507 résultats
Volume d'arte con le opere dell'artista vicentino Attilio Veronese. Ottimamente conservato.
In 8o, pp. 141 (XXX), br. ill, molte tavv. n.t. Con dedica autografa dell autore. Come nuovo. Ottimo (5649/ VERONA - MEZZANE DI SOPRA - SETTECENTO VERONESE - CHIESA VERONESE)
Mm 165x195 Brossura editoriale, con sovraccoperta che reca piccole lacune al margine superiore, di pp. 69+tavole fuori testo con illustrazioni in bianco e nero, catalogo della mostra (Bologna, Museo civico, dicembre 1976 - gennaio 1977), a cura di Giovanna Gaeta Bertelà. In buono stato complessivo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
A9781164579984New. unknown
139167538X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390851109.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781164579984New. unknown
5735231like new. unknown
1147307571.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1164579983.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1436781108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Cm. 24; da p. 49 a p. 87. tre tavole litografiche fuori testo. Brossura moderna. Estratto "Atti Acc. Agr. Vr. 1882". Interessante studio sul crostaceo, comunissimo (un tempo) nella Provincia di Verona, e conosciuto popolarmente con nomi diversi: "Gambareto, Saltarel, Gambarusolo, Maran, Moran, Breschigi.." Ottimo esemplare. (22 / 86) 56
In-8°, pp. XXIX, 327, 160 tavole a colori a piena pagina nel testo, tela editoriale con illustrazione a colori al piatto anteriore.
PR120946-090Etching with platemark and broad margins after the painting of Paolo Veronese.Veronese's painting is currently at the National Gallery in London. It was purchased in the late nineteenth century after a long and difficult negotiation between the previous owner Count Vettore Pisani and the first director of the National Gallery Sir Charles Lock Eastlake. The negotiation started on 16th November 1856 and ended on the 1st of March of the year thereafter. It was brought on by the director's assistant Otto Mündler who wrote heartfelt notes on his diaries and kept Eastlake updated on the constant changing of mind of the count. The day Mündler could finally see the painting taken down in the Pisani palace in Venice he noted: 'There was one cry of admiration when the picture came down and recieved light from above which it had never had .'. Finally the painting left for London the 2nd of April 1857. At Palazzo Pisani is now a replica an almost conteporary copy of the original by Francesco Minorelli.The original composition for this etching is yet another anonymous copy after Veronese at the Gemäldegalerie Alte Meister in Kassel GK 509 as the scene is slightly narrower than the London canvas.The etcher William Unger was in Kassel between 1869 and 1870 when he realized printed copies of the paintings in the Old Master gallery.Alexander de Grote - Darius - klassieken - classical antiquity - Darius III Alexander. Etching on thick paper total 265 x 305 mm. In good condition edges of the paper with some smudges and foxing. unknown
RO50061592NON PRECISE. NON DATE. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 4 pages dont 2 de partitions - clé de sol et clé de fa. Illustration sur le 1er plat en monochrome.. . . . Classification Dewey : 780.26-Partitions
In-4to, manoscritto in italiano di 53 cartes su pergamena, diverse mani, l’incipit delle 5 sezioni è dedicato al Doge in carica, réhaussés à la feuille d'or e con elementi floreali; legatura in velluto rosso su assi di legno, sciupata e senza placche al centro del primo piatto e angoli, probabilmente in metallo.
ill., br. Una guida pratica, che porta a spasso il lettore in un itinerario lungo i sestieri veneziani, conducendolo passo dopo passo verso le 14 chiese, opera della fede dei veneziani di allora, che ospitano le opere del celebre artista Veronese. Vi si trovano nel contempo anche una serie di notizie storiche sui luoghi e sulle dimore che si incontreranno nel percorso tra calli e campielli e qualche curiosità garbatamente veneziana. Ne nasce un omaggio a uno dei massimi pittori del sedicesimo secolo, veronese di nascita, ma veneziano di adozione.
2015120116Verlag der Buchhandlung Walther KonigGermany. New. 2015. Paperback. 3863357965 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in German and English. -- with a bonus offer-- . Verlag der Buchhandlung Walther Konig,Germany paperback
331370Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1580. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
331372Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1580. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
331371Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1580. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
331373Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1580. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
65-0868Paris de l'Imprimerie Royal Cabinet du Crozat 1729. Engraving by Nicolas Dupuis after the painting by Paul Vèronèse. ISheet size: 513 x 395 mm From “ ecueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy dans celuy de Monseigneur le Duc d'Orleans & dans d'autres Cabinets". Cabinet du Crozat. Repaired and mounted on a support sheet. Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729. unknown
65-0870Paris de l'Imprimerie Royal Cabinet du Crozat 1729. Engraving by Frederic Hortemels after the painting by Paul Vèronèse.Image size: 300 x 350 mmSheet size: 540 x 390 mm From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy dans celuy de Monseigneur le Duc d'Orleans & dans d'autres Cabinets".Water damage and tears along left edge of paper and along left side of image as shown. Cabinet du Crozat. Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729. unknown
51-5595London: late 18th-early 19th Century. Sepia aquatint. 31.5 x 41.5cm. platemark. 37.5 x 51cm. Sheet size. London: late 18th-early 19th Century unknown