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153271508first volume 2 Ai-Oiii 179 leaves including folded second volume a1-j5 55 leaves including folded 268 pages across the 2 books 12 leaves in facsimilie illustrated throughout with black and white line drawings 96 full page illustrations 4 folded plus 24 within the text also various tables within the text text in Latin Published by Hieronymus Andreae [In aedib viduae Durerianae] hardcover
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153266816Norimbergae Nürimberg Nuremberg: In aedib. viduae Durerianae Hieronymus Andreae 1532. Fine. In aedib. viduae Durerianae Hieronymus Andreae Norimbergae Nürimberg Nuremberg 1532 20.50 x 32 cm relié Alberti Dureri clarissimi pictoris et geometræ. De symmetria partium in rectis formis humanorum corporum In aedibviduae Durerianae Hieronymus Andreae Norimbergae Nuremberg 1532 folio 20.5 x 32 cm 80 f. A-E6 F4 G-N6 O4 full parchment First edition of the Latin translation created by Joachim Camerarius the work appeared in German in 1528 under the title Vier Bücher von menschlicher Proportion. Our edition contains the first two books the following two will be published in 1534 under the title De varietate figurarum et flexuris partium ac gestibus imaginum. We will have to wait until 1557 for Louis Meigret's French translation to be published. Our edition is illustrated with 85 large wooden insert illustrations and many other smaller in-text illustrations the same as those used in the original German edition. The title page shows Dürer's well-known monogram. Gothic text. The last white leaf missing in most copies is present here. Large greatly fresh margined copy. Full parchment with preserved laces. Very beautiful copy of the most sought-after of Albrecht Dürer's technical works. The illustrations required the examination of several hundred male and female models and something rarer for the time children. These extremely precise analyses resulted in anthropometrical impressionist drawings showing the human body as a whole and also in detail hands feet heads etc. Each drawing squared or scaled in the margin allows the models to be easily reproduced the book being intended to avoid errors of proportion for young artists. Joachim Camerarius' Latin translation humanist and close friend of the author had at the time an essential role: it gave Dürer's work until then written in archaic German a significant audience; without Camerarius Michelangelo would never for example have known of Dürer's theory of proportions. Dürer whose godfather Anton Koberger published La Chronique de Nuremberg in 1493 frequented the world of printing and engraving very early on and unlike his contemporary Florentine Leonardo da Vinci who published nothing he produced several theoretical treatises. It was during a trip to Italy in 1494 that he met Jacopo de' Barbri 1445-1516 who introduced him to the role of mathematics in perspective and the study of the proportions of the human body. On returning to Germany he opened a workshop became the painter of Maximillian I of Habsbourg and joined the Great Council of the City of Nuremberg. Recognition is complete and Dürer becomes an internationally known artist with the knowledge and ability for well-received thought. In the last years of his life not abandoning the pictorial arts Dürer encouraged by his humanist friends spends most of his time writing. Determined to leave the results of his long theoretical thoughts for posterity he publishes several treatises: Instruction sur la manière de mesurer 1525 Instruction relative aux fortifications des bourgs villes et châteaux 1527 and finally Traité des proportions du corps humain 1528. In keeping with the artistic considerations of the Renaissance the intention of this last treaty is to establish a scientific basis geometrical and arithmetical applied to aesthetics and thus to provide practical guidelines aimed at achieving anatomical perfection. A true artistic testament this emblematic work will have a considerable influence on the history of Western art. In aedib. viduae Durerianae[ Hieronymus Andreae] unknown
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1963652010Paris: Les Editions Roger Dacosta 1963. #1362 of an edition of 3000. Fine hard cover book in original clear plastic dust jacket. Unpaginated illustrated. Text in French. Paris: Les Editions Roger Dacosta hardcover
20191-3747706223Inktank 2019. Paperback. New. 388 pages. German language. 8.27x5.83x0.88 inches. Inktank paperback
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45458953like new. unknown
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2025BN226970Antigonos Verlag 2025. 2025. Softcover. Albrecht Dürer's Tagebuch der Reise in die Niederlande <br/><br/>Albrecht Dürer's Tagebuch der Reise in die Niederlande Albrecht Dürer Antigonos Verlag paperback
1391270347.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1988Q-0821216244Little Brown and Company 1988-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Little, Brown and Company hardcover
1971015663London: Lund Humphries 1971. 1st Edition. Hardcover. Very Good/Good. First English language edition. 240 x 305mm. The dw is shelfrubbed and rubbed along the edges with small chips at the spine ends. The bottom 1cm of the front flap has been excised. Boards clean and undamaged. 186pp. illus. Cartographic endpapers. No prev ownership marks or o/w. Heavy at 1.4kg. Lund Humphries hardcover
1988MerrBBox5-321hLittle Brown and Company 1988-01-01. First Edition. Hardcover. Very Good/Very Good. 8x7x0. A nice hardcover in a protective Mylar sleeve with a crisp dust jacket a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours a tracking number and delivery confirmation Little, Brown and Company hardcover
