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192813764Paris Imp. Georges Petit 1928 GRAND In-8 Étroit 28 pp, (.) Catalogue des objets d'art anciens, dessins, aquarelles, gouaches, tableaux anciens, miniatures, objets de vitrine, porcelaines anciennes, vitrines (.) Galerie Georges Petit. Nombreuses planches en noir hors-texte, intérieur très correct, ex-libris au tampon. Couvertures rempliées, dos muet insolé, ensemble passé avec petites mouillures.
192089791920 Paris, Drouot, 1920. Un volume in-4 broché, couverture bleue imprimée, 45 pages, planches hors-texte. Rousseurs sur la couverture, néanmoins bon état.
191789781917 Paris, Drouot, 1917. Un volume in-4 broché, couverture beige imprimée, 56 pages, planches hors-texte. Bon état.
193113765Paris Imp. Lahure 1931 GRAND In-8 Étroit 111 pp, (.) Tableaux modernes, objets d'art d'extrême-orient, objets d'art et de curiosité européens et orientaux (.) Hotel Drouot. Nombreuses planches en noir hors-texte, intérieur très correct, ex-libris au tampon, rares notes manuscrites. Couvertures rempliées, dos muet, ensemble passé avec fines coupures en queue du dos.
0365446300.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197372537Trustees of Princeton University, 1973. Origi.Leinenband mit Schutzumschlag, Gr.-4°, 378 Seiten.
1981048250Australia: Lansdowne Editions 1981. "From the artist's travels throughout most of the world's continents the birds portrayed in this volume range from cosmopolitan sparrow to the rare New Zealand Takahe." Blue cloth on boards silver title and just a few faint small spots/marks. Head of title page inscribed. Nice clean contents. Colour & b/w drawings. Binding is As New. 260p Box slipcase: VG: blue cloth on boards. Case with dj cover: clean moderately shelf-sunned. Large & heavy folio: 420 x 290 mm / 4kgs. First Edition. Hb. VG/None. Lansdowne Editions Hardcover
A clean, unmarked book with a tight binding. Slight wear to cover. Previous owner's name inside. 120 pages. 9 1/2"w x 11"h. Color photos throughout.
ria9783639612820_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
3639612825.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19862091502135406059Hitomoji kobo 1986. Soft Cover. Fine. Number of books: 1 Hitomoji kobo paperback
6208796768.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6208796806.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259376094.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6208796814.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8vo.,with coloured and monochrome photographs; pictorial wrappers, wire-stitched as issued, a fine copy. Much frequented by the Bloomsbury Set, the church contains paintings and other artwork by Vanessa and Quentin Bell, Duncan Grant and others.
2010Q-1602930015Krishna Books Incorporated 2010-12-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Krishna Books Incorporated hardcover
1969AUB-5095Ed. Victor Attinger 1969. Bon exemplaire broché, couverture ornée d'éd., fort in-8, 546 pages avec annexes.
19932111902160306675Shinchosha 1993. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
Neat inscription on reverse of frontispiece. No other marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket price clipped but not marked or torn or creased. 359pp. Antique Collectors' Club reference work on sporting paintings and drawings. This volume looks at ball games where the development of twenty-seven such games are discussed and the social attitudes to them. With 74 colour and 272 black & white illustrations.
6203525545.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Book shows light shelf wear to covers only: scuffing, a little edgewear. Binding is solid and square, , text/interior is clean and free of marking of any kind. 95 pages with 34 full color plates. Essays by the above authors. Paintings, watercolors, drawings and photographs from the Thomas Gilcrease Inst. of American History and Art.
19611233391961 Harleyford Publications Limited Letchworth, Herts - 1961 - Second (revised) impression - In-4, cartonnage toilé bleu avec titre et auteur au dos en doré, sous jaquette illustrée, sous rhodoïd - 216 pages - Nombreuses illustrations en N&B, in et hors-texte, dans l'ouvrage
84520Harleyford Publications Letchworth 1960. Quarto hardcover; blue boards with gilt spine tilting; 211pp. colour frontispiece and monochrome illustrations. Minor wear; foxing to endpapers and very faint spotting to text block edges. Illustrated dustwrapper slightly faded at front sides rear panel mildly rubbed; tiny missing segment on head of spine and tiny chips at corners. Very good to near fine and protected in archival film with white paper backing. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. The Spitfire fighter aeroplane was the backbone of the British air defense during World War Two ranked the best weapon in the armoury of the British Air Force. Without it the results of the world conflict would certainly have been a very different matter. In this volume - recognised now as the "sine qua non" of works about the Spitfire - the role of the fighter is examined in its entirety from the establishment of the Supermarine works in 1912 to the unveiling of the Spitfire S-4 prototype in 1924 its performance in the World War and afterwards as well the variants that were produced in light of its success from the postwar Spiteful the Seafire and the Seafang. Harleyford Publications, Letchworth, 1960. hardcover
188759925Cranbrook Kent & London: Lt. Col. Charles William Fothergill R.A. 1887-1897. Oblong 4to. 10 x 8 x 1.75 in. 2 52 1 leaves numbered in pencil manuscript including manuscript index leaf listing all the paintings within excluding the frontisp. & rear pastedown watercolour paintings. With 55 paintings with most sized from 5.5 x 4.5 in. up to 7.5 x 5.5 in. all w/ neatly penciled manuscript borders most w/ annotations below and nearly all paintings signed many dated 2 smaller are mounted on leaf 25 of the Scottish Highlands most are watercolours with graphite underdrawing a few are graphite sketches w/ watercolour highlights and elements added. Contemporary black half-diced-calf over gray-brown pebbled cloth white silk moire endpapers gilt ruling & lettering on spines minor scuffing edgewear minor wear to corners still an exceptionally bright exemplar. This marvelous album of original Victorian watercolours by retired Royal Marine Artillery officer and longtime art instructor at Sandhurst elicit a nearly pastoral sense including nautical themes historic homes inns castles and landscapes. The album opens with a vivid watercolour painting of a decidedly bucolic Virginia Water possibly on the present-day Wentworth Estate with small boat amidst the water and trees and closes with a fine painting of steamship sailing past yachts tacking in the background and storm clouds above. The album begins with Milton’s Cottage at Chalfont St. Giles where he completed Paradise Lost and conceived Paradise Regained during the Plague years and was a popular subject of other British painters including Donald Macleod Joseph Webb and Charles Leaver. Other paintings include those of the Martello Tower at Seaford one of the 103 towers built from Aldeburgh to Suffolk on the coast of Eastbourne in 1803 when Napoleon threatened to cross the channel; Brook Place at Chobham a Dutch-gabled home built by William Beauchamp in 1656 after the original Elizabethan home had burned down in 1648; the HMS Hannibal at Portsmouth warship laid down in 1840 utilized screw propulsion and a 91 gunner commanded in the Crimean War by John Charles Dalrymple Hay -- at the time of this painting it was serving to alleviate overcrowding in the training ship Boscawan. Other nautical themes include No. 8 a view of ships in Portsmouth Harbour with the dockside in the background; No. 9 a sidewheeler steamship with lighters and rock nearby in the Medway off Gravesend; No. 11 a view of tall ships under sail at Fowey off Cornwall and even No. 47 a nicely rendered painting of boats sailing on the Medway with sails in colour and faint outlines of Rochester Castle and nearby Cathedral in the background.Fothergill also painted landscapes such as No. 14 Hindhead HIll Surrey on the main Portsmouth to London road 13 miles southwest of Guildford with Gibbet Hill rising in the background above the surrounding Heath; three beautiful landscapes of the Scottish Highlands No. 48 Duart Castle on the Isle of Mull Scotland in 1897 which would later be purchased in 1911 by Sir Fitzroy Donald Maclean and restored; Beeston Castle above the Cheshire Plain; No. 24 Franks Hall in Horton Kirby Kent Framingham after the property had passed to Vavasour Earle and in its original state; No. 26 the Mitcham Common Windmill one of the few houses ever built on the common and operated as windmill until 1863 when two sails were destroyed as depicted here -- it was later dismantled down to the base in 1905. Other historic places such as the Old White Horse Inn in Edinburgh where during the 1639 rebellion against King Charles I the Presbyterian ministers urged a mob to lay siege preventing the noblemen from escaping except for the Marquis of Montrose. This painting reflects its dilapidated Victorian state rather than the restored 1960’s version visible today. Fothergill 1839-1903 remains an enigma to many of the typical art references for British painters and exhibited three watercolours at the Society of British Artists between 1880 and 1884 including “The Mouth of the Dart†and “Hulks in Portsmouth Harbour†possibly an alternate version of Nos. 17 & 18 in the present album and later exhibited a painting at the Royal Academy in 1900. He received his first commission in the Royal Marine Artillery in 1855 was appointed to serve as instructor in Military Drawing & Surveying at the Royal Military College “Cadets’ College†at Sandhurst in 1868 under command of Adjutant Major W. Patterson and continued to teach there until his retirement. His distinctive signature closely mirrors that of his 1872 marriage certificate to Edith Kathleen Maclean in 1872 daughter of Royal Military College Surgeon Dr. Andrew Maclean 1812-1902 and by the 1891 census the couple parented 7 children and a niece in their busy household in Hammersmith London. See: New Annual Army List Militia List and Indian Civil Service List 1875 p. 92; Hart New Annual Army List Hart’s Anual for 1875 Vol. 36 pp. 115 126; Maritime and Scientific Models Instruments & Art 10th May 2016 Charles Miller Ltd. No. 48. Lt. Col. Charles William Fothergill, R.A., hardcover