7 428 résultats
Complete series of 6 volumes, 1st edition, together ca. 500pp. text + 1734 reproductions of drawings out of text (most of them in their original seize), 34x24cm., uniform publisher's hardcover bindings, some dustwrappers with minor wear and small tears, vols.1/2 and 5/6 each in protective publisher's cart. slipcase, good condition, [Content: Volumes I-II: The Leiden years, The early Amsterdam period 1625-1640, Volumes III-IV: The Middle Period 1640-1650, Volumes V-VI: The Late Period 1650-1669], weight: 14.5 kg., S102995
1954S102995London, The Phaidon Press 1954-197 Complete series of 6 volumes, 1st edition, together ca. 500pp. text + 1734 reproductions of drawings out of text (most of them in their original seize), 34x24cm., uniform publisher's hardcover bindings, some dustwrappers with minor wear and small tears, vols.1/2 and 5/6 each in protective publisher's cart. slipcase, good condition, [Content: Volumes I-II: The Leiden years, The early Amsterdam period 1625-1640, Volumes III-IV: The Middle Period 1640-1650, Volumes V-VI: The Late Period 1650-1669], weight: 14.5 kg., S102995
2 28.7x19.5 cm., [6], 392 ; [4], 472 pp., 47 acqueforti n.t. a piena o a mezza pagina tra cui un ritratto di Rembrandt all'antiporta del primo tomo, legatura coeva in mezzo marocchino rosso, al dorso nervi e titoli in oro, tagli superiori dorati, ex libris al contropiatto ant., qualche fioritura e piccole abrasioni alle cerniere ma ottimo esemplare, in francese Il volume contiene una storia dei cataloghi ragionati di Rembrandt, una breve biografia e un nuovo catalogo ragionato di incisioni e dipinti, con riferimenti a Bartsch, Claussin e Wilson.
16442160Paris 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches 124 x 114 mm; sheet 12 5/8 x 12 1/2 inches 321 x 318 mm the full sheet. In very good condition with the artist's moniker in the image in the lower right. No. 154 from a 19th century collection of etchings by Durand after Rembrandt. <br /> <br /> Bartsch 109. unknown
190932905BBStuttgart u. Leipzig. Deutsche Verlagsanstalt. 1909-17. 20 Bände. 4° zahlr. Ill. OLwd./OHlwd. Einbände mit Goldpräg., Kopfgoldschnitt, gemusterte Vorsätze. Leicht berieben und bestossen, Exlibris, teils Falz geplatzt, Bindung aber fest, gering schief gelegen, Textbräunung, Schnitt teils leicht fleckig, kleine Stempel innen.
PR121285Young man in a velvet cap Petrus Sylvius; half-length turned to left eyes to front; second state with some outlining and shading removed.Signed bo: F. V. fecit / RH 1620.Scarce 1st state impression.NL Bedelaar en bedelares in gesprek. Gemaakt door Francis Vivares 1709-1780 naar Rembrandt 1606-1669. Etching on paper mounted on another sheet of paper with a slip of paper with handwritten notes on the maker; total: 89 x 63 mm; state I/2; in very good condition except for the visible traces of glue on the top corners mounting; New Hollstein 49 copy a before numbering. Traces of previous mounting on verso. unknown
185915531859 Gide, Paris, 1859. 2 volumes demi chagrin fauve à coins, tête dorée, dos à nerfs, titre et tomaison dorés, 392+472 pages. Orné de bois gravés et de 40 eaux-fortes tirées à part et rapportées dans le texte. Quelques rousseurs, néanmoins bel exemplaire.
#[59716]Portrait of Eleazar Swalmius theologician and priest in Amsterdam seated on a chair right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'. Book nr. 59578 other version l Engraving with some etching; trimmed on platemark: 328 x 259 mm; total: 333 x 260 mm; state: I/3; Hollstein Suyderhoef p. 252 nr. 120. On the verso unidentified collector's mark. PP01S unknown
1973030744U.S.A.: Phaidon Press Ltd 1973. About fine. Large 4to. Six volumes. Gilt top edge. International shipping please inquire for rates. In excellent condition. Phaidon Press Ltd unknown
921London. The Pennsylvania State University Press. 1969. 4to. A study of the artist at work. Plates. DJ. 921 Rembrandt White Christopher. REMBRANDT AS AN ETCHER. London. The Pennsylvania State University Press. 1969. Large 4to. DJ. xi 263 pp. 348 illustrations. 1969. Hardcover. Book Condition: Near Fine. TWO VOLUMES. Complete Set. Volume One: Text. Volume Two: Plates. Two Near Fine hardback First American Edition First Printings Very Good Dust Jackets in fine condition. xi 263 pp. 348 illustrations. complete as issued. The major catalogue raisonné and critical study of the etchings. Freitag #8059. unknown
16309771630. Etching on cream laid paper laid down to a wove paper support 4 x 2 5/8 inches 101 x 67 mm sheet. In good condition with scattered light areas of discoloration. Printed early 19th century.<br /> <br /> Bartsch 165. Charles Amand Durand 1831-1905 is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer Beham and other various Old Masters from the 15th 16th and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis. unknown
16509781650. Heliogravure on cream laid paper 3 1/4 x 4 1/4 inches 80 x118 mm thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th century.<br /> <br /> Bartsch 236. Charles Amand Durand 1831-1905 is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer Beham and other various Old Masters from the 15th 16th and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis. unknown
16529791652. Etching on cream laid paper 4 5/8 x 3 1/2 inches 118 x 89 mm thread margins. Laid down to a medium weight laid support scattered nicks and corner wear. The top and bottom corners have been repaired. Printed early 19th century.<br /> <br /> Bartsch 131 copy in reverse; New Hollstein 266 copy b. Charles Amand Durand 1831-1905 is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer Beham and other various Old Masters from the 15th 16th and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis. unknown
197611 Steel Engravings After Rembrandt--Early 19th Century--de Frey Claessens Malbetel Massard and Rosaspima<br /> <br /> This set has seen better days due to being poorly stored. Given that most of the actual images are fairly clean and could be matted and framed to present very nicely. All show some levels of soiling and water damage but only one print has tideline intruding into the art. Plate sizes vary: paper measures approximately 20.5 x 16.5 inches with some variation. See Scans to examine each print. Possibly once part of a larger suite of Rembrandt prints Fair to good condition.<br /> <br /> Suite of eleven beautiful steel engravings after Rembrandt. Early 19th century. <br /> <br /> Engravers include de Frey 4 Claessens 4 Malbetel 1 Massard 1 and Rosaspima 1.<br /> <br /> Will ship flat. unknown
921London. The Pennsylvania State University Press. 1969. 4to. A study of the artist at work. Plates. DJ. 921 Rembrandt White Christopher. REMBRANDT AS AN ETCHER. London. The Pennsylvania State University Press. 1969. Large 4to. DJ. xi 263 pp. 348 illustrations. 1969. Hardcover. Book Condition: Near Fine. TWO VOLUMES. Complete Set. Volume One: Text. Volume Two: Plates. Two Near Fine hardback First American Edition First Printings Very Good Dust Jackets in fine condition. xi 263 pp. 348 illustrations. complete as issued. The major catalogue raisonné and critical study of the etchings. Freitag #8059. unknown books
65715Seven etchings of lions after Rembrandt of a set of eight making up part F of the series 'Recueil de lionsÂ’.The frontispiece of the series of lions shows a lion resting on the ground carrying the title of the series: ‘RECEUÃL de LIONS Dessinés dÂ’apres nature par REMBRANDT et B. Picart qui les a gravés en 1728.Â’ At the bottom inscribed: ‘B. Picart ad Vivum del et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘1.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 78 x 120 mm; traces of previous mounting on the verso.A lion standing. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘2.Â’ Etching on paper with small margins; platemark: 69 x 113 mm total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying on its side. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘3.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 77 x 122 mm; traces of glue and previous mounting on the verso.A lion resting on the ground. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘4.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 80 x 122 mm; traces previous mounting on the verso.A chained lion resting on the ground. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘5.Â’ Etching on paper with small margins; platemark: 71 x 107 mm total: 82 x 119 mm; light foxing traces of previous mounting on the verso.A lion sitting on the ground seen from the back. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘7.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying down feeding from a bowl seen from the back. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘8.Â’ Etching on paper with small margins; platemark: 70 x 114 mm total: 80 x 124 mm; light stain in the middle-left light foxing traces of previous mounting on the verso. Literature: Les peintres français du XVIIIe siècle : histoire des vies et catalogue Louis Dimier dl. 1 p. 393 cat.nr. 903-946. unknown
1987028718Des Cordes, Jacques-Chalom and VÃronique Fromager Des Cordes: Rembrandt Bugatti. Catalogue raisonnÃ. Paris: Edition de l' Amateur, 1987. 336pp with 114 colour and 286 monochrome and duotone illustratrations. Cloth. 37.5x27.5cms. Complete catalogue of the sculpture, with documentation, examples of signatures, chronology of work, brief bibliography. Text in French.
1987028718Des Cordes, Jacques-Chalom and VÃronique Fromager Des Cordes: Rembrandt Bugatti. Catalogue raisonnÃ. Paris: Edition de l' Amateur, 1987. 336pp with 114 colour and 286 monochrome and duotone illustratrations. Cloth. 37.5x27.5cms. Complete catalogue of the sculpture, with documentation, examples of signatures, chronology of work, brief bibliography. Text in French.
59717Portrait of Eleazar Swalmius theologician and priest in Amsterdam seated on a chair right hand on his chest. On the left a bookcase. After a painted portrait by Rembrandt. Under the portrait a poem by Geldorpius. Under the poem on the left: 'Rembrandt Pinxit'; 'I.Suijderhoef Sculpsit'; 'P. Goos Excudit' and 'H. Geldorpius'. Book nr. 59578 other version. Engraving with some etching; trimmed within platemark: 328 x 259 mm; state: I/3; Hollstein Suyderhoef p. 252 nr. 120. PP01S unknown
19324050Paris 1932 en feuilles 1) 2 lettres tapuscrites signées in-8 de Paul Deloffre (arbitre et rapporteur près le tribunal de commerce de la Seine) datées du 16 janvier 1932 et du 25 juin 1932, à Victor Mercier (en sa qualité de président de la Société des Amis des Livres), 2) 2 lettres autographes signées (1 p. in-12 et 1 p. 1/2 in-12) de André-Charles Coppier, datées du 24 mars 1932 et du 26 mai 1932, à Victor Mercier, 3) 1 manuscrit autographe non signé de Léopold Carteret de 2 1/3 pp. in-8 sur papier à son en-tête, daté du 13 juin 1932, à propos du litige en question, avec biffures de la main de Victor Mercier, 4) le compte-rendu autographe non signé par Victor Mercier de la réunion du 25 mai 1932 de la Société des Amis des Livres (1 2/3 p.), 5) le brouillon autographe non signé d'une lettre du 14 juin 1932 de Victor Mercier à Paul Deloffre (3 2/3 pp. in-4), 6) copie ronéotypée du contrat entre André-Charles Coppier et Firmin Didot et Cie pour l'édition de "Les Eaux Fortes de Rembrandt" (4 1/2 pp. in-4), 7) copie ronéotypée des questions de André-Charles Coppier soumises à la Société (3 pp. in-4), 8) copie ronéotypée des questions de Firmin, Didot et Cie soumises à la Société (2 pp. 1/2 in-4).
1969stela1373London: A. Zwemmer Ltd. 1969. 1969. 4to. pp. xi 243 3; 1 248-263 plates. 348 b/w illus. index. cloth. dw. First British Edition. Monograph. Freitag 8059. 1st Edition. Hardcover. Very Good/Dust Jacket Included. London: A. Zwemmer Ltd., 1969. Hardcover
1890928CG1890. München u. a. Franz Hanstaengl nicht datiert um 1890. Portrait Profil von Saskia van Uylenburgh 16121642. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. Rembrandt malte das Profilbild seiner Frau 1633/34. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
7909A Paris, chez F. Buisson, Libraire, rue Hautefeuille, n° 20, An III [1794-95]. Deux volumes in-8, demi-percaline verte, dos lisse avec titre, tomaison et filets dorés, xvi-408 pp. & 446 pp. Tome Premier : Notice historique sur George Forster - Voyage philosophique et pittoresque sur les rives du Rhin... : Première Lettre : Boppart. - IIe Lettre : Andernach. - IIIe Lettre : Cologne. - IVe Lettre : Cologne. - ...
This is a fine hardcover copy with a near fine dust jacket with almost no wear or fading. Slight wear to edges of jacket. Completely clean. Stated first edition. Over 600 illustrations including 58 in color. 12" high X 9" wide, 359 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
