Gainsborough, Martin (Author)Biblio.com
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2003x-0415369703Routledge 2003. Hardcover. New. 1st edition. 224 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2017x-1138429465Taylor & Francis 2017. Hardcover. New. 480 pages. 9.50x6.25x1.50 inches. Taylor & Francis hardcover
First edition, 8vo (205 x 120 mm), [8], 266pp., the 8 preliminary pages were issued with the final number and are often missing, several neat circular library stamps, numbers in ink to verso of title page, endpapers brown from turn-ins, cont. half calf, rubbed, upper cover detached. A complete run of thirty-three weekly numbers, edited and largely written by Thomas Middleton, published October 1792 - May 1793, bound up with an additional half-title, general title, dedication leaf and table of contents. Middleton was Coleridge's protector and mentor at Christ's Hospital and later at Jesus College, Cambridge.
2008x-0415414652Routledge 2008. Hardcover. New. 1st edition. 128 pages. 8.74x5.63x0.39 inches. Routledge hardcover
ria9780415369701_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The book explores the way in which the state has become commercialised as party and government officials have gone into business and considers the impact that this has had on politics within Ho Chi Minh City and Hanoi. hardcover
2008DADAX0415414652Routledge 2008-10-31. 1. hardcover. New. 5.50x0.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
50593London: William Heinemann New York: Charles Scribner's Sons MDCCCXCVIII. 1898 . The printing of this volume was commenced on March 1st and completed on September 30th 1898 at the Ballantyne Press London. The paper of the text is of English make; that of the plates French. The copper plates in and out of the text were made by Mr. Walter Colls from photographs with a few exceptions specially taken for the volume. The photogravures were printed by Mr. Charles Preston. The photogravures were printed by Mr. Charles Preston. The lithographs of the sketches and drawings were prepared and printed by Mr. W. Griggs." A very good half leather binding. Folio. 15.50" x 12.00" x 2.75". pp.xi./1p./pp. 214 pages plus XXXVI. large plates; 25 small plates; and 11 Lithographic Facsimiles In Colour. Brown morocco spine and corners over beige cloth covered boards. Spine with 5 raised bands and gilt titles: "Gainsborough & His Place In English Art - Armstrong" . Front board with stylised gilt initials "T G" . Edges lightly rubbed and bumped. Top page edges gilt. Small binder's label to verso of the front board: "J. Sampson 13 Coney St. York.": Marbled endpapers. Clear text and engravings throughout. Plates accompanied by guard sheets with descriptive letterpress. Just light foxing mainly restricted to the margins of some of the plates. A very good book in a very good binding. "Sir Walter Armstrong 7 February 1850 Hawick Roxburghshire � 8 August 1918 London was a British art historian and author. Armstrong was born in 1850 was educated at Harrow and Exeter College Oxford and for some 10 years after 1880 was art critic to several newspapers such as the Pall Mall Gazette the Manchester Guardian and the old Manchester Examiner. He made his mark in the art world and was consulted by students and collectors becoming an authority especially on Dutch 17th-century and English 18th-century painting. Several fine collections of which that of Mr. S. Joseph was one were mainly formed under his advice. In 1892 he succeeded the late Henry Doyle as Director of the National Gallery of Ireland in Dublin which his predecessor had reorganized and developed; and in this post Armstrong remained for over 20 years his services recognized by a knighthood in 1899. During his time in Dublin he wrote many books among which his stately volumes on Sir Joshua Reynolds Gainsborough and Raeburn were the chief that held a position of authority for many years afterwards. Earlier and later he wrote columns on men so various as Peter De Wint Velasquez and Sir Thomas Lawrence and a book of "Notes" on the National Gallery containing many suggestive criticisms. Armstrong was said to be quick at absorbing the essential points of contemporary researchers and in judging them by the aid of a keen eye and a clear brain." - See Wikipedia London: William Heinemann, [ New York: Charles Scribner's Sons ], MDCCCXCVIII. [1898 ] . hardcover
51469London: William Heinemann New York: Charles Scribner's Sons MDCCCXCVIII. 1898 . The printing of this volume was commenced on March 1st and completed on September 30th 1898 at the Ballantyne Press London. The paper of the text is of English make; that of the plates French. The copper plates in and out of the text were made by Mr. Walter Colls from photographs with a few exceptions specially taken for the volume. The photogravures were printed by Mr. Charles Preston. The photogravures were printed by Mr. Charles Preston. The lithographs of the sketches and drawings were prepared and printed by Mr. W. Griggs." A very good two volume set in matching red cloth. Folio. 15.50" x 12.00" x 2.75". Vol. I. : pp.xi./1p./pp. 214 pages plus XXXVI. large plates; 25 small plates; and 11 Lithographic Facsimiles In Colour. Vol. II. ".Plates On India Paper" ; 62 full-page plates on India Paper. Both volmes in red cloth with gilt titles to the front board and spine. titles: "Gainsborough & His Place In English Art - Armstrong" . Edges lightly rubbed and bumped. Top page edges gilt. Clear text and engravings throughout. Plates accompanied by guard sheets with descriptive letterpress. Just light foxing mainly restricted to the margins of some of the plates and endpapers. A scarce and very good set. "Sir Walter Armstrong 7 February 1850 Hawick Roxburghshire � 8 August 1918 London was a British art historian and author. Armstrong was born in 1850 was educated at Harrow and Exeter College Oxford and for some 10 years after 1880 was art critic to several newspapers such as the Pall Mall Gazette the Manchester Guardian and the old Manchester Examiner. He made his mark in the art world and was consulted by students and collectors becoming an authority especially on Dutch 17th-century and English 18th-century painting. Several fine collections of which that of Mr. S. Joseph was one were mainly formed under his advice. In 1892 he succeeded the late Henry Doyle as Director of the National Gallery of Ireland in Dublin which his predecessor had reorganized and developed; and in this post Armstrong remained for over 20 years his services recognized by a knighthood in 1899. During his time in Dublin he wrote many books among which his stately volumes on Sir Joshua Reynolds Gainsborough and Raeburn were the chief that held a position of authority for many years afterwards. Earlier and later he wrote columns on men so various as Peter De Wint Velasquez and Sir Thomas Lawrence and a book of "Notes" on the National Gallery containing many suggestive criticisms. Armstrong was said to be quick at absorbing the essential points of contemporary researchers and in judging them by the aid of a keen eye and a clear brain." - See Wikipedia London: William Heinemann, [ New York: Charles Scribner's Sons ], MDCCCXCVIII. [1898 ] . hardcover
19036050118London, George Bell and Sons 1903. 8°. XIII, 133 pp., ganzseitige Abbildungen im Text. Original Leinwand. Einband etwas verschossen. Block leicht gelockert. Kopfschnitt angestaubt. Sonst passabel.
189861710London: William Heinemann 1898. With 62 photogravures and 10 lithographic facsimiles in color. ix 214 pp. 1 vols. Thick folio. Three-quarter green morocco spine gilt t.e.g. Extremites rubbed base of spine chipped and rubbed at joints boards soiled else Very Good. With 62 photogravures and 10 lithographic facsimiles in color. ix 214 pp. 1 vols. Thick folio. William Heinemann unknown
189861710London: William Heinemann 1898. With 62 photogravures and 10 lithographic facsimiles in color. ix 214 pp. 1 vols. Thick folio. Three-quarter green morocco spine gilt t.e.g. Extremites rubbed base of spine chipped and rubbed at joints boards soiled else Very Good. With 62 photogravures and 10 lithographic facsimiles in color. ix 214 pp. 1 vols. Thick folio. William Heinemann unknown books
19806704Gainsborough Saskatchewan: Gainsborough and District Historical Society 1980. First Edition First Printing. Hardcover. pp. 816. Heavy 4to. Pictorial textured gold boards with gilt lettering to the spine and front board illustrated endpapers. Richly illustrated with many black-and-white photographs portraits illustrations facsimiles charts tables etc. Lightest bumping to the spine ends contents entirely without blemish with bright clean and unmarked pages and firm sound binding; near fine. See OCLC #7026018. Rare in commerce in this edition and state. <br/><br/> Gainsborough and District Historical Society hardcover
12mo., wanting front free endpaper, some light age-staining, mid-nineteenth-century doodles on rear endpapers; contemporary full sheep, covers mildly scuffed and age-marked, hinges cracked (but binding entirely sound), a good, tight copy. First published in 1712, Lewis's 'Catechism' was swiftly recognised as a valuable aid to the teaching of scripture and liturgy. Dedicated to the SPCK, it seems to have become a standard tool of the newly-formed charity schools, where pupils were regularly assessed on their prowess in responding to the vicar's catechism. Symson's letters reveal that the text that guided their learning was Lewis's; one of three books (the others being the Bible itself and Allestree's 'The Whole Duty of Man') that White Kennett of the SPCK hoped would help turn young children into 'little garrisons against Popery'. (See Jones, 'The Charity School Movement', 1995, p.14). John Lewis (1675-1747) was educated at Exeter College Oxford, ordained in 1698 and served as vicar of Minster in Kent from 1709 until his death (interestingly, he is given on the title of the present edition as 'Minister of Margate in Kent'). His works include biographies of Wycliffe, Caxton and Pecock, valuable topographical studies of Kent and numerous contributions to religious history and bibliography.This Lincolnshire edition must be unusually scarce for we can find no reference to it in any standard source. J Mozley is the first recorded printer at Gainsborough where he established his press in 1778. H[enry] Mozley (the present printer) appears to have succeeded him sometime in the late 1790s. Not listed in BLPC or NLC.
05-0800London: G. Bartolozzi 1795. Mezzotint engraving by G. Bartolozzi. 49 x 35 cm. Image is slightly worn with folds and tears along edge. London: G. Bartolozzi, 1795. unknown
181032101810. Soft ground etching. 370mm by 320mm plate mark 535mm by 350mm sheet. Thomas Gainsborough FRSA 1727 - 1788 was an English portrait and landscape painter draughtsman and printmaker. Along with his bitter rival Sir Joshua Reynolds he is considered one of the most important British portrait artists of the second half of the 18th century. CONDITION : Good. Library ink stamp on the reverse. Full sheet trimmed just within platemark on right hand side as issued. unknown
20031-0810944405HNA Books 2003. Hardcover. New. 11.75x9.25x1.25 inches. HNA Books hardcover
56-0159Austria:. Color gravure. Image: 28 x 36 cm. Sheet: 48 x 61.5 cm. Austria: unknown
64994A wooded landscape with a small house on the left. Lettered below image: ""From the Original in the Collection of Geo. Hibbert Esqr."" with production detail: ""T. Gainsborough Delt."" ""W.F. Wells sculp."" and publication line: ""Published by W.F. Wells & J. Laportee"". ca. 1820. Soft ground etching on paper; total: 239 x 307 mm; this print was included hand-tinted and without the reference to Hobbert's collection in Wells & Laporte's 'English Scenery' collection of prints after the drawings of Gainsborough. unknown
190230113Thomas Gainsborough. Near Fine with no dust jacket. 1902. Frame. Wood block print; 4to 11" - 13" tall; In somewhat ornate metal and wood contemporaneous frame. A woodblock print of Mrs Siddons . By Thomas Gainsborough. One of 150 copies printed on Japan paper by L C Bauer. 11/150. Print signed by Timothy Cole 1852-1931 a well know engraver of the period and author of "Old English Masters". Limitation signed by L C Bauer. The original is currently in the National Gallery in London. Apparently the original was done in 1896. Print is 5 x 7 and frame is 14" x11". This is old glass and itis almost impossible to remove the reflections from it in the pictures. Depending on location may ship without glass. . Thomas Gainsborough unknown
2002TH234053Paul Mellon Centre / Yale University Press New Haven and London 2002. 1st Edition. HARDCOVER. Large heavy 4to. in green faux cloth gilt lettering to spine. 266pp on thick art paper colour plates numerous illustrations in text bibliography index etc __CONDITION : An extremely well preserved AS NEW unmarked copy in an AS NEW complete Dust Jacket. An excellent copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Paul Mellon Centre / Yale University Press, New Haven and London hardcover
1982E0611142012JO123403Cornell Univ Press 1982-01-01. Hardcover. Good. 0x0x0. VOLUME 2 ONLY. Ex-library book with typical stickers and stampings. NO Priority or international shipping available on this item. -3aa- Cornell Univ Press hardcover
17-2976London: 19th Century British Publisher 1800s. Original hand colored gravure. 17 x 12 inches. Very Good. Light spots of foxing not affecting image. Rag paper with deckled edges. Title written in pencil in bottom margin.Dating from Gainsborough's second period in London 1774-88 this is a typical example of his mature style. It was left to the National Galleries of Scotland by the sitter's great grand-daughter. Mrs Hamilton Nisbet 1756 - 1834. [London]: [19th Century British Publisher], [1800s]. unknown
17-2977London: 19th Century British Publisher 1800s. Original hand colored gravure. 17 x 12 inches. Very Good. Light spots of foxing not affecting image. Rag paper with deckled edges. Title written in pencil in bottom margin. [London]: [19th Century British Publisher], [1800s]. unknown
