Daumier, HonoreBiblio.com
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2126375Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126376Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126362Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126374Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126361Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126363Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126373Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1845. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2126360Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1853. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1161Published on newsprint Le Charivari. 14 ¾ x 10. Lithograph. From "Les Beaux Jours del la Vie". Delteil 1162 ii/ii Oct 8 1845. unknown
196662813Paris: Editions Vilo 1966. Hardcover. Fine. Folio. Text in French. Very slight soiling to the cloth fine. Editions Vilo hardcover
18384946Paris: Aubert & Cie. 1838. First edition First state. This is the rarest version of this caricature with the title below and the Aubert imprint to the left but without the header title "La Caricature provisoire" second state or the title "Les 12 Mois" third state. It is also without the number 1. to the top right that appears on the later imprints. Signed h.D. in the plate. A very good clean impression with a little foxing only. The fold to the centre as called for on this edition. Verso is blank but for slight foxing. A very nice copy of this rare Daumier engraving. 16.5cm x 22.5cm. Cat.Rais.: Delteil 551 . Première édition premier état. Il s'agit de la version la plus rare de cette caricature avec le titre en bas et l'empreinte d'Aubert à gauche mais sans le titre d'en-tête "La Caricature provisoire" deuxième état ni le titre "Les 12 Mois" troisième état. Il n'y a pas non plus le chiffre 1 en haut à droite qui apparaît sur les tirages ultérieurs. Signé h.D. dans la planche. Très bonne impression propre avec seulement quelques rousseurs. La pliure est au centre comme prévu dans cette édition. Le verso est vierge à l'exception d'une légère rousseur. Un très bel exemplaire de cette rare gravure de Daumier. 16.5cm x 22.5cm. Cat.Rais. : Delteil 551 Aubert & Cie. unknown
01-04271842. Original lithograph. Delteil 2846. As printed in the Le Charivari. Marginal tear just inside image. 1842. unknown
18394726Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
18441791844. Sur Blanc. Lithograph. From Les Etrangers à Paris pl. 16. D. 1287 ii/ii. Image: 8 x 7½. Margins: 13¾ x 10¼. Some foxing. Aubert
1334416478.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
01-04291840. Original lithograph. Delteil 862. As printed in the Le Charivari. Marginal tear just inside image. 1840. unknown
09-0418Paris: Le Charivari Feb. 10 1949. Original lithograph. As printed in the Le Charivari. Delteil 1795. 4 pages. Paris: Le Charivari, Feb. 10, 1949. unknown
14808Daumier Honore French 180.8-1879. LE VENTRE LEGISLATIF. Lithograph 1834. Published by L'Association Mensuelle in the issue of January 1834. With the ceneterfold but also folded horizontally. Signed in the stone. 11 x 17 1/8 inches image 14 x 21 1/2 inches sheet. The folds are apparent in the margins but very unobtrusive in the image. The title translates as "The Legislative Belly." The print is Daumier's satirical commentary on kind of people who made up the Chamber of Deputies in January of 1834. He shows them fat and self-satisfied implying that concern for the public good was not first on their minds. 1834 was a very volatile year in French politics with an insurrection in Lyon which was put down by military force. Conservatives who supported the monarchy and the status quo won the elections to the Chamber of Deputies. Only 200000 people those who paid a minimum of 200 Francs in taxes were eleigible to vote the population of France was then 30000000. This print with its strong graphic design and its forthright critique is among Daumiers most significant works. unknown
3aa44Lithographie 30 cm x 22 cm. Blatt 169 von 500. Original von H. Daumier signiert. Gerahmt 415 cm x 32 cm goldfarbene Holzleiste unter Glas. Siehe Bild unknown
01-0391ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison 297. ca. 1870. unknown
01-0394New York Graphic Society 1950s. Color reproduction. 20 x 26 inches. Maison 298. New York Graphic Society, 1950s. unknown
01-0392ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison 298. ca. 1870. unknown
183978943BB1839 . Paris: Bureau du J.al du Rire 1839. Gr.-8°. 100 Originallithographien auf Taf. Titelblatt-Lithographie von Célestin Nanteuil. Halbfranz. Einband mit 2 handkolorierten Darstellungen ländlicher Szenen in Japan auf Leinwand. Rücken mit rotem Schild und Goldschrift Zierleisten und floralem Muster. altersmässig gebräunt; minim stockfleckig; auf Vorsatz eingeklebte Beschreibung des Besitzers; 2 Taf. lose; Einband etwas beschabt; Kanten berieben; Ecken bestossen; Rücken verblichen Honoré Daumier 1808-1879 französischer Maler Bildhauer Grafiker und Karikaturist. unknown
01-0372Paris: 1851. Limited edition reproduction on rag paper. Numbered edition of 500. Delteil 2187. 37.5 x 30.5 cm. 14.75 x 12 inches. Paris: 1851. unknown
NY34<p>Paris Aubert n.d. 1840.</p><p>Folio 339 x 263 mm of 30 plates. Green half-sheepskin flat spine. <i>Contemporary binding</i>.</p><p><b>Complete and very rare set of 30 original lithographs in very nice proofs in black on white </b>in a very scarce issue of the 2nd or 3rd state out of 3 or 4 before correction with Aubert's address later erased.</p><p>Delteil 760 to 790.</p><p>The bathers on the banks of the Seine offered Daumier multiple subjects to evoke comical situations. </p><p>The series of thirty plates of<i>Les Baigneurs</i> published between June 1839 and September 1842 in <i>Le Charivari</i> was much appreciated by Delacroix for the quality of the anatomical studies it contains and which will have a female counterpart in 1847 with <i>Les Baigneuses</i>.</p><p><i>Honoré Daumier</i> 1808-1879 began his career as a political cartoonist for the newspapers "<i>La Caricature</i>" and "<i>Le Charivari</i>" under the sign of opposition to Louis-Philippe led by Charles Philipon the director of these publications.</p><p>But the laws of September 1835 put a brake on the freedom of the press and forced Daumier to reorient himself towards the caricature of manners. </p><p>Parisian society is then pinned in all its strata under the eyes of readers of "<i>Charivari</i>".</p><p><b>Formidable caricaturist of the ridicules of the French society of the 19th century</b><b></b> qualified of "<i>Michelangelo of the caricature</i>" he developed his lithographic career for the press from the July Monarchy until the fall of the Second Empire.</p><p>" <i>Delacroix not only appreciated but even studied the nude of the Baigneurs of Daumier</i> ". Béraldi.</p><p>"The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent.""</p><p><b>Good condition except for few foxing on some plates.</b></p><p><br /></p><p><u>Français</u><br /></p><p>Paris Aubert s.d. 1840.</p><p>In-folio de 30 planches. Demi-basane verte dos orné en long. <i>Reliure de l'époque</i>.</p><p>339 x 263 mm.</p><p><b>Suite complète et très rare de 30 lithographies originales en très belles épreuves en noir sur blanc</b><b> </b>en très rare épreuve du 2e ou 3e état sur 3 ou 4 avant la correction avec l'adresse d'Aubert effacée par la suite.</p><p>Delteil 760 à 790.</p><p>Les baigneurs des bords de la Seine ont offert à Daumier de multiples sujets propices à évoquer des situations cocasses. </p><p>La série de trente planches des <i>Baigneurs</i> publiée entre juin 1839 et septembre 1842 dans <i>Le Charivari</i> était très appréciée de Delacroix pour la qualité des études anatomiques qu'elle contient et qui aura un pendant féminin en 1847 avec <i>Les Baigneuses</i>.</p><p>" <i>Daumier recherche avant tout l'expression juste qui lui est fournie par une rare faculté d'observation ce qui fit dire à Champfleury : "Dans le moindre croquis de Daumier on sent la griffe du lion". Les Daumier font aujourd'hui des prix fous. " </i>Carteret <i>Trésor du bibliophile</i> III p.188.</p><p><i>Honoré Daumier</i> 1808-1879 débute sa carrière comme caricaturiste politique pour les journaux " <i>La Caricature</i> " et " <i>Le Charivari</i> " sous le signe d'une opposition à Louis-Philippe conduite par Charles Philipon le directeur de ces publications.</p><p>Mais les lois de septembre 1835 mettent un frein à la liberté de la presse et obligent Daumier à se réorienter vers la caricature de mœurs. </p><p>La société parisienne est alors épinglée dans toutes ses strates sous les yeux des lecteurs du " <i>Charivari</i> ".</p><p><b>Formidable caricaturiste des ridicules de la société française du XIXe siècle</b><b></b> qualifié de " <i>Michel-Ange de la caricature</i> " il développa sa carrière lithographique pour la presse de la Monarchie de Juillet jusqu'à la chute du Second Empire.</p><p> " <i>Delacroix non seulement appréciait mais même étudiait le nu des Baigneurs de Daumier</i> ". Béraldi.</p><p>" Si plus tard les héritiers de Delacroix trouvèrent dans un de ses nombreux portefeuilles des croquis d'après 'les Baigneurs' de Daumier cela n'étonnera pas les admirateurs des deux maîtres. Les yeux gourmands de Delacroix dans leur soif d'études et d'observations ne pouvaient jamais assez se rassasier de lignes passionnées d'emportements michelangesques et de mouvements réels. L'accentuation robuste des œuvres de Daumier enthousiasmait cette nature distinguée comme un cavalier qui monté sur un élégant cheval arabe s'arrête tout à coup pour admirer un cheval de brasseur. " Revue de Paris</p><p>"The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent.""</p><p><b>Belle condition sauf quelques rousseurs à certaines planches.</b></p> hardcover
