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1900164294No date. circa1900. 11 original hand painted fan designs approximately 40 x 15cm laid down on archival sheets 51 x 38cm. Each design is unique some are brightly coloured whilst others are more sombre and some have a lacquer or metallic overprinting and silver flecking. Each of the designs has been backed with Japanese paper. Undated and in very good condition apart from some very minor spotting to the backing sheets not affecting the image they appear to be early 1900s. The collection is housed in a custom-made clamshell case. The earliest recorded sighting of the Japanese fan was in the 6th century CE where burial tombs were adorned with pictures of fans. Drawing on the fan began around the Heian period 794-4485 and became such a hit that laws were created to restrict their use to particular social classes. Historically Japanese hand fans were tools of aristocrats and the samurai class. They were a way to signify social standing and even communicate messages. Japanese fan designs enchanted westerners when they first became exposed to them. Those influenced include the Australian artist Charles Conder who in the 1890s inspired by Japanese fan designs made a speciality of painting them on silk. <br> <br>Various images painted on these fans have symbolic or seasonal meanings. One shows an array of golden origami cranes on a red background symbolizing long life. Another is decorated with peonies symbols of fertility and nobility whose flowering marks the end of spring and beginning of summer. A third is decorated with images of pine bamboo and plum blossom - a combination representing health and longevity because all three plants can withstand cold weather. Others have more abstract images based on the flow of rivers the sheen of silk and other themes. . unknown
219016China.: No publication details. Minguo Period. Ten hand-coloured landscape paintings with explanatory captions in traditional Chinese characters. Paintings laid down in a concertina-style book 10 pages. Chinese concertina-style binding patterned cloth covered boards 21 x 13cm slightly faded one end. Leaves browned with some staining and tide marks only occasionally affecting the images. Two images have a small area of paper loss else all images are intact and in general clear and bright. Minor fading and soiling patterned cloth covered boards. Good copy. . No publication details. hardcover
6206993558.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1803JR024<p>Edições Espiral. Lisboa. 1980.</p>_x000d_<p>De 25x17 cm. Com 12 págs. Brochado.</p>_x000d_<p>Exemplar com dedicatória manuscrita do autor ao General Soares Correira datada de 1980.</p>_x000d_<p>Apresenta leves manchas de humidade na capa de brochura anterior</p>_x000d_<p>Colectânea de composições poéticas evocando figuras e factos da tradição histórica portuguesa.</p> I-6-C-74 unknown
174060893Yangzhou China: Huang Shen é»„ç››ä¹‹å° ca. 1740-1770. Oblong 4to. 11.5 x 11 in. 9 leaves unnumbered. accordion-style leporello double-page leaves with 8 ink & hand-coloured paintings on paper sized 10 x 9.25 mounted w/ pale blue paper framed leaves each w/ gilt speckled decorative paper mounted facing. Original wooden boards hand-lettered label mounted on front cover scuffed some loss to wear rubbing splitting to covers horizontally but sound minor closed tear to inner front pastedowns occasional minor dustsoiling & thumbing still a VG- exemplar. An extraordinary album of intimately inked and coloured paintings on paper by the famed Qing Dynasty painter with each leaf inscribed by the artist with a couplet poem and with two seals. One shows a Chinese scholar and young boy or novice leaning into the wind with the couplet “Having endured the weather welcoming the colour of Autum; Together with ice and frost proud of one’s years.†Another with a fisherman seated on a mat his hat hung over the creel and holding the fishing rod ending with “preserve in brush and tongue and catch a giant turtle.†One shows an apparently drunk official sprawled on cushions surrounded by vases and ceramic ware entitled “How can Little Cao endure the tyranny of Princess Hu†One painting in the series draws from a couplet that appears often in ancient Chinese poetry anthologies and even a poetry manual depicted with well-dressed bearded official facing a stooped elder stating “Asked what is the Zen mind there is nothing to say; White clouds ceaselessly fly in the blue sky.â€The seventh painting in the album illustrates two finely dressed individuals with one bearing a short sword strapped to his back and the other holding a speckled deer sporting a riding blanket and the couplet version: 霜冷玄猿ä¾è—¥ç¶ which does appear in such early anthologies as A New Collection of Entertainment Collections æ‡‰é…¬å½™é¸æ–°é›† 尺牘 帖å¼. The final painting in the album appears to be another version of Huang Shen’s scroll painting in the Taipei Palace Museum entitled “Bo Le judges horses†清黃慎畫伯樂相馬圖軸. The painting depicts a similarly dressed Chinese hostler with different headgear with emphasis on the pair of horses and alternate hat between the two. The version in this album allowing more horizontal space features an additional horse with much finer definition and no large overhanging tree. The couplet in both reads “Two fine steeds already led by master equestrian Wang Liang; They shall bee Bo Le’s approval at a glance. Huang Shen’s 1687-1772 painting style paralleled his calligraphy often with a similar fluidity and organic flow to the figures and objects. Born originally in Ninghua Fujian Province he began his training under Shangguan Zhou and after moving to Yangzhou in 1724 to make his living as a painter he developed a style matching the tastes of his clients. He eventually became known as a figure painter and as one of the Eight Eccentrics from Yangzhou local artists known for their unorthodox painting style. Although his individual scrolls appear in the market on a consistent basis his albums such as this one are quite scarce. Huang Shen, é»„ç››ä¹‹å° hardcover
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38047001Beijing circa 1950-60's. A group of three color paintings on silksilk-brocaide mountings sheet size: 39.8 x 33.8 cm painting size: 34.4 x 28.5 cm. very clean bright examples delicately executed with a firm hand. SOLD AS A GROUP . . . A SUPERB GROUP OF THREE CONTEMPORARY COLOR . . . CHINESE LANDSCAPE GENRE PAINTINGS . . The group consists of three lovely tender color paintings on silk. Each work is skillfully painted by a fine artist with a steady hand. . Silk is an unforgiving medium corrections are impossible. Painting must be done without the least bit of hesitation otherwise the silk will be forever spoiled. . THE PAINTING SUBJECTS: . a. Shows a lone fisherman on a small river boat plying his passion meditating while feigning to fish. He is surrounded by a tree-lined shore line with rolling hills in the background. . b. Illustrates a woman in a canopy-covered boat leisurely day-dreaming on the peaceful river with lotus blossoms and leaves. A 'weeping willow' tree over hangs the water. There is a small pagoda in the background on the top of a mountain on the opposite and distant side of the river. . c. Depicts a river scene with a man on a small 'house boat' preparing to fish. The foreground has two 'weeping willow' trees with the mountains past the river in the background. . These kinds and styles of contemporary Chinese paintings were distributed by the Guoji Shudian Rong Bao Zhai and other similar Beijing book & art studios during the 1950-1960's. . There was a stable of yet to be famous young aspiring artists who created traditional Chinese landscapes for these studios. . CONDITION: Each item is in excellent condition very clean no stains. Each work is of uniform size. Each is beautifully executed on fine silk with brocade silk mountings. Suitable for framing and display. . Color photos are posted to our website. . . unknown
18782111902160200914Nishizawa Kitaro 1878. Soft Cover. Fine. Number of books: 3 books Nishizawa Kitaro paperback
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