Erasmus von Rotterdam, DesideriusAntiquariat.de
679 résultats
178055847Basel, Johann Jakob Thurneysen, 1780. 8°. Mit 83 Textholzschnitten nach Holbein. 14 Bll., 396 S., 1 weißes Bl., Etw. späterer HLwd.-Bd. m. goldgepr. Rückentitel.
2926291Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926274Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926249Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926232Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926222Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926212Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926202Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926192Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
LCS-18475Les plus grand exemplaire (hauteur: 177 mm) répertorié sur le marché depuis plusieurs décennies. Lyon, Melchior & Gaspar Trechsel, 1538. Petit in-4 de (52) feuillets, signés A-M4. Plein maroquin brun, fleuron central à froid, dos à nerfs orné, filets or sur les coupes, roulette intérieure, tranches dorées. Reliure signée de Trautz-Bauzonnet, vers 1865. 177 x 123 mm.
190330503Lyon 1538, vermutlich Faksimile - Nachdruck München, Hirth 1903. Gr. - 8°, o.Pag. (104 S.) mit Illustrationen nach den Holzschnitten Holbeins, sehr schöner Halbpergament-Band mit Marmorpapierbezug und kalligraphischer Rückenbeschriftung.
190330503Lyon 1538, vermutlich Faksimile - Nachdruck München, Hirth 1903. Gr. - 8°, o.Pag. (104 S.) mit Illustrationen nach den Holzschnitten Holbeins, sehr schöner Halbpergament-Band mit Marmorpapierbezug und kalligraphischer Rückenbeschriftung.
133257856X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365307319.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365307351.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364129948.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390863948.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391695356.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ABAA-75TH-VBF-11<p>Lyon Melchior & Gaspar Trechsel 1538.</p><p>Small 4to of 52 leaves signed A-M4.</p><p>Full brown morocco blind-stamped central fleuron decorated ribbed spine gilt inner border gilt edges. <em>Binding signed Trautz-Bauzonnet circa 1865.</em></p><p>177 x 123 mm.</p><p>" <em>Earliest known edition of this remarkable work with its most fascinating designs of exquisite finish </em>" Murray.</p><p>Brunet III 254 ; Brun <em>Le livre français illustré de la Renaissance</em> p. 222 ; Mortimer 284 ; Murray 247 ; Massmann S. 8 ; Minns 213 ; Holbein-Kat. Basel 1960 nr. 418 ; Woltmann92-149 ; Hollstein XIVa 202 99 ; 247 ; Brunschwig 428 ; Baudrier V 175 ; Rothschild I 15.</p><p><em>'Suite of 41 compositions beautifully engraved after Holbein's drawings. The monogram HL on l. 36 on the duchess's bed is by Hans Lützelbürger plate XX'.</em> Brun.</p><p>First edition of Holbein's Dance of Death whose iconographic influence continues to the present day. " <em>Holbein's contribution to the traditional Dance of Death was a sharpening of the humor and satire and a heightening of the drama so that the customary procession of figures becomes instead under his hand a series of fully realized scenes</em> " Mortimer.</p><p>Erste Druckausgabe von Holbeins Basler Totentanz. " Die Folge besteht aus 51 Bildern von denen 41 beim Tode Lützelburgers vor Johannistag 1526 vollendet waren und in der Ausgabe von 1538 erschienen. Melchior Trechsel hatte die Stöcke direkt bei Lützelburger bestellt und am Johannistag 1526 bezogen ; nach Aussage des Vorworts von 1538 getraute man sich nicht die restlichen Stöcke schneiden zu lassen " Holbein-Kat.</p><p>First printed edition of Holbein's Basel Dance of the Dead. 'The suite consists of 51 images 41 of which were completed at Lützelburger's death before Midsummer 1526 and which were published in the 1538 edition.</p><p><strong>Very rare first issue of this remarkable and famous suite of The Dance of the Dead imagined by Holbein and 'which' according to the bibliographers 'must be ranked among the most beautiful books ever published'. </strong></p><p><strong>This very precious dance of the dead comprises 41 prints engraved by Hanz Lützelburger based on drawings by Hans Holbein.</strong></p><p>The monogram <em>H</em> signs the engraving of the Duchess.</p><p><strong>In 1536 the brilliant artist was chosen as one of Henri VIII's painters.</strong></p><p><strong>In 1538 Holbein left for Belgium and then visited Lyon. This trip coincided with the first publication in that city by Gaspar and Melchior Trechsel of</strong> '<em>Simulacres et Historiées faces de la mort'</em>.</p><p>The 41 woodcuts that adorn the volume had been printed in Basel as early as 1530 but had never been brought together in a collection. Holbein's Basel collaborator Hans Lùtzelburger executed here the engravings from his master's drawings see his monogram 'HL' on f. 36. </p><p><strong>The first series of these chilling yet humorous images gives great importance to what was to become one of the most famous illustrated books of the Renaissance. </strong></p><p>Holbein's last known work was a drawing dated 1543 the year in which the great artist was struck down by a plague epidemic.</p><p><strong>The absolutely remarkable iconography bears witness to Holbein's genius in the originality expression and realism of the scenes evoking the different classes of society as well as in the extreme finesse of the drawing.</strong></p><p><em>'The wonderful pictures of his most facinating designs of exquisite finish'</em> were the source of inspiration for many later artists.</p><p>Each of the engravings is laid out under an extract of 3 Latin lines from the Bible and is accompanied by a quatrain in French.</p><p>All classes of society are represented in this masterly production with its fascinating realism.</p><p>The work was so successful that 12 editions were published between 1538 and 1562.</p><p>The quatrains and epistle in French are attributed to Jean de Vauzelles or Gilles Corrozet.</p><p>The widest copy height: 177 mm recorded on the market for several decades.</p><p>Provenance: the copy comes from the famous library of the entrepreneur philanthropist and bibliophile <em>Charles William Dyson Perrins</em> 1864-1958; <em>Sam Josefowitz Pully </em>- then by descent to the present owners. </p><p>FR</p><p>Lyon Melchior & Gaspar Trechsel 1538.</p><p>Petit in-4 de 52 feuillets signés A-M4.</p><p>Plein maroquin brun fleuron central à froid dos à nerfs orné filets or sur les coupes roulette intérieure tranches dorées. <em>Reliure signée de Trautz-Bauzonnet vers 1865.</em></p><p>177 x 123 mm.</p><p>" <em>Earliest known edition of this remarkable work with its most fascinating designs of exquisite finish </em>" Murray.</p><p>Brunet III 254 ; Brun <em>Le livre français illustré de la Renaissance</em> p. 222 ; Mortimer 284 ; Murray 247 ; Massmann S. 8 ; Minns 213 ; Holbein-Kat. Basel 1960 nr. 418 ; Woltmann92-149 ; Hollstein XIVa 202 99 ; 247 ; Brunschwig 428 ; Baudrier V 175 ; Rothschild I 15.</p><p>"<em>Suite de 41 compositions merveilleusement gravées d'après les dessins d'Holbein. Le monogramme HL qui se voit au f. 36 sur le lit de la duchesse est celui de Hans Lützelbürger planche XX</em> ". Brun.</p><p>First edition of Holbein's Dance of Death whose iconographic influence continues to the present day. " <em>Holbein's contribution to the traditional Dance of Death was a sharpening of the humor and satire and a heightening of the drama so that the customary procession of figures becomes instead under his hand a series of fully realized scenes</em> " Mortimer.</p><p>Erste Druckausgabe von Holbeins Basler Totentanz. " Die Folge besteht aus 51 Bildern von denen 41 beim Tode Lützelburgers vor Johannistag 1526 vollendet waren und in der Ausgabe von 1538 erschienen. Melchior Trechsel hatte die Stöcke direkt bei Lützelburger bestellt und am Johannistag 1526 bezogen ; nach Aussage des Vorworts von 1538 getraute man sich nicht die restlichen Stöcke schneiden zu lassen " Holbein-Kat.</p><p>Première édition imprimée de la danse macabre bâloise de Holbein. "La suite se compose de 51 images dont 41 étaient achevées à la mort de Lützelburger avant la Saint-Jean 1526 et qui ont été publiées dans l'édition de 1538….</p><p><strong>Premier tirage de grande rareté de cette remarquable et célèbre suite de la danse des morts imaginée par holbein et " qui doit " selon les bibliographes " être rangée parmi les plus beaux livres qui aient été publiés ". </strong></p><p><strong>Cette très précieuse danse des morts comprend 41 estampes gravées par hanz lützelburger sur les dessins de hans holbein.</strong></p><p>Le monogramme <em>H</em> signe la gravure de la Duchesse.</p><p><strong>en 1536 le génial artiste est choisi comme l'un des peintres de Henri VIII.</strong></p><p><strong>en 1538 Holbein part pour la Belgique puis visite Lyon. Ce voyage coïncida avec la première publication dans cette ville par Gaspar et Melchior Trechsel des</strong> " <em>Simulacres et Historiées faces de la mort</em> ".</p><p>Les 41 bois gravés qui ornent le volume avaient été tirés à Bâle dès 1530 mais n'avaient jamais été réunis en recueil. Le collaborateur bâlois de Holbein Hans Lùtzelburger exécute ici les gravures d'après les dessins de son maître voir son monogramme "HL" au f. 36. </p><p><strong>La première réunion en série de ces images à la fois glaçantes et teintées d'humour confère toute son importance à ce qui allait devenir l'un des livres illustrés les plus célèbres de la Renaissance. </strong></p><p>Le dernier ouvrage connu d'Holbein fut un dessin daté de 1543 année où le grand artiste fut terrassé par une épidémie de peste.</p><p><strong>L'iconographie absolument remarquable témoigne du génie d'Holbein dans l'originalité l'expression et le réalisme des scènes évoquant les différentes classes de la société ainsi que dans la finesse extrême du dessin.</strong></p><p>" <em>The wonderful pictures of its most facinating designs of exquisite finish</em> " furent la source où plusieurs artistes postérieurs puiseront leur inspiration.</p><p>Chacune des gravures est mise en page sous un extrait de 3 lignes latines de la Bible et est accompagnée d'un quatrain en français.</p><p>Toutes les classes de la société sont réunies dans cette mise en scène magistrale au réalisme fascinant.</p><p>L'ouvrage connut d'ailleurs un tel succès que 12 éditions se succédèrent de 1538 à 1562.</p><p>Les quatrains et épître en français sont attribués à Jean de Vauzelles ou Gilles Corrozet.</p><p>Le plus grand exemplaire hauteur : 177 mm répertorié sur le marché depuis plusieurs décennies.</p><p>Provenance : l'exemplaire provient de la célèbre bibliothèque de l'entrepreneur philanthrope et bibliophile <em>Charles William Dyson Perrins</em> 1864-1958 ; <em>Sam Josefowitz Pully</em> – puis par descendance aux propriétaires actuels. </p> hardcover
0353706043.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
4731Les Editions G. Van Oest, Paris, 1931. Fort et grand in-4, portefeuille cartonné contenant un volume broché de texte de 136 pp. et un ensemble de 104 planches en feuilles sous cartonnage souple. Introduction - La fin du XIVe siècle et les premières décades du XVe siècle : L'influence de la peinture italienne. - L'influence de la peinture bourguignonne - Le second quart du XVe siècle : La naissance de l'autel sculpté - ...
19143125Hachette et Cie 1914 15 pages in8. 1914. Reliure editeur cartonnée. 15 pages.
15185, Bale, Les Editions Holbein, 1948., In-4, demi-toile editeur, 220 x 305mm., 97 pp., 104 planches hors-texte.
47849P., Phaidon, 1947, in 4° cartonnage rouge de l'éditeur, 62 pages et 85 planches hors-texte ; frontispice en couleurs.
In-4 p., tela editoriale, sovracoperta, titolo oro al dorso, pp. 62 con 85 tavole fuori testo. In buono stato (good copy).
