684 résultats
1938131891Paris: Paris Film 1938. Vintage oversize double weight reference photograph from the 1938 film a strong image of actor Jean Gabin in a train engineer's uniform lighting a cigarette.<br /> <br /> Shot by acclaimed portrait photographer Sam Levin who worked with director Jean Renoir on several other productions including "La Grande Illusion" 1937 and "The Rules of the Game" 1939 and whose early photographs of Brigitte Bardot helped craft her public image as a sex symbol. <br /> <br /> Based on Émile Zola's 1890 novel. Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Gabin. Remade in the US in 1954 by Fritz Lang as "Human Desire."<br /> <br /> 11.5 x 12 inches. Near Fine. <br /> <br /> Criterion Collection 324. Paris Film unknown
1961151476N.p.: N.p. 1961. Three typed letters signed from director Jean Renoir to Atlantic Monthly Press publisher Seymour Lawrence planning a meeting and discussing the forthcoming publication of the director's book "Renoir" a biography of Renoir's father. <br /> <br /> Three concise but personable letters in which Renoir discusses his travel plans and the reception of his latest film "Picnic on the Grass" and expresses his hope to send a typed manuscript of his book to literary agent Helen Strauss as soon as possible.<br /> <br /> 8.5 x 11 inches. Near Fine with brief creasing to the edges. N.p. unknown
02-073220th cent. Etching. Delteil 4. Later printing. Printed on wide margined cream laid paper. 20th cent. unknown
19703116117London: LORRIMER. Fine in Near Fine dust jacket. 1970. First Edition; First Printing. Hardcover. 0900855339 . First edition. INSCRIBED by film director Jean Renoir on a card a-fixed to front end-paper. Fine in price-clipped otherwise fine dust jacket. One of the esteemed director's finest films. ; 8vo 8" - 9" tall . LORRIMER hardcover
191039541Unknown. Fine with no dust jacket. 1910. Folder. Etching; Mounted in heavy paper folder. Plate size: 6 5/8 x 4 3/8 inches 170 x 112 mm Folder is about 18" x 22". . Unknown unknown
1968138745Paris: N.p. 1968. Vintage borderless oversize photograph from a 1968 press conference in support of Cinematheque Francaise founder Henri Langloius featuring Jean-Luc Godard Jean Renoir Jean Rouch and Louis Daquin. Photographer's rubber stamp and light black ink manuscript annotations on the verso. <br /> <br /> This photograph originates from a meeting held in support of Henri Langlois founder and director of the influential Cinematheque Francaise. In 1968 French culture minister Andre Malraux attempted to stop funding for the Cinematheque which would ostensibly have ousted Langlois thus igniting a series of heated protests. Renowned directors and film fans worldwide expressed their support of the institution including Renoir Godard Rouch and Daquin as seen here. Though compromises were made the show of support forced Malraux reinstate Langlois. <br /> <br /> 9.25 x 11.75 inches. Near Fine. N.p. unknown
51-5918Paris: Floury 1921. Quarto .19 x 25cm. Contemporary cloth with crack on spine. 4 273 1 2 pp. Illustrated with an original drypoint etching"Jeunes Filles Fleurissant Leurs Chapeaux" alternatively titled "Le Chapeau Epinglé "Delteil 8. 56 heliogravure plates 12 in color and 95 heliogravures in the text. Paris: Floury 1921 hardcover
197153836Torino: Edizioni D'arte Pinacoteca Editrice 1971. Limited. Hardcover. Very Good in Very Good dust jacket. 31 x 25 cm. Quarto. Grey cloth in dust jacket. Duotone reproductions. Essays in Italian French and English. Titles of works in French language. Limited to 510 copies signed by one of the authors Stefano Pirra. This is copy number 17 and signed by Stefano Pirra. Bottom right corner is bumped which effects the dust jacket and cloth as well as the pages. Tear to rear of dust jacket ~5 cm long. Scarce work. Edizioni D'arte Pinacoteca Editrice hardcover
1948215341Paris France: Quatre Chemins - Editart 1948. Softcover. Fair- Wraps split at spine some staining on wraps and tears at edges pages generally good with one being considerably tanned. Gray wraps with red text on cover. Color and monochrome illustrations. Missing plates IV VII XI XIII XV and XVI. One of 250 copies printed for Shoman Art Company. Five hundred numbered copies were printed of which numbers 1 to 250 were reserved for Shoman Art Company. Table Des Planches : Les Aquarelles - 1. Marine 2. Paysage 3. L'Estaque 4. Les Martigues 5. Mme Renoir et Pierre dans une barque 6. L'arbre roux 7. Le chemin tournant 8. Paysage ; Les Sanguines - 9. La peche a la ligne 10. Etude pour Les Parapluies La Modiste 11. La moissonneuse 12. Nu 13. Nu 14. Baigneuse s'essuyant le pied 15. Gabrielle 16. Le petit peintre. Quatre Chemins - Editart paperback
197414311JNew York: Atheneum 1974. First American Edition. Inscribed and signed by Jean Renoir on the title page: “To My Friend Ulric de Vaere Jean Renoir.†The recipient was a playwright. Fine in a near fine dust jacket wtih some slight sunning at spine. Renoir was the famous French director of such classics as The Grand Illusion The Diary of a Chambermaid The Woman on the Beach Rules of the Game. Considered by many to be France’s greatest film director. Atheneum unknown
76-0870Paris: Floury circa 1923. Etching on laid paper. 33 x 25.5 cm sheet. A later impression. Very Good.Literature: Delteil 23; Stella 23. [Paris: Floury, circa 1923]. unknown
76-0871Paris: Floury circa 1923. Etching on laid paper. 25.5 x 33 cm sheet. A later impression. Very Good.Literature: Delteil 14; Stella 14. [Paris: Floury, circa 1923]. unknown
76-0872Paris: Floury circa 1923. Etching on laid paper. 33 x 25.5 cm sheet. A later impression. Very Good.Literature: Delteil 5; Stella 5. [Paris: Floury, circa 1923]. unknown
19311723New York: Harper & Brothers 1931. First Edition First Printing. Hardcover. Just About Fine/Near Fine. Black cloth over boards title and decorations stamped in blue onto upper board and spine 12mo 7-1/4 inches tall pp. vi viii 270 stated first edition. Volume with spine ends just slightly softened and very light taps to upper board corners else fine; pages 241-270 still remain within the publisher's unopened printed seal. Price-intact DJ with partial fade to spine panel light edge wear a few short closed tears and two faint creases to upper corner of rear flap. An outstanding copy with great uncredited Deco artwork - scarce in this condition with both the jacket and seal intact. Harper & Brothers hardcover
1989210909001Citadel Video 1989. VHS. New and Sealed. 7 New VHS Tapes of The Sum and Substance Series 1-7 Produced in 1962 by KNXT Los Angeles CA in Association with USC for CBS Broadcasting 1989 Citadel Video. All seven VHS tapes are Brand New and still sealed. All seven cases feature B&W cover art and a synopsis of the subject of each TV show from the publisher. Each tape is 29 minutes long and features an in-depth interview with some of the most famous artists in the world. Three Writers one Theologian one Broadway Playwright one Film Director and one Anthropologist. Vol 1 is Aldous Huxley Vol 2 is Upton Sinclair Vol 3 is Paul Tillich Vol 4 is Margaret Mead Vol 5 is Clifford Odets Vol 6 is Jean Renoir and Vol 7 is Ray Bradbury. These are very scarce and I can only find a few in libraries that have survived. Here are the first 7 in the series of 26 shows and brand new. Herman Harvey was an associate professor in the Department of Psychology at USC between 1952 and 1972. Harvey was recognized as an outstanding educator and researcher and in 1963 was among the first professors to receive the USC Associates’ award for excellence in teaching. At an early date Harvey recognized the educational possibilities of television. His three half-hour series — “Psychology on TV” “Child Psychology on TV” and “The Nature of Human Nature” — received wide acclaim. He developed the “Sum and Substance” series of 26 half-hour television programs for CBS. Each show consisted of in-depth interviews with figures such as Margaret Mead Aldous Huxley Paul Tillich Upton Sinclair and Gregor Piatigorsky. This series was aired in Canada Australia Japan and Poland and it brought Harvey numerous invitations to lecture in America and Europe. A superb set still sealed in the publishers shrink-wrap. LOC SSS-19 Citadel Video unknown
25496BOSTON: LITTLE BROWN. Fine in Near Fine dust jacket. 1962. First American Edition. Cloth in Slipcase. 0316740136 . Deluxe Edition. Fine in very close to fine dust jacket. Laid-into the publisher's red card slipcase. INSCRIBED by Jean Renoir on half-title page. Trace of faint discoloration on spine of jacket. A few small spots of rubbing & chipping to edges of slipcase . LITTLE, BROWN. hardcover
1966313584BOSTON: LITTLE BROWN AND COMPANY. Fine in Near Fine dust jacket. 1966. First Edition; First Printing. Hardcover. SIGNED by film director Jean Renoir on the half-title. Fine in a priceclipped otherwise near fine dj. Trifle rubbing to front cover of dj. B . LITTLE, BROWN AND COMPANY. hardcover
16-5637Paris: Durand-Ruel éditeurs 1939. 8vo. Original wraps. 16.5 x 25.5cm. Very good. Provenance Estate of Claude Roger-Marx. Physical Description:2 v. 465 p. 355 p. : plates fac-sim. portraits h-t. ; gr. in-8°OCLC Number / Unique Identifier:459251441 l.Expertise by Alain Nicolas and Pierre Gheno Paris. Paris: Durand-Ruel éditeurs, 1939 paperback
50-018220th cent. Etching. Delteil 14. Later printing. 20th cent. unknown
1411871Limited Edition #245/1000. Color lithograph on paper inspired by the celebrated 1876 Impressionist composition by Pierre-Auguste Renoir depicting elegantly dressed figures gathered in a sunlit garden. Numbered lower left "245/1000" signed by Paul Renoir in graphite to lower right. Presented under glass in an ornate gilt wood frame with cream mat. Print: 23 in. x 30 in. Frame: 32.75 in. x 49.5 in. In Very Good condition. Frame with light surface wear. Not examined out of frame. Shelved at Rockville Room B.<br /> <br> <br /> <br> <br /> Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1411871. Special Collections - Upstairs. unknown
1962028136London: Collins 1962. 2nd Printing. Hardcover. Good/No Jacket. Second Impression November 1962. Translated by Randolph and Dorothy Weaver. Stain bubble to rear cover very slight separation from bottom spine inside rear. Text photographs and illustrations near fine. <br/> <br/> Collins hardcover
1880563681880. Paris n.d. c. 1880. 68 plates of engraved monogrammes printed on recto only. In original blind- and goldstamped publisher's cloth binding with marbled edges. spine & corners bumped and damaged. some pages slightly soiled or foxed. the gold lettering on the front cover a bit faded. Contains 68 plates of engraved monograms late 19th century designed & engraved by H. Renoir58 rue Nve.St. Augustin Paris and printed by Sarazin Paris. All letters of the alphabet are depicted in all possible combinations two or three plates a letter 1 plate of general monograms. H. Renoir is Pierre-Henri Renoir 1832-1903 an engraver of gems who had published several works on engraving and design. He was the elder brother of impressionist painter Pierre-Auguste Renoir. In fact the first time Zola saw a painting by Auguste Renoir he thought it was by his older brother Henri. Uncommon sample book. hardcover
1923178051Paris: Bernheim-Jeune 1923. Softcover. Fair binding very loose wraps soiled. Brown wraps with black lettering and etching. French. 14 pp. plus 40 leaves of plates in B&W and color. 1/150 copies. Original etching on cover by Louis Fort depicting a drawing by Renoir. Preface by French symbolist poet Henri de Regnier 1864-1936. An overview of the nude works by Impressionist painter Auguste Renoir 1841-1919. Bernheim-Jeune paperback
1954213822Paris France 1954. 1954 Facsimile edition. Hardcover. VG- moderate shelfwear to boards some tears at edges pages uniformly tanned content in excellent condition. Red boards with gilt text on spine. Vol. I - 168 pp. Vol. II - 192 pp. Many bw illustrations. Text in French. Does not reproduce the two etchings from original publication. Reprint. Originally published: Paris : Chez Ambroise Vollard 1918. hardcover
1968309227LONDON: LORRIMER. Fine. 1968. First Edition. Fine in a fine dj. 0 . LORRIMER. unknown
