Renoir, Pierre-AugusteBiblio.com
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50-018220th cent. Etching. Delteil 14. Later printing. 20th cent. unknown
1411871Limited Edition #245/1000. Color lithograph on paper inspired by the celebrated 1876 Impressionist composition by Pierre-Auguste Renoir depicting elegantly dressed figures gathered in a sunlit garden. Numbered lower left "245/1000" signed by Paul Renoir in graphite to lower right. Presented under glass in an ornate gilt wood frame with cream mat. Print: 23 in. x 30 in. Frame: 32.75 in. x 49.5 in. In Very Good condition. Frame with light surface wear. Not examined out of frame. Shelved at Rockville Room B.<br /> <br> <br /> <br> <br /> Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1411871. Special Collections - Upstairs. unknown
196657679Boston: Little Brown 1966. First edition. 8vo pp. 316. Author's presentation on half-title: "For Helen Strauss this new product of my new career for which she is so greatly responsible. With all my affection Jean Renoir Beverly Hills Sept 17 - 1966." Paper over boards. Edges and cover slightly spotted o/w a VG tight copy in scuffed sllightly chipped and price-clipped dj. Helen M. Strauss who created the literary department at the William Morris agency and became a major influence in the worlds of books motion pictures and the theater. Renoir is best remembed for his remarkable career as a film maker. Little, Brown unknown books
197415317JNew York: Atheneum 1974. First Edition- American. Signed by the author / director Jean Renoir on a label affixed to the half-title. Illustrated. Fine copy in a very good price-clipped dust jacket with some fading at the spine. Jean Renoir was the famous French director of such classics as Grand Illusion and The Rules of the Game. Atheneum unknown books
197417961ENew York: Atheneum 1974. First Edition- American. Signed by the author / director Jean Renoir on a label affixed to the half-title. Illustrated. Fine copy in a very good price-clipped dust jacket with some fading at the spine. Jean Renoir was the famous French director of such classics as Grand Illusion and The Rules of the Game. Atheneum unknown books
1962028136London: Collins 1962. 2nd Printing. Hardcover. Good/No Jacket. Second Impression November 1962. Translated by Randolph and Dorothy Weaver. Stain bubble to rear cover very slight separation from bottom spine inside rear. Text photographs and illustrations near fine. <br/> <br/> Collins hardcover
1880563681880. Paris n.d. c. 1880. 68 plates of engraved monogrammes printed on recto only. In original blind- and goldstamped publisher's cloth binding with marbled edges. spine & corners bumped and damaged. some pages slightly soiled or foxed. the gold lettering on the front cover a bit faded. Contains 68 plates of engraved monograms late 19th century designed & engraved by H. Renoir58 rue Nve.St. Augustin Paris and printed by Sarazin Paris. All letters of the alphabet are depicted in all possible combinations two or three plates a letter 1 plate of general monograms. H. Renoir is Pierre-Henri Renoir 1832-1903 an engraver of gems who had published several works on engraving and design. He was the elder brother of impressionist painter Pierre-Auguste Renoir. In fact the first time Zola saw a painting by Auguste Renoir he thought it was by his older brother Henri. Uncommon sample book. hardcover
193932656Paris ; New York : Durand-Ruel éd., 1939. 2 volumes grand in-8 reliés (25,5 x 17 cm), reliure pleine toile vert-olive, titre doré sur pièces de titre en cuir marron, sous emboîtage orange. Couvertures conservées, 465-355 pages, illustrés de gravures, photographies, portraits, fac-similes. Intérieur très frais, très bel état. Bel envoi autographe signé de Paul Durand-Ruel.
1923178051Paris: Bernheim-Jeune 1923. Softcover. Fair binding very loose wraps soiled. Brown wraps with black lettering and etching. French. 14 pp. plus 40 leaves of plates in B&W and color. 1/150 copies. Original etching on cover by Louis Fort depicting a drawing by Renoir. Preface by French symbolist poet Henri de Regnier 1864-1936. An overview of the nude works by Impressionist painter Auguste Renoir 1841-1919. Bernheim-Jeune unknown books
1906340231906. Etching. Printed on laid paper. Later impression from the original plate. In pristine condition. Image size: 5 1/8 x 7 ½ inches. Son of a tailor and dressmaker Renoir moved with his family from Limoges to Paris in 1844. He was apprenticed to a porcelain manufacturer from 1854 to 1858 where he painted rococo-style decorations. In 1862-63 he attended the Ecole des Beaux-Arts in the studio of Charles Gleyre where he met Sisley Pissarro Monet and Fantin-Latour. Renoir first exhibited at the Salon in 1864 and began at about this time to work out-of-doors. Courbet Corot and Daubigny were important early influences although his progress toward a more vivid and sketchy style was encouraged by the work of Monet and Manet. He participated in the first impressionist exhibition of 1874 but subsequently in only the second third and seventh group shows. In 1881-82 Renoir traveled to Algeria and Italy where his exposure to ancient and Renaissance art led him to introduce into his impressionism a new linear and sculptural direction. After years of financial struggle a retrospective at Durand-Ruel in 1892 signaled greater popular success. Although his health began to fail in the late nineties Renoir continued to paint and even experiment with sculpture until his death.<br/> <br/>Delteil Loys. Le peintre-graveur illustré vol. XVII no. 14; Biographical description taken from the Fine Arts Museum of San Francisco. unknown books
1923178051Paris: Bernheim-Jeune 1923. Softcover. Fair binding very loose wraps soiled. Brown wraps with black lettering and etching. French. 14 pp. plus 40 leaves of plates in B&W and color. 1/150 copies. Original etching on cover by Louis Fort depicting a drawing by Renoir. Preface by French symbolist poet Henri de Regnier 1864-1936. An overview of the nude works by Impressionist painter Auguste Renoir 1841-1919. Bernheim-Jeune paperback
1954213822Paris France 1954. 1954 Facsimile edition. Hardcover. VG- moderate shelfwear to boards some tears at edges pages uniformly tanned content in excellent condition. Red boards with gilt text on spine. Vol. I - 168 pp. Vol. II - 192 pp. Many bw illustrations. Text in French. Does not reproduce the two etchings from original publication. Reprint. Originally published: Paris : Chez Ambroise Vollard 1918. hardcover
1968309227LONDON: LORRIMER. Fine. 1968. First Edition. Fine in a fine dj. 0 . LORRIMER. unknown
1906340231906. Etching. Printed on laid paper. Later impression from the original plate. In pristine condition. Image size: 5 1/8 x 7 ½ inches. Son of a tailor and dressmaker Renoir moved with his family from Limoges to Paris in 1844. He was apprenticed to a porcelain manufacturer from 1854 to 1858 where he painted rococo-style decorations. In 1862-63 he attended the Ecole des Beaux-Arts in the studio of Charles Gleyre where he met Sisley Pissarro Monet and Fantin-Latour. Renoir first exhibited at the Salon in 1864 and began at about this time to work out-of-doors. Courbet Corot and Daubigny were important early influences although his progress toward a more vivid and sketchy style was encouraged by the work of Monet and Manet. He participated in the first impressionist exhibition of 1874 but subsequently in only the second third and seventh group shows. In 1881-82 Renoir traveled to Algeria and Italy where his exposure to ancient and Renaissance art led him to introduce into his impressionism a new linear and sculptural direction. After years of financial struggle a retrospective at Durand-Ruel in 1892 signaled greater popular success. Although his health began to fail in the late nineties Renoir continued to paint and even experiment with sculpture until his death.<br/> <br/> Delteil Loys. Le peintre-graveur illustré vol. XVII no. 14; Biographical description taken from the Fine Arts Museum of San Francisco. unknown
197129882ABLausanne éditions Durand-Ruel. 1971. 32,7x26,4 cm. 429 p., 1 f. Avec 646 illustrations en noir et blanc et quelques illustrations en couleurs. Reliure pleine toile, jaquette.
9196année 1905 complète, publication mensuelle, in folio, couverture illustrée en couleurs, texte sur 2 colonnes 12 n° du n° 178 de janvier au n° 189 de décembre. En un volume demi-chagrin vert à nerfs et à coins, titre doré. Filet à froid sur les plats. Dos insolé. JANVIER: consacré entièrement au peintre Félix ZIEM. Texte de L. Roger-Millès.FEVRIER: Nouvelle inédite par Pierre VEBER la belle Lurette et la bonne Franquette illustrations de E CHAYFLERY. Pierre VALDAGNE L’âme illustrations de A. BELLEROCHE, un hors-texte en couleurs de Francis PICABIA. CAYLUS Rosanie conte de fées illustrations d’André DEVAMVEZ. Proverbes du mois de février illustrations George DELAW- Statues d’antan. MARS : NUMERO SPECIAL - La table le manger et le boire à travers les siècles, illustrations de, A. JUNGBLUTH, A.M Le PETIT, BOUVET, BESSON, FRANC-LAMY. AVRIL: Pâques nouvelle de Max NORDAU, traduction de Ph. E. GLASER. Illustrations de F. BORCHARDT. Proverbes d’Avril illustrations de DELAW. Pages oubliées Henri D ROLL Monsieur et Madame la pluie, conte fantaisiste illustrations de George DELAW. Pages d’album Salon des Id »pendants PIET, SIGNAC, SEURAT, MATISSE, CAMOIN, MANGUIN, etc. MAI : NUMERO SPECIAL: Album autographe dessins de CHABAS, ROTIG, CALBET, BOGGS, DEVAMBEZ, PINTA FOUQUERAY, etc. JUIN : NUMERO SPECIAL: La réclame, son présent, son passé, son avenir. Cris de Paris XVIème siècle illustrations d’après les documents de l’époque. La place du Delta à la fin du jour hors-texte en couleurs de Francis GARAT. Cris de Paris par MARTINET. Réduction s d’affiches en couleurs des compagnies de chemin de fer. Une rivale, nouvelle inédite par Octave de PREMOL illustrations de METIVET. JUILLET: Mélancolie par BELLEROCHE (couverture en couleurs) Romain COOLUS nouvelle inédite : l’homme au miracle. Illustrations de M.K.X ROUSSEL. Proverbes du mois de juillet illustrations par DELAW. Le musée d’un chef de la sureté dessins de Paul DESTEZ. Un artiste indépendant Léon GOLAN. 22 illustrations, dont une hors-texte en couleurs. Claude BERTHON les mondanités légendaires, illustrations de Lucien METIVET. AOUT: H.DAUX-ROLL. Monsieur Courant d’air. Conte fantaisiste, illustrations de George DELAW. Un hors-texte en couleurs de Mary CASSAT. Une fable de LA Fontaine illustrée par E.M SIMAS Au pays des poupées illustrations de FRANC-LAMY. Deux images pour les tout petits par André HELLE le bon berger –l’attaque du moulin. SEPTEMBRE: Charles Henry HIRSCH Les propos interrompus, nouvelle inédite. Illustrations de A. GUMERY. Un hors-texte de HENNER, Salomon GESSNER les lointaines idylles Amyntas, illustrations de A. CALBET. Proverbes du mois de septembre illustrations de George DELAW. Un peintre de tradition biblique Alphonse LEVY. Fontaines d’autrefois. OCTOBRE : fiançailles en musique nouvelle inédite de Georges LECOMTE illustrations de J. BESSON. Proverbes du mois d’Octobre illustrations de George DELAW. Pages d’album Au salon d’automne d’ESPAGANA, GUILLAUMIN, F. PICABIA, Manuel ROBBE, TEN-CATE, RENOIR (une pleine page en couleurs) LAPRADE etc. Georges BERTRAND les mannequettes -maquettes animées. . M. PCIARD aquarelliste. NOVEMBRE : Claude BESSON la chasse illustrations de Lucien METIVET, Hélène VACARESCO Marina, légende Roumaine, illustrations de GROPEANO. Chasse de l’ancienne France –la vénerie-la chasse à tir. Charles Henry HIRSCH la maison s’éveille, nouvelle inédite, illustrations de GUMERY. DECEMBRE: le dégel, nouvelle inédite par André THEURIET. Illustrations d’ A. CALBET. CAYLUS : conte de fées La princesse Minutie et le roi Floridor, illustrations de A. DEVAMBEZ dont une double page. H.DAUX ROLL le démon Siroco, Royaume Brûlant, illustrations de George DELAW
1951191120-1Monte-Carlo, A. Sauret, Éd. du Livre 1951. 4°. 86 S. Mit 33 Tafn. (farbig, getönt oder Schwarzweiß) u. 1 Textabbildung. Original-Kartonband
184049Paris.: Sarazin. no date. Contemporary quarter calf over blindstamped boards marbled endpapers marbled edges. Very good covers worn at extremities very light soiling to plates. folio. 68 engraved plates with monograms. Sarazin. hardcover
1988315645Norwalk Connecticut: Easton Press 1988. First Edition; First Printing. Hardcover. Near Fine Leather Bound. Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines.; First Easton Press Edition.; 4to 11" - 13" tall. Easton Press hardcover
184049Paris. : Sarazin. . Contemporary quarter calf over blindstamped boards marbled endpapers marbled edges. . Very good covers worn at extremities very light soiling to plates. folio. 68 engraved plates with monograms. Sarazin. hardcover books
27528Paris, novembre 1920 - septembre 1921, 6 vol. in-8, brochés, couvertures rempliées, non rognés. Textes de Larbaud, Léautaud, Salmon, Jules Romains, Fénéon, Léon Werth, Charles Vildrac, etc. Dessins de Marie Laurencin, Matisse, Bonnard, Signac, Renoir, Derain, Dufy, Dunoyer de Segonzac, Friesz, Vlaminck, Maillol, Marquet, Grosz, etc. Année complète en tirage de luxe, chaque volume étant l'un des 50 exemplaires tirés sur torchon de Hollande, à toutes marges et en parfait état intérieurement (couvertures légèrement poussièreuses).
27528Paris, novembre 1920 - septembre 1921, 6 vol. in-8, brochés, couvertures rempliées, non rognés. Textes de Larbaud, Léautaud, Salmon, Jules Romains, Fénéon, Léon Werth, Charles Vildrac, etc. Dessins de Marie Laurencin, Matisse, Bonnard, Signac, Renoir, Derain, Dufy, Dunoyer de Segonzac, Friesz, Vlaminck, Maillol, Marquet, Grosz, etc. Année complète en tirage de luxe, chaque volume étant l'un des 50 exemplaires tirés sur torchon de Hollande, à toutes marges et en parfait état intérieurement (couvertures légèrement poussièreuses).
34764Monte-Carlo, Editions du Livre - André Sauret, 1951. In-4°, 87p. Broché, couverture illustrée rempliée.
195556046Paris: Gallimard 1955. Fine. Gallimard Paris 1955 12 x 19 cm broché First edition one of 29 numbered copies on pur fil paper the only large paper copies. A very good copy. Gallimard unknown
35104712-nnew. unknown
