2 119 résultats
1983BN207848Madison Square Press 1983. 1983. Hardcover. Illustrators 24 - The Society of Illustrators 24th Annual of American Illustration <br/><br/>Illustrators 24 - The Society of Illustrators 24th Annual of American Illustration Society of Illustrators Hrsg.; Mark English; Robert McGinnis; John Jude Palencar; Tom Evans; John Rush; Darrell Sweet; Christopher Blossom; Michael Whelan; John Berkey; Bob Peak u. a. Illustratoren Madison Square Press hardcover
1995BN207068Watson Guptill / Rotovision 1995. 1995. Hardcover. Illustrators 37 The Society of Illustrators 37th Annual of American Illustration <br/><br/>Illustrators 37 The Society of Illustrators 37th Annual of American Illustration Society of Illustrators Hrsg.; Jill Bossert Editor; James Avati; Gregory Manchess; Kinuko Y. Craft; Mark Frederickson; Mark Ryden; Donato Giancola; Tristan Elwell; Michael J. Deas; Dorian Vallejo u. a. Illustratoren Watson Guptill / Rotovision hardcover
1882415057London : Ward Lock and Tyler 1882. Second Edition. Hardcover. Finely bound in the original elaborately gilt-blocked decorated cloth over bevelled boards. All edges gilt. Spine bands and panel edges slightly dulled and rubbed as with age. Remains particularly well-preserved overall; internally tight bright and clean Physical description; 287 pages : illustrations 23 cm. Notes; Date is suggested. Subjects; English poetry. English wit and humor. London : Ward, Lock and Tyler hardcover
195817090807Buenos Aires: Francisco A. Colombo 1958. Limited Edition. Wraps. Near fine/near fine. Veroni Raul Vassena Leonor. Number four of ten printed on Pergamino Fabriano in Spanish octavo size 64 pp. signed by Alfredo Martinez Howard at the colophon and Leonor Vassena below the plate. A book of poetry in Spanish with haunting illustrations offered as issued in unbound signatures in original wraps with original glassine wrapper. <br/><br/>___DESCRIPTION: Paper wrappers with glassine jacket front wrap and spine printed in red and black unbound leaves mostly unopened title-page printed in red and black frontis and one signed etching Pergamino Fabriano paper octavo size 9" by 6.75" pagination: 1-8 9-52 53-64 index and colophon limited edition this number IV of ten copies I to X printed on Pergamino Fabriano total edition 50 signed by Alfredo Martinez Howard at the colophon and Leonor Vassena below the plate. <br/><br/>___CONDITION: A bright clean copy sole signature with minimal foxing that containing the plate the other signature bright and without foxing in the original glassine; a miniscule amount of wear to the glassine wrapper near fine. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Francisco A. Colombo unknown books
195817090807Buenos Aires: Francisco A. Colombo 1958. Limited Edition. Wraps. Near fine/near fine. Veroni Raul Vassena Leonor. Number four of ten printed on Pergamino Fabriano in Spanish octavo size 64 pp. signed by Alfredo Martinez Howard at the colophon and Leonor Vassena below the plate. A book of poetry in Spanish with haunting illustrations offered as issued in unbound signatures in original wraps with original glassine wrapper. <br /> <br /> ___DESCRIPTION: Paper wrappers with glassine jacket front wrap and spine printed in red and black unbound leaves mostly unopened title-page printed in red and black frontis and one signed etching Pergamino Fabriano paper octavo size 9" by 6.75" pagination: 1-8 9-52 53-64 index and colophon limited edition this number IV of ten copies I to X printed on Pergamino Fabriano total edition 50 signed by Alfredo Martinez Howard at the colophon and Leonor Vassena below the plate. <br /> <br /> ___CONDITION: A bright clean copy sole signature with minimal foxing that containing the plate the other signature bright and without foxing in the original glassine; a miniscule amount of wear to the glassine wrapper near fine. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Francisco A. Colombo unknown
196821032123New York: Young Scott Books 1968. First Edition. Hardcover. Fine/near fine. Gorey Edward. First printing oblong sixmo 48 pp. signed by Edward Gorey. Edward Lear 1812-1888 although being an artist and illustrator himself is remembered mostlhy today for his nonsensical works particularly his limericks. One of the most recognizable of these is "The Owl and the Pussycat" who "dined on mince and slices of quince which they ate with a runcible spoon."<br/><br/>"The Jumblies" was the first poem in Lear's "Book of Nonsense" published in 1846. Per the dust jacket flap Edward Gorey decided to illustrate this poem because it "was taught to me by my grandfather when I was four or five and it has always been one of my favourites."<br/><br/>Edward St. John Gorey 1925-2000 had a distinctive style evocative of a mystical gothic Victorian era and his vast body of work includes over one hundred books written by himself as well as those by many well-known authors such as T. S. Eliot Charles Dickens Lewis Carroll H. G. Wells and Virginia Woolf n. b. info from the Edward Gorey House website - and of course this work. Gorey dedicated the book "for Foss" Lear's cat who "died in 1886 and was buried with some ceremony in a garden at Villa Tennyson" n.b. quote from Wiki. <br/><br/>___DESCRIPTION: In a reinforced library binding of tan cloth over boards Gorey illustration in black and white on the front board with decorative lettering black lettering on the spine illustrated title page with Gorey's signature above his printed name through which he drew a line per usual each stanze of the poem printed on the versos left-hand side with Gorey's corresponding illustration on the opposite page recto of the following page; oblong sixmo 6 1/8" tall and 9 1/8" wide unpaginated with 24 leaves including free endpapers. The dust jacket shows the original price of $2.95 mirrors the book on the panels and spine front flap a short summary by the publisher back flap with four Gorey characters. <br/><br/>___CONDITION: Volume fine with clean boards straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; perhaps a light speck or two on the light binding else fine. The unclipped dust jacket could be deemed fine it is complete clean and almost without wear; a touch or two of scattered light spots and a hint of sunning to the spine. Overall a remarkable example. <br/><br/>___CITATION: Toledano B 38a. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Young Scott Books hardcover books
190613121401New York: The Macmillan Company 1906. First and Limited Edition. Hardcover. Near Fine/Good. Bailey Vernon Howe and Ralph Lester. No. 2 of 200 copies printed on Japan vellum octavo size 420 pp. signed by Owen Wister. Owen Wister was an American writer and is known as the father of western fiction - his most famous work "The Virginian" is widely regarded as being the first cowboy novel. A classmate and friend of Teddy Roosevelt's like him Wister was attracted to the culture and lore of the West and on a visit to Yellowstone in 1893 he met Frederic Remington who remained a lifelong friend. This novel Lady Baltimore published four years after The Virginian is set in the East yet shares a similar theme of searching for aristocratic roots in everyday personas.<br/><br/>Limited edition of 200 copies printed on Japan vellum this being number 2 with dust jacket and publisher's slipcase. Signed by the author on the limitation page with a tipped-in note on front free endpaper which states 'This is a presentation copy containing author's autograph.' <br/><br/>___DESCRIPTION: Tan paper boards with author and title in a darker tan outlined in gilt vellum spine with same lettering top-edge gilt other edges untrimmed. Dust jacket is light brown woven paper with similar lettering outlined in dark brown slipcase also a light tan cardboard. Tipped in note as referred to above on front free endpaper denoting a signed Presentation copy same note pasted to the side of the slipcase. Octavo size approx. 8.5" tall pagination: i-xiv 1-406.<br/><br/>___CONDITION: The book is near fine minor rubbing to tail of the spine corners are perfect text block and hinges are strong and solid free of prior owner markings interior is clean and bright. Dust jacket good only with several large chips due mostly to the jacket having been cut larger than the book and so apparently often caught when returning the book to the slipcase. Slipcase is overall very good with no creases or tears however does exhibit overall soiling.<br/><br/>___POSTAGE: International customers please note that additional postage may apply.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Macmillan Company hardcover books
Edition Mermod, 1929. In-12 (18 x 13 cm) broché, couverture rempliée et illustrée, illustrations de Maurice Barraud : 8 lithographies originales, 106 p. Edition originale. Tiré à 310 exemplaires dont 300 sur chine (n°45/300). Monod 5469.
Editions Didier & Richard, collection “Cités, paysages”, Grenoble, s.d. vers 1934, In/4 broché, couverture imprimée, 31 eau fortes de Drevet J. dont un frontispice, 139 pages. Exemplaire de luxe numéroté à la main (V / XXX) sur BFK des Rives. Le papier est en excellent état sans rousseur ni oxydation. Bel exemplaire.
Hetzel, s.d. (1898-1902). In/4 percaline or et polychrome à l’ancre, doré trois tranches, dos à l’ancre, second plat type Engel h, 616 pages. Peu de défaut : coiffes légèrement amorties, et coupées coiffe, usures sur les coins inférieurs. Bon aspect général avec un plat frais et lisible.
Editions d'art H. Piazza, Paris, 1937. 2 volumes in-8 (21 x 16 cm) broché, couverture rempliée, sous étui cartonné, illustrations couleurs de Henri Vallette : 70 compositions en couleurs dont 10 hors-texte, 278 p. & 350 p. Tiré à 335 exemplaires. Monod notice 6723.
Editions du livre, Monte Carlo, 1945. Grand in/4 en feuilles sous couverture rempliée et emboîtage, illustrations en couleurs de Dubout : 81 in-texte dont 11 hors-texte, 203 pages. Exemplaire de tête sur grand vélin filigrané Renage, hors-texte sur BFK Rives. Biblio : Monod 7142.
Paris, Cercle Lyonnais du Livre, 1943, in-4 en feuilles sous couverture bleu clair rempliée, chemise étui bleu clair de l'édition, illustré du portrait de Barbe Bleue à pleine page, 43 pointes sèches de Clark Fay, dont 7 hors-texte. Tirage à 130 exemplaires numérotés et nominatifs, notre exemplaire N° 100. Quelques rousseurs. Clark Brown Fay (1894 - 1955)
Ernest Flammarion éditeur, Paris, 1912. In-4 (29 x 22 cm) broché, couverture illustrée et rempliée, lettrines historiées et illustrations de Carlos SCHWAB in et hors-texte, traduction de madame H. Mirabaud Thorens, préface de Marie Diémer, 148 pages, 1 f. n. p.
William Heinemann édition, Londres, 1918. Petit in-4 (25 x 19 cm) reliure éditeur pleine toile verte à titres et décor doré, illstré de 8 planches couleurs dont le frontispice et illustrations en noir in-texte, 132 p. Coiffes légèrement amorties, sinon bon état. Arthur Rackham (1867-1939), artiste britannique, illustrateur de nombreux livres. L'œuvre de Rackham est bien plus riche qu'on ne le pense généralement ; certes, la majeure partie de son travail concerne les livres pour enfants, cependant, il a aussi travaillé sur nombre d’ouvrages pour adultes.
1825GITa665Paris à la Librairie Classique Elémentaire 1825. In-8 XIII 539pp. Plein maroquin vert, dos à nerfs décorés, entrenerfs ornés de chaînettes, dentelles, pastilles et filets dorés, fine dentelle à froid sur les plats rehaussée de 6 filets dorés, chaînette dorée sur les coupes, dentelle dorée sur bordure intérieure, tranches dorées, rel époque. Orné de 5 gravures hors texte de Dévéria dont le frontispice, gravées par Fauchery. Quelques rousseurs.
3 vols., 4to., Mixed Impressions, with numerous reproductions throughout; original cloth, a very good, bright, clean set in the dustwrapper
Edition Paul Durupt, 1948. In/4 couverture imprimée rempliée, 143 pages, sous chemise et étui, illustré par 40 pointes sèches originales de Maurice Leroy. Un des 300 exemplaires, feuillets libres.
200507551Paris, Librairie du Figaro , 3, rue Rossini, 1868 ; in-8, 352 pp., pleine percaline (dos passé, reliure signé A.Gardon relieur. coiffe du bas usagé plats muets, tranches dorées, état moyen).
200410123, Uitgever ILITA, 1964 ; grand in-8, 100 dessins, cartonnage de l'éditeur. Honderd houtsneden - TWEEDE DRUK -( BOIS).
Librairie Hachette, Paris, 1889. Grand in-4 (31 x 23 cm) broché, couverture illustrée d'une vignette sous une chemise de velours (soie façonnée sur les gardes), 11 planches hors-texte et un portrait gravés par différents artistes (illustrations hors-texte de Myrbach ; ornements typographiques de A. Giraldon ; le portrait en frontispice d'après P. Baudry), 224 p. Exemplaire numéroté sur vélin du Marais avec une suite sous serpente légendée. Usures sur les coiffes et les coins de la couverture de velours. Biblio : Monod 12.
5576Editions Vialetay, Paris, 1951. In/4 en feuillets, couverture blanche imprimée et rempliée sous chemise et étui recouverts de paille tissée, illustrations : 20 eaux fortes originales en noir de Odette Denis et deux planches supplémentaires, 183 pages. Un des 257 ex. ; celui-ci est un exemplaire d’artiste avec envoi de l’illustratrice.
40472Paris Louis Conard, éditeur 1907 in 8 (26x18,5) 1 volume broché, couverture rempliée, plat supérieur illustré, non paginé, texte dans un riche encadrement illustratré en couleurs par Edmond Malassis, légère trace de mouilure claire sur l'angle externe de la marge inférieure. Tirage limité à 170 exemplaires numérotés, celui-un des 150 exemplaires numérotés sur papier vélin. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Paris, Garnier, 1874. Fort volume in/4 en plein maroquin vert tilleul, dos à nerfs à titre doré, monogramme doré sur le plat supérieur, 7 planches (dessins de Staal) dont le frontispice, 719 p. Coiffes et coins légèrement épidermés. Dos insolé.
Editions du Demi-jour, 1955. 22 volumes brochés, couvertures illustrées en couleurs, illustrations de L. Brenot coloriées à la main, 331 & 322 p. Exemplaires numérotés sur Marais licorne, non coupés, en escellent état. Pierre-Laurent Brenot (né le 8 juillet 1913 à Paris et mort le 8 mai 1998 à Loches) styliste, affichiste et artiste peintre français. Il est surnommé le « père de la pin-up française ».