94 résultats
1967M7722Los Angeles:: Lynton Kistler 1967. 1967. 340 x 272 mm. Portfolio. i 2 pp. 12 black and white prints laid in a folded paper portfolio; top cover faded else fine. (Lynton Kistler), 1967. unknown books
19686561Boston; Dijon: Boston Book & Art Shop; Imprimerie Darantiere 1968. Large quarto 32 x 24.5 cm. 163 pages. First American Edition simultaneous with the French edition of Andres Sauret of Daumier's Moeurs Conjugales. The sixty black and white lithographs as well as the color-illustrated dust jacket were printed rectos only by Mourlot Freres. Translated from the original French by Angus Malcolm. Introduction pages 5 - 22 Catalogue Raisonne pages 145-148 and Notes pages 149-161 by Professor Philippe Robert-Jones Director of the Musees Royaux. Some light age-toning to top edge of the tan cloth; otherwise fine. Illustrated dust jacket has a few very small spots to edges. Lacking additional unprinted acetate. Boston Book & Art Shop; Imprimerie Darantiere hardcover books
02254Paris: Chez Aubert & Cie. 1850. Love These Children!<br/> But the Joys and Sweets of Fatherhood<br/>Are Extremely Scarce<br/><br/>DAUMIER Honoré. Henri-Daniel Plattel. Jules Platier. Ces Amours d'enfans. Joies et Douceurs de la Paternité. Paris: Aubert & Cie n.d. ca. 1850. <br/><br/>Oblong octavo. Hand-colored lithographed title by Auguste Belin and sixteen hand-colored lithographed plates heightened with gum arabic eight by Daumier the remaining by Plattel or Platier. 16 pp. at rear as Aubert catalog.<br/><br/>Publishers blind-stamped leather-grain red cloth over boards spine lettered in gilt "121" in gilt to upper cover. <br/>A very clean. bright and fine copy.<br/><br/>Reversed restrikes from the Aubert series Croquis D'Expressions 100 lithographed prints originally appearing in Le Charivari 1838-1839 fifty-five of which were executed by Daumier the remainder by Henri-Daniel Plattel and Jules Platier. All artist signatures have been removed and the hand-coloring is far more bright and vivid than the original issue prints that we have seen.<br/><br/>Croquis D'Expressions was never formally collected by Chez Aubert into an album. There are no copies of this later issue by Aubert collected under this new title in institutional holdings worldwide nor auction records. <br/><br/>The Plates with Daumier Registry # where applicable:<br/><br/>1. Est-il gentil notre bibi! il a déja un petit air scélérat le gueux! Daumier DR #470.<br/>2. Crie donc mátin!.égosille toi donc. et que çca finisse.ne pas fermer l'oeil pour un méchant moutard!.le diable emporte es enfans je n'en veux plus Daumier DR# 467.<br/>3. Oh! ce Chérubin comme il dort gentiment! Tiens Gustave c'est ton portrait tout craché! Daumier DR# 513.<br/>4. Allons bon les voilá tous trois partis.travaillez donc au milieu de ce charivari.chiens d'enfans! Daumier DR# 491.<br/>5. Vous allex voir!.vous allez voir ça va arréter le sang comme avec la main!! Daumier DR# 497.<br/>6. Oui ma chére laissez-moi lui donner cette petite soupe aux choux et vous verrez que ça lui vaudra mieux que tous leux drogues de médicine Plattel or Platier.<br/>7. Hein! quelle jolie tournure!///faudra en faire in avocat pas vrai.ou ben un grand artiste. Plattel or Platier.<br/>8. Puisuq tu es si riche ma tante vent bien t'epouser quoi que tu es bien laid et que tu n'as pas d'esprit du tout.c'est égal à ma tante.n'est ce pas ma tante Daumier DR# 505.<br/>9. Appuyez fort gna rien de meyeur our les coupe ou les tombres as pas peur Guguste ca te guérira ti va voir Daumer DR# 492.<br/>10. Tenez vous un peu tranquilles mes enfans vous finiriez peut-etre par ennuyer monsieur.Plattel or Platier.<br/>11. Le Maitre: Qu entendez vous par l'axe d'un cercle. Plattel or Platier.<br/>12. Lolo qu'aime tu mieux de ton papa ou de la maman - J'aime mieux les confitures Daumier DR# 500.<br/>13. C'est vrai aussi vous la contrariez toujours cet enfant! Plattel or Platier.<br/>14. Y disait comme ça: ton vieux grigou de père nous l'avons bien mis dedans. Plattel or Platier.<br/>15. Allons bon! tu me fais porter le petit porter ton cabas tu me fais mouller.tu gardes le parapluie et tute plains Plattel or Platier.<br/>16. Comment méchant vous pleurez vous criez toute la nuit.voulez vous bien vous taire et faire une petite risette à papa.Plattel or Platier. Paris: Chez Aubert & Cie., 1850 unknown books
02253Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br/>including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br/><br/>First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br/><br/>Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
04829Paris: Chez Aubert 1839. With 50 Hand-Colored Lithographs<br/>including Nine by Honoré Daumier and Fifteen by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839<br/><br/>Volume II only of 3. First edition. Quarto 10 3/8 x 8 1/8 inches; 265 x 207 mm. i-ii half-title verso blank iii-iv title verso blank v-vi Table 200 pp. With 50 numbered 51-100 hand-colored lithographs heightened with gum arabic by Honoré Daumier nine Gavarni fifteen Frédéric Bouchot seventeen Benjamin i.e. Benjamin Roubaud four Bourdet three Grandville one and Edme-Jean Pigal one. Heavy spotting in places but mainly to text leaves. Plates generally clean.<br/><br/>Publisher's silk patterned paper over boards covers decoratively stamped in gilt smooth spine decoratively stamped and titled in gilt. Rebacked with the original spine laid down. With the engraved bookplate of author and collector Jaques Robiquet on front paste-down. <br/><br/>A reasonably priced album containing fine hand-colored lithographs of Bouchot Daumier & Gavarni etc. etc.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
1969UHARHON00TMBounty 1969. Very Good. Daumier Honore. Honore Daumier: Selected Works. Harris Bruce; Harris editor Seena; Getlein appreciation Frank; Getlein appreciation Dorothy. New York: Bounty 1969. 209pp. Illustrated. 4to. Red cloth. Book condition: Very good with light bumping and rubbing. A few tiny spots and light soiling on top edge. Dust Jacket Condition: Good with chipped and slightly curled edges and rubbing. Has yellowing light soiling and short tears. Now in protective plastic cover. Bounty hardcover books
1993GG01574Paris:: Editions Michele Trinckvel 1993. 1993. 4to. 133 pp. Illus. Brown cloth dust-jacket. Fine copy. ISBN: 2851320327 Editions Michele Trinckvel, 1993. hardcover books
04944Paris: Chez Aubert et Cie 1839. An Exceptionally Rare Original Hand-Colored Copy<br/><br/>DAUMIER Honoré illustrator. PHILIPON Charles. Les Cent et Un Robert-Macaire composés et dessinés par M. H. Daumier sur les Idées et les Légendes de M. Ch. Philipon réduits et lithographiés par MM; Texte par MM. Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie 1839. <br/><br/>First Quarto Edition Hand Colored Issue. Two quarto volumes bound in one. 10 3/8 x 8 inches; 264 x 203 mm. viii 200 1 1 blank 4 advertisements ; viii 202 1 1 blank 4 advertisements pp. With 101 magnificent hand-colored lithographed plates heightened with gum Arabic. A few text leaves with toning some light scattered foxing which generally only affects the blank plate margins still a very good copy of the excessively rare hand-colored issue.<br/><br/>Contemporary red chagrin over silk paper boards stamped in gilt. Smooth spines decoratively tooled and lettered in gilt all edges gilt. Front pastedowns with the engraved bookplate of "AM". <br/><br/>"Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236.<br/><br/>"These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236.<br/><br/>Carteret III p.187. Ray The Art of the French Illustrated Book 162. Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon. Paris: Chez Aubert et Cie, , 1839 unknown books
63Zurich. Büchergilde Gutenberg. 1945. Large 4to. 159 pp. 194 illustrations. Silk over boards with clear woven dust jacket. unknown books
197049341Boston MA: Boston Book and Art 1970. Hardcover. Very good/Very good. Boston MA: Boston Book and Art 1970. Notes and Catalogue by Jean Adhemar; Preface by Arthur W. Heintzelman. Numerous b/w illustrations. 135 pp. Hardcover. 4to. White cloth. Interior clean and tight. Dustjacket lightly bumped and rubbed at head heel and corners. A very nice copy in like dustjacket. Very good/Very good. Boston Book and Art hardcover books
637Los Angeles. The Armand Hammer Foundation. 1979. 4to. In paper wraps. 244pp. The collection of the Armand Hammer Foundation. Stiff pictorial wrappers. 240 pp 157 illustrations 7 in color bibliography. The collection of the Armand Hammer Foundation. The bulk of the material including virtually all the lithographs was assembled by George Longstreet whose collection was purchased by Hammer as a promised gift to the LACMA that never materialized. Freitag 2083 unknown books
48053NY: Amiel nd. First printing of this edition. 4to. 121 pp. Fine in fine dust jacket. NY: Amiel unknown books
197448054Paris & NY: Amiel 1974. First edition. 4to. 135 pp w/notes. Fine in fine dust jacket and fine publisher’s cardstock slipcase. Preface by Francoise Parturier catalogue and notes by Jacqueline Armingeat. Paris & NY: Amiel unknown books
197448055Paris & NY: Amiel 1974. First edition. 4to. 239 pp w/notes. Fine in fine dust jacket and near fine publisher’s cardstock slipcase. Paris & NY: Amiel unknown books
198148056NY: Rizzoli 1981. First US edition. 4to. 329 pp w/notes indexes and bibliography. Fine in fine dust jacket and publisher’s near fine light cardstock slipcase. NY: Rizzoli unknown books
6788Munchen Albert Langen n.d. Folio. Cloth and paper boards lettered in gilt on the cover and spine 217 2 pp. Catalog of Daumier's woodcuts. Endpaper foxed and creased one corner bumped worn and the head and heel of the spine else very good. <br/><br/> Munchen, Albert Langen, n.d. hardcover books
19921342388New York: Metropolitan Museum of Art 1992. Hardcover. Quarto; VG-; Hardcover; Spine blue with gold print; Slipcase in blue cloth with illustrated pastedown light shelfwear but clean and strong; Boards in blue cloth with gold print clean and strong; Text block clean and tight; "Published in conjunction with the exhibition held at the Stadelsche Kunstinstitut and Stadtische Galerie Frankfurt November 17 1992-January 17 1993 and at the Metropolitan Museum of Art New York February 26-May 2 1993"- title page verso; xii 268 pages frontispiece illustrated chiefly b&w. Shelf: Drawings & Etchings <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1342388. FP New Rockville Stock. Metropolitan Museum of Art hardcover books
1979129212Washington D.C.: National Gallery of Art 1979. First edition. Softcover. An exhibition catalog for a show at the National Gallery. Includes 100 illustrations. An about very good fine copy in wrappers with some minor foxing throughout. A good reference copy. National Gallery of Art unknown books
1979107568Washington D.C.: National Gallery of Art 1979. First edition. Softcover. An exhibition catalog for a show at the National Gallery. Includes 100 illustrations. A clean very near fine copy in wrappers. National Gallery of Art unknown books