373 résultats
1876157480Paris: Librairie des Bibliphiles 1876. Third Edition. No. 476 of 500 copies. Hardcover. Very good . xi 247 p. 22 cm. 83 b&w engravings by Holbein. Bound in half leather with marbled boards and endpapers. Top edge gilt. Light scuffing to spine and a bit of shelf wear. Ink signature on a front endpaper. French text. <br/><br/>Erasmus wrote In Praise of Folly in Latin in 1509. Having formed its outline during his travels in Italy and Germany the author revised and expanded the work during his stay with his friend Sir Thomas More in Bucklersbury England. "Folly" is considered one of the most influential works in Western literature and a catalyst for the Reformation. The work enjoyed great popular success much to Erasmus's astonishment and sometimes his dismay. Even Pope Leo X found it amusing. Librairie des Bibliphiles hardcover
190113Berlin: Julius Bard not dated. Softcover. VG- light soiling and shelfwear to covers pages are clean and clear with light age toning along edges. Missing plates XIV-5 and XV-3. Oversized tan portfolio wraps with black lettering; 9 bw and color mounted plates numbered XIV1- XIV-10 missing XIV-5 and 9 bw and color mounted plates numbered XV1-XV-10 missing XV-3. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 14th and 15th. Series Deutscher Verein für Kunstwissenschaft E. V 21"x16"x1" Julius Bard paperback
1879057FR1A. Quantin 1879. 1879 pp. 201 27 Wonderful engraved plates. Illustrated with 49 gravures in the text fleurons ornamental letters and culs-de-lampes engraved after Holbein. Folio. 47 cm. Soiled original full cloth binding. Includes the important "Catalogue des Peintures de Holbein" pp. 185-194 and bibliographical references. Hans Holbein the Younger 1497-1543 was born in Augsburg Bavaria. He received his first lessons in art from his father. In 1515 the younger Holbein went to Basel Switzerland with his brother Ambrosius. Among the many scholars living in Basel at that time was the famous Dutch humanist Erasmus who befriended the young artist and asked him to illustrate his satire Encomium Moriae The Praise of Folly. Holbein also illustrated other books including Martin Luther's German translation of the Bible. In addition he painted pictures and portraits and like his father designed stained-glass windows. He also created designs for a series of 41 woodcuts called The Dance of Death. About 1525 the factional strife that accompanied the Reformation made Basel a difficult place for an artist to work. In 1526 Holbein carrying a letter of introduction from Erasmus to the English statesman and author Sir Thomas More set out for London. He met with a favorable reception in England and stayed there for two years. In 1528 he returned to Basel where he painted portraits and murals for the town hall. In 1532 he left his wife and children there and traveled once again to London. In England where he became court painter to Henry VIII Holbein was known chiefly as a painter of portraits. His services were much in demand. The more than 100 miniature and full-size portraits he completed at Henry's court provide a remarkable document of that colorful period. An old account of his services at court relates that he painted the portrait of the king "life size so well that everyone who looks is astonished since it seems to live as if it moved its head and limbs." In spite of their richness of detail Holbein's portraits provide remarkably little insight into the personality and character of the people he painted. Holbein also found time to perform numerous services for Henry. He designed the king's state robes and made drawings that were the basis of all kinds of items used by the royal household from buttons to bridles to bookbindings. In 1539 when Henry was thinking of marrying Anne of Cleves he sent Holbein to paint her portrait. In 1543 Holbein was in London working on another portrait of the king when he died a victim of the plague. FIRST EDITION. FR1 Language: eng. 1st Edition. Hardcover. Very Good. A. Quantin, 1879. hardcover
1947042128New York New York U. S. A.: Sylvan Press 1947. Limited Edition . Hardcover. Very Good/No Jacket. 4to - over 9¾ - 12" tall. This Copy Is An Unnumbered Probably Used As A Review Copy. The Book Is Bound In Decorative Black Cloth Over Boards With Pale Yellow Lettering On The Spine. The Top Edges Are Dyed Red. The Book Has Minor Wear With A Small Area Of The Top Stain Lightened. <br/> <br/> Sylvan Press hardcover
164915442Antwerp:: Adam Alexius Bierling 1649. First state. Rare. 10 x 14 cm. A fine impression. Clean with strong lines wide margins. A beautiful portrait. Suitable for framing. Pennington believes this portrait to be of Dr. Butts Henry VIIIÕs physician. New Hollstein suggests the sitter resembles Chas. Brandon Duke of Suffolk. Pennington 1554. Hollstein 1066. BM: 1853 0112.1938. Adam Alexius Bierling, unknown
2011Atlantic-9788189995546MapinPub 2011. Hardcover. New. MapinPub hardcover
2011Atlantic-9788189995546MapinPub 2011. Hardcover. New. MapinPub hardcover
179555796London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of the gentleman. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555794London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of the count of Laval. Engraved by BARTOLOZZI Francesco. Size: 280 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
179569847London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555797London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555793London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
2008BN150199Zürich : Ammann Verlag 2008. 2008. Narratorium : 255 Lebensbilder. Ulrich Holbein <br/><br/>Narratorium : 255 Lebensbilder. Ulrich Holbein Ulrich Holbein Zürich : Ammann Verlag unknown
2003BN257867Petersberg : Imhof 2003. 2003. Hans Holbeins Madonna im Städel : der Bürgermeister sein Maler und seine Familie ; Städelsches Kunstinstitut und Städtische Galerie 29. Februar bis 23. Mai 2004. Katalog: Bodo Brinkmann <br/><br/>Hans Holbeins Madonna im Städel : der Bürgermeister sein Maler und seine Familie ; Städelsches Kunstinstitut und Städtische Galerie 29. Februar bis 23. Mai 2004. Katalog: Bodo Brinkmann Brinkmann Bodo und Hans Holbein Petersberg : Imhof unknown
2003BN206924Tsunami-Comics an Imprint of mg/publishing/ 2003. 2003. Tsunami Graphix 3D <br/><br/>Tsunami Graphix 3D ed.: Christina Holbein Tsunami-Comics an Imprint of mg/publishing/ unknown
BN289275Die Druckgraphik im Kupferstichkabinett Basel <br/><br/>Die Druckgraphik im Kupferstichkabinett Basel Hans Holbein unknown
1988BN258656Basel : Kunstmuseum 1988. 1988. Hans Holbein d. J. / der Jüngere : Zeichn. aus d. Kupferstichkabinett d. Öffentl. Kunstsammlung Basel ; diese Publ. erscheint aus Anlass d. Ausstellung "Zeichnungen Hans Holbeins d.J. aus d. Sammlung I.M. Königin Elizabeth II. in Windsor Castle und aus der Öffentlichen Kunstsammlung Basel" Kunstmuseum Basel 12. Juni - 4. September 1988. Katalog von Christian Müller <br/><br/>Hans Holbein d. J. / der Jüngere : Zeichn. aus d. Kupferstichkabinett d. Öffentl. Kunstsammlung Basel ; diese Publ. erscheint aus Anlass d. Ausstellung "Zeichnungen Hans Holbeins d.J. aus d. Sammlung I.M. Königin Elizabeth II. in Windsor Castle und aus der Öffentlichen Kunstsammlung Basel" Kunstmuseum Basel 12. Juni - 4. September 1988. Katalog von Christian Müller Holbein Hans und Christian Müller Basel : Kunstmuseum unknown
2003BN22607Wißner 2003. 2003. Softcover. 24 x 17 x 22 cm. Die sechs Augsburger Basilikabilder entstanden in den Jahren 1499 bis 1504 sind der größte Schatz altdeutscher Malerei in Augsburg geschaffen von Hans Holbein d.Ä. Hans Burgkmair d.Ä. und dem Monogrammisten L.F. Die einzigartigen Meisterwerke werden in der grundlegenden Arbeit von Magdalene Gärtner ausführlich dargestellt und erläutert. Reihe/Serie Schwäbische Geschichtsquellen und Forschung ; 23 Zusatzinfo 6 Taf. 1 CD Sprache deutsch Maße 170 x 240 mm Einbandart kartoniert Geisteswissenschaften Geschichte Regionalgeschichte Ländergeschichte Altdeutsche Malerei Augsburg Kunst Malerei Christliche Kunst Geschichte Regionalgeschichte Ländergeschichte Holbein Katharinenkloster Augsburg Pilger ISBN-10 3-89639-351-0 / 3896393510 ISBN-13 978-3-89639-351-7 / 9783896393517 <br/><br/>Geschichte Regionalgeschichte Ländergeschichte Altdeutsche Malerei Augsburg Kunst Malerei Christliche Kunst Geschichte Regionalgeschichte Ländergeschichte Holbein Katharinenkloster Augsburg Pilger ISBN-10 3-89639-351-0 / 3896393510 ISBN-13 978-3-89639-351-7 / 9783896393517 Die sechs Augsburger Basilikabilder entstanden in den Jahren 1499 bis 1504 sind der größte Schatz altdeutscher Malerei in Augsburg geschaffen von Hans Holbein d.Ä. Hans Burgkmair d.Ä. und dem Monogrammisten L.F. Die einzigartigen Meisterwerke werden in der grundlegenden Arbeit von Magdalene Gärtner ausführlich dargestellt und erläutert. Reihe/Serie Schwäbische Geschichtsquellen und Forschung ; 23 Zusatzinfo 6 Taf. 1 CD Sprache deutsch Maße 170 x 240 mm Einbandart kartoniert Geisteswissenschaften Geschichte Regionalgeschichte Ländergeschichte Altdeutsche Malerei Augsburg Kunst Malerei Christliche Kunst Geschichte Regionalgeschichte Ländergeschichte Holbein Katharinenkloster Augsburg Pilger ISBN-10 3-89639-351-0 / 3896393510 ISBN-13 978-3-89639-351-7 / 9783896393517 Wißner paperback
2006BN137407Prestel 2006. 2006. Hardcover. Hans Holbein d.J. - die Jahre in Basel 1515 - 1532 ; anlässlich der Ausstellung Hans Holbein d.J. - die Jahre in Basel 1515 - 1532 Kunstmuseum Basel 1. April bis 2. Juli 2006. <br/><br/>Hans Holbein d.J. - die Jahre in Basel 1515 - 1532 ; anlässlich der Ausstellung Hans Holbein d.J. - die Jahre in Basel 1515 - 1532 Kunstmuseum Basel 1. April bis 2. Juli 2006. Müller Christian; Holbein Hans Prestel hardcover
185617837Paris: Edwin Tross. Very Good. 1856. First Edition Thus. Hardcover. Bright clean red cloth binding with gilt decoration & lettering. Text tight & intact: binding solid. Unpaginated. Written in Latin & French. Various scenes illustrating the universality of death no matter one's station in life are engraved in the historiated woodcut borders & letters. Hans Holbein 1497-1543 created his Alphabet of Death at a time when the Latin alphabet did not distinguish between I and J or U and V. The separation into vowels and consonants came after the Renaissance. De Montaiglon's preface notes that Holbein's alphabet has only twenty-four letters. Early owner's bookplate. Toning on endpapers only. Poetry Art; Large 8vo 9" - 10" tall . Edwin Tross hardcover
179555795London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of Francis II. Engraved by BARTOLOZZI Francesco. Size: 270 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
179654824IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1796. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Queen Elizabeth I. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 21.5 x 28 cm. 8½ x 11 inches unknown
0348-25London um 1630. Radierung. 27 5 x 20 2 cm. Plattengr. Mit schmalem Rand. Auf Trägerkarton montiert. Sonst gut erhalten. Gestochenes Portrait des britischen Adeligen und Staatsmannes Thomas Howard 3. Duke of Norfolk 1473-1554 nach dem Gemälde von Hans Holbein d. J. 1497-1543 aus dem Jahr 1539. Lucas Vorsterman 1595-1675 dürfte das Gemälde Holbeins in einem der Anwesen der Earls of Arundel gesehen und studiert haben. In der Platte mit gestochenem Vermerk: Visitur in Aedibus Arondelianis Londini Vorsterman fecit". London?, um 1630. unknown
1777008900Roi Neuchâtel Switzerland: chez Samuel Fauche Libraire du Roi Neuchâtel 1777. First Edition Thus. Half Leather. Very Good /No Dj. engraved plates. Lacking title page but clearly the edition of 1777 of Chez Samuel Fauche Libraire du Roi Neuchâtel with the double frontispiece featuring the portraits of Erasmus Thomas Moore and Holbein. 8vo. rebound in navy half leather over light blue cloth c. early 20th century no title page double engraved frontispieces plus 6 engraved foldout plates 73 half page plates in text and 3 engraved vignettes. Frontis 2 advertissement nouvelle edition 2 translators preface 6 author's preface 6 234 tables 14 and gilt titles and decorations on rasied spine. Small scuff to light blue cloth at front cover a few small stains rear cover. Corners gently bumped and very modestly worn. Binding tight and firm. Text and and plates slightly toned but remarkably unfoxed better than very good condition. chez Samuel Fauche Libraire du Roi Neuchâtel unknown
029759Journal of Indian Art and Industry Ex-Library. Good. Cloth. First Separate. Folio - over 12" - 15" tall. Complete article "Persian and Indian Bookbinding" by Hendley extracted from The Journal of Indian Art and Industry bound in burgundy cloth lettered in gilt issued thus as a limited edition off-print. Ex-library typically marked/stamped rubbed at corners and spine extremities dried glue residue along joints cloth moderately soiled and/or darkened by age with institutitional book plate mounted on front pastedown. Text block essentially disbound housed in case that now functions more as a portfolio to protects its edges; binding could be restored but due to fragility of paper we would not recommend it. First leaf of article pp.51-52 with color decorated border chipped with loss along fore-edge not affecting text subsequent leaf pp. 53-54 with fore-edge loss. Text occupies pp. 52-54 followed by 13 full page color chromolitho plates numbered 65-77 all suitable for extraction and framing if desired bound loosely by cord some partially detached also facsimile MS. sheet in the hand of Charles Wilkins Librarian East India House 1807. All plates complete and intact without edge chipping or loss though somewhat toned by age and all showing small library stamp along bottom edge: 65 Persian ornament from the Shah Jehan Nameh; 66 The Koran Harun Ben Bayazid A.D. 1613; 67 Specimen of Persian Drawing and Penmanship XVII Cent.; 68 Inside of Cover of No. 67; 69 Shah Jehan Nameh MS; 70 Shah Nama by Firdusi XVII Cent. MS.; 71 Ganjinah i La'ali Shahwar Khakan i Namdar al Sultan Padishah Fath 'Ali Kajar; 72 Two Book Covers; 73 - 75 Book Cover 3 examples; 76 Ulwar and its Art Treasures cover; 77 Three Backs of Books. Approx. 14 3/4" x 10 3/4". Exceptionally scarce. Journal of Indian Art and Industry Hardcover
