Daumier, HonoreBiblio.com
2 745 résultats
01-04031842. Original lithograph. Delteil 790. As printed in the Le Charivari. 1842. unknown
71-8941Paris: Chez Aubert & Cie. 1844. Lithograph on newsprint. 36 x 24.5 cm sheet. Text in French on verso. Very Good minor surface soiling horizontal crease in center of sheet.Reference: Delteil No. 1121 state ii/ii. Paris: Chez Aubert & Cie., 1844. unknown
01-04151844. Original lithograph. As printed in the Le Charivari. Delteil 1124. 1844. unknown
172366DAUMIER Honore. Les Bohemiens de Paris. With 28 lithographs by Daumier. Folio. 345 x260 mm.Matted in a cloth folding case. Paris: Au Bureau de Journal Amusant & du Petit Journal pour Rire 1840-1842. Complete set of Daumier's "Les Bohémiens de Paris" series. All the prints in the present set are "sur blanc" i.e. printed individually on superior white wove paper without the text of the Charivari journal on the verso. Because of the finer paper and printing methods 'sur blanc' impressions are much more prized than those which appeared within the journal itself. Les Bohémiens de Paris figures prominently in Rumas' Daumier: 120 Great Lithographs which especially reproduces and describes Plate 9 "A Professional Sponger about to crash a fashionable Wedding Party" Plate 15 "A Sick-Nurse the French equivalent of Dickens' Sairy Gamp" and Plate 20 "A Minor Actor in a small theater who plays Wealthy Monarchs though actually starving here eating French Fries!. Plates 135671112142324252627 belong to Delteil's 2nd state of 3; The rest are all 3rd state. The first state avant la lettre are invariably described as "fort rare" and are now unfindable. In excellent condition. Delteil 822-849. BN Fonds Français Après 1800 Tom. V p. 478 No. 157. hardcover
288001090X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18392991Paris: Aubert et Cie 1839. Robert Macaire is an unscrupulous fictional character who appears in a number of French plays films and other works of art. A series of images was drawn by Daumier and appeared first in the Charivari from 1836 to 1838. These were collected in to the book Les Cent et Un Robert-Macaire and this is creation number 85 Robert-Macaire aux carreaux with a small area of text underneath in French. Comes under passe partout perfect for framing. 265 x 210 mm 10½ x 8¼ inches. Robert Macaire est un personnage de fiction sans scrupules qui apparaît dans un certain nombre de pièces de théâtre de films et d'autres œuvres d'art français. Une série d'images a été dessinée par Daumier et est apparue pour la première fois dans le Charivari de 1836 à 1838. Celles-ci ont été rassemblées dans le livre Les Cent et Un Robert-Macaire et c'est la création numéro 85 Robert-Macaire aux carreaux avec une petite zone de texte en dessous en français. Livré sous passe partout parfait pour l'encadrement. 265 x 210 mm 10½ x 8¼ pouces. Aubert et Cie unknown
1272629023.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1839L062911Chez Aubert et Cie Editeurs Du Musee Pour Rire 1839. First Edition. Leather Binding. Good/No Jacket. 4to - over 9¾" - 12" tall. Wear to extremities chiefly to spine edges and corners; spine splitting at edges; some soiling rubbing and browning to covers chiefly to edges and corners; previous owner's ink inscription on front attached endpaper; tape reinforcement to inner hinges at top and lower edges; slight internal browning and/or foxing chiefly to preliminaries and edges; generally unaffecting plates. ca. 125 pages including plates; unpaginated. Text in French. Spine title: Robert-Macaire. Second part of the pictorial depiction of the title gentleman of many talents including lawyer quacksalver mesmerist etc; numbers 51 to 101 in the series this copy lacks plate 68 and substitutes a duplicate copy of the text and illustration for plate 96 in its place. Bound in half brown morocco over green heavy stock boards gilt-stamped and decorated spine and covers plain endpapers all edges trimmed. Scarce in any condition. One volume only; sold 'as is'.Daumier Honore illustrator; 49 of 50 Engraved Illustrations / Plates. Chez Aubert et Cie, Editeurs Du Musee Pour Rire unknown
71-9831Paris: Jules Meynial 1920. Wood engraving on Japon paper. 47 x 42.5 cm sheet. Printed by F. L. Schmied edition numbered 47/75. Very Good light toning along sheet edges. Paris: Jules Meynial, 1920. unknown
01-04251842. Original lithograph. As printed in the Le Charivari. Delteil 950. Marginal tear just inside image. 1842. unknown
01-04241847. Original lithograph. As printed in the Le Charivari. Delteil 1572. Marginal tear just inside image. 1847. unknown
19893640678Paris.: André Sauret. 1989. Hardcover. Good. 32 cm. 130 p. con lám. Encuadernación en tapa dura de editorial con sobrecubierta. Daumier Honoré 1808-1879. Préface de Julien Cain. Abogados. Caricaturas y dibujos humorísticos . Derecho procesal civil 347.9650:741.5 Dibujo. Diseño. Artes aplicadas y artesanía 74 Daumier Honoré084 André Sauret. hardcover
13-136620th Century Print after original ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison 591. [20th Century Print, after original ca. 1870.] unknown
34583Paris Ed. Vilo 1972. 4° 133 S. m. 48 Taf. OLwd. m. OU Tadellos in Schuber. Neuausgabe nach der Ausg. bei Sauret 1966. Mit einem «Catalogue raisonné» v. Jean Adhémar. 010 Paris, Ed. Vilo, 1972 unknown
51-1018Paris: Aubert & Cie. 1845-1848. A suite of 38 lithographs on wove paper without verso text. Delteil 1337-1374. Images: 9 1/2 by 7 1/2 in. 24.1 by 19.1 cm. Uniformly framed. This collection includes the 37 published ones in the series and the unpublished one Delteil 1362 no. 26. From the collection of the celebrated Wall Street attorney Robert S. Pirie. The illustration shows the lithographs on the staircase in situ at his Greenwich Village townhouse. Pirie was a member of the family who owned the famous namesake Chicago department store chain and was educated at Harvard. He was also the foremost collector of 17th Century English literature. Paris: Aubert & Cie. 1845-1848. unknown
196932120Editions Vilo. As New. 1969. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 130 pages; text in French. -- with a bonus offer-- . Editions Vilo hardcover
01-038420th Century Print after original ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Delteil 180. [20th Century Print, after original ca. 1870.] unknown
01-037720th Century Print after original ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison I18. [20th Century Print, after original ca. 1870.] unknown
01-038520th Century Print after original ca. 1870. Limited edition reproduction on rag paper. Numbered edition of 500. Maison 591. [20th Century Print, after original ca. 1870.] unknown
71-8942Paris: Aaron Martinet 1864. Lithograph on newsprint. 36 x 29 cm sheet. Text in French on verso. Very Good minor surface soiling. Paris: Aaron Martinet, 1864. unknown
05939Paris: Aubert & Cie 1851. With Twenty Superb Lithographed Plates by Honoré Daumier <br /> <br /> DAUMIER Honoré illustrator. Les Gueux de Bourgeois. Études de leurs mœurs féroces et de leurs habitudes criminelles. Paris: Aubert & Cie n.d. ca. 1851. <br /> <br /> First edition. Folio 13 1/4 x 10 inches; 335 x 254 mm.<br /> <br /> Pictorial lithographed title by Belin and twenty lithographed plates all by Honoré Daumier comprising fifteen plates Nos. 4 6 7 8 9 10 11 12 13 15 16 18 21 30 and 31 from Tout ce qu'on Voudra two from Les Bons Bourgeois Nos. 79 and 81 two from Les Représentans Représentés Nos. 9 & 10 and one from Les Gens de Justice No. 34. Plate no 3 with small inner blank margin tear; plate no. 4 with neatly repaired two-inch tear just touching image. Otherwise the highly amusing lithographs are clean and fresh.<br /> <br /> Publisher's yellow glazed pictorial lithographed boards cover design by Belin. Minor wear to extremities. Otherwise a fine copy. <br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists" Ray The Art of the French Illustrated Book 164. <br /> <br /> The plates:<br /> <br /> 1. Tout Ce Qu'on Voudra No.9. Un Pierrot déplumé. DR 1655<br /> Whatever We Want. A plucked Pierrot.<br /> <br /> 2. Tout Ce Qu'on Voudra No.12. Parisiens qui ne seront jamais placés sous la surveillance de la haute police. DR 1658<br /> Whatever We Want. Parisians who will never be placed under surveillance of the secret police.<br /> <br /> 3. Tout Ce Qu'on Voudra No.8. - Mais quand je vous dis que je ne peux pas remuer les pieds avec ces bottes là! . - Ça f'ra. monsieur. ça f'ra. ça f'ra!. DR 1654<br /> Whatever We Want. - But I keep telling you that I cannot move my feet in these boots! - Don't worry it'll come it'll come.<br /> <br /> 4. Tout Ce Qu'on Voudra No.13. Le plus farceur de la société. DR 1659<br /> Whatever We Want. The comedian of the group.<br /> <br /> 5. Tout Ce Qu'on Voudra No.4. - Ma femme est-elle à la maison. - Oui M'sieu.et vot' Cousin aussi. DR 1650<br /> Whatever We Want. - Is my wife at home - Yes Sir. and so is your cousin.<br /> <br /> 6. Les Bons Bourgeois No. 81. - Vous ne prenez pas votre bouteille de bière ce soir. je vois ce que c'est vous sortez de diner en cabinet particulier. mauvais sujet!. DR 1557<br /> The Good Bourgeois. You are not having your bottle of beer with us this evening. I can tell you are having a private dinner party today you scoundrel.<br /> <br /> 7. Les Gens de Justice No. 34. Encore perdu en Cour Royale . et il se lamente comme s'il ne lui restait pas encore la Cour de Cassation!. DR 1370<br /> People of Justice. Lost again in the Royal Court. and he complains as if he couldn't still appeal in the Upper Appeals Court.<br /> <br /> 8. Tout Ce Qu'on Voudra No.5. Une oasis au milieu de la plaine St-Denis. DR 1651<br /> Whatever We Want. An oasis in the middle of the plain of St. Denis.<br /> <br /> 9. Tout Ce Qu'on Voudra No.6. - Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !. DR 1652<br /> Whatever We Want. If one considers that my dahlias are still blooming in flaming red this year. I am afraid that with all my endeavors I will never succeed in cultivating them in a "Parisian Dirt" shade.<br /> <br /> 10. Tout Ce Qu'on Voudra No.7. Ayant fait partie des Muscadins sous le Directoire. DR 1653<br /> Whatever We Want. Former Dandies from the time of the Directory.<br /> <br /> 11. Tout Ce Qu'on Voudra No.11. - Oui c'est bien feue ma femme ! .Seulement je trouve que vous l'avez trop flattée!. DR 1657<br /> Whatever We Want. Yes it is my deceased wife. only I find that you have flattered her too much!<br /> <br /> 12. Tout Ce Qu'on Voudra No.15. - Tiens v'la peut-être une pratique . je vais me mettre sur son passage!. DR 1661<br /> Whatever We Want. Well this looks like a customer. I am going to put myself in his way!<br /> <br /> 13. Tout Ce Qu'on Voudra No.10. Deux heures du matin sortie du théatre historique. DR 1656<br /> Whatever We Want. Two in the morning exit of the Historic Theatre.<br /> <br /> 14. Tout Ce Qu'on Voudra No.16. Inconvénient d'un parapluie à ressorts trop compliqués. DR 1662<br /> Whatever We Want. The disadvantage of having an umbrella with a complicated spring system.<br /> <br /> 15. Tout Ce Qu'on Voudra No.21. Un mari brûlé du feu de la jalousie. DR 1667<br /> Whatever We Want. A husband burning with jealousy.<br /> <br /> 16. Tout Ce Qu'on Voudra No.31. - Nous avons donc volé le ballon de Mr. Green. DR 1677<br /> Whatever We Want. So we have stolen the balloon of Mr. Green<br /> <br /> 17. Les Représentans Représentés No.9 Felix Pyat. Convaincu par le discours prononcé par Félix Pyat en faveur du droit au travail Daumier s'est immédiatement arrogé le droit de travailler aux dépens de l'orateur montagnard. <br /> Felix Pyat. Convinced by the speech delivered by Felix Pyat in favor of the right to work Daumier immediately arrogated to himself the right to work at the expense of the mountain speaker. DR 1807 <br /> <br /> 18. Les Représentans Représentés No.10 Larochejacquelein. Costume dont s'était paré ce citoyen le jour où il s'est rendu à l'Assemblée Nationale pour déposer son mémorable bulletin de vote dans lequel il demandait pour Président de la République française!. Abd-el-Kader. The costume that this citizen had adorned himself with on the day he went to the National Assembly to deposit his memorable ballot paper in which he asked for President of the French Republic!. Abd-el-Kader. DR 1808<br /> <br /> 19. Les Bons Bourgeois No. 79. Doux loisirs d'un quincailler retiré du commerce des hommes et des chenets. DR 1555 The Good Bourgeois. Sweet pastime of a retired ironmonger far away from the commerce of man and the fire-dog.<br /> <br /> 20. Tout Ce Qu'on Voudra No.30. - Ah! ma chère quand on a un chien on ne devrait jamais avoir de mari!. pas plus tard qu'hier le mien a encore eu la chose de refuser une aile de poulet à Mimire il n'a voulu lui donner qu'une cuisse!. - Faut-y qu'ils y aient des hommes qui soyent féroces!. DR 1676<br /> Whatever We Want. - Oh my dear when you have a dog you should not have a husband. Only yesterday mine refused to let Mimine have a chicken wing. He only gave him a thigh. - How cruel men can be! Paris: Aubert & Cie, 1851 unknown
01-04231847. Original lithograph. As printed in the Le Charivari. Delteil 1572. Marginal tear just inside image. 1847. unknown
2013109878Silvana Editoriale. New. 2013. Paperback. 8836627188 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in French. -- with a bonus offer-- . Silvana Editoriale paperback
25091857. Lithograph. Delteil. 2981ii/ii. Sur Blanc. #1. From Les Speculateurs. 206mm x 268.mm. In fine condition. With full margins. Later published in le Charivari. unknown
16-6380Paris: Bauger 1842. Lithograph sur blanc Handcolored and gommée. Second state of 3. Delteil III no. 989.32.6 x 24.9cm.'Carissimi signori ze vous remercie perché je vous promets zi zamais ze çante de ne çantare que sur la scène del Teatro-Italiano di Parizi'. 1842. Il signor Rubini redit aux échos de la Tamise les éternelles cavatines de la Somnambula des Puritains et de la Niobé. Italian singer in broken French: 1841. 'Dear sirs I thank you because I promise that if I ever sing again it will only be on the stage of the Teatro-Italiano of Paris'. 1842. Signor Rubini performs to the echoes of the Thames the eternal cavatinas of The Somnambula from the Puritans and from The Niobé. Rubini promises the Parisians not to sing anywhere else but the following year appears on the London stage.The Promises of a Tenor" a series of caricatures dating from1841-1842 mocks the often unfulfilled promises of Italian opera tenors particularly the famous Giovanni Battista Rubini by juxtaposing their Parisian vows at the Teatro Italiano with their incessant rehearsals of the same arias cavatines on the London stage illustrating the hypocrisy and boredom felt by the audience towards these vocal divas. Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Paris: Bauger, 1842 unknown
