605 résultats
200547873New Haven, London : Yale University Press, 2005. 216 Seiten : Ill. ; Sprache: Englisch Pp.
2018213889Sudbury Suffolk United Kingdom: Gainsborough's House Society 2018. Softcover. VG. Previous owners name penned inside otherwise clean and unmarked. Quarto. Softcover. Illustrated wraps. 132 pages : illustrations chiefly color facsimiles maps portraits ; 29 cm. Published in conjunction with an exhibition held at Gainsborough's House Sudbury Suffolk England October 20 2018-February 17 2019./ Second impression 2021/ Includes bibliographical references.<br /> 'From the obscurity of a country town' -- The making of Gainsborough's early landscapes -- Two fragment portraits by Thomas Gainsborough -- An assessment of two small pastoral landscapes : Landscape with drover cattle and dog and Landscape with shepherd shepherdess and sheep. Gainsborough's House Society paperback
Bills, Mark; Rica Jones: Early Gainsborough: 'From the Obscurity of a Country Town'. Exhibition: Sudbury, Gainsborough House, 2018. 132 pages, 132 illustrations. Hardback. 29x25cms. This catalogue draws on the artist's early works and historical documentation to trace his young life and career between London and his home town of Sudbury. His practice and evolution as a painter is explored, as well as formative events in his youth, from his marriage to his rise to fame, and even his family's implication in a set of revenge killings. This catalogue draws on the artist's early works and historical documentation to trace his young life and career between London and his home town of Sudbury. His practice and evolution as a painter is explored, as well as formative events in his youth, from his marriage to his rise to fame, and even his family's implication in a set of revenge killings.
Bills, Mark; Rica Jones: Early Gainsborough: 'From the Obscurity of a Country Town'. 2018. Paperback.
1894060182London: Seeley & Co Ltd 1894. First Edition . Hardcover. Very Good Plus. Folio - 11 x 9 Inches Tall. Illustrated. FIRST EDITIONS. LONDON : 1894-1898. Fine Binding. Series: The Portfolio Monographs . 3 works bound together. Hardback. Frontispieceswith tissue-guards to each volume illustrations and full-page engravings all present. Contemporary velum leather spine and corners; gilt decoration and lettered to spine. Boards dark green pebble-grained cloth. Top-edge gilt; others untrimmed as issued. Marbled end-papers. 3 separate issues of 'The Portfolio; bound others with original blue wrappers and advert pages bound in order to the rear. Full-page engravings have some foxing. Bright tight and clean. No owner name or internal markings. An attractive volume. VERY GOOD INDEED. Index to each volume. 104 88 viii 88 pages. Folio; approx 11 x 9 inches. Heavy book; extra postage required 2.5 kilos. Will be well-packed for posting/shipping. London: Seeley & Co Ltd. SCARCE. <br/> <br/> Seeley & Co Ltd hardcover
4050Les Presses artistiques, Editeurs réunis, Paris, 1953. In-8, broché sous couverture illustrée en noir et blanc, s.p. [29 pp. - pl.]. Préface, par Philip Hendy - L'entente cordiale dans la peinture, par Germain Bazin - Introduction, par Anthony Blunt - Notes biographiques - Catalogue [98 n°] - Planches.
Cream cloth covers. Gilt title on spine and front cover. 41 illustrations with details on opposite pages. Covers soiled with finger marks. Tissue guard to frontispiece torn in two places.
2012100020AFA. New. 2012. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 56 pp. ; 59 color illus. -- with a bonus offer-- . AFA paperback
198197251981 Paris, Editions de la Réunion des Musées Nationaux, 1981, In huit, 215 pp, broché, couverture souple illustrée,
Hachette 1967. In-Folio broché, couverture illustrée à rabats. XVI planches couleurs. Très bon état
2653édition pierre tisné paris 1955 in 8 carré reliure éditeur 157 pages très nombreuses illustrations couleurs
Volume illustrato dedicato alla pittura paesaggistica. Diverse illustrazioni accompagnate da didascalie. Volume in lingua inglese. Lievissimi segni del tempo, volume nuovo.
25952Without date but from the 1930s. No place. Not present among the twelve portraits of Best on the National Portrait Gallery inventory. A black and white collotype print covering a 13 x 17.5 cm piece of matt paper with no border. Lightly aged and in good condition apart from the thinnest of strips no more than half a centimetre deep along the top of the image taken up when the print was removed from its mount. This negligibe loss only affects the background and would be easily hidden on the photograph being mounted. A head and shoulders shot of an anxious-looking Best staring to her left with short hair style and side parting plucked eyebrows prim lips and sensible outfit against blurred background. Without date, but from the 1930s. No place. unknown
4080Tate Gallery Publications, London, 1987. In-4, broché sous couverture illustrée en couleur, 254 pp. Foreword, Alan Bowness - Introduction, Elizabeth Einberg - The Artist's and Techniques, Rica Jones - Catalogue, E. Einberg [223 n°] - Biographical Index of Artists, compiled by Caroline Da Costa - Lenders.
198155949Editions de la Reunion des Musees nationaux 1981 In-4 broché 24 cm sur 21. 215 pages. Bon état d’occasion.
2003x-071468399XFrank Cass & Co 2003. Paperback. New. 1st edition. 130 pages. 8.25x5.75x0.50 inches. Frank Cass & Co paperback
17995Letter on letterhead of Highfield Lodge Wise Lane Mill Hill N.W.7. London 26 August 1945. Movie still: Renown Pictures Corporation Limited Gainsborough Production 1937 . ONE: Letter. 2pp. 4to. In fair condition lightly aged. He apologises for the delay in returning 'Purple Dust' explaining that he has only recently learnt 'definitely that the film will claim me until the end of October'. He asks Capur or his secretary 'to call in any time at the Theatrical bookshop in your court - I cannot remember the name of the shop - nor its proprietor except that his first name is Barry. i.e. Barry Duncan of St Martin's Court London The shop is between your office door and Wyndham's side wall.' He asks for Duncan to be informed that Pettingell 'saw a poster of a Peter Daubeny presentation I fancy it is "The Lady from Edinburgh" for which the decor was done by Gladys Calthrop'. TWO: Black and white 20 x 25 cm film still of Pettingell and Jack Hulbert clowning with the waiter in a restaurant. In fair condition lightly aged and worn. Caption at foot: 'Jack Hulbert & Cicely Courtneidge in Renown Pictures Corpn. Ltd. presents "Take My Tip" A Gainsborough Production U'. Letter on letterhead of Highfield Lodge, Wise Lane, Mill Hill, N.W.7. [ London ] 26 August 1945. Movie still: Renown Pictures Co unknown
71-2466London: Jones & Co. circa 1836. Steel engraving. 10 1/2 x 8 in. sheet. Very Good some toning and foxing in sheet margins. London: Jones & Co., [circa 1836]. unknown
5697Neveu et élève du célèbre peintre. Cadre noir ancien. XVIIIè siècle 67 x 53,5 cm avec le cadre.
007973London: W.F. Wells 1762-1832 and J. Laporte 1761-1832. 1st Edition . Hardcover. Near Fine. 4to - over 9¾ - 12" tall. GAINSBOROUGH Thomas W.F. Wells and J. Laporte - engravers. The uncommon First Edition Collection of 72 Gainsborough Etchings of English Scenery 1805 oblong folio period style three quarter brown calf burgundy morocco spine label marbled boards. First edition of this beautiful collection of 72 etchings 30 hand tinted after Gainsborough sketches 30 hand-tinted handsomely bound. Plates clean and fine dated 1802-1805 some watermarked 1801 binding fresh and lovely printed by Watts and Bridgewater Queen-st. A superb example of this rare edition. 270401 mm. Ray 74. Tooley 231. Acclaimed as the father of modern landscape and of modern pastoral DNB Gainsborough was also the favorite of British high society Janson History of Art 452. Wells and Laporte etched these plates from 1802-05. While the first edition of this volume calls for 71 plates this volume has one additional illustration: there are two different essays of the second plate. The less scarce later editions of this title contain only 60 plates. <br/> <br/> W.F. Wells 1762-1832, and J. Laporte 1761-1832 hardcover
1624London: engraved by W. F. Wells and J. Laporte and published by H. R. Young 56 Paternoster-Row 1819. Hardcover. Good. Folio. 2 leaves of text. Modern half green calf over green cloth. Black title label. Illustrated with 60 plates of English views by Gainsborough engraved by W. F. Wells and J. Laporte. 37 of the plates with wash coloring. Abbey Life 203. This copy originally belonged to an institutional library; the first print has the institution's name perforated into it - more than 90% in the margins but slightly affecting the image without detracting in any way. A very good copy. Since this item is a good-sized folio standard postage quotes do not apply. Shipping cost will be determined by destination and mode of transport. <br/> <br/> London: engraved by W. F. Wells and J. Laporte and published by H. R. Young, 56, Paternoster-Row, 1819. hardcover
763011Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century before 1796. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
763012Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century before 1796. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
763010Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century before 1796. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
763013Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century before 1796. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
