3; Hollstein Suyderhoef p. 252 nr. 120. PP01S unknown
1969stela1373London: A. Zwemmer Ltd. 1969. 1969. 4to. pp. xi 243 3; 1 248-263 plates. 348 b/w illus. index. cloth. dw. First British Edition. Monograph. Freitag 8059. 1st Edition. Hardcover. Very Good/Dust Jacket Included. London: A. Zwemmer Ltd., 1969. Hardcover
1890928CG1890. München u. a. Franz Hanstaengl nicht datiert um 1890. Portrait Profil von Saskia van Uylenburgh 16121642. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. Rembrandt malte das Profilbild seiner Frau 1633/34. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
2025x-1032648600Routledge 2025. Hardcover. New. 268 pages. 9.18x6.12x9.21 inches. Routledge hardcover
#[60904]A standing man with turban and backpack making water. Signed and dated on the bottom: 'Rembrendt sic! 1631' l Etching on paper with small margins; plate mark: 85 x 55 mm total: 91 x 61 mm; in very good conditions New Hollstein 52 copy not included Bartsch 190 unknown
3412961-20Phaidon Press Limited. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Phaidon Press Limited unknown
276Etching on cream wove paper 4 3/4 x 3 3/4 inches 120 x 95 mm wide margins. Scattered light surface soiling unevenly trimmed wide margins all consistent with age. Likely printed 18th century. unknown
2009ABE-1479900543727Images Publishing Group Pty Ltd 2009 Splendid survey of three great generations of the Bugatti's - sculpture cars furniture design - which accompanied the exhibition in the National Gallery Victoria. NEW unread perfect copy of the hardback first edition. Language: eng. 1st Edition. Hardcover. New/New. Images Publishing Group Pty Ltd hardcover
PR121837Modern etching and aquatint by Anna Gildemeester 1867-1945 signed in the right bottom corner.Similar print present in University Leiden Special Collections under number PK-P-133.325.NL Gildemeester werd geboren aan de Keizersgracht in Amsterdam als lid van de familie Gildemeester en derde dochter van dr. Jan Paulus Gildemeester 1825-1901 medisch doctor en Elisabeth Maria Johanna Fortuyn. Gildemeester bleef ongehuwd en verhuisde in 1900 met haar ouders naar Scheveningen. Ze werd werkend lid van de Haagse Kunstkring. In 1913 verhuisde ze met moeder en zus naar het Huis te Heelsum waar ze een eigen atelier had. Ze sloot zich aan bij de kunstenaarsvereniging Pictura Veluvensis en exposeerde meerdere malen.Bijlage bij het Jaarverslag van de Ver.Rembrandt 1894 Etching and aquatint on laid paper with watermark wide margins one former fold in the left bottom corner. Total size 230 x 300 mm. unknown
1987RBUGREM00drpLes Editions de l'Amateur 1987. Very Good. Bugatti Rembrandt. Rembrandt Bugatti: Catalogue Raisonne. Des Cordes Jacques-Chalom; Des Cordes Veronique Fromanger. Paris: Les Editions de l'Amateur 1987. 333pp. Illustrated. Folio. Green cloth. Book condition: Very good with gently bumped corners. Dust Jacket Condition: Good with chipping and closed tears in edges. In DJ protector. Les Editions de l'Amateur hardcover
1839198062Philadelphia/Boston: H. Perkins/Perkins and Marvin 1839. Hardcover. Fair Brown boards are very loose and heavily worn all over; boards are bowed at the corners; covers are very loose and starting at both ends; spine strip is heavily damaged and loose from the textblock; notes on endpages; textblock edges are moderately toned; interior has light toning and moderate foxing throughout. Brown boards with gilt lettering and debossed illustration; 263 pp. This particular copy was from the library of Peale Scholar Charles Coleman Sellers as indicated by the name ifc. H. Perkins/Perkins and Marvin hardcover
1920191171Munchen: Holbein-Verlag 1920. Stiff boards. Good overall shelfwear to portfolios volume 1 has a name handwritten on top of title page all plates are present and pages are lightly age toned and chipped along edges. Volume 2 portfolios are warped. Volume 2 covers and all pages have two holes that go clear through. All plates in volume 2 are present and otherwise clean. Two oversized volumes grayish-blue portfolios with gilt lettering. Volume 1 has a title page table of contents 8 text pages 8 pp of bw illustrations followed by plates numbered 1-110. Volume 2 contains title page followed by plates 111-218. Volumes 1 and 2 of a 3 volume set. Text in German. I. hrsg. von H.W. Singer. 1920 -- II. hrsg. von J. Springer. 1914 . The plates have titles in English French German and Italian. 20x14x2" Holbein-Verlag hardcover
1954107850New York 1954. Reprint. Hardcover. Very Good in a Very Good dust jacket. Chips and tears to heel. Edge wear. Good slipcase. Scuffing and toning to slipcase. ; 8vo 8" - 9" tall. hardcover
#[59718]Portrait of Eleazar Swalmius theologician and priest in Amsterdam seated on a chair right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'; below in the center in brown ink '387'. Book nr. 59578 other version l Engraving with some etching; trimmed on platemark: 328 x 259 mm; total: 330 x 262 mm; state: I/3; Hollstein Suyderhoef p. 252 nr. 120. On the verso unidentified collector's mark. PP01S unknown
2020x-1788316754Bloomsbury USA Academic 2020. Hardcover. New. 292 pages. 9.25x6.50x1.00 inches. Bloomsbury USA Academic hardcover
2013__1409420388Ashgate Pub Co 2013. Hardcover. New. new edition edition. 195 pages. 9.45x6.46x0.75 inches. Ashgate Pub Co hardcover
48256802-nnew. unknown
196943049University Park & London: Pennsylvania State University Press 1969. First edition. pp. 1-xii1 -243 text volume; pp. 245-263 348 half-tone illustrations plate volume. 2 vols. 4to. Green buckram. Fine in dust jackets with slight wear. First edition. pp. 1-xii1 -243 text volume; pp. 245-263 348 half-tone illustrations plate volume. 2 vols. 4to. Pennsylvania State University Press unknown
18001321Amsterdam 1800. Etching with engraving on cream laid paper which is watermarked with a fancy "M" 9 1/2 x 12 3/16 inches 240 x 308 mm narrow margins. In good condition with some scattered light areas of discoloration lower margin trimmed to exclude text. An impression of this work may be viewed in the permanent collection of the Philadelphia Museum of Art accession number: 1985-52-7522. unknown