6 246 résultats
7506D’après Le Parmesan. Le Blanc n° 100. 10,8 x 13,6 cm.
15804858NP SADELER 1580 Première édition. Pierre et Jean guérissent un paralysé à l'entrée du Temple. Languidus exiliit, Petri virtute : sed illum / Admonuit, quod sit gloria danda Deo. Gravure sur cuivre de Johann Sadeler d'une série de 12 représentations de la vie de Pierre et Paul d'après des dessins de Marten de Vos. Inscrit dans la planche M(arten) de Vos invent(or). surface gravée : 19 x 13 cm. La planche est de 21 cm x 15,5 cm. La gravure est une bonne impression, propre, avec un léger assombrissement de la feuille. Deux coins de la feuille ont été rognés (sans affecter la plaque). Tenu sous un passepartout de 40cm x 30cm. Celui-ci est en bon état, mais avec une petite marque sur la première planche. Un bel exemplaire. Johan Sadeler (1550-1600) était un graveur et illustrateur flamand, premier d'une célèbre famille de graveurs. Il a souvent collaboré avec Marten de Vos.
5489Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,420 x 0,280
5490Coupé au trait carré, sans le texte. Petits trous aux angles, sinon beau tirage. Cf. Hollstein n° 236. 0,415 x 0,285
1995ql1708L'épi de seigle Les épillets Dos agrafé sous jaquette 1995 In-8 (10,5 x 21 cm), dos agrafé sous chemise, 32 pages ; dos et bord des plats insolés, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
LCS-1823312 estampes du XVIe siècle en premier tirage. S.l.n.d. [Antwerp, 1570-1580]. Suite de 12 gravures originales au burin (sur 13 ?) montées sur papier fort en un album in-4. La suite a été reliée sans le feuillet de titre. Vélin ivoire rigide, triple encadrement de filets dorés sur les plats, dos à nerfs orné de fleurons dorés, pièce de titre de maroquin rouge, coupes décorées, roulette dorée intérieure, tranches rouges. Reliure du XIXe siècle. Dimensions des gravures : 161 x 111 mm. Dimensions des pages : 220 x 156 mm.
18505Passau, Konrad Frosch, 1633.
BZG94AP
[Sadeler - Incisione](cm.30,5 x 27 complessivi di margini) Incisione originale su rame con passepartout decorato a mano tratta dal Sadeler "Bonorum et Malorum".Completo di frontis riprodotto in fotocopia. Ampi margini.Ottima Stampa
150048581500. Engraving 23.5 x 29.5 cm. image dimensions. Signed in lower part of impression "Bassan. inuet. loa. Sadeler sc." and CU. priuil. S. Caes. M." and ex S. Lvc. xvi. cap." Lacking the legend below the image. One of Sadeler's three "Kitchen" scenes this one with Lazaraus seen from behind at right with two dogs seated and looking at a dinner table with the rich man a kitchen with a maid tending a spit over a fire and other servants preparing food. The wall has a display of plates pots and aging game hanging from hooks some fish in a basket and vegetables and a broken egg in the foreground a boy taking a basket with eggs from under the table and a monkey behind him. After Jacopo Bassano c. 1598. The engraving was laid down onto another sheet of paper at some point in the mid 20th century having been trimmed to the edges of the image at some earlier date. The outlines of the legend have been drawn in. Some very light foxing to the image. British Museum 1868 0612.499; Spencer Museum of Art 1990.0017. unknown books
51162Elaborately engraved title and 50 additional engraved plates printed recto only showing finely worked and highly detailed views of Roman ruins still in existence in Rome Tivoli Pozzuolo and surrounding areas as of the 16th century each print with detailed caption. Crease to title minor old damp-staining slight soiling and handling wear small marginal tear to bottom of plate 29 which does not enter into image. Oblong folio. Leather-backed boards raised spine. Some very minor edgewear and abrasions. Prague Aegidio Sadeler 1606. Hand-written inscription to title page dated 1638. Olschki 18017 Cicognara 3871. Marco Sadeler was an engraver and print seller in Prague in the early 17th century. Thirty-six of the plates were copied by Sadeler from drawings done by his undle Aegidius Sadeler for Etienne Du Pérac's "Vestigi dell'Antichità di Roma" 1575. For some of the other views Marco Sadeler copied or drew inspiration from works by Jan Breughel the elder and Pieter Stevens. An impressive work notable for its detail and richness of expression here present in its first edition. In the middle of the 17th century a copy of this work made its way to Rome where it was copied for Giovanni Giacomo de' Rossi by Girolamo Ferri and then published in 1660. The views presented here include ruins and monuments in Rome Tivoli and Pozzuoli as well as views from around the Bay of Naples as they existed in the sixteenth and early seventeenth centuries full of life. hardcover books
16601944Rome: Roma: G.Giacomo de Rossi 1660. 5th edition or later. no binding. Fine. Beautiful 1660 engraving of the Baths of Caracalla by Marco Sadeler. Exquisite original engraving from 1660 of Rome showing parts of the Baths of Caracalla. Engraved by Marco Sadeler part of the most famous European print-making family of the 17th Century. Plate #19 from: Vestigii dussa parte di dentro delle terme d'Antonino caracala. Roma: G.Giacomo de Rossi 1660. A few stray spots otherwise fine with exceptionally large margins. Engraving: 14.5 x 10.25 in.; image alone: 10.25 x 6 in. Roma: G.Giacomo de Rossi unknown books
51-4675Antwerp: circa 1583. Engraving on laid paper. 22 x 28.3cm. mounted at corners; stabilized tears in lower margin. References: Hollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 27; British Museum D6.140.Inscription content: Signed in lower part of impression: "Ioa: Sadl: inue: / et sculps:" and "M. de Vos figur." and "GENES. IIII". Lettered in Latin in lower margin two lines in two columns: "Musica tractabat . / . hilaresque choreas.".Plate 11: Jubal and his musical instruments. Landscape with Jubal seated at a table in front of an instrument workshop at left several other figures building instruments a procession of dancing couples in background at right buildings in background; first state before numbers; after Maarten de Vos. 1583 Antwerp: circa 1583 unknown
51-4676Antwerp: circa 1586. Engraving on laid paper. 20.3 x 26.9 cm. Lightly mounted.Plate 3: Seth and Enosh. the aged and bearded Seth up a ladder cuts a branch with an axe; the young Enosh drags a branch towards a wheelbarrow with logs; beyond is a well tended farm landscape with a river valley; by a small wooden bridge a woman collects water from the river; across the width of the river are fish traps; after Maarten de Vos. 1586.References: British Museum 19590221.11.3; Hollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 43."Joann: sadeler auctor at sculptor excu: Genes: capit 4" and at right "Martin de vos figuravit". In the margin two columns each two lines "Seth generavit Enos . laude". Numbered top centre "III". Antwerp: circa 1586 unknown
Acquaforte mm. 137x195. Rifilata al marg. della battuta. Scena di banchetto con commensali che pranzano attorno ad un tavolo e musicisti che suonano.
Acquaforte mm. 204x275 alla battuta + ampi marg. bianchi. Qualche lievissima ombreggiatura per altro bell'es. a larghi margini ALBUM Y
Acquaforte mm. 215x265 rifilata a 2mm. dalla parte incisa. Tavola di una serie di sedici composizioni incise da Sadeler all'inizio della sua carriera, in collaborazione con il cugino Jan Sadeler il Vecchio, il cui nome compare anche sulle lastre. La serie venne incisa probabilmente prima del viaggio in Italia compiuto dall'artista nel 1592 - 1593. ALBUM Y
Acquaforte mm. 235x242 rifilata al margine della battuta. Tavola tratta da "Planetarum effectus et eorum in signis zodiaci, super Provincias. Regiones et Cinitates dominia ...". Incisione da disegno di Martin de Vos
Acquaforte mm. 235x242 rifilata al margine della battuta. Tavola tratta da "Planetarum effectus et eorum in signis zodiaci, super Prouincias. Regiones et Cinitates dominia ...". Incisione da disegno di Marten de Vos.
Incisione a bulino, mm.197x117 (compresa la didascalia latina in basso). In basso a destra 'B. Spranger invent R. Sadeler fec.' Didascalia latina nella fascia bianca inferiore: "An pueri, an magnae genitricis imagine vultum aspiciam Luca; reddis utrumq benè, Blandulus est natus, blanda est virguncula mater, artificium dextrae quod imitentur habent". Rifilata ai margini e incollata a una carta antica ottocentesca. Raffinata immagine della Vergine con bambino, contornata dagli angeli e da un bue; Luca, su una sedia, li ritrae in una pittura. ALBUM Y
2991919Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1580. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2409062Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1607. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2409064Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1607. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2409061Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1607. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2409063Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1607. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown