2 745 résultats
1946mon0000080212Nicholson & Watson 1946-01-01. Unknown Binding. Acceptable. in x in x in. Ex-library book usual markings. Hardback without Dust Cover. Well read copy with some spine wear and colouring of page edges due to age. Still very useable. Nicholson & Watson unknown
1968228021Boston. : Boston Book Shop. 1968. First edition. . Gilt decorated hard cover. . Fine copy in fine dust jacket in fine slip case. Folio. . Illustrated in black white and color. Important reference work. Very scarce in this condition. Boston Book Shop. hardcover
1968013680Boston: Boston Book & Art Pub. 1968 161 numbered pp 1; HB w/DJ. Pages: clean bright tight; partial sm stamp b.e. Cover: gray tweed gilt signature front gilt titles spine; minimal shelfwear 3 shallow indents front joint back joint has lt stain . DJ: unclipped cream color artwork front black titles front/spine; modest edge/shelfwear. Extremities somewhat worn.60 full-page Daumier lithographs reproduced in stone by Alexis Manaranche and printed by Mourlot Freres. Nice. Heavy. Boston Book & Art, Pub. hardcover
107820hardcover. near fine. Illustrated with 60 b/w prints. 161pp. Tall 4to cloth edgeworn d.w. Boston: Boston Book & Art Shop 1968. A near fine copy. Introduction by Philippe Roberts-Jones Translated from the French by Angus Malcolm<br/> <br/> unknown
1159<p>1845. Hand colored lithograph on white wove paper from the most desirable series Daumier ever published. Delteil 1358ii. 10 ¾ x 7 ¾. Plate 22 from "Les Gens de Justice". Framed.</p>
184125111841. Lithograph. Ingrate patrie tu nauras pas mon oeuvre! Ungrateful country you shall not have my work! D.719. From Emotions Parisienne . 253 x 210mm 5333 x 277.
71-4999Paris: Chez Aubert circa 1838. Lithograph on wove paper. 22.2 x 28 cm. sheet. Very Good minor damp staining and toning in the margins. Text on verso in French. [Paris: Chez Aubert, circa 1838]. unknown
51-3254Paris: 1864. Limited edition reproduction. 38 x 31 cm. sheet size. One of 500 numbered copies on rag paper. A lawyer suggests that enough evidence has been given to demonstrate that his client was cheated on and deceived by his wife; meanwhile the client sadly listens to the proceedings. Drawing for Delteil 3278.LES MOMENTS DIFFICILES DE LA VIE a series of 7 prints numbered from 1 to 6 nr. 6 was used twice. The series appeared between March 12 and July 61864 in the CHARIVARI. In plate 2 and 6 the series title is “LES MOMENS DIFFICILES DE LA VIE†the “T†is missing. Daumier must have been quite familiar with the old judicial system in France. Normally three judges were required in a hearing accompanied by the D.A. "Procureur Impérial". The jury was usually seated along a side wall while the prisoner's bench was placed opposite to the judges. In important cases the prisoner was flanked by two policemen. The defending advocate usually was seated in front of the prisoner facing the judges. The hearings were open to the public and represented a welcome entertainment to Parisians free of charge. The judges as well as the Procureur Impérial were appointed by the Ministry of Justice and were not always free from political influence and conviction. The prosecutor held the rank of a magistrate but wore slightly different robes than the judges. Paris: 1864 unknown
694481852. 40 x 33 cm unter Passepartout gerahmt u. kantenversilbert. 27 x 20 cm Min. stockfleckig tadell. - Honoré Daumier 26. Februar 1808 in Marseille; † 10. Februar 1879 in Valmondois Val-d’Oise französischer Maler Bildhauer Grafiker und Karikaturist. Er ist ein wichtiger Vertreter des Realismus. Bedeutend sind seine politischen und sozialkritischen Karikaturen. 010 1852 unknown
50-003320th cent. facsimiles. Limited edition prints on rag paper. 15 x 12 inches. 20th cent. facsimiles. unknown
1978851071Paris: Arthur Hubschmid 1978. 1st French. Hardcover. Very Good/None. 2 volumes. French text. 1287 pages total b&w cartoons. Cream cloth covers. Small smudge on Volumes 1 previous owner's signature on front fly leaf of Volume 2. Else very clean tight copies. Record # 851071 Arthur Hubschmid hardcover
71-8708Paris: Le Charivari 1843. Lithograph. 34.5 x 24.5 cm sheet. Very Good matte staining in the margins text on the reverse. Paris: Le Charivari, 1843. unknown
01-04191867. Original lithograph. As printed in the Le Charivari. Delteil 3555. 1867. unknown
186932445Paris: Le Charivari 1869. Lithograph. Small 4to image size 8¼" X 10". Very good. Light even age toning. This is the May 3 1869 second state of Plate 73 in this illustrated newspaper's "Actualites" series and a strong clean impression. It depicts a statuesque crowned woman representing France and resembling our Statue of Liberty standing at right atop a scale with a measuring pole. Her right hand rests across her bosom and her left hand clutches the adjustable height bar near the top of the measuring pole. Behind her and at left stand a crowd of Frenchmen in suits and ties all staring apprehensively at her. The caption reads in translation "France preparing to get her candidates to pass muster under the measure of standards." Immediately below the plate at lower left is printed "A. de Vresse r.Rivoli 55" while at lower right is printed "Lith. Destouches r. Paradis Pre 28" and the stone number "16" appears in the base of the scale. A quite nice copy printed on wove paper. The rare first state was printed on newsprint stock and bore no caption and the rare third state bore a different caption than the second state. This print is displayed in a single cream matte and a ½" black wooden frame overall dimensions 13" X 16". Very good. Slight bit of dampstaining at upper left and lower right of matte not affecting print. Verso of frame bears the label of noted New York art gallery E. Weythe Art Books Prints. Daumier produced a vast number of social caricatures roughly 4000 in number many done for this famed publication. From the collection of former Illinois Senator ADLAI E. STEVENSON III b. 1930 son of the Illinois governor of the same name 1900-65 and great-grandson of the U.S. vice president of the same name 1835-1914. DR 3708. Le Charivari unknown
05538Paris: Chez Aubert 1837. Characteristic Expressions Love Letters and Law Students<br /> Twenty-Five Fine Hand Colored Lithographs by Daumier Gavarni and Cujas<br /> <br /> DAUMIER Honoré. La Galerie Physionomique The Physiognomic Gallery 5 plates 0f 25 1837; GAVARNI Paul. Au Boit Aux Lettres At the mailbox 11 plates of 34 1838; GAVARNI Paul. Les Coulisses Behind the scenes 1 plate of 31 1857; CUJAS. Cours de Droit Law courses 8 plates of 12 1838.<br /> <br /> Folio 13 1/2 x 10 1/8 inches; 343 x 257 mm. <br /> <br /> A fascinating collection of twenty-five hand colored lithograph plates by Daumier Gavarni & Cujas all heightened with gum arabic.<br /> <br /> Contemporary quarter dark green calf over green marbled boards. Smooth spine decoratively tooled in gilt plain endpapers. Extremities rubbed.<br /> <br /> 1. DAUMIER. La Galerie Physionomique No. 14. La loge grillée - The box grated DR 339<br /> 2. CUJAS. Cours de Droit No. 1. La Chaumière et ton coeur - The Cottage and your heart<br /> 3. CUJAS. Cours de Droit No. 2. Jus Romanum <br /> 4. CUJAS. Cours de Droit No. 4 Homme étonnant!!! Quel chique.<br /> 5. CUJAS. Cours de Droit No. 6. L'Etudiant a besoin de quelques distractions - The Student <br /> 6. CUJAS. Cours de Droit No. 8. Reflexion philosophique en morale de Mlle Fifine<br /> 7. CUJAS. Cours de Droit No. 9. Allons Gustine joue tout droit tu ne manqueras pas de touche.<br /> 8. CUJAS. Cours de Droit No. 10. Je ne me trompe pas d'etait bien mon B.! <br /> 9. GAVARNI. Les Coulisses No. 6. Le soldat romain Quinze sous par jour. A&H 454<br /> 10. CUJAS. Cours de Droit No. 12. Tiens! Ernest!. qu'es tu donc devenu<br /> 11. GAVARNI. La Boite Aux Lettres Sans No. Je prends la plume d'une main tremblante. A&H p. 88<br /> 12. GAVARNI. La Boite Aux Lettres No. 2. Vous avez le secret de ma vie. A&H 1685<br /> 13. GAVARNI. La Boite Aux Lettres No. 3. La lettre qu'on lit. A&H 1686<br /> 14. GAVARNI. La Boite Aux Lettres No. 4. J'ai ta lettre cherie a mon Ernest je la presse. A&H 348<br /> 15. GAVARNI. La Boite Aux Lettres Sans No. Je soussigné Roi des Batinolles. A&H p. 89<br /> 16. GAVARNI. La Boite Aux Lettres Sans No. Chère ange mon amour vous envoie sur l'aile. A&H p. 89<br /> 17. DAUMIER. La Galerie Physionomique No. 5. Le bon morceau - A Tidbit DR 330<br /> 18. GAVARNI. La Boite Aux Lettres No. 8. Sans No. Viens me prendre ce soir je suis sortie. A&H p. 89<br /> 19. GAVARNI. La Boite Aux Lettres No. 9. Sans No. Ma sière epouse je vous. A&H p. 89<br /> 20. DAUMIER. La Galerie Physionomique No. 18. Rien!.rien!. Je ne trouve rien - Nothing! nothing at all. DR 343<br /> 21. GAVARNI. La Boite Aux Lettres No. 11. Congé en partie double. A&H 1693<br /> 22. DAUMIER. La Galerie Physionomique No. 8. La bonne prise - A good pinch of snuff DR 333<br /> 23. GAVARNI. La Boite Aux Lettres No. 13. Monsieur malgré que je sois sans experience je n'ai. A&H 1695<br /> 24. GAVARNI. La Boite Aux Lettres No. 14. Ah! prenez pitié de l'etat cruel où me laisse mon attachement. A&H 349<br /> 25. DAUMIER. La Galerie Physionomique No. 20. Contentement de soi-meme - The man who is satisfied with himself<br /> DR 345<br /> <br /> Daumier Register DR-330 DR-333 DR-339 DR-343 DR-345; Armelhault & Bocher 348 454 1685 1686 1693 1695 & pp. 88 & 89. Paris: Chez Aubert, 1837 unknown
71-9234Paris: Le Charivari 1853. Lithograph on newsprint. Text in French on verso. 26 x 37 cm sheet. Very Good light foxing in the margins some tears along sheet edges. Paris: Le Charivari, 1853. unknown
1836296439Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 22. Some scuffs foxing and toning on margins but luminous coloring.<br/> <br/> The lion's share.from the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire.This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire.<br/> <br/> Chez Aubert unknown
06026Paris: Chez Aubert 1840. Fishing and Proverbs as seen by Honoré Daumier<br /> <br /> DAUMIER Honoré. La Peche & Proverbes et Maximes. Paris: Chez Aubert 1840-41.<br /> <br /> Folio 13 1/8 x 10 1/8 inches; 333 x 258 mm. La Peche. Seven lithograph plates complete. Proverbes et Maximes. Twelve lithograph plates complete. Together nineteen fine lithograph plates.<br /> <br /> Modern quarter brown cloth over marbled boards spine lettered in gilt. Minimal marginal foxing to a couple of the plates. A fine example containing two of Daumier's rarest suites.<br /> <br /> La Peche Fishing is a series of seven lithographs which appeared between June 28 1840 and January 24 1841 in La Caricature.<br /> <br /> Proverbes et Maximes Proverbs and maxims is a series of twelve lithographs which appeared in Le Charivari between June 21 and October 20 1840. Daumier illustrates some well known proverbs in an original and literal way sometimes even too literally.<br /> <br /> The Plates:<br /> <br /> La Pêche<br /> 1. Un Pêcheur endurci. DR 815 28th June 1840.<br /> A hardened fisherman.<br /> <br /> 2. C'est presque toujours à la halle que les pêcheurs parisiens vont attraper leur poisson. DR 816 19th July 1840.<br /> It's usually at the market that Parisian fishermen go to catch their fish.<br /> <br /> 3. LE PÊCHEUR ACHARNÉ ou il ne faut pas disputer les gouts. DR 817 2nd August 1840.<br /> THE DESPERATE FISHERMAN or "There is no accounting for tastes".<br /> <br /> 4. Le Barbillon entraîne la ligne notre homme se penche le pied lui glisse et voilà le pêcheur qu'on repêche. DR 818 16th August 1840.<br /> The fish pulls the line. our man bends down his foot slips and there goes our fisherman. ready to be fished out.<br /> <br /> 5. Malheur au Pêcheur à la ligne qui se trouve sur celle d'un bateau à vapeur! DR 819 23rd August 1840.<br /> Woe to the angler who finds himself in the wave of a steamer!<br /> <br /> 6. LE DANGER DES PASSIONS ou Souvent l'on se trouve entrainé plus loin qu'on ne voudrait. DR 820 <br /> 6th September 1840.<br /> THE DANGER OF PASSIONS or Often we find ourselves drawn further than we would like.<br /> <br /> 7. EN VOILÀ UN DE PLAISIR! OU La Passion de la Pêche poussée jusqu'au dernier degré. Réaumur! DR 821 <br /> 24th January 1841.<br /> HERE IS ONE FOR PLEASURE! OR The passion for fishing carried to the last degree. of Réaumur.<br /> <br /> Proverbes et Maximes<br /> 1. Ventre affamé n'a pas d'oreilles. DR 803 21st June 1840.<br /> An empty stomach is deaf to music.<br /> <br /> 2. On n'est jamais bien servi que par soi-même. DR 804 28th June 1840.<br /> Every man is the architect of his own fortune. Served well is only he who is doing it himself<br /> <br /> 3. La patience est la vertu des ânes. DR 805 2nd July 1840.<br /> Patience is the virtue of asses.<br /> <br /> 4. Comme on fait son lit on se couche. DR 806 10th July 1840.<br /> As you make your bed so you must lie on it.<br /> <br /> 5. Bien venu qui apporte. DR 807 12th July 1840.<br /> Welcome is who brings something.<br /> <br /> 6. Un homme sans asile est comme un oiseau sans nid. DR 808 17th July 1840.<br /> A man without refuge is like a bird without a nest.<br /> <br /> 7. Les petits présens entretiennent l'amitié. DR 809 24th July 1840.<br /> Little presents maintain friendship.<br /> <br /> 8. A bon chat bon rat. DR 810 4th August 1840.<br /> Tit for tat. For a good cat a good rat<br /> <br /> 9. qui aime Bertrand aime son chien. DR 811 22nd July 1840.<br /> Whoever loves Bertrand loves his dog.<br /> <br /> 10. Il ne faut pas mettre le doigt entre le bois et l'écorce. DR 812 26th July 1840.<br /> Don't poke your nose into other people's business. You should not put your finger between the wood and the bark.<br /> <br /> 11. On reprend son bien où on le trouve. DR 813 6th August 1840.<br /> One recovers one's property where one finds it.<br /> <br /> 12. En voilà un de jobard! moi je suis de l'avis du proverbe: "Ce qui est bon à garder". DR 814 20th October 1840.<br /> Here is one mug!. I believe in the proverbe: What I have I won't release any more.<br /> <br /> Daumier register: 815-821; 803-814. Paris: Chez Aubert, 1840 unknown
01-04091868. Original lithograph. As printed in the Le Charivari. Delteil 3647. 1868. unknown
026100New York: Pantheon Books Inc. Hardcover. Very Good-. Folio - over 12 - 15" tall. Daumier Honore. Booklet: The Ram Press manufactured in the U.S.A. for Pantheon Books Inc. 8 pages. Book: Blue boards. Dust jacket in 4 pieces with edge wear. 24 very good or better lithographs. Stain on folder light wear to covers. No date. <br/> <br/> Pantheon Books Inc. hardcover
1778628Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1838. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1778678Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1989Q-0914427245Vilo 1989-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Vilo hardcover
183711541837. Hand-colored lithograph printed on white wove paper Sur Blanc. Delteil 346 only state. 11 3/8 x 9 1/8. Plate 21 from "Galerie Physionomique". Light foxing otherwise fine. Extremely Rare when hand colored.
1842177Sur Blanc. Lithograph with contemporary hand-coloring. 1842. As published in La Caricature. D. 986 ii/iii. Image: 8¼ x 7 . Margins: 9 x 14 . Aubert
